Search results for ""author charlotte"

Charlotte Salomon is born into a family stricken by suicide and a country at war. But there is something exceptional about her - she has a gift, a talent for painting. And she has a great love, for a brilliant, eccentric musician. But just as she is coming into her own as an artist, death is coming to control her country. The Nazis have come to power and, as a Jew in Berlin, Charlotte's life is narrowing, and she knows every second is precious.Inspiring, unflinching, terrible and hopeful, Charlotte is the heartbreaking true story of a life filled with curiosity, animated by genius and cut short by hatred.

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Una experiencia de lectura única Ganadora del Premio Renaudot y del Goncourt des Lycéens Favorita de los libreros y los lectores 1. en las listas francesas de más vendidosGracias por esta joya. La he leído en una noche. Si vemos la literatura como una forma de culto, hay libros como ermitas, otros como iglesias. Este sería una extraordinaria catedral. Conchi Beltrán, Librería Goya (Bilbao)Charlotte Salomon, pintora alemana de origen judío, abandona Berlín tras una relación amorosa que dejará en ella una huella definitiva. Huyendo de los nazis, se refugia en el sur de Francia junto a sus abuelos, quienes custodian un secreto que Charlotte no debe conocer. Allí compone su fascinante autobiografía, una obra única que, ya acechada por el peligro, decide poner a buen recaudo en una maleta que entrega a su médico, a quien confiesa: "Es toda mi vida".El autor que cautivó a más de un millón de lectores con La delicadeza asombra y conmueve con una novela que, como la obra de Charlotte

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It is Charlotte's first night at boarding school, and as she's settling down to sleep, she sees the corner of the new building from her window. But when she wakes up, instead of the building there is a huge, dark cedar tree, and the girl in the next bed is not the girl who slept there last night. Somehow, Charlotte has slipped back forty years to 1918 and has swapped places with a girl called Clare. Charlotte and Clare swap places ever night until one day Charlotte becomes trapped in 1918 and must find a way to return to her own time before the end of term.

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In 1942, Charlotte Gray, a young scottish woman, goes to Occupied France on a dual mission:to run an apparantly simple errand for a British special operations group and to search for her lover, an English airman called Peter Gregory, who has gone missing in action. In the small town of Lavaurette, Sebastian Faulks presents a microcosm of France and its agony in 'the black years', here is the full range of collaboration, from the tacit to the enthusiastic, as well as examples of extraordinary courage and altruism. Through the local resistance chief Julien, Charlotte meets his father a Jewish painter whose inspiration has failed him. In Charlotte's friendship with both men, Faulks opens up the theme of false memory and of paradises—both national and personal—that appear irredeemably lost. In a series of shocking narrative climaxes in which the full extent of French collusion in the Nazi holocaust is delineated, Faulks brings the story to a resolution of redemptive love. In the delicacy of its writing, the intimacy of its characterisation and its powerful narrative scenes of harrowing public events, Charlotte Gray is a worthy successor to Birdsong.

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'Suppose you got stuck in here, and Clare there in your time. Just suppose you did?’Charlotte Makepeace’s first day at boarding school is a bewildering blur of unfamiliar faces, timetables, rules and lists. All the other girls know the routine – and each other. No one invites her into their exclusive circles of whispers and giggles. But on Charlotte’s very first night something mysterious starts to happen. She wakes up in the same bed, in the same dormitory, in the same school. But something has changed. Somehow Charlotte has slipped forty years back in time...Includes exclusive material: In the Backstory you can learn what life was like during the First World WarVintage Children’s Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives. Discover timeless favourites from The Jungle Book and Alice’s Adventures in Wonderland to modern classics such as The Boy in the Striped Pyjamas and The Curious Incident of the Dog in the Night-Time

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From its birth to the present, Charlotte has consistently built and reshaped its appearance, ideals, and industry. Through changing fortunes, Charlotte has continued to grow and prosper by overcoming adversity and maintaining the strong, independent culture of its citizens. With a selection of fine historic images from his bestselling book Historic Photos of Charlotte, Ryan L. Sumner provides a valuable and revealing historical retrospective on the growth and development of Charlotte. Remembering Charlotte captures this journey through still photography selected from the finest archives. From the era of privately owned textile interests to its role as a financial hub, Remembering Charlotte follows life, government, education, and events throughout the city’s history. This volume captures unique and rare scenes as depicted in more than a hundred historic photographs. Published in striking black-and-white, these images communicate historic events and everyday life of two centuries of people building a unique and prosperous city.

