Search results for ""author gregory woods""

Longlisted for the Polari Book Prize 2022. Gregory Woods is the leading British critic and historian of gay literature. He has published five previous Carcanet poetry collections, the first being We Have The Melon (1992). Ten years in the making, Records of an Incitement to Silence revisits many of the original themes, but here Woods brings them closer to the endgame. The sequence of stripped-down, unrhymed sonnets, and the longer poems that accentuate it, suggest a missing narrative: the growth of the individual in a world of upheaval, the search for and loss of love, the formation of memories, the limits of what can truthfully be said, the traces we leave and the chance of their survival. 'One of my creative habits,' Woods writes, 'is the wringing-out of a single form until it's bone dry: the unrhymed sonnets; the monosyllabic syllabics of the long poem "Hat Reef Loud"; the incompatible yoking-together of iambic pentameter and dactylic trimeter in the long poem "No Title Yet".' His formal stringency intensifies the poems' emotional and erotic charge, their celebration and their plaint.

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Finalist for the Lambda Literary Awards in the LGBTQ Studies category: a landmark account of the seismic changes brought to twentieth-century culture by gay and lesbian networks"An avalanche of stories, ribald gossip, and lengthy asides . . . collectively confirm the book’s central thesis: gay culture, or at least gays and lesbians, did indeed liberate the modern world."—Booklist In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.

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An Ordinary Dog is a carnival of clashing forms and tones, all deployed with a cool wit and technical precision to bear sceptical witness to - what? As much to the touching ordinariness of human needs as to the vanity of human wishes. Woods writes about desire: sacred and profane, frantic and serene, refined and grubby. Often traduced by cussedness and always complicated by external events, desire is here constructed less in the present than in anticipation and memory; loss is resistant to the balm of forgetting. An Ordinary Dog returns repeatedly to those times of crisis when history is lived and reinvented, when myth degenerates into faith, reason falters. The poems' moods veer between cheerful equanimity and desperation; their focus between detachment and intimate involvement. In the end, as events take their course, it is always chance that prevails.

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