Search results for ""author edward carey""

'Haunting. Geppetto's voice, full of wistful overemphases and bewildered revelation, is absorbing as he takes in the oddity of his situation. And the book, sentence by sentence, offers much in which to luxuriate.' - Sunday Times 'Profound and delightful. It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy I am writing this account, in another man's book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

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'There is a space between life and death: it's called waxworks' Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed "Little." Orphaned at the age of six, she finds employment in the household of reclusive anatomist, Dr Curtius. Her role soon surpasses that of mere servant as the eccentric doctor takes an interest in his newfound companion, and begins to instruct her in the fine art of wax modelling. From the gutters of pre-revolutionary France to the luxury of the Palace of Versailles, from clutching the still-warm heads of Robespierre's Terror to finding something very like love, Little traces the improbable fortunes of a bloodstained crumb of a thing who went on to shape the word...

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I consider [Observatory Mansions] the best fiction yet published in the 21st Century' Jeff Vandermeer'All of Edward Carey's work is profound and delightful’ Max Porter‘[Edward Carey, with Observatory Mansions] proves the potential brilliance of the novel form’ John FowlesObservatory Mansions was once the Orme family's ancestral home. Now it is a crumbing apartment block, stranded on a traffic island and peopled with eccentrics. Alice Orme never stirs from her bed, her husband lives in his old armchair, and Francis, their son, practises his own art of stillness as a human statue in the centre of the decaying city. He lives by his Law of White Gloves, never touching anything without their protection, and collects items for his secret exhibition - items stolen, not because of any monetary worth, but because they are treasured by the owners. This careful routine is shaken by the arrival of a new resident, Anna Tap, half blind and vulnerable, but with a strange gift for inspiring trust. As the other residents gradually open their hearts to her, Francis realises he must act before she forces him to confront his own past, and before she finds out about the mysterious final object in his exhibition. But as the currents of memory and desire swirl within Observatory Mansions' crumbling walls, it seems the sinister Porter has plans of his own... Edward Carey's debut is a novel of immense originality - a strangely haunting landscape occupied by compelling and unforgettable characters.

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'Roald Dahl by way of Charles Dickens' - Vox.com 'Dark and wildly original urban fantasy tale' - The New York Times'Delightful, eccentric, heartfelt, surprising, philosophical, everything that a novel for children should be' - Eleanor Catton, winner of the Man Booker Prize 2013'A rare work of individual brilliance' - Inis magazineThe Iremongers have taken up what was not wanted and wanted it.Clod is an Iremonger. He lives in the Heaps, a vast sea of lost and discarded items collected from all over London. At the centre is Heap House, a puzzle of houses, castles, homes and mysteries reclaimed from the city and built into a living maze of staircases and scurrying rats. The Iremongers are a mean and cruel family, robust and hardworking, but Clod has an illness. He can hear the objects whispering. His birth object, a universal bath plug, says 'James Henry', Cousin Tummis's tap is squeaking 'Hilary Evelyn Ward-Jackson' and something in the attic is shouting 'Robert Burrington' and it sounds angry.A storm is brewing over Heap House. The Iremongers are growing restless and the whispers are getting louder. When Clod meets Lucy Pennant, a girl newly arrived from the city, everything changes. The secrets that bind Heap House together begin to unravel to reveal a dark truth that threatens to destroy Clod's world.

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'All of Edward Carey's work is profound and delightful' - Max Porter'Dark and wildly original urban fantasy tale' - The New York Times'If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton.' - Newsday'A rare work of individual brilliance' - Inis magazineDark, gothic and delightfully macabre, the Iremonger family return...Foulsham, London's great filth repository, is bursting at the seams. The walls that keep the muck in are buckling, rubbish is spilling over the top, back into the city that it came from. In the Iremonger family offices, Grandfather Umbitt Iremonger broods: in his misery and fury at the people of London, he has found a way of making everyday objects assume human shape, and turning real people into objects.Abandoned in the depths of the Heaps, Lucy Pennant has been rescued by a terrifying creature, Binadit Iremonger - more animal than human. She is desperate and determined to find Clod. But unbeknownst to her, Clod has become a golden sovereign and is 'lost'. He is being passed as currency from hand to hand all around Foulsham, and yet everywhere people are searching for him, desperate to get hold of this dangerous Iremonger, who, it is believed, has the power to bring the mighty Umbitt down. But all around the city, things, everyday things, are twitching into life...

