Search results for ""author dar""

A beloved folk singer presents an impassioned account of the fall and rise of the small American towns she cherishesDubbed by the New Yorker as "one of America's very best singer-songwriters," Dar Williams has made her career not in stadiums, but touring America's small towns. She has played their venues, composed in their coffee shops, and drunk in their bars. She has seen these communities struggle, but also seen them thrive in the face of postindustrial identity crises.Here, Williams muses on why some towns flourish while others fail, examining elements from the significance of history and nature to the uniting power of public spaces and food. Drawing on her own travels and the work of urban theorists, Williams offers real solutions to rebuild declining communities.What I Found in a Thousand Towns is more than a love letter to America's small towns, it's a deeply personal and hopeful message about the potential of America's lively and resilient communities.

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How to Write a Song That Matters is an invaluable guide to writing music by a woman who knows how to do it and do it well: iconic singer-songwriter, Dar Williams. For years now, Williams has led songwriting retreats for musicians, from beginners to professionals, in which she elevates the process of songwriting over the assessment of the product. This book makes those intimate experiences accessible for songwriters across the globe, gifting them with the insight Williams has gleaned from her decades of experience. First, it encourages songwriters to find something that inspires them and then to follow that inspiration, letting the clues of those first few notes or lines lead their narrative. Soon, the initial rhythms, the unique sounds of the melody, and/or specific vocabulary emerge, giving birth to a "voice" or a "world" that the song can exist in. As the writer proceeds, Williams encourages them to ask themselves: "Where did I go? Where did I REALLY go? What happened? What REALLY happened? What am I bringing back?"There are many other songwriting guides that hint to the reader that writing a "hit song" may be on the horizon if only the reader correctly follows the guide or program. In this book, however, Williams shows readers how to tap into their OWN creative process, using their psyches, their unique life experiences, and their muses to write the songs that they are meant to write. By focusing on the process of creating a song that matters, as opposed to producing a well-constructed "widget from a song factory," songwriters will be able to establish their own voice and use it to make meaningful music.Perfect for music lovers of all sorts who want to write songs, How to Write a Song That Matters is a one-of-a-kind-book that readers will turn to for guidance time and time again.

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This second monograph represents circumstances and projects which have occurred beyond the span of David Hansen's original monograph. Through sketches, diagrams, rendering, photographs and narratives, this book portrays the criteria and conceptual thinking that was primary in finding an inclusive architectural solution for a diverse selection of projects. Though, Hansen has always attempted to create a comprehensive matrix of interrelated design criteria on his client's vision, site, context, sustainability, climate, culture and tradition, some issues must be weighted above others. And sometimes, a story must be told that is inexorably tied to the essence of the land or building. These commentaries can even provide deeper meaning than the determinants of the building themselves.

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Research in collective memory is a relatively new area capturing the interest of scholars in social psychology, memory, sociology, and anthropology. The core idea is that collective attitudes and behaviors are created and shared through common experiences and communication among a cohort of people. For example, people born between 1940 and 1960 are often defined via the JFK assassination and the Vietnam War. Their parents typically experienced lesser impact from these events. Papers about collective memory have appeared in the literature under different guises for the last hundred years. Freud's Civilization and Its Discontents, Jung's ideas on the collective unconscious, and McDougall's speculation on the group mind posited that identity and action could be viewed as resulting from the shared development of a culture. Halbwachs, a French social psychologist (1877-1945) who was the first to write in detail about the nature of collective memory, argued that basic memory processes were all social. That is, people remember only those events that they have repeated and elaborated in their discussions with others. In the last several years, there has been a resurgence of interest in this general topic because it addresses some fundamental questions about memory and social processes. Work closely related to these questions deals with the nature of autobiographical memory, traumatic experience and reconstructive memory, and social sharing of memories. This book brings together an international group of researchers who have been empirically studying some basic tenets of collective memory.

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