Search results for ""author haywood"

Fair Philosopher, the first sustained scholarly study of The Female Spectator, brings together an impressive collection of established and upcoming Haywood scholars who challenge much of the received opinion about this groundbreaking journal. Several of the essays show that Haywood's periodical was far more political than is generally thought, that its connections to her career as a novelist are more intimate than has been recognized, and that The Spectator was a target as well as a model. This collection makes a convincing argument that Haywood's periodical deserves far more critical attention than it has received so far and suggests new lines of development for future Haywood scholarship.

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'Touching, tender . . . filled with wonderful humour' Sarah Haywood'A very special book' Katie FfordeThe Sunday Times bestselling novel, perfect for fans of Eleanor Oliphant is Completely Fine and The Rosie Project.My name is Hope Nicely. Why am I writing this book? That's easy. This book is going to change my life.My boss, Karen, says a friend is a stranger you haven't met yet. I think that's right. Veronica Ptitsky and Danny Flynn are strangers, except I have met them now because they 're in my writing class. But I don't want any friends, actually (only dog ones).I have my mum, Jenny Nicely, who says adopting me was the best thing she ever did, even if my thoughtsbounce a bit differently to other people'sExcept when my life does change it isn't because of my book but because something happens to my mum, Jenny Nicely, and she isn't here anymore. And, flip a pancake, I'm not very good at being on my own.Maybe I do need some human friends after all . . .'A gorgeous, funny, heartwarming read. Leaves you smiling' Ericka Walker, author of Dog Days

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'Touching, tender . . . filled with wonderful humour' Sarah Haywood'A very special book' Katie FfordeThe Sunday Times bestselling novel, perfect for fans of Eleanor Oliphant is Completely Fine and The Rosie Project.My name is Hope Nicely. Why am I writing this book? That's easy. This book is going to change my life.My boss, Karen, says a friend is a stranger you haven't met yet. I think that's right. Veronica Ptitsky and Danny Flynn are strangers, except I have met them now because they're in my writing class. Karen says friends always have your back. They don't mean your real back, of course. It's called an analogy. But I don't want any friends, actually (only dog ones). I have my mum, Jenny Nicely, who says adopting me was the best thing she ever did, even if my thoughts bounce a bit differently to other people's thoughts. She is proud of me for writing my book which will be a Big Achievement. I tell her that writing my story is going to change my life.Except when my life does change it isn't because of my writing but because something happens to my mum, Jenny Nicely, and she isn't here anymore. And, flip a pancake, this is not what I wanted. I'm not very good at being on my own and I wish she were here to tell me everything will be right as rain again soon. Maybe I do need some human friends after all . . . 'A gorgeous, funny, heartwarming read. Leaves you smiling' Ericka Walker, author of Dog Days

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Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature - plays, novels, and pamphlets - during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking. Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.

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Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature - plays, novels, and pamphlets - during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking. Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.

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'WONDERFUL. ONE NEVER MESSES WITH THE FAERIES' Melanie Reid, The Times'AN ABSOLUTE TRIUMPH' Sarah Haywood, author of The Cactus 'A BRILLIANT TOUR-DE-FORCE -RIVETING' Alistair Moffatt, author of The Hidden Ways 'EXTRAORDINARILY VIVID' Michelle Gallen, author of Big Girl Small TownA spellbinding novel combining Scottish folklore with hidden history, by the Sunday Times bestselling author Sally Magnusson.Loch Katrine waterworks, 1856. A Highland wilderness fast becoming an industrial wasteland. No place for a lady. Isabel Aird is aghast when her husband is appointed doctor to an extraordinary waterworks being built miles from the city. But Isabel, denied the motherhood role that is expected of her by a succession of miscarriages, finds unexpected consolations in a place where she can feel the presence of her unborn children and begin to work out what her life in Victorian society is for. The hills echo with the gunpowder blasts of hundreds of navvies tunnelling day and night to bring clean water to diseased Glasgow thirty miles away - digging so deep that there are those who worry they are disturbing the land of faery itself. Here, just inside the Highland line, the membrane between the modern world and the ancient unseen places is very thin. With new life quickening within her again, Isabel can only wait. But a darker presence has also emerged from the gunpowder smoke. And he is waiting too. Inspired by the mysterious death of the seventeenth-century minister Robert Kirke and set in a pivotal era two centuries later when engineering innovation flourished but women did not, The Ninth Child blends folklore with historical realism in a spellbinding narrative.*PRAISE FOR THE SEALWOMAN'S GIFT*'I enjoyed and admired it in equal measure' SARAH PERRY'An extraordinarily immersive read' Guardian'Richly imagined and energetically told' Sunday Times'An epic journey' Zoe Ball Book Club

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This collection of early works by Eliza Haywood includes the well-known novella Fantomina (1725) along with three other short, highly engaging Haywood works: The Tea-Table (1725), Reflections on the Various Effects of Love (1726), and Love-Letters on All Occasions (1730). In these writings, Haywood arouses the vicarious experience of erotic love while exploring the ethical and social issues evoked by sexual passion.This Broadview edition includes an introduction that focuses on Haywood’s life and career and on the status of prose fiction in the early eighteenth century. Also included are appendices of contextual materials from the period comprising writings by Haywood on female conduct, eighteenth-century pornography (from Venus in the Cloister), and a source text (Nahum Tate’s A Present for the Ladies).

