Search results for ""author emily dickinson""

Explore the essence of life, love, nature, and time in exquisite verse with this elegantly designed edition of Emily Dickinson’s finest poems. Born in 1830 in Amherst, Massachusetts, to a prominent New England family and educated at Amherst Academy and Mt. Holyoke Female Seminary, Emily Elizabeth Dickinson lived most of her life in seclusion, devoted to writing. She scarcely left home, nor did she have many visitors. Only ten of her poems were published in her lifetime, submitted without her permission by friends. It was only after her death in 1886 that the scope of her work as a poet came to light—over 1,700 poems were discovered in a dresser drawer by her sister, Lavinia. Emily Dickinson’s poems reflect her loneliness, as well as her love of nature, the influence of the Metaphysical poets of seventeenth century England, and her strong Puritan religious beliefs. Yet, it is her use of language, form, and the deceptive simplicity of her verse that categorize her as an important force in nineteenth century American letters and, along with Walt Whitman, a founder of a distinctly American voice in modern poetry. PRELUDE THIS is my letter to the world, That never wrote to me,— That simple news that Nature told, With tender majesty. Her message is committed To hands I cannot see; For love of her, sweet countrymen, Judge tenderly of me! The Timeless Classics series from Rock Point brings together the works of classic authors from around the world. Complete and unabridged, these elegantly designed gift editions feature luxe, patterned endpapers, ribbon markers, and foil and deboss details on vibrantly colored cases. Celebrate these beloved works of literature as true standouts in your personal library collection.

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The same inimitable voice and dazzling insights that make Emily Dickinson's poems immortal can be found in the whimsical, humorous, and often deeply moving letters she wrote to her family and friends throughout her life. The selection of letters presented here provides a fuller picture of the eccentric recluse of legend, showing how immersed in life she was: we see her tending her garden; baking bread; marking the marriages, births, and deaths of those she loved; reaching out for intellectual companionship; and confessing her personal joys and sorrows. These letters, invaluable for the light they shed on their author, are, as well, a pure pleasure to read.

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Discover the joy of poetry in this simple introduction to Emily Dickinson, celebrating the power of hope perched within and the promise of sunnier days. Emily Dickinson’s beloved poem “Hope is the thing with feathers” takes flight in Tatyana Feeney’s beautifully illustrated adaptation, reminding us that hope is always there when we need it, never asking for anything in return. Originally written in 1861, this enduring poem is now accessible to future generations.

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When Emily Dickinson died in 1886, having published only a tiny selection of her verse anonymously in journals and newspapers, she left behind a chest containing almost 1,800 poems written on notebooks and loose sheets. Her family members, starting with her sister Lavinia, began editing and compiling them for publication, and one of the most celebrated collections, The Single Hound, was prepared by her niece Martha Dickinson Bianchi and published in 1914. This volume, containing some of Dickinson’s most original and poignant pieces, helped cement her reputation as one of America’s most important poets. Sparse and experimental, yet accessible and intimate, the compositions included in The Single Hound provide an ideal introduction to Dickinson’s genius.

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The essential poems of Emily Dickinson selected and introduced by Joyce Carol Oates“Between them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche. . . .Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.” —from the introduction by Joyce Carol Oates

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This compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work.The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts. This edition departs from other editions in the series in one important respect—its format. The large page size of the edition facilitates the reproduction of manuscript pages in readable facsimile form, and the two-column format of the text facilitates comparison between different versions.

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“This is my letter to the world . . .” — Emily DickinsonThe Poetry of Emily Dickinson is a collection of pieces by 19th-century American poet Emily Dickinson, who insisted that her life of isolation gave her an introspective and deep connection with the world. As a result, her work parallels her life—misunderstood in its time, but full of depth and imagination, and covering such universal themes as nature, art, friendship, love, society, mortality, and more. During Dickinson’s lifetime, only seven of her poems were published, but after her death, her prolific writings were discovered and shared. With this volume, readers can dive into the now widely respected poetry of Emily Dickinson.

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Only a handful of Emily Dickinson's nearly 2000 poems were published in her lifetime, but today she is recognised as one of the most important American poets of the 19th century. This attractive collection gathers more than 150 of her memorable works. Featuring insights about nature, love, life, death and immortality, these poems are among the best loved in English literature.

