Search results for ""author elizabeth edwards""

... the most attractive and authoritative account of Bournemouth's past yet to have been published. Dorset

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In the period following the French revolution in 1789, Welsh poets continually reflected on the extraordinary new era in which they lived through their writing. Effortlessly ranging from Wales's deep and distant history to accounts of the most topical and urgent current affairs, their poems on war, Welshness, druids, parted lovers and sublime landscapes encompass the beautiful, the brutal and the mysterious. Facing a future that often seemed agonisingly uncertain, poets in Wales used their verses to voice their thoughts and feelings about events that had rocked the whole of Europe, and whose effects continued to be felt long after 1789. This new selection of poetry from Wales sets recently-discovered manuscript texts alongside little-known early printed poems, offering a full and accessible introduction to Welsh poetry in English in the period 1780-1820.

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In the late nineteenth century and early twentieth, hundreds of amateur photographers took part in the photographic survey movement in England. They sought to record the material remains of the English past so that it might be preserved for future generations. In The Camera as Historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of nearly 55,000 photographs taken by 1,000 photographers, mostly unknown until now. She approaches the survey movement and its social and material practices ethnographically. Considering how the amateur photographers understood the value of their project, Edwards links the surveys to concepts of leisure, understandings of the local and the national, and the rise of popular photography. Her examination of how the photographers negotiated between scientific objectivity and aesthetic responses to the past leads her to argue that the survey movement was as concerned with the conditions of its own modernity and the creation of an archive for an anticipated future as it was nostalgic about the imagined past. Including more than 120 vibrant images, The Camera as Historian offers new perspectives on the forces that shaped Victorian and Edwardian Britain, as well as on contemporary debates about cultural identity, nationality, empire, material practices, and art.

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From a psychiatrist who has spent the past thirty years listening to other people's most intimate secrets and troubles-an eloquent, incisive, and deeply perceptive book about the things we all share-and which every one of us grapples with as we strive to make

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The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued and their significance unrecognised. This volume presents a series of case studies on the historical collecting and usage of photographs in museums. Using critically informed empirical investigation, it explores substantive and historiographical questions such as what is the historical patterning in the way photographs have been produced, collected and retained by museums? How do categories of the aesthetic and evidential shape the history of collecting photographs? What has been the work of photographs in museums? What does an understanding of photograph collections add to our understanding of collections history more broadly? What are the methodological demands of research on photograph collections? The case studies cover a wide range of museums and collection types, from art galleries to maritime museums, national collections to local history museums, and international perspectives including Cuba, France, Germany, New Zealand, South Africa and the UK. Together they offer a fascinating insight into both the history of collections and collecting, and into the practices and poetics of archives across a range of disciplines, including the history of science, museum studies, archaeology and anthropology.

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Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of ’difficult histories’. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.

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Selected as a Doody’s Core Title for 2023! Practical and highly illustrated, Genital Dermatology Manual, 4th Edition, by Drs. Libby Edwards and Peter J. Lynch, helps clinicians at all levels of experience arrive at an accurate diagnosis for both common and rare genital dermatologic lesions. More than 500 full-color photographs are arranged by appearance for rapid identification, offering superb visual guidance even for conditions not previously encountered. This easy-to-use reference is ideal for any clinician who sees men and women with disorders of the external genitalia, including dermatologists, gynecologists, urologists, primary care physicians, nurse practitioners, nurse midwives, and physician assistants. Arranges core chapters by disease presentation, such as patches and plaques, papules and nodules, and ulcers Includes variable morphologies, making it easier to arrive at a correct diagnosis even when encountering an atypical appearance of a common condition—for example, herpes simplex virus infection is discussed in chapters on blisters, erosions and ulcers, and special issues of immunosuppressed patients Updates include more clinical photographs throughout; an expanded therapy section including sinus tract un-roofing, vestibulectomy, lysis of adhesions and therapy of clitoral pseudocyst and phimosis; a new chapter on patient education; and new coverage of transgender and cosmetic issues Features chapters on special issues such as symptoms (itching and pain), immunosuppression, and pediatric, psychologic, and geriatric aspects of genital conditions Offers increased information on diagnostic and therapeutic procedures, as well as patient handouts suitable for copying and distribution Enrich Your eBook Reading Experience Read directly on your preferred device(s), such as computer, tablet, or smartphone. Easily convert to audiobook, powering your content with natural language text-to-speech.

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Práctico y muy ilustrado, Manual de dermatología genital facilita a los clínicos de todos los niveles de experiencia el alcance de un diagnóstico preciso de las lesiones dermatológicas genitales, tanto habituales como infrecuentes. Con más de 500 fotografías a todo color ordenadas por aspecto para una rápida identificación, ofrece una magnífica orientación visual, incluso para afecciones no encontradas previamente. Esta referencia fácil de usar, ya en su 4.ª edición, es ideal para cualquier clínico que atienda a hombres y mujeres con afecciones en los genitales externos, incluidos dermatólogos, ginecólogos, y para urólogos, médicos de atención primaria, personal de enfermería especializado y asistentes médicos. Los libros de texto convencionales casi siempre ordenan y clasifican los trastornos según su causa (p. ej., infecciones) o fisiopatología (p. ej., enfermedades autoinmunes), y aunque esta organización puede ser intelectualmente satisfactoria, los doctores Libby Edwards y Peter J. Lynch la consideran de poca ayuda para los profesionales que se enfrentan a un trastorno desconocido. Por este motivo, han optado por un abordaje menos convencional y han ordenado los trastornos dermatológicos genitales en función de la morfología clínica. De este modo, el profesional puede consultar el capítulo adecuado, elaborar una lista de diagnósticos diferenciales, cotejar las fotografías, revisar la narrativa relacionada y, en casi todos los casos, establecer el diagnóstico más probable.

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