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Prolific even by eighteenth-century standards, Eliza Haywood was the author of more than eighty titles, including short fiction, novels, periodicals, plays, poetry, and a political pamphlet for which she was briefly jailed. From her early successes (most notably Love in Excess) to later novels such as Betsy Thoughtless (her best known work) she remained widely read, yet sneered at as a 'stupid, infamous, scribbling woman' by the likes of Swift and Pope.Betsy Thoughtless is the story of the slow metamorphosis of the heroine from thoughtless coquette to thoughtful wife. Ironically, the most decisive moment in this development may be when Betsy decides to leave her emotionally abusive and financially punishing husband; it is only after experiencing independence that she returns to her marriage and to what becomes her husbands deathbed. Betsy Thoughtless may be the first real novel of female development in English. In this edition the text is accompanied by appendices, including writings from the period that shed light on Haywood's life and work, and on her relationship with contemporaries such as Henry Fielding.

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As featured on The Kelly Clarkson ShowThere's something magical about Yarrow, Kentucky. The three empathic witches of the Haywood family are known for their shadow garden-from strawberries that taste like chocolate to cherry tomatoes imbued with the flavors of basil and oregano. Their magic can cure any heartache, and the fruits of their garden bring a special quality to the local bourbon distillery. On one day every year, a shot of Bonner bourbon will make your worst memory disappear. But the Haywoods will never forget the Bonners' bitter betrayal.Twenty years ago, the town gave up more than one memory; they forgot an entire summer. One person died. One person disappeared. And no one has any recollection of either.As events from that fateful summer start to come to light, there must be a reckoning between the rival Haywood and Bonner families. But untangling the deep roots of this town's terrible secrets will expose more than they could ever imagine about love, treachery, and the true nature of their power.

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'Haywood's lucid explanations of the cultures of the Danes, Swedes, and Norwegians are vital to understanding the motivations for their movements' KIRKUS REVIEWS. The violent and predatory society of Dark Age Scandinavia left a unique impact on the history of medieval Europe. From their chill northern fastness, Norse warriors, explorers and merchants raided, traded, and settled across wide areas of Europe, Asia and the North Atlantic from the late 8th to the mid-11th century. Northmen narrates their story focusing on places where key events were played out, from the sack of Lindisfarne in 793 to the murder in Iceland in 1241 of the saga-writer Snorri Sturluson. Such episodes are fascinating in themselves, but also shed crucial light on the nature of Viking activity – its causes, effects, and the reasons for its decline. In 800 the Scandinavians were barbarians in longships bent on plunder and rapine; by 1200, their homelands were an integral part of Latin Christendom. John Haywood tells, in authoritative but compellingly readable fashion, the extraordinary story of the Viking Age.

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Fantomina, or, Love in a Maze is a novella by Eliza Haywood which charts an unnamed female protagonist’s pursuit of the charming, shallow Beauplaisir. Dealing with major themes such as identity, class and sexual desire, and first published in 1725, Fantomina subverts the popular ‘persecuted maiden’ narrative, and reaches a climax which would have shocked its contemporary readership. Moving to London, a young woman – let’s call her Fantomina – meets a dashing man at the theatre. After a short, but intense, fling, Beauplaisir grows bored of Fantomina, and leaves her. Outraged that she should be so treated, Fantomina discards her disguise in favour of another, and sets off in hot pursuit of her victim, and a game of cat and mouse begins. This edition features an introduction by Dr Sarah R. Creel, Bethany E. Qualls and Dr Anna K. Sagal of the International Eliza Haywood Society.

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Shortlisted for the Authors’ Club Best First Novel Award ‘A therapeutic dose of high-strength emotion’ GUARDIAN Augusta Hope has never felt like she fits in. At six, she’s memorising the dictionary. At seven, she’s correcting her teachers. At eight, she spins the globe and picks her favourite country on the sound of its name: Burundi. And now that she's an adult, Augusta has no interest in the goings-on of the small town where she lives with her parents and her beloved twin sister, Julia. When an unspeakable tragedy upends everything in Augusta's life, she's propelled headfirst into the unknown. She's determined to find where she belongs – but what if her true home, and heart, are half a world away? ‘It’s going to be all over every book club in Britain before you can say Burundi’ THE TIMES ‘Full of the reality of hope and despair in everyone’s lives’ MIRANDA HART ‘This gem of a novel entertains and moves in equal measure’ DAILY MAIL ‘Keep the tissues close’ GOOD HOUSEKEEPING ‘An irresistible message of redemption and belonging’ RED magazine ‘Heartening and hopeful’ JESS KIDD, author of Things in Jars ‘Mesmerizingly beautiful’ SARAH HAYWOOD, author of The Cactus ‘An extraordinary masterpiece’ ANSTEY HARRIS, author of The Truths and Triumphs of Grace Atherton ‘Gutsy, endearing and entertaining’ DEBORAH ORR ‘Absolutely brilliant’ GAVIN EXTENCE, author of The Universe Versus Alex Wood