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For the first time, selections from Emily Dickinson's thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson's poetry, Open Me Carefully brings new light to the meaning of the poet's life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. With spare commentary, Smith... and Hart... let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters' genre-defying form as the words unravel spectacularly down the original page. Renee Tursi, THE NEW YORK TIMES BOOK REVIEW

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The startling originality of Emily Dickinson's style condemned her poetry to obscurity during her lifetime, but her bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations have since won her international recognition as a poet of the highest order. The Complete Poems is the only one-volume edition containing all of Emily Dickinson's verse. In this landmark edition, the editor, Thomas H. Johnson, has presented the poems in their original contexts; and where alternate readings were suggested, he has chosen only those which the poet evidently preferred. His introduction includes a brief explanation of his selection of texts as well as an outline of Emily Dickinson's career.

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American poet Emily Dickinson is revered around the world, and influenced many feminist artists and writers. Her work is some of the best known and most quoted or adapted:'Hope is the thing with feathers, that perches in the soul, and sings the tune without the words, and never stops at all' Emily DickinsonDickinson received a very good education, but chose to return home to Amherst, Massachusetts, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression meant that only a tiny fraction of her work was published in her lifetime. Even today, her work feels startlingly modern:'Dogs are better than human beings because they know but do not tell' Emily Dickinson'The dearest ones of time, the strongest friends of the soul - BOOKS'This is a superb collection from a truly iconic poet.

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'It's coming - the postponeless Creature'Electrifying poems of isolation, beauty, death and eternity from a reclusive genius and one of America's greatest writers. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

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In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.

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Widely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems.The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them.A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.

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A stunning illustrated edition of one of the world's most famous poems, made accessible to children for the first time.

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When the complete Letters of Emily Dickinson appeared in three volumes in 1958, Robert Kirsch welcomed them in the Los Angeles Times, saying “The missives offer access to the mind and heart of one of America’s most intriguing literary personalities.” This one-volume selection is at last available in paperback. It provides crucial texts for the appreciation of American literature, women’s experience in the nineteenth century, and literature in general.

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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: “There is one thing to be grateful for—that one is one’s self and not somebody else.”Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer—an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson’s poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson’s work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph W. Franklin, the foremost scholar of Dickinson’s manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson’s spelling, capitalization, and punctuation. Franklin gives Dickinson’s alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin’s editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson’s poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.

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Approximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This volume, designed to accompany Mr. Johnson’s previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson’s letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biographical notes on recipients of letters.The notes for each letter identify persons and events mentioned, and the source of literary allusions and quotations is given wherever known. Since Emily Dickinson rarely dated her letters after 1850, the dates for the most part must be conjectured from careful study of handwriting changes and from internal evidence of the letters. Of the 1,150 letters and prose fragments included in this outstanding edition, the text of about 800 derives from Dickinson autographs.

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Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a drawer, revealed her true self. She did not live in time but in universals—an acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Dickinson died without fame; only a few poems were published in her lifetime. Her legacy was later rescued from her desk—an astonishing body of work, much of which has since appeared in piecemeal editions, sometimes with words altered by editors or publishers according to the fashion of the day.Now Ralph Franklin, the foremost scholar of Dickinson's manuscripts, has prepared an authoritative one-volume edition of all extant poems by Emily Dickinson—1,789 poems in all, the largest number ever assembled. This reading edition derives from his three-volume work, The Poems of Emily Dickinson: Variorum Edition (1998), which contains approximately 2,500 sources for the poems. In this one-volume edition, Franklin offers a single reading of each poem—usually the latest version of the entire poem—rendered with Dickinson's spelling, punctuation, and capitalization intact. The Poems of Emily Dickinson: Reading Edition is a milestone in American literary scholarship and an indispensable addition to the personal library of poetry lovers everywhere.

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Let your children discover the works of poet Emily Dickinson in Emily Dickinson. As the premier title in the Poetry for Kids series, Emily Dickinson introduces children to the works of poet Emily Dickinson. Poet, professor, and scholar Susan Snively has carefully chosen 35 poems of interest to children and their families. Each poem is beautifully illustrated by Christine Davenier and thoroughly explained by an expert. The gentle introduction, which is divided into sections by season of the year, includes commentary, definitions of important words, and a foreword.