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The much-anticipated prequel to the bestselling FROZEN CHARLOTTE, a Zoella Book Club title in Autumn 2016. Following the death of her mother in a terrible fire, Jemima flees to the remote Isle of Skye, to take up a job at a school for girls. There she finds herself tormented by the mystery of what really happened that night. Then Jemima receives a box of Frozen Charlotte dolls from a mystery sender and she begins to remember – a séance with the dolls, a violent argument with her step-father and the inferno that destroyed their home. And when it seems that the dolls are triggering a series of accidents at the school, Jemima realizes she must stop the demonic spirits possessing the dolls – whatever it takes.

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Kids who are enthusiastic about codes may want to try decoding the messages that are referred to in the text and can be found (along with worksheets) within the distinctive illustrations. While Nana’s work at Bletchley may not be meaningful to children too young to understand the context, codes and secret messages have an enduring appeal for many children. - Carolyn Phelan; Booklist ReviewsCharlotte loves puzzles. On her ninth birthday, she receives a card from her great-grandmother, on which she finds a difficult code. Soon she embarks on a quest full of codes and riddles. While she tries to solve them, Charlotte discovers important details about the role her great-grandmother played in the Second World War. She also learns about three historical sites in England: Parker’s Piece, the River Cam, and Blechley Park. You’ll learn about these places, too! A surprising picture book about history and code language. For cod

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Charlotte Perkins Gilman (1860-1935) is one of the most important women contributors to classical sociology, primarily because of the originality and significance of her theoretical work. Although well known to her contemporaries in both the United States and Europe, Gilman’s legacy was not fully acknowledged by sociologists until her work was recently rediscovered under the impetus of second wave feminist scholarship. Gilman's overarching accomplishment as a sociologist was to formulate a still unparalleled conception of gender. She was both the first theorist to separate gender, as socially constructed behavior, from biological sex and to treat it as a significant variable in social analysis, and the first to create a general theory of society in which gender stratification serves as the foundational principle. She also offered important ideas for the sociological subfields of economy, work, culture and family, presenting her arguments in a variety of forms: formal theory, verse, essays, public lectures, novels and short stories. The essays selected for this volume feature essays of interest to sociologists from across a spectrum of disciplines: economics, literature, women's studies, philosophy and history as well as sociology. The essays are arranged thematically with sections on: gender and society; economy and society; methodology; the public role of the sociologist; towards a sociology of women; and race, class and gender.

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Charlotte Salomon was born in Berlin in 1917 and was murdered at Auschwitz at the age of twenty-six. While in exile in the south of France from 1940 until her deportation in 1943, she created some 1,325 small gouaches using only the three primary colors plus white. From these she gathered nearly 800 into a work that she titled Life? or Theater?: A Play with Music, which employs images, texts, and musical and cinematic references. The narrative, informed by Salomon's experiences as a talented, cultured, and assimilated German Jew, depicts a life lived in the shadow of Nazi persecution and a family history of suicide, but also reveals moments of intense happiness and hope. The tone of the gouaches becomes increasingly raw and urgent as Salomon is further enmeshed in grim personal as well as political events. The result is a deeply moving meditation on life, art, and death on the eve of the Holocaust. Salomon's art, discovered after the war in the south of France where she had left it for safekeeping, was first exhibited in 1961 and has gained steadily in reputation since then. A major exhibition focused on Life? or Theater? appeared at the Royal Academy of Arts in London in 1998, subsequently at the Art Gallery of Ontario in Toronto; the Museum of Fine Arts, Boston; and the Jewish Museum in New York City. This book, lavishly illustrated with many color plates, is the first to analyze Salomon's work critically, historically, and aesthetically. It includes a chronology of Salomon's life and a list of exhibitions of Life? or Theater?. Featuring contributions from prominent art historians, literary and cultural critics, and historians, Reading Charlotte Salomon celebrates the genius and courage of a remarkable figure in twentieth-century art.