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Pearson's canal companions encourage visitors, explain the lie of the land and provide a lasting souvenir of journeys made. This new 9th edition of the Stourport & Black Country Rings and Birmingham Canal Navigations Canal Companion marks a new format: theextent has increased from 96 to 160 pages, maps from 41 to 48 and photographs from 65 to 153. Coverage within this Canal Companion include: River Severn (Worcester-Stourport); Staffs & Worcs Canal (Stourport to Great Haywood); BCN Main Line (Aldersley to Birmingham); Worcs & Birmingham Canal (Birmingham to Worcester); Birmingham & Fazeley Canal (Birmingham-Fazeley); Coventry Canal (Fazeley-Fradley); Trent and Mersey Canal (Fradley-Great Haywood); Stourbridge & Dudley Canals (Stourton-Netherton); BCN Northern Waters (Wolverhampton-Walsall-Brownhills).

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ResearchSEND was developed to promote the importance of research in meeting the needs of learners with SEND through events, collaborations, publications and research projects. Here, Michelle Haywood edits a collection of short essays spanning the latest SEND-related research and detailing how practice can be enhanced by that research. Each chapter ends with accessible bullet points on how the research can be integrated into the classroom.

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Early novel reading typically conjures images of rapt readers in quiet rooms, but commentators at the time described reading as a fraught activity, one occurring amidst a distracting cacophony that included sloshing chamber pots and wailing street vendors. Auditory distractions were compounded by literary ones as falling paper costs led to an explosion of print material, forcing prose fiction to compete with a dizzying array of essays, poems, sermons, and histories. In Distraction, Natalie M. Phillips argues that prominent Enlightenment authors-from Jane Austen and William Godwin to Eliza Haywood and Samuel Johnson-were deeply engaged with debates about the wandering mind, even if they were not equally concerned about the problem of distractibility. Phillips explains that some novelists in the 1700s-viewing distraction as a dangerous wandering from singular attention that could lead to sin or even madness-attempted to reform diverted readers. Johnson and Haywood, for example, worried that contemporary readers would only focus long enough to "look into the first pages" of essays and novels; Austen offered wry commentary on the issue through the creation of the daft Lydia Bennet, a character with an attention span so short she could listen only "half-a-minute." Other authors radically redefined distraction as an excellent quality of mind, aligning the multiplicity of divided focus with the spontaneous creation of new thought. Laurence Sterne's Tristram Shandy, for example, won audiences with its comically distracted narrator and uniquely digressive form. Using cognitive science as a framework to explore the intertwined history of mental states, philosophy, science, and literary forms, Phillips explains how arguments about the diverted mind made their way into the century's most celebrated literature. She also draws a direct link between the disparate theories of focus articulated in eighteenth-century literature and modern experiments in neuroscience, revealing that contemporary questions surrounding short attention spans are grounded in long conversations over the nature and limits of focus.

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The thrilling new novel from the multi-million copy global bestselling author, 'Queen of Suspense' Mary Higgins Clark. A glamorous cruise on a luxurious ocean liner turns deadly... Fleeing the humiliating arrest of her husband-to-be on the eve of their wedding, Celia Kilbride, a gems and jewellery expert, hopes to escape from public attention by lecturing on a brand-new cruise ship, the Queen Charlotte. On board she meets eighty-six-year-old Lady Emily Haywood – the owner of a priceless emerald necklace that she intends to leave to a museum after the cruise. But three days out to sea Lady Emily is found dead – with the necklace missing. And the list of suspects is large and growing. Celia sets out to find the killer, not realizing that she has put herself in mortal danger before the ship reaches its final destination…

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The thrilling new novel from the multi-million copy global bestselling author, 'Queen of Suspense' Mary Higgins Clark. A glamorous cruise on a luxurious ocean liner turns deadly... Fleeing the humiliating arrest of her husband-to-be on the eve of their wedding, Celia Kilbride, a gems and jewellery expert, hopes to escape from public attention by lecturing on a brand-new cruise ship, the Queen Charlotte. On board she meets eighty-six-year-old Lady Emily Haywood – the owner of a priceless emerald necklace that she intends to leave to a museum after the cruise. But three days out to sea Lady Emily is found dead – with the necklace missing. And the list of suspects is large and growing. Celia sets out to find the killer, not realizing that she has put herself in mortal danger before the ship reaches its final destination…

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Winner of the Blue Peter Award 2020. A mind-bending adventure from the author of Brightstorm! A year after the death of her older brother, Prue Haywood's family is still shattered by grief. But everything changes when a stranger arrives at the farm. A new, incredible technology has been discovered in the city of Medlock, where a secretive guild of inventors have developed a way to capture spirits of the dead in animal-like machines, bringing them back to life. Prue knows that the "Ghost Guild" might hold the key to bringing her brother back, so she seizes the stranger's offer to join as an apprentice. But to find her brother, she needs to find a way to get the ghost machines to remember the people they used to be. Yet if Prue succeeds, all of society could come apart... "Hardy has a laser-like sense of what appeals to her readership" - Literary Review

