Search results for ""author fran lock""

Contains Mild Peril is a book permeated by anxiety, not fatal threat, but the ambient manic hum of daily life. Precarity does something to us at the level of language; it shapes the ways we see and say. Our current climate – political, environmental, economic – engenders its own nervy music. These poems channel this collective apprehension in ways both deeply personal and instantly familiar. It is a collection that abounds in loss, in a sense of being lost, and in the gnawing fear of losing, yet its speakers address us with urgency. This is language in the throes of fighting back.

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White/ Other is a strange hybrid beast – part poetry, part polemic, part sectarian graffiti – a long lyric essay that grapples with the complexities of writing and living from the position of the absent subject: that is the white working-class “other” within neo-liberal culture. White/ Other is memoir remixed, cut up and spliced with passages of cultural analysis and moments of feral lyric riff to ask what it means to be politically reviled, socially abjected, and economically disenfranchised, alive at the sharp end of everything, language included. 'One of the unique joys of being a “white, other” is that you present an opportunity for nice, white middle-class people to comfortably indulge both their racism and their classism without ever having to admit to the existence of either. They don't see your class because you do not present to them like a “typical” working-class person according to the tropes they themselves invented, or because they do not believe the class system exists. They filter class out of their world-view in ways that remove the experience of class-based oppression from black and minority ethnic people, while refusing to acknowledge the roll racism plays in the perception and treatment of white working-class others...'

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Dogtooth is a book about ghosts. Not in the undead sense, but more as in the spectres and echoes of absent friends. It looks at the discomforts, paranoias and phobias that haunt a very particular cultural moment.It’s a book about fear, about a background static of suspicion. It’s about the twin anxieties of identity and assimilation, the folklore we carry and are carried by. The stories we tell ourselves about ourselves, and the damage those stories do.

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A dramatic and enthralling new collection from acclaimed poet Fran Lock. Forever Alive abounds in strange survivals: some enchanted, some obscene. A she-wolf haunts the site of her extinction, a soldier is troubled by sleepless fear of the desert; a murdered woman visits her husband with whispered curses. Here, nature extends both the threat and the promise of return. These are poems of long grudge and obscure supernatural vengeance. They are also poems about the love - of language, place, and people - that endures despite everything.

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"what should i tell you? that feral will not enrich you. that feral will not be mastered. feral is ‘wild’ without utility. it offers nothing, and it asks for nothing in return."In this uncompromising collection of lyric essays, T.S. Eliot Prize-shortlisted poet Fran Lock pulls us with her into the vortex of the ‘feral’. From medieval bestiaries to Poundland, Edmund Spenser to X-Ray Spex, in Vulgar Errors / Feral Subjects Lock explores and eviscerates historical and cultural links between animality and otherness in contexts ranging across class, gender, queerness and Irishness. Overflowing with ‘strange rigour’ and a rage that is ‘tempering hope’ Lock excavates the ways feral is at once both trap and means of liberation.‘Fran Lock is our savvy sc/avenging angel, undoing the curse of racial capitalism’s stranglehold on language and meaning. Mattering out of place, Vulgar Errors / Feral Subjects is endlessly errant, reminding us that writing is “a verb, not a noun,” immersive, propulsive and absolutely extra. Every line is so alive, so completely itself, it leaps from the page to flare bright & huge as graffiti on every wall until they fall.’ — So Mayer

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