Search results for ""author eric hazan""

In Balzac’s vast Human Comedy, a body of ninety-one completed novels and stories, he endeavoured to create a complete picture of contemporary French society and manners. Within this work is a loving ode to Paris and an incomparable introduction to the first capital of the modern world.To this ageless city he makes a declaration of love in an accumulation of finely observed detail - the cafés, landmarks, avenues, parks - and captures the populace in countless meticulously drawn portraits: its lawyers, grisettes, journalists, concierges, usurers, salesmen, speculators.Balzac gathered the elements of this Paris by sauntering through it. ‘To saunter is a science,’ he writes, ‘it is the gastronomy of the eye. To take a walk is to vegetate; to saunter is to live.’ Eric Hazan follows in Balzac’s footsteps, criss-crossing the city in the novelist’s outsize boots, running between printers, publishers, coffee merchants, mistre

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A rare, intimate portrait of real life in the West Bank.

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In the history of European revolutions, the barricade stands as a glorious emblem. Its symbolic importance arises principally from the barricades of Eric Hazan's native Paris, where they were instrumental in the revolts of the nineteenth century, helping to shape the political life of a continent.The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy movements.Hazan traces the many stages in the barricade's evolution, from the Wars of Religion through to the Paris Commune, drawing on the work of thinkers throughout the periods examined to illustrate and bring to life the violent practicalities of revolutionary uprising.

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Since the disastrous Pompidou years, working-class Paris has been steadily nibbled away, either by destruction or more insidiously by a kind of internal colonization. Take for example a small outlying district populated by Arabs, blacks and poor whites twenty years ago, the L'Olive neighbourhood north of La Chapelle The area is noted as pleasant, people frequent it and explore it, and as the rents are low some settle there. Others follow, first friends and then anyone else. Rents go up, buildings are renovated, bars open, then an organic food shop, a vegan restaurant...The earlier indigenous inhabitants are driven out by the rising rents and settle further away, in Saint-Denis if they are lucky, or else in Garges-lès-Gonesse, Goussainville or God knows where.But new neighbourhoods are emerging, for example the Chinese quarter of Bas Belleville, which has grown since the 1970s to the point that in some streets, such as Rue Civiale or Rue Rampal, the restaurants and shops are all Chinese, with many Chinese sex workers on Boulevard de la Villette. These Chinese almost all come from Wenzhou, a large province south of Shanghai, whose inhabitants are reputedly known for their commercial skills.Paris is constantly changing as a living organism, both for better and for worse. This book is an incitement to open our eyes and lend an ear to the tumult of this incomparable capital, from the Périphérique to Place Vendôme, its markets of Aligre and Belleville, its cafés and tabacs, its history from Balzac to Sartre. In some thirty succinct vignettes, from bookshops to beggars, Art Nouveau to street sounds, Parisian writers to urban warts, Jacobins to Surrealism, Hazan offers a host of invaluable aperçus, illuminated by a matchless knowledge of his native city.

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Eric Hazan, author of the acclaimed The Invention of Paris, leads us by the hand in this walk from Ivry to Saint-Denis, passing such familiar landmarks as the Luxembourg Gardens, the Pompidou Centre, the Gare du Nord and Montmartre, as well as little-known alleyways and arcades. Filled with historical anecdotes, geographical observations and literary references, Hazan's walk guides us through an unknown Paris. He shows us how, through planning and modernisation, the city's revolutionary past has been erased in order to enforce a reactionary future; but by walking and observation, he shows us how we can regain our knowledge of the radical past of the city of Robespierre, the Commune, Sartre and the May '68 uprising. And by drawing on his own life story, as surgeon, publisher and social critic, Hazan vividly illustrates a radical life lived in the city of revolution.

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