Search results for ""author dorothea olkowski""

The Universal (In the realm of the sensible): Beyond Continental Philosophy proposes a radical, new philosophical system that moves from ontology to ethics. Dorothea Olkowski develops the concept of an ontological unconscious, a connection arising from our sensible relation to the world that conditions encounters with the environment and with others. This fundamental ontology rethinks the space-time relations opened by Irigaray's notion of the 'interval,' Bergson's 'recollection,' Merleau-Ponty's idea of the 'flesh' and Deleuze's 'plane of immanence'. Writing in an original style, inspired by literature and the arts, Olkowski locates a 'realm of the senses', a field of vulnerability, felt as pleasures and pains. This presents an aesthetic sense of something universal to all human kind, as well as to the organic and inorganic world. In addition to this proposal for a wider ontology, the relation between traditional ontologies and politics is examined as a means of opening politics beyond a no exit or limit cycle. Instead a multiplicity of self-organized, emergent perspectives emerges, eliminating the need for the connections, conjunctions, and disjunctions of the Kantian paradigm at work in contemporary continental philosophy. This is a timely, controversial and important book that will contribute enormously to the study of Deleuze and Continental Philosophy.

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The Universal proposes a radically new philosophical system that moves from ontology to ethics. Drawing on the work of De Beauvoir, Sartre, and Le Doeuff, among others, and addressing a range of topics from the Asian sex trade to late capitalism, quantum gravity, and Merleau-Ponty's views on cinema, Dorothea Olkowski stretches the mathematical, political, epistemological, and aesthetic limits of continental philosophy and introduces a new perspective on political structures. Straddling a course between formalism and conventionalism, Olkowski develops the concept of an ontological unconscious that arises from our "sensible" relation to the world-the information we absorb and emit that affects our encounters with the environment and others. In this "realm of the senses," or the field of vulnerability defined by our experience with pleasure and pain, Olkowski is able to rethink the space-time relations put forth by Irigaray's notion of the "interval," Bergson's "recollection," Merleau-Ponty's idea of the "flesh," and Deleuze's "plane of immanence." This aesthetic sense is shared by all humankind and nonhuman entities in the organic and inorganic world. The sensible universal can be applied to categories of pure and practical reason; experiential binaries of male-female and subject-object; and issues of autonomy, moral laws, and the regulation of perception.

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More than sixty years ago, Simone de Beauvoir identified the importance of Maurice Merleau-Ponty’s writings to feminist theory. His exploration of the relationship between the body and the space it inhabits is key to modern phenomenological thinking. But there has been little agreement on how Merleau-Ponty’s ideas ultimately have an impact on feminist philosophy. Does his emphasis on physical subjectivity lend a certain agency to all bodies, regardless of sex? Or do Merleau-Ponty’s specific descriptions of physical experience betray an intrinsic bias toward a male heterosexual point of view? The essays presented here by Olkowski and Weiss attempt to situate Merleau-Ponty in the larger context of feminist theory, while impartially evaluating his contributions, both positive and negative, to that theory.In addition to the editors, the contributors are Jorella Andrews, David Brubaker, Judith Butler, Laura Doyle, Helen Fielding, Vicki Kirby, Sonia Kruks, Ann Murphy, Johanna Oksala, and Beata Stawarska.

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Deleuze, Bergson, Merleau-Ponty: The Logic and Pragmatics of Creation, Affective Life, and Perception offers the only full-length examination of the relationships between Deleuze, Bergson and Merleau-Ponty. Henri Bergson (1859–1941), Maurice Merleau-Ponty (1908-1961), and Gilles Deleuze (1925–1995) succeeded one another as leading voices in French philosophy over a span of 136 years. Their relationship to one another's work involved far more than their overlapping lifetimes. Bergson became both the source of philosophical insight and a focus of criticism for Merleau-Ponty and Deleuze. Deleuze criticized Merleau-Ponty's phenomenology as well as his interest in cognitive and natural science. Author Dorothea Olkowski points out that each of these philosophers situated their thought in relation to their understandings of crucial developments and theories taken up in the history and philosophy of science, and this has been difficult for Continental philosophy to grasp. She articulates the differences between these philosophers with respect to their disparate approaches to the physical sciences and with how their views of science function in relation to their larger philosophical projects. In Deleuze, Bergson, Merleau-Ponty, Olkowski examines the critical areas of the structure of time and memory, the structure of consciousness, and the question of humans' relation to nature. She reveals that these philosophers are working from inside one another's ideas and are making strong claims about time, consciousness, reality, and their effects on humanity that converge and diverge. The result is a clearer picture of the intertwined workings of Continental philosophy and its fundamental engagement with the sciences.

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Deleuze, Bergson, Merleau-Ponty: The Logic and Pragmatics of Creation, Affective Life, and Perception offers the only full-length examination of the relationships between Deleuze, Bergson and Merleau-Ponty. Henri Bergson (1859–1941), Maurice Merleau-Ponty (1908-1961), and Gilles Deleuze (1925–1995) succeeded one another as leading voices in French philosophy over a span of 136 years. Their relationship to one another's work involved far more than their overlapping lifetimes. Bergson became both the source of philosophical insight and a focus of criticism for Merleau-Ponty and Deleuze. Deleuze criticized Merleau-Ponty's phenomenology as well as his interest in cognitive and natural science. Author Dorothea Olkowski points out that each of these philosophers situated their thought in relation to their understandings of crucial developments and theories taken up in the history and philosophy of science, and this has been difficult for Continental philosophy to grasp. She articulates the differences between these philosophers with respect to their disparate approaches to the physical sciences and with how their views of science function in relation to their larger philosophical projects. In Deleuze, Bergson, Merleau-Ponty, Olkowski examines the critical areas of the structure of time and memory, the structure of consciousness, and the question of humans' relation to nature. She reveals that these philosophers are working from inside one another's ideas and are making strong claims about time, consciousness, reality, and their effects on humanity that converge and diverge. The result is a clearer picture of the intertwined workings of Continental philosophy and its fundamental engagement with the sciences.

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