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Turtle Point Press is pleased to introduce the Divining Poets Quotable Deck Series. These elegant, boxed sets of seventy-eight cards à la tarot decks feature short quotes meant to inspire, provoke, and guide users—to contemplate, memorize, or answer life questions. Here is the ever-astonishing Emily Dickinson. David Trinidad was struck by the Magic 8 Ball sound in his favorite bits from Emily Dickinson’s poems—mystical answers to questions one might ask about life and death. He chose seventy-eight, the number of cards in a tarot deck, and found they worked. This is a superlative selection of indelible gems to guide, ponder, and quote. The set includes a display stand, plus an instruction card with tips on how to use the deck. This is pocket-sized wisdom to give and to keep, here in perfect time for the holiday season.

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Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes).

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The Gorgeous Nothings — the first full-color facsimile edition of Emily Dickinson’s manuscripts ever to appear — is a deluxe edition of her late writings, presenting this crucially important, experimental late work exactly as she wrote it on scraps of envelopes. A never-before-possible glimpse into the process of one of our most important poets.The book presents all the envelope writings — 52 — reproduced life-size in full color both front and back, with an accompanying transcription to aid in the reading, allowing us to enjoy this little-known but important body of Dickinson’s writing. Envisioned by the artist Jen Bervin and made possible by the extensive research of the Dickinson scholar Marta L. Werner, this book offers a new understanding and appreciation of the genius of Emily Dickinson.

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Here for the first time is the poetry of Emily Dickinson as she herself “published” it in the privacy of her upstairs room in the house in Amherst.She invented her own form of bookmaking. Her first drafts, jotted on odd scraps of paper, were discarded when transcribed. Completed poems were neatly copied in ink on sheets of folded stationery which she arranged in groups, usually of sixteen to twenty-four pages, and sewed together into packets or fascicles. These manuscript books were her private mode of publication, a substitute perhaps for the public mode that, for reasons unexplained, she denied herself. In recent years there has been increasing interest in the fascicles as artistic gathering, intrarelated by theme, imagery, or emotional movement. But no edition in the past, not even the variorum, or has arranged the poems in the sequence in which they appear in the manuscript books.Emily Dickinson’s poems, more than those of any other poet, resist translation into the medium of print. Since she never saw a manuscript through the press, we cannot tell how she would have adapted for print her unusual capitalization, punctuation, line and stanza divisions, and alternate readings. The feather-light punctuation, in particular, is misrepresented when converted to conventional stop or even to dashes.This elegant edition presents all of Emily Dickinson’s manuscript books and unsewn fascicle sheets—1,148 poems on 1,250 pages—restored insofar as possible to their original order, as they were when her sister found them after her death. The manuscripts are reproduced with startling fidelity in 300-line screen. Every detail is preserved: the bosses on the stationery, the sewing holes and tears, and poet’s alternate reading and penciled revisions, ink spots and other stains offset onto adjacent leaves, and later markings by Susan Dickinson, Mabel Todd, and others. The experience of reading these facsimile pages is virtually the same as reading the manuscripts themselves. Supplementary information is provided in introductions, notes, and appendices.

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Though generally overlooked during her lifetime, Emily Dickinson's poetry has achieved acclaim due to her experiments in prosody, her tragic vision and the range of her emotional and intellectual explorations.

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A Spicing of Birds is a unique and beautifully illustrated anthology, pairing poems from one of America's most revered poets with evocative classic ornithological art. Emily Dickinson had a great love of birds-in her collected poems, birds are mentioned 222 times, sometimes as the core inspiration of the poem. However, in existing anthologies of Dickinson's work, little acknowledgment is made of her close connection to birds. This book contains thirty-seven of Dickinson's poems featuring birds common to New England. Many lesser-known poems are brought to light, renewing our appreciation for Dickinson's work. The editors' introduction draws extensively from Dickinson's letters, providing fascinating insights into her relationship with birds. The illustrations, by late 18th century to early 20th century artists/ornithologists, are often so apt as to seem to have been created with the poems in mind. Included are beautiful watercolors by Mark Catesby, engravings of John James Audubon's paintings, illustrations by Alexander Wilson, chromo-lithographs by Robert Ridgway (curator of birds at the National Museum for some fifty years), paintings by Louis Agassiz Fuertes, and some of the earliest bird photographs by Cordelia Stanwood. The editors also discuss the development and growth of birding in the nineteenth century as well as the evolution of field guides and early conservation efforts. Brief biographies of the artists are included in an appendix. This book is an eloquent tribute to the special place held by birds in our lives and imaginations, and will make an ideal gift for both birders and poetry readers.

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