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Charlotte Moss encourages readers to bring the garden indoors with ideas for arranging flowers, selecting containers, and placing blossoms around the house. An inviting cluster of blooms on a guest room s bedside table, lavish floral displays for parties and holidays, single stems adding life to any corner of a room Moss has been photographing her flower arrangements for over a decade. This book is a celebration of her artistry and a testament to flowers as part of day-to-day life. From Moss s grander displays in the city to her more informal and breezy creations at her home in the country, as well as in the refined interiors of her clients, the visual result is a chronicle of the myriad ways flowers provide inspiration indoors and out. Readers will be further motivated as Moss describes the contributions of past tastemakers: Gloria Vanderbilt for her ingenious use of floral patterns in her licensed products, Pauline de Rothschild for her fantastic tablescapes, Bunny Mellon for her profusive use of topiaries, Constance Spry for the use of inventive containers and for her groundbreaking artistry, and Lady Bird Johnson for her embrace of the simple, exquisite wildflower. With nature as her muse, Moss implores us to create the backdrop for a life well lived, imbuing every day with flair, beauty, and elegance.

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A Zoella Book Club Autumn 2016 title “So creepy and amazing [...] I loved it [...] You'll never look at small china dolls in the same way ever again.” – Zoella “Deliciously creepy.” – Juno Dawson Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind… Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lillias with a fear of bones and Piper, who seems just a bit too good to be true. And then there’s her other cousin. The girl with a room full of antique dolls. The girl that shouldn’t be there. The girl that died. Alex Bell’s chilling novel is part of the Red Eye series, perfect for fans of Juno Dawson’s Say Her Name and Kendare Blake’s Anna Dressed in Blood.

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Celebrated interior designer and renowned tastemaker Charlotte Moss turns her eye to the garden as a resource for interiors, entertaining, and good living. Charlotte Moss's greatest muse is the garden, and this book shows the myriad ways the garden provides inspiration every day-indoors and outdoors. Touring readers through her own gardens, Moss offers insights on how to bring the garden into home life-including ideas for elegant flower arrangements from the garden and the table settings and menus they inspire, garden seating for entertaining and relaxing, interior colour schemes drawn from nature, and much more. Moss also shares with readers key garden lessons that she has culled from her time spent exploring magnificent gardens around the world, including French and Italian, English and Russian, private and public, and also the gardens of great women, past and present. An extensive resource guide of notable gardens to visit is also included. With this verdant volume, Moss shows us-implores us-that to behold our own patch of beauty and pleasure (in Edith Wharton's words) is not beyond our reach.

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Doomed survivor of a family of geniuses, Charlotte Brontë had a life as dramatic as Jane Eyre. Turning her back on her tragic past, she reinvented herself as an acclaimed writer, a mysterious celebrity and a passionate lover. Doing so meant burning many bridges, but her sudden death left her friends and admirers with more questions than answers.Tasked with telling the truth about Brontë's life, her friend, the novelist Elizabeth Gaskell, uncovered secrets of illicit love, family discord and professional rivalries more incredible than any fiction. The result, a tell-all biography, was so scandalous it was banned and rewritten twice in six months but not before it had given birth to the legend of the Brontës.The Invention of Charlotte Brontë is a darker take on one of the most famous women writers of the nineteenth century, showing Charlotte to be a strong but flawed individual. Through interrogating known events and introducing new archival ma