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Kristin M. Girten tells a new story of feminist knowledge-making in the Enlightenment era by exploring the British female philosophers who asserted their authority through the celebration of profoundly embodied observations, experiences, and experiments. This book explores the feminist materialist practice of sensitive witnessing, establishing an alternate history of the emergence of the scientific method in the eighteenth century. Francis Bacon and other male natural philosophers regularly downplayed the embodied nature of their observations. They presented themselves as modest witnesses, detached from their environment and entitled to the domination and exploitation of it. In contrast, the author-philosophers that Girten takes up asserted themselves as intimately entangled with matter—boldly embracing their perceived close association with the material world as women. Girten shows how Lucy Hutchinson, Margaret Cavendish, Aphra Behn, Eliza Haywood, and Charlotte Smith took inspiration from materialist principles to challenge widely accepted "modest" conventions for practicing and communicating philosophy. Forerunners of the feminist materialism of today, these thinkers recognized the kinship of human and nonhuman nature and suggested a more accessible, inclusive version of science. Girten persuasively argues that our understanding of Enlightenment thought must take into account these sensitive witnesses' visions of an alternative scientific method informed by profound closeness with the natural world.

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Prompted by commercial and imperial expansion such as the creation of the Bank of England in 1694 and the publication and circulation of Ben Jonson’s The Staple of News in 1626, rapidly changing cultural, economic, and political realities in early modern England generated a paradigmatic shift in class awareness. Denys Van Renen’s The Other Exchange demonstrates how middle-class consciousness not only emerged in opposition to the lived and perceived abuses of the aristocratic elite but also was fostered by the economic and sociocultural influence of women and lower-class urban communities. Van Renen contends that, fascinated by the intellectual and cultural vibrancy of the urban underclass, many major authors and playwrights in the early modern era—Ben Jonson, Richard Brome, Aphra Behn, Joseph Addison, Richard Steele, Eliza Haywood, and Daniel Defoe—featured lower-class men and women and other marginalized groups in their work as a response to the shifting political and social terrain of the day. Van Renen illuminates this fascination with marginalized groups as a key element in the development of a middle-class mindset.

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To this day, women face barriers in entering scientific professions, and in earlier eras the challenges were greater still. But in Botanical Entanglements, Anna Sagal reveals how women’s active participation in scientific discourses of the eighteenth century was enabled by the manipulation of social and cultural conventions that have typically been understood as limiting factors. By taking advantage of the intersections between domesticity, femininity, and nature, the writers and artists studied here laid claim to a specific authority on naturalist subjects, ranging from botany to entomology to natural history more broadly.Botanical Entanglements pairs studies of well-known authors—Eliza Haywood, Charlotte Lennox, Maria Edgeworth, and Charlotte Smith—with authors and artists who receive less attention in this context—Priscilla Wakefield, Maria Jacson, Elizabeth Blackwell, Henrietta Maria Moriarty, and Mary Delany—to offer a nuanced portrait of the diverse strategies women employed to engage in scientific labor. Using socially acceptable forms of textual production, including popular periodicals, didactic texts, novels, illustrated works, craftwork, and poetry, these women advocated for more substantive and meaningful engagement with the natural world. In parallel, the book also illuminates the emotional and physical intimacies between women, plants, and insects to reveal an early precursor to twenty-first-century theorizing of plant intelligence and human-plant relationships. Recognizing such literary and artistic "entanglement" facilitates a more profound understanding of the multifaceted relationship between women and the natural world in eighteenth-century England.

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‘Glorious!’ CLARE POOLEY ‘Compelling’ SUNDAY EXPRESS ‘Beautiful, uplifting and deeply moving’ FREYA SAMPSON From the Sunday Times bestselling author of Saving Missy A mother. A daughter. A secret waiting to be uncovered. The day that Delphine stands up for herself is the day that changes everything… For too long, Delphine has been unable to let go of the past, obsessed with protecting her daughter, Em, and clinging to a secret that has cast a shadow over their lives. When a chance encounter offers a way out, Delphine seizes it with both hands. As their lives begins to fill with colour again, can she find the courage to change their lives forever? ‘An uplifting story of second chances and the hope of human connection … full of warmth and wit’ The i paper ‘A beautiful story of love in all its forms’ Jessica Ryn ‘Glorious and heartfelt … full of hope, humour and kindness’ Sarah Haywood

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Arranged geographically by continent, GREAT CIVILISATIONS introduces 20 exceptional cultures and moments in human history. Find out how modern humans left Africa and when they settled in each continent. Learn about the origins of farming and how it led to the formation of wealthy cities and large empires. Discover amazing civilisations from around the world, from the ancient Egyptians and Greeks, to the earliest African and Australian cultures. AGES: 8 plus AUTHOR: David Owen worked as an editor in children's reference publishing for many years before becoming a freelance author and editor. Giulia Lombardo is a freelance illustrator based in Florence, Italy. She has illustrated non-fiction books on a range of subjects. Dr John Haywood is a fellow of the Royal Historical Society of Great Britain and the author of many books including The New Atlas of World History (Thames & Hudson) and The Penguin Historical Atlas of Ancient Civilisations. SELLING POINTS: . Provides an introduction to 20 ancient civilisations . Packed with information on food, trade, warriors, goddesses, festivals & much more . An eye-catching mix of large scenes showing how people lived and smaller illustrations with details of daily life . Ideal for home & school libraries