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''An extraordinary achievement'' A. L. KennedyEdward Carey''s witty and entrancing story of a young woman trapped in a ramshackle English playhouse - and the mysterious figure who threatens its very survival.Norwich, 1901. Edith Holler spends her days among the eccentric denizens of the Holler Theatre, warned by her domineering father that the playhouse will literally tumble down if she should ever leave.Fascinated by tales of the city she knows only from afar, young Edith decides to write a play of her own about Mawther Meg, a monstrous figure said to have used the blood of countless children to make the local delicacy, Beetle Spread. But when her father suddenly announces his engagement to a peculiar woman named Margaret Unthank, Edith scrambles to protect her father, the theatre, and her play - the one thing that’s truly hers - from the newcomer’s sinister designs. Teeming with unforg

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'Roald Dahl by way of Charles Dickens' - Vox.com 'Dark and wildly original urban fantasy tale' - The New York Times'Delightful, eccentric, heartfelt, surprising, philosophical, everything that a novel for children should be' - Eleanor Catton, winner of the Man Booker Prize 2013'A rare work of individual brilliance' - Inis magazineThe Iremongers have taken up what was not wanted and wanted it.Clod is an Iremonger. He lives in the Heaps, a vast sea of lost and discarded items collected from all over London. At the centre is Heap House, a puzzle of houses, castles, homes and mysteries reclaimed from the city and built into a living maze of staircases and scurrying rats. The Iremongers are a mean and cruel family, robust and hardworking, but Clod has an illness. He can hear the objects whispering. His birth object, a universal bath plug, says 'James Henry', Cousin Tummis's tap is squeaking 'Hilary Evelyn Ward-Jackson' and something in the attic is shouting 'Robert Burrington' and it sounds angry.A storm is brewing over Heap House. The Iremongers are growing restless and the whispers are getting louder. When Clod meets Lucy Pennant, a girl newly arrived from the city, everything changes. The secrets that bind Heap House together begin to unravel to reveal a dark truth that threatens to destroy Clod's world.

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'Roald Dahl by way of Charles Dickens' - Vox.com 'Astonishing and inventive, it calls out to be read' - The Sunday Times'Dark and wildly original urban fantasy tale' - New York Times'All of Edward Carey's work is profound and delightful' - Max Porter'If this were music, Carey would be Eric Satie. If it were film, he would be Tim Burton.' - NewsdayThe ghastly climax to the gothic Iremonger trilogyThe dirt town of Foulsham has been destroyed, its ashes still smoldering. Darkness lies heavily over the city, the sun has not come up for days. Inside the houses throughout the capital, ordinary objects have begun to move. Strange new people run through the darkened streets. There are rumours of a terrible contagion. From the richest mansion to the poorest slum people have disappeared. The police have been instructed to carry arms. And rats, there are rats everywhere. Someone has stolen a certain plug. Someone is lighting a certain box of matches. All will come tumbling down. The Iremongers have come to London.

