Search results for ""author j.g. nichols""

Of unknown date, and surviving in a tenth-century manuscript, Beowulf is the tale of a young Geatish hero and his struggle with three deadly foes, beginning with the dread monster Grendel, who has been devouring warriors in the hall of the Danish King in their sleep. The most important Old English poem, and the first known major poem written in a European vernacular, Beowulf is a unique and compelling mix of sixth-century historical events, Christian commentary, Germanic myth and Anglo-Saxon culture. The poem is presented here in a dual-text format with a new translation by multi-award-winning translator J.G. Nichols.

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The notorious adventurer and seducer Giacomo Casanova tells of his travels – on the run from the authorities of his native Venice – around northern Europe, poking fun at the ruling classes he encounters there, before focusing on a pivotal incident that occurs in Warsaw. Insulted by a Polish count over an Italian ballerina, Casanova finds himself forced to challenge his rival to a duel, and the sequence of events and their aftermath are described with gusto by the narrator. A rollicking autobiographical account by one of the most iconic figures of eighteenth-century Europe, The Duel is presented here with an extract about the same event from Casanova’s memoirs, written fifteen years later.

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Published in 1880, one year before Verga’s influential novel The Malavoglias, Life in the Country first marked his stylistic shift towards the verismo school of Italian realism. The collection’s centrepiece, ‘Rustic Honour’ (‘Cavalleria rusticana’) – which was famously adapted into a play by the author before becoming an opera by Mascagni – tells the tale of Turiddu, a poor young man who returns from military service and finds himself embroiled in adultery and a feud with a rival. Also including the well-known stories ‘She-Wolf’ and ‘Foxfur’, Life in the Country captures, in an objective, non-judgemental prose, the difficult conditions and personal struggles of the peasant class in his native Sicily at the turn of the twentieth century.

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By writing what he called a “secret book” – taking the shape of a conversation between himself and St Augustine – Petrarch aimed to compose a cathartic text which would alleviate his spiritual crisis and help him make further inroads towards knowledge and fulfilment. At once an intimate repository of his most personal thoughts and emotions and a literary masterpiece dealing with universal issues, Secretum – Petrarch’s best-known work in Latin – is a fascinating and pioneering example of the autobiographical genre.

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Foscolo ranks among the most famous and enduringly popular poets in Italian literature, and in this collection, the only available in the English language, his most significant poems are collected in J.G. Nichols's lucid verse translation. Expressing the author's political, civic and sentimental concerns, these poems will surprise the English reader with their immediacy and intimacy. Sepulchres, Foscolo's masterpiece, as well as being one of the pinnacles of European neoclassical literature, is still one of the most widely studied poems in Italy. Foscolo's poetry reveals the inner recesses of a passionate, restless and surprisingly modern mind.

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First published in 1831, and here presented in a dual-language edition with annotations and additional reading material, Leopardi’s poetical masterpiece is an unsurpassed anatomy of man’s unhappiness on earth. Trapped between an admiration for the classical past and a disappointment in the impoverished present, Leopardi rejected both the easy allure of Catholic faith and the unbridled optimism proposed by science and the Enlightenment. His unflinching pessimism and existential resolve, here brilliantly rendered in verse by prize-winning translator J.G. Nichols, make him one of the most fascinating and best-loved Italian poets.

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Saddened with his country’s loss of freedom, disillusioned with life and racked with loneliness and ennui, university student Jacopo Ortis can only find some comfort in the company of his friends and in his love for Teresa. But when his studies call him back to Padua and he is separated from her, Jacopo’s torments become unbearable, and he feels that there is only one way out of his misery – a symbolic gesture against fate, God and all the tyrants of this world. Allegedly based on the real-life tragic story of the Italian student Girolamo Ortis, and suffused with the author’s own autobiographical experiences, Last Letters of Jacopo Ortis is a masterly prose work by one of Italy’s most celebrated poets, and perhaps the greatest Italian novel of the Romantic movement.

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Found in the Codex Atlanticus of Leonardo da Vinci’s writings and drawings, ‘The Prophecies’ are a collection of enigmatic divinatory pronouncements, some punning and playful, others dire and ominous. While the author’s intentions behind these utterances are unclear, they clearly attest to the artist’s fevered and troubled imagination and offer a glimpse into a world very similar to that depicted in his lost painting The Battle of Anghiari. This volume also contains a further selection of Leonardo da Vinci’s fragmentary writings, in the form of fables and aphorisms. Taken together, these pieces provide an invaluable insight into the thought processes of one of the Renaissance’s most productive minds.