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Political Magic examines early modern British fictions of exploration and colonialism, arguing that narratives of intercultural contact reimagine ideas of sovereignty and popular power. These fictions reveal aspects of political thought in this period that official discourse typically shunted aside, particularly the political status of the commoner, whose “liberty” was often proclaimed even as it was undermined both in theory and in practice. Like the Hobbesian sovereign, the colonist appears to the colonized as a giver of rules who remains unruly. At the heart of many texts are moments of savage wonder, provoked by European displays of technological prowess. In particular, the trope of the first gunshot articulates an origin of consent and political legitimacy in colonial showmanship. Yet as manifestations of force held in abeyance, these technologies also signal the ultimate reliance of sovereigns on extreme violence as the lessthan-mystical foundation of their authority. By examining works by Cavendish, Defoe, Behn, Swift, and Haywood in conjunction with contemporary political writing and travelogues, Political Magic locates a subterranean discourse of sovereignty in the century after Hobbes, finding surprising affinities between the government of “savages” and of Britons.

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A Most Anticipated Book (Refinery29, HipLatina, Publishers Weekly, Latino Book Review, Elle, Al Día, and more)! Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can't Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope. In Wild Tongues Can't Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.

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'An utterly gorgeous novel. It will forever hold my heart in its pages' Pandora Sykes, co-host of The High-Low podcastGrace loves a woman. Annie loves a man. Violet isn't quite sure. But you'll love them all...Grace has what one might call a 'full and interesting life' which is code for not married and has no kids. Her life is the envy of her straight friends, but all this time she has been waiting in secret for love to hit her so hard that she runs out of breath, like the way a wave in a rough sea bowls you over, slams you into the sand, and nearly drowns you.When Grace meets a beautiful woman at a party, she falls suddenly and desperately in love. At the same party, lawyer Annie meets the man of her dreams - the only man she's ever met whose table manners are up to her mother's standards. And across the city, Violet, who is afraid of almost everything, is making another discovery of her own: that for the first time in her life she's falling in love with a woman.A Love Story for Bewildered Girls is a moving and exquisitely funny novel about love, sex and heartbreak.'Exquisitely tender, beautifully written, funny and sad' Daisy Buchanan, author of How to Be a Grown-up 'Funny, honest, brilliant' Nina Stibbe, bestselling author of Love, Nina'I absolutely loved this book by Emma Morgan which follows 3 women's very different love lives... I inhaled it' Emma Gannon, Sunday Times best-selling author and host of the podcast Ctrl-Alt-Delete'Funny, touching, uplifting, thoroughly modern' Lauren Bravo, author of What Would the Spice Girls Do?'I was transfixed by this funny and moving story of three women navigating their way through the complexities of love, life and the search for personal fulfilment' Sarah Haywood, author of The Cactus, a Richard & Judy Book Club Pick 'A charming modern romance' Glamour 'Beautifully written, Morgan's novel is a seriously impressive debut' Stylist'Emma Morgan is an author to look out for' Julie Cohen, author of 'Louis & Louise'LONGLISTED FOR THE POLARI PRIZE 2020

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Novel Bodies examines how disability shapes the British literary history of sexuality. Jason Farr shows that various eighteenth-century novelists represent disability and sexuality in flexible ways to reconfigure the political and social landscapes of eighteenth-century Britain. In imagining the lived experience of disability as analogous to—and as informed by—queer genders and sexualities, the authors featured in Novel Bodies expose emerging ideas of able-bodiedness and heterosexuality as interconnected systems that sustain dominant models of courtship, reproduction, and degeneracy. Further, Farr argues that they use intersections of disability and queerness to stage an array of contemporaneous debates covering topics as wide-ranging as education, feminism, domesticity, medicine, and plantation life. In his close attention to the fiction of Eliza Haywood, Samuel Richardson, Sarah Scott, Maria Edgeworth, and Frances Burney, Farr demonstrates that disabled and queer characters inhabit strict social orders in unconventional ways, and thus opened up new avenues of expression for readers from the eighteenth century forward. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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‘One of those rarest of books: so beautiful I almost couldn’t bear it, and so moving I was reading through tears’ STACEY HALLS ‘Uniquely witty, beautifully observed, intricately woven’ MIRANDA HART ‘A truly glorious life-affirming book, in which love, hope and friendship trump sorrow’ DINAH JEFFERIES ‘Had me absolutely sobbing – a beautiful, beautiful book’ JO BROWNING WROE, bestselling author of A TERRIBLE KINDNESS ‘Worth every tear’ WOMAN & HOME ‘Exquisitely tender, powerfully compelling’ SARAH HAYWOOD ‘One of my new all-time favourite books – an absolute joy’ JULIETTA HENDERSON ‘Thoughtful, warm and engaging’ CHRISTINA SWEENEY-BAIRD ‘Honest, heartfelt and hopeful’ MARIANNE CRONIN ‘A joy to read’ ANNE YOUNGSON ‘A love song to women everywhere’ ERICKA WALLER MEET EVA MARTÍNEZ-GREEN, AN ONLY CHILD FULL OF QUESTIONS ABOUT HER BEGINNINGS. Between her emotionally absent mother and her physically absent father, there is nobody to answer them. Eva is convinced that all is not as it seems. Why are there no baby pictures of her? Why do her parents avoid all questions about her early years? When her parents’ relationship crumbles, Eva begins a journey to find these answers for herself. Her desire to discover where she belongs leads Eva on a journey spanning decades and continents – and, along the way, she meets women who challenge her idea of what a mother should be, and who will change her life forever… ‘A glorious journey into loving & longing’ ANSTEY HARRIS ‘Heartrending and heartwarming’ CELIA ANDERSON ‘Exquisite’ JESSICA RYN ‘A deep delight of a book that vibrates with love and longing’ HELEN PARIS________________________________________________________ Praise for Joanna Glen’s debut novel, The Other Half of Augusta Hope: ‘A therapeutic dose of high-strength emotion’ GUARDIAN ‘Entertains and moves in equal measure’ DAILY MAIL ‘Keep the tissues close’ GOOD HOUSEKEEPING ‘An irresistible message of redemption and belonging’RED magazine ‘Heartening and hopeful’ JESS KIDD ‘Mesmerizingly beautiful’ SARAH HAYWOOD ‘An extraordinary masterpiece’ ANSTEY HARRIS

