Search results for ""author eileen m. julien""
Indiana University Press African Novels and the Question of Orality
"This is an extremely well written and carefully argued book that is quite persuasive. It should be essential reading for every scholar in African literature." —Research in African Literatures" . . . a bold challenge and a tool for the student as well as for the scholar in African literature, and also a veritable tour de force in comparative literature." —World Literature Today"Eileen Julien has produced an astute, well-researched, and lucidly written text on issues of orality in African literature." —International Journal of African Historical Studies" . . . a joy to read because of the precious clarity, infectious liveliness and concision with which Julien writes." —African Studies ReviewThe search for oral origins in African literature is a quest for African authenticity. In a critique and revision of the conceptual category of orality as it has been understood and used by scholars, Julien stresses the transformation of narrative genres as an index of sociopolitical relations and authorial vision.
£23.39
Indiana University Press Rethinking African Cultural Production
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
£68.40
Indiana University Press Rethinking African Cultural Production
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
£23.39
