Search results for ""author esther leslie""

Walter Benjamin, critic, essayist, translator, philosopher one of the twentieth century's most influential intellectuals continues to intrigue today. His work stimulates a profusion of responses in the form of new novels, operas, films and artworks, as well as a never-abating production of academic texts. In this new biography, the first to be written in over a decade, author Esther Leslie uses the recently published entirety of Benjamin's correspondence, drawing on his numerous diaries and autobiographical works, in order to provide a careful account of his circumstances and thoughts. Benjamin had many interests: he cherished childhood and its trappings; had a passion for the displacement and novelty of travel; toys; cities; trick-books; and, ships; all are given due attention as the author weaves Benjamin's wayward apperceptions into the narrative of a life lived. She follows Benjamin as he travels from Berlin to Capri, Ibiza, Riga, Moscow, Paris, and finally the Spanish border where he died in 1940. The author acknowledges Benjamin's thesis that personal histories can be traced only in the context of social milieus, economic forces, technological shifts, and historical events, and seamlessly interweaves biographical details with an accessible yet concentrated account of Benjamin's intellectual development, drawing a colourful portrait of a capacious intellect trapped in increasingly hostile circumstances. Leslie's meticulous attention to Benjamin's political, intellectual, geographical and cultural journeying challenges the populist depiction of the intellectual as a tragic and lonely figure. Walter Benjamin restores its subject to his proper place as an artistic combatant and a man desirous of and relishing experience.

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Esther Leslie's path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin's oeuvre. In looking at the entirety of Benjamin's work - rather than the four or five essays available in English which tend to form the Benjamin 'canon' - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin's work in its historical and political context. In her examination of Benjamin's commentary on the politics and aesthetics of technology - from Benjamin's work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie re-contextualises Benjamin's writings in a lucid and cogently argued new study.

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Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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Walter Benjamin's essay 'A Short History of Photography' (1931) made bold statements about photographic pioneers such as David Octavius Hill and Nicéphore Niépce, and the social and historical context of their work. This first selection of Benjamin's writings on photography includes a new translation of this influential essay as well as a range of Benjamin's other writings, both published and unpublished, some of which are translated into English for the first time here.

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The Storyteller gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.

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