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Sparks fly when a daring diva clashes with an ice-cold war hero in the newest thrilling romance in USA Today bestselling author Julie Anne Long’s Palace of Rogues series.She arrives in the dead of night, a mob out for blood at her heels: Mariana Wylde, the “Harlot of Haywood Street,” an opera diva brought low by a duel fought for her favors. But the ladies of the Grand Palace on the Thames think they can make a silk purse from scandal: They’ll restore her reputation and share in her triumph...provided they can keep her apart from that other guest. Coldly brilliant, fiercely honorable, General James Duncan Blackmore, the Duke of Valkirk, is revered, feared, desired...but nobody truly knows him. Until a clash with a fiery, vulnerable beauty who stands for everything he scorns lays him bare. It’s too clear the only cure for consuming desire is conquest, but their only chance at happiness could lead to their destruction. The legendary duke never dreamed love would be his last battleground. Valkirk would lay down his life for Mariana, but his choice is stark: risk losing her forever, or do the one thing he vowed he never would...surrender.

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Menials argues that British writers of the long-eighteenth century projected their era’s economic and social anxieties onto domestic servants. Confronting the emergence of controversial principles like self-interest, emulation, and luxury, writers from Eliza Haywood, Daniel Defoe, and Samuel Richardson to Mary Shelley, Charles Dickens, and William Thackeray used literary servants to critique what they saw as problematic economic and social practices. A cultural history of economic ideology as well as a literary history of domestic service, Menials traces the role of the domestic servant as a representation of the relationship between the master’s ideal self and the cultural forces that threaten it.

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The essays in this volume cover lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies, and include the draft of an unpublished essay found amongst Professor Deyermond's papers. Professor Alan Deyermond was one of the leading British Hispanists of the last fifty years, whose work had a formative influence on medieval Hispanic studies around the world. There were several tributes to his work published during his lifetime, and it is fitting that this one, in his memory, should be produced by Tamesis, the publishing house that he helped establish and to which he contributed so much as author and editor right up to his death. The contributors to this volume are some of Professor Deyermond's former colleagues, doctoral students, and members of the Medieval Hispanic Research Seminar. Given Professor Deyermond's breadth of expertise, the span of the essays is appropriately wide, ranging chronologically from the thirteenth to the sixteenth century, and covering lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies. The volume opens with a personal memoir of her father by Ruth Deyermond, and closes with the draft of an unpublished essay found amongst Professor Deyermond's papers, and edited by his literary executor, Professor David Hook. Andrew M. Beresfordis Reader and Head of Hispanic Studies at the University of Durham. Louise M. Haywood is Reader in Medieval Iberian Literary and Cultural Studies, and Head of the Department of Spanish and Portuguese at the University of Cambridge. Julian Weiss is Professor of Medieval & Early Modern Hispanic Studies at King's College London.

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This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927–2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue – at times contentious – between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings—born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking—challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

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The considerable contributions of British women playwrights of the Restoration and eighteenth century, long unavailable, have now inspired numerous anthologies, editions, and modern-day productions. As these works continue to gain recognition and secure a more prominent place in college curriculums, teachers face the challenge of introducing these rediscovered works to students and explaining how they fit into the period’s dramatic tradition. This volume aims to help instructors present a clearer sense of this body of work in the undergraduate and graduate classroom.The volume opens with background essays on the history of women in theater, including the first appearance of actresses on the stage, the earliest professional women playwrights, and their relationships with critics, audiences, and the theater manager David Garrick. Contributors then focus on individual playwrights, from Aphra Behn and Mary Pix to Hannah Cowley and Elizabeth Inchbald, and explore these women’s political, protofeminist, critical, and moralist agendas. Discussions of Frances Burney and Eliza Haywood, authors of both novels and plays, raise the question of genre. Comparative approaches offer ways of pairing plays in the classroom, following themes such as masquerade and cross-dressing through the works of female dramatists and those of their male counterparts. Other essays present methods for using these writers and their works in British literature and history courses, surveys of drama and theater history, and introductions to women’s literature.