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LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020 LONGLISTED FOR THE RSL ONDAATJE PRIZE 2019 LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2019 LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019 SHORTLISTED FOR THE HWA CROWN AWARDS 2019 'A highly original novel' - Sunday Times, PAPERBACK BOOKS OF THE YEAR 2019 There is a space between life and death: it's called waxworks. Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed 'Little'. Orphaned at the age of six, she finds employmet in Bern, Switzerland, under the charge of reclusive anatomist, Dr Curtius. In time the unlikely pair form an unlikely bond, and together they pursue an unusual passion: the fine art of wax-modelling. Forced to flee their city, the doctor and his protegee head for the seamy streets of Paris where they open an exhibition hall for their uncanny creations. Though revolution approaches, the curious-minded flock to see the wax heads, eager to scrutinise the faces of royalty and reprobates alike. At 'The Cabinet of Doctor Curtius', heads are made, heads are displayed, and a future is built from wax. From the gutters of pre-revolutionary France to the luxury of the Palace of Versailles, from casting the still-warm heads of The Terror to finding something very like love, Little is the unforgettable story of how a 'bloodstained crumb of a girl' went on to shape the world... 'Don't miss this eccentric charmer' @MargaretAtwood 'Absolutely brilliant' Susan Hill 'Rich and engrossing, there is an extraordinary potency to Carey's material ... A visceral, vivid and moving novel' GUARDIAN 'In this gloriously gruesome imagining of the girlhood of Marie Tussaud, mistress of wax, fleas will bite, rats will run and heads will roll and roll and roll. Guts'n'gore galore: I bloody loved it' SPECTATOR 'A tale as moving as it is macabre' MAIL ON SUNDAY 'One of the most original historical novels of the year... Macabre, funny, touching and oddly life-affirming, Little is a remarkable achievement' SUNDAY TIMES 'Beautifully published... poignant... absorbing' LITERARY REVIEW 'Clever and intriguing' DAILY MAIL 'Marie's story is fascinating in itself, but Carey's talent makes her journey a thing of wonder' NEW YORK TIMES 'By turns witty, ghoulish, poignant and curiously life-affirming, Little is a historical novel unlike any other' BBC HISTORY MAGAZINE 'It is Carey's uniquely inventive style that makes this novel so completely, wickedly, addictive' BIG ISSUE 'Edward Carey is one of the strangest writers we are privileged to have in this country' OBSERVER 'Carey creates an indelible character in Little, sprinkles idiosyncratic drawings throughout and folds his narrative in cunning ways...' BBC 'Full of rich historical detail and beautiful illustrations ... a rare treat of a novel that will stay with you long after you turn the final page' HEAT 'Compulsively readable: so canny and weird and surfeited with the reality of human capacity and ingenuity that I am stymied for comparison. Dickens and David Lynch? Defoe meets Atwood? Judge for yourself...' Gregory Maguire, author of WICKED

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LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020 LONGLISTED FOR THE RSL ONDAATJE PRIZE 2019 LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2019 LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019 SHORTLISTED FOR THE HWA CROWN AWARDS 2019 A Times and Sunday Times Book of the Year, Little tells the extraordinary story of a singular, diminutive crumb of a servant girl turned entertainment mogul. 'A startlingly original novel' Times Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed 'Little'. Orphaned at the age of six, she finds employmet in Bern, Switzerland, under the charge of reclusive anatomist, Dr Curtius. In time the unlikely pair form an unlikely bond, and together they pursue an unusual passion: the fine art of wax-modelling. Forced to flee their city, the doctor and his protegee head for the seamy streets of Paris where they open an exhibition hall for their uncanny creations. Though revolution approaches, the curious-minded flock to see the wax heads, eager to scrutinise the faces of royalty and reprobates alike. At 'The Cabinet of Doctor Curtius', heads are made, heads are displayed, and a future is built from wax. From the gutters of pre-revolutionary France to the luxury of the Palace of Versailles, from casting the still-warm heads of The Terror to finding something very like love, Little is the unforgettable story of how a 'bloodstained crumb of a girl' went on to shape the world...

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The Devil’s Fork opens with the boy Papa exclaiming, “They was gonna hang my o’Amigo Calley Pearsall out there in front a’the Alamo down in San Antoneya come Saturday Noon and if I was gonna stop it I better Light a Shuck and Get on with it. And I mean Right Now.” And so Papa and his sweetheart Annie Oster set off to rescue Calley, thereby launching themselves into another series of hair-raising adventures.The Devil’s Fork concludes the enthralling journey through wild and woolly Central Texas in the 1880s that began in The Devil’s Backbone and The Devil’s Sinkhole. Papa springs Calley from jail, but their troubles are far from over. Framed for murder, the two amigos have to flee for their lives. Joining their flight this time is o’Johnny, the evil Sheriff Pugh’s disabled little brother, who has uncanny abilities. Escaping danger for a while, Papa and Calley try to start a new life as horse traders, only to find themselves branded as horse thieves when o’Johnny and a mysterious white ghost horse begin rescuing abused horses from their masters. Can Papa and Calley escape the noose and save all the horses that Johnny and the White Horse liberate? Or will their own hot tempers send them down the Devil’s Fork, from which no one ever returns?Proving himself a master storyteller once again, Bill Wittliff spins a yarn as engrossing as the stories his own Papa told him long ago, stories that inspired The Devil’s Backbone, The Devil’s Sinkhole, and The Devil’s Fork.

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