Search results for ""author corinne fowler""

Selected by Bernardine Evaristo as an Observer Best Books 2021Green Unpleasant Land explores the repressed history of rural England’s links to transatlantic enslavement and the East India Company.Combining essays, poems and stories, it details the colonial links of country houses, moorlands, woodlands, village pubs and graveyards. It also explores the links between rural poverty, particularly enclosure, and colonial figures, such as plantation-owners and East India Company nabobs. Fowler, who herself comes from a family of slave-owners, argues that Britain’s cultural and economic legacy is not simply expressed by chinoiserie, statues, monuments, galleries, warehouses and stately homes. This is a shared history: Britons’ ancestors either profited from empire or were impoverished by it. Green Unpleasant Land argues that, in response to recent advances in British imperial history, contemporary authors have reshaped the pastoral writing to break the powerful association between the countryside and Englishness.

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''This is an essential and fascinating book because it brings to light, through conversations and nature walks, some of the buried connections between Britain's landscape and historic buildings and its complicated hidden histories. Fowler does not judge or diminish, but enriches and deepens our understanding of this nation'' Bernardine Evaristo''This is real, difficult, essential history delivered in the most eloquent and accessible way. Her case, that rural Britain has been shaped by imperialism, is unanswerable, and she makes her arguments beautifully. An important book'' Sathnam Sanghera ''A detailed and thoughtful exploration of historical connections that for too long have been obscured. A powerful book that brings the history of the Empire home literally'' David OlusogaThe countryside is cherished by many Britons. There is a depth of feeling about rural places, the moors and lochs, valleys and mountains, cottages and country h

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Colonial Countryside is a book of commissioned poems and short stories produced by ten global majority writers featuring National Trust houses with significant colonial histories. This includes properties whose owners engaged in the slavery business, in colonial administration or who were involved with the East India Company or British rule in India. Historians have accompanied these pieces with commentaries detailing the evidence upon which each creative commission was based. The book ends with a photo essay by the project’s commissioned photographer, Ingrid Pollard, the Turner Prize shortlisted artist who has pioneered critical interventions into the supposed whiteness of the British countryside. Peter Kalu’s story gives an account of Richard Watt of Speke Hall reflecting on his Jamaican experiences; Karen Onojaife’s story is set in Charlecote Park where a once-favoured Black page finds himself cut adrift; Jacqueline Crooks’ magical realist tale brings together an abused Indian princess and enslaved African employed in the mahogany trade; Ayanna Lloyd Banwo has written about Diego, the Spanish-speaking African who became Drake’s closest confidante; Masuda Snaith’s short story cycle tracks the cross-currents of empire across Lord Curzon’s Kedleston Hall; Maria Thomas’s account of Penrhyn Castle links past and present. It is a gothic tale of history biting back. Malachi’s story features a young Black man who dates a white girl with a taste for country house visiting, including Calke Abbey. Other contributions include poetic meditations on artefacts to be found in country houses. Hannah Lowe reflects on the taste for Chinoiserie, Seni Seneviratne gives voice to the enslaved children trapped within the frames of 18 th century art and Andre Bagoo makes connections between William Blathwayt of Dyrham Park and two stands featuring kneeling African men, brought to the house by his uncle in the seventeenth century.

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Postcolonial Manchester offers a radical new perspective on Britain’s devolved literary cultures by focusing on Manchester’s vibrant, multicultural literary scene. Referencing Avtar Brah’s concept of ‘diaspora space’, the authors argue that Manchester is, and always has been, a quintessentially migrant city to which workers of all nationalities and cultures have been drawn since its origins in the cotton trade and the expansion of the British Empire. This colonial legacy – and the inequalities upon which it turns – is a recurrent motif in the texts and poetry performances of the contemporary Mancunian writers featured here, many of them members of the city’s long-established African, African-Caribbean, Asian, Chinese, Irish and Jewish diasporic communities. By turning the spotlight on Manchester’s rich, yet under-represented, literary tradition in this way, Postcolonial Manchester also argues for the devolution of the canon of English Literature and, in particular, recognition for contemporary black and Asian literary culture outside of London.

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