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Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O'Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era. Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O'Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism's effect on history and human labor, desire, and memory. This period's imaginative writing, O'Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.

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In 1931, nine black youths were charged with raping two white women in Scottsboro, Alabama. Despite meager and contradictory evidence, all nine were found guilty and eight of the defendants were sentenced to death--making Scottsboro one of the worst travesties of justice to take place in the post-Reconstruction South. Remembering Scottsboro explores how this case has embedded itself into the fabric of American memory and become a lens for perceptions of race, class, sexual politics, and justice. James Miller draws upon the archives of the Communist International and NAACP, contemporary journalistic accounts, as well as poetry, drama, fiction, and film, to document the impact of Scottsboro on American culture. The book reveals how the Communist Party, NAACP, and media shaped early images of Scottsboro; looks at how the case influenced authors including Langston Hughes, Richard Wright, and Harper Lee; shows how politicians and Hollywood filmmakers invoked the case in the ensuing decades; and examines the defiant, sensitive, and savvy correspondence of Haywood Patterson--one of the accused, who fled the Alabama justice system. Miller considers how Scottsboro persists as a point of reference in contemporary American life and suggests that the Civil Rights movement begins much earlier than the Montgomery Bus Boycott of 1955. Remembering Scottsboro demonstrates how one compelling, provocative, and tragic case still haunts the American racial imagination.

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The memoir of Gwendolyn Midlo Hall offers today's activists and readers an accessible and intimate examination of a crucial era in American radical history. Born in 1929 New Orleans to left-wing Jewish parents, Gwendolyn Midlo Hall's life has spanned nearly a century of engagement in anti-racist, internationalist political activism. In this moving and instructive chronicle of her remarkable life, Midlo Hall recounts her experiences as an anti-racist activist, a Communist Party militant, and a scholar of slavery in the Americas, as well as the wife and collaborator of the renowned African-American author and Communist leader Harry Haywood. Telling the story of her life against the backdrop of the important political and social developments of the 20th century, Midlo Hall offers new insights about a critical period in the history of labor and civil rights movements in the United States. Detailing everything from Midlo Hall's co-founding of the only inter-racial youth organization in the South when she was 16-years-old, to her pioneering work establishing digital slave databases, to her own struggles against cruel and pervasive sexism, Haunted by Slavery is a gripping account of a life defined by profound dedication to a cause.

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Sumeria, c.3500 BC, witnessed the birth of the world's very first city by the rich and fertile banks of the Uruk. Over the next four millennia, the social and cultural landscape would change beyond recognition as many of history's most important kingdoms and cities took root. Interweaving Mesopotamian, Egyptian, Persian, Greek and Roman history, this book follows these burgeoning empires over 4,000 years, examining the delicate balance of power as they vied for territory, conquest and glory. From Alexander the Great's 22,000-mile march on Persia to Attila the Hun's plunder of the Roman empire, John Haywood brings the most crucial battles and decisive campaigns to vivid life, and examines the extraordinary cultural achievements of these civilizations - the first written words, the spectacular works of architecture, the growth of democracy and the spread of religions - that changed our world for ever.

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'I was gripped, desperate to solve the mystery of Nancy Moon' Sarah Haywood, New York Times bestselling author of THE CACTUS'Wonderful. This book is a joy' Katie Fforde, Sunday Times bestselling author'Two captivating stories of love and heartbreak, stitched together by a trail through Europe in 1962' Gill Paul, author of THE SECRET WIFETHE USA TODAY BESTSELLER. Set against the glistening backdrop of the Riviera, this is a truly captivating novel about two women whose lives become seamlessly intertwined when they embark on the same journey decades apart. Take a journey and immerse yourself in this year's most irresistible read. Perfect for fans of Kathryn Hughes, Suzanne Goldring and The Paris Seamstress.To unravel that long-lost summer, she had to follow the thread...Florence Connelly is broken hearted. Her marriage has collapsed under the weight of the loss she shares with her husband, and her beloved grandmother has just died. Even the joy she found in dressmaking is gone.But things change when Flo opens a box of vintage 1960s dress patterns found inside her grandmother's wardrobe. Inside each pattern packet is a fabric swatch, a postcard from Europe and a photograph of a mysterious young woman, Nancy Moon, wearing the hand-made dress.Flo discovers that Nancy was a distant relation who took the boat train to Paris in 1962 and never returned. With no one to stay home for, Flo decides to follow Nancy's thread. She unravels an untold story of love and loss in her family's past. And begins to stitch the pieces of her own life back together.** DON'T MISS SARAH STEELE'S STUNNING NOVEL THE SCHOOLTEACHER OF SAINT-MICHEL **'A gorgeous, tender debut' Kate Riordan, author of THE HEATWAVE'I felt so passionately involved in Flo's journey. A GORGEOUS read' Prima, BOOK OF THE MONTH'Warm and true... Pays tribute to the heart and backbone of women who support each other when the world turns its back' Stephanie Butland, author of LOST FOR WORDSReaders worldwide simply adore THE MISSING PIECES OF NANCY MOON:'If I could give 10 stars I would''Heartwarming, uplifting, emotional and immersive, The Missing Pieces of Nancy Moon is a must-read, encapsulating the essence of summer like the sun is shining from the pages''OMG WHAT A BOOK. Fabulously, beautifully written book.''One of the best books I have read this year. It has it all - love, mystery, deceit and a secret. Five stars all the way'

