Search results for ""author elizabeth cumming""

"The richness of the illustrations in this larger format enables us to better appreciate the intricacy of her illuminated manuscripts, the tonal subtleties of Traquair's tooled leather book bindings and the processional scale of her muraled interiors." — Journal of the Scottish Society for Art History A fully updated and expanded edition of the definitive study of Phoebe Anna Traquair. This is a compelling account of the life and career of Phoebe Anna Traquair, a leading figure in Britain’s Arts and Crafts movement. The new edition features new research about her artistic practice, materials and technique as well as her intellectual life, including her correspondence with John Ruskin. Her total commitment to the place of art in her daily life is revealed alongside new details on her family and social life. Traquair was remarkable for her openness to all types of art, and worked in a range of media including embroidery, enamels, illuminated manuscripts and murals. This new edition features 120 illustrations including new discoveries, as well as some of her most famous and best-loved works. Beautifully illustrated and featuring the artist’s own words, this book is at once a fascinating biography and an artistic study of one of Scotland’s first professional women artists.

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J. D. Fergusson (1874-1961) is one of the four artists known as the Scottish Colourists, the others being F. C. B. Cadell, G. L. Hunter and S. J. Peploe. Fergusson was born in Leith, and was essentially a self-taught artist. In Paris 1907 he became involved with the avant-garde scene and exhibited at the progressive Salon d'Automne. More than any of his Scottish contemporaries, Fergusson assimilated and developed the latest developments in French painting. In 1913 Fergusson met the dance pioneer Margaret Morris (1891-1980). Morris's creative dance movements and her students continued to be one of Fergusson's main sources of inspiration and models. In 1929 Fergusson returned to Paris where he was involved with the Anglo-American art circles. Most summers were spent in the south of France where Morris held her celebrated Summer Schools. The couple moved to Glasgow in 1939 being founder members of the New Art Club and of its off-shoot the New Scottish Group. This book reasserts the artist's place at the forefront of British modernism.

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