Search results for ""author erika langmuir""

The National Gallery Companion Guide celebrates over 200 masterpieces from one of the finest art collections in the world. The reader is guided through the history of the Western European painting tradition, from the thirteenth to the twentieth centuries, with engaging commentaries that illuminate each artist’s unique contribution. This comprehensive, newly designed edition has been revised and expanded to feature recent acquisitions by Artemisia Gentileschi, Edgar Degas and Thomas Lawrence, alongside much-loved works by artists ranging from Leonardo and Raphael to Van Gogh and Picasso.

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Painters in the past and commercial artists in our own day have relied on allegory to create "message pictures." Once thought to rival literary works or political oratory in influence and prestige, such paintings, with their references to ancient myth, the Bible, or medieval astrology, all too often puzzle modern viewers. This Closer Look guide illustrates and explains the main types of visual allegory in Western art and the contexts in which they were originally created and viewed.Published by the National Gallery Company/Distributed by Yale University Press

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What is still life? We are familiar with the objects portrayed but have difficulty explaining the essence of this popular art form. Erika Langmuir examines the special fascination of still life, and what distinguishes it from other categories of painting. She discusses its evolution from the trompe l’oeil wall paintings of antiquity, through its revival in the age of Caravaggio and Velázquez, and again in the works of Cézanne and Picasso. Originally published as Pocket Guide Still Life, this eloquent survey benefits from a wider format, new reproductions, and updated references.Published by National Gallery Company/Distributed by Yale University Press

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Landscape is probably the most popular type of painting, but anyone who has ever been disappointed by vacation photographs knows how difficult it is to turn a view into a picture. This book shows how artists in past centuries translated outdoor space and light into paint, and how landscape imagery evolved from mere ornament into a visual metaphor of the human condition. The story is told from its beginnings in Roman mural decoration, through the Renaissance transformation of landscape into a vehicle for feelings and ideas, to the Impressionist revolution and beyond. The continuing relevance of art to how we see the world, and our place in it, is demonstrated through a practical discussion of optics of real and painted landscape, illustrated with works from the National Gallery, London. Published by National Gallery, London/Distributed by Yale University Press

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