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In this pathbreaking work of scholarship, Laura Doyle reveals the central, formative role of race in the development of a transnational, English-language literature over three centuries. Identifying a recurring freedom plot organized around an Atlantic Ocean crossing, Doyle shows how this plot structures the texts of both African-Atlantic and Anglo-Atlantic writers and how it takes shape by way of submerged intertextual exchanges between the two traditions. For Anglo-Atlantic writers, Doyle locates the origins of this narrative in the seventeenth century. She argues that members of Parliament, religious refugees, and new Atlantic merchants together generated a racial rhetoric by which the English fashioned themselves as a “native,” “freedom-loving,” “Anglo-Saxon” people struggling against a tyrannical foreign king. Stories of a near ruinous yet triumphant Atlantic passage to freedom came to provide the narrative expression of this heroic Anglo-Saxon identity—in novels, memoirs, pamphlets, and national histories. At the same time, as Doyle traces through figures such as Friday in Robinson Crusoe, and through gothic and seduction narratives of ruin and captivity, these texts covertly register, distort, or appropriate the black Atlantic experience. African-Atlantic authors seize back the freedom plot, placing their agency at the origin of both their own and whites’ survival on the Atlantic. They also shrewdly expose the ways that their narratives have been “framed” by the Anglo-Atlantic tradition, even though their labor has provided the enabling condition for that tradition.Doyle brings together authors often separated by nation, race, and period, including Aphra Behn, Eliza Haywood, Olaudah Equiano, Nathaniel Hawthorne, Harriet Wilson, Pauline Hopkins, George Eliot, and Nella Larsen. In so doing, she reassesses the strategies of early women novelists, reinterprets the significance of rape and incest in the novel, and measures the power of race in the modern English-language imagination.

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In the twentieth-century millions of people across the globe addressed each other as "comrade". Now, it's more common to hear talk of "allies" on the left than it is of comrades. In Comrade, Jodi Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relation of political belonging that must be built, sustained, and defended.In Comrade, Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterised by discipline, joy, courage, and enthusiasm. Considering the generic egalitarianism of the comrade in light of differences of race and gender, Dean draws from an array of historical and literary examples such as Harry Haywood, C.L.R James, Alexandra Kollontai, and Doris Lessing. She argues that if we are to be a left at all, we have to be comrades.

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This book of thermodynamic tables for students is presented in the widely used SI (metric) unit system and is an updated version of the previous edition. In addition to steam and refrigerant tables, the book includes a table of molar enthalpies of gases at low pressure, a series of thermochemical tables, tables giving thermodynamic properties of air at low temperatures (for use in gas liquifaction and refrigeration calculations at cryogenic temperatures) and tables of transport properties of various fluids. A number of appendices define all units used in the tables and give both exact and approximate conversion factors to British units and to some non-SI units. In this new edition of the book, Mr Haywood has made a major change in the table of equilibrium constants, to suit more generally accepted practice. Definitions of the basic SI units have also been updated. This book will be of great use to all students studying engineering and science subjects and, in particular, mechanical engineering students.

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Helen Thompson's Ingenuous Subjection offers a new feminist history of the eighteenth-century domestic novel. By reading social contract theory alongside representations of the domestic sphere by authors such as Mary Astell, Mary Davys, Samuel Richardson, Eliza Haywood, and Frances Sheridan, Thompson shows how these writers confront women's paradoxical status as both contractual agents and naturally subject wives. Over the long eighteenth century, Thompson argues, domestic novelists appropriated the standard of political modernity advanced by John Locke and others as a citizen's free or "ingenuous" assent to the law. The domestic novel figures feminine political difference not as women's deviation from an abstract universal but rather as their failure freely or ingenuously to submit to the power retained by Enlightenment husbands. Ingenuous Subjection claims domestic novelists as vital participants in Enlightenment political discourse. By tracing the political, philosophical, and generic significance of feminine compliance, this book revises our literary historical account of the rise of the novel. Rather than imagining a realm of harmonious sentiment, domestic fiction represents the persistent arbitrariness of eighteenth-century men's conjugal power. Ingenuous Subjection revises feminist theory and historiography, locating the genealogy of feminism in a contractual model of ingenuous assent which challenges the legitimacy of masculine conjugal government. The first study to treat feminine compliance as something other than a passive, politically neutral exercise, Ingenuous Subjection recovers in this practice the domestic novel's critical engagement with the limits of Enlightenment modernity.

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