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The Leopard, published posthumously in 1958, was one of the most important works of fiction to appear in the Italian language in the twentieth century. Between 1925 and 1930, its author, Giuseppe Tomasi di Lampedusa, wrote a number of letters to his cousins Casimiro and Lucio Piccolo in which he describes his travels around Europe (London, Paris, Zurich, Berlin). The letters, here published in English for the first time, display much of Lampedusa’s distinctive style present in his later work: not only the razor-sharp introspection, but also a wicked sense of humour, playful in its description of the comédie humaine.

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In the summer of 1348, the plague ravages Florence, and ten young Florentines take refuge in the countryside, where they entertain themselves with tales of love, death and corruption, featuring a host of colourful characters, from lascivious clergymen and mad kings to devious lovers and false miracle-makers. Named after the Greek for ten days, Boccaccio’s book of stories draws on ancient mythology, contemporary events and everyday life, leaving an indelible mark on the works of future writers such as Chaucer and Shakespeare. J.G. Nichols’s new translation stays as faithful to the original as possible while being written in a clear and eminently modern English, capturing the timeless humour of one of the great classics of world literature.

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"Rising from humble beginnings as a foundling, Castruccio Castracani came to prominence as one of the most powerful and shrewd warlords in Italy. Indeed, Machiavelli argues, so great was his vigour and charisma that - had he not been prevented by his untimely death - he might have surpassed in fame the great generals of antiquity and brought all the territories of Italy under his sole dominion. Written in Machiavelli's characteristically lucid and terse style, Life of Castruccio Castracani is not only a key text in understanding the development of the author's ideas on leadership and good statesmanship that would find fuller expression in The Prince, but also a revealing account of the political ferment and fractious factionalism of fourteenth-century Italy. This edition is accompanied by selected passages from Machiavelli's Florentine Histories and a detailed map with historical notes."

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Travelling salesman Enrico Gaia decides to play a trick on the conceited ageing littérateur Mario Samigli: he dupes him into thinking that a representative of a prestigious Viennese publishing house wants to commission a German translation of a long-forgotten novel Samigli had written and published at his own expense forty years ago. This leads the old man to reach new heights of self-delusion, spurred on by Gaia’s succession of ruses. In this tragicomic study of deception and disappointment, Italo Svevo – who himself was an undiscovered writer until his old age – parodies elements of his own life and offers an insightful psychological portrait of a person who has lost touch with reality.

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Alongside his monumental Zibaldone (Notebooks) and the poems collected in Canti, which make him one of Italy’s greatest and best-loved poets, Giacomo Leopardi penned a number of fictional pieces, mostly in the form of gently humorous dialogues, in which he dealt with philosophical ideas and many of the metaphysical questions that preoccupied his restless spirit. First published in 1827 and here presented in a new translation by J.G. Nichols along with Thoughts, Leopardi’s own selected pearls of wisdom and gems of social observation, Moral Fables will enchant both those who are familiar with and those who are new to the works of Italy’s last great polymath.

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Dante is known to most readers outside Italy for his gritty descriptions of the Inferno, but there is another, gentler side to his poetry, which found expression throughout his career in verses that made him, together with his friend Guido Cavalcanti, the leading love poet of his generation. From the ballads and rime of his youth to the heart-rending lyrics written on the death of Beatrice and the more sober, philosophical canzoni of his later years, this volume provides the only English edition of the great Florentine’s complete love poems, in brilliant verse translations by Dante specialists J.G. Nichols and Anthony Mortimer.

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This collection of Dante Alighieri’s lyrics charts his poetic evolution and displays the ground on which his Vita nuova and Divine Comedy developed. Inspired in his early poems by troubadour love poetry, Dante would later come to master all the genres of the time, such as the canzone, the sonnet and the ballad. At the same time deeply personal – dealing with themes of love, death and exile – and imbued with the poetic and political milieux of the period, Dante’s Rime offer a fascinating glimpse into the imagination of arguably the greatest writer of all time.

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Dante’s dramatic journey through the circles of hell in search of redemption – and his encounter with devils, monsters and the souls of some of the greatest sinners who ever walked on earth – is one of the cornerstones of Western literature, the summit of medieval thinking and arguably the highest poetic achievement of all time. Inferno, the first part of Dante’s Comedy, is presented here in a new verse translation by acclaimed poet and prize-winning translator J.G. Nichols, together with the original text facing, extensive notes, illustrations and a critical apparatus focusing on the author’s life and works.

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