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Charlotte Perkins Gilman offers the definitive account of this controversial writer and activist's long and eventful life. Charlotte Anna Perkins Stetson Gilman (1860–1935) launched her career as a lecturer, author, and reformer with the story for which she is best-known today, "The Yellow Wallpaper." She was hailed as the "brains" of the US women's movement, whose focus she sought to broaden from suffrage to economics. Her most influential sociological work criticized the competitive individualism of capitalists and Social Darwinists, and touted altruistic service as the prerequisite to both social progress and human evolution. By 1900, Gilman had become an international celebrity, but had already faced a scandal over her divorce and "abandonment" of her child. As the years passed, her audience shrunk and grew more hostile, and she increasingly positioned herself in opposition to the society that in an earlier, more idealistic period she had seen as the better part of the self. In her final years, she unflinchingly faced breast cancer, her second husband's sudden death, and finally, her own carefully planned suicide— she "preferred chloroform to cancer" and cared little for a single life when its usefulness was over. Charlotte Perkins Gilman presents new insights into the life of a remarkable woman whose public solutions often belied her private anxieties. It aims to recapture the drama and complexity of Gilman's life while presenting a comprehensive scholarly portrait.

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The definitive biography of an extraordinary novelist, by acclaimed literary biographer Claire Harman'There was no possibility of taking a walk that day . . .' With these words Charlotte Brontë began Jane Eyre and changed English literature irrevocably.Claire Harman's landmark biography provides a bold new view of one of Britain's best loved writers, uncovering an inner life that touched the furthest extremes of human emotion. Harman shows us an intense and troubled young woman from an astonishingly creative family, whose early works were produced in total secrecy. Struggling against the conventional limitations of both life and literature, Charlotte created a new kind of heroine which both shocked and inspired her Victorian contemporaries. Love, loss, ambition and heartbreak: the anonymous author poured everything into her ground-breaking books, but lived it first.'Harman [is] a master-storyteller in her own right. Her account of Bronte's life is a level-headed, highly readable and always intelligent. A delight from start to finish' Sunday Times 'Subtle, measured. Full of insight into Bronte's fiery intellect as well as the tragic intensity of her experience' Helen Dunmore, Observer 'Three rounds of applause... a superb retelling of Charlotte's story' Mark Bostridge, Spectator

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Charlotte de Cock has painted lifesize portraits of thirteen 'masters', among which are Luc Tuymans, Jan Decleir and dEUS lead singer Tom Barman. She performed at Tomorrowland and made a mural painting of top restaurant The Jane. She refuses to be categorised as an artist. A Journey with Charlotte steps into her world. A world where Jack Kerouac, pumping electro music, and paint, join together to form a vibrant life in which nothing is ever not done.

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This volume compiles and annotates for the first time the complete correspondence of the eighteenth-century British author Charlotte Lennox, best known for her novel The Female Quixote. Lennox corresponded with famous contemporaries from different walks of life such as James Boswell, David Garrick, Samuel Johnson, and Sir Joshua Reynolds, and she interacted with many other influential figures including her patroness the Countess of Bute, publisher Andrew Millar, and the Reverend Thomas Winstanley. In addition to Lennox’s and her correspondents’ letters, this book presents related documents such as the author’s proposals for subscription editions of her works, her file with the Royal Literary Fund, and a series of poems and stories supposedly composed by her son but perhaps written by herself. In these carefully and extensively annotated documents, Charlotte Lennox traces the vagaries in the career of a female writer in the male-dominated eighteenth-century literary marketplace. The introduction situates Lennox in the context of contemporaneous print culture and specifically examines the contentious question of the authorship of The Female Quixote, Lennox’s experimentation with various forms of publication, and her appeals for charity to the Royal Literary Fund when she was impoverished towards the end of her life. The author who emerges from Charlotte Lennox was an active, assertive, innovative, and independent woman trying to find her place—and make a literary career—in eighteenth-century Britain. Thus, this volume makes an important contribution to the history of female authorship, literary history, and eighteenth-century studies.

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Elizabeth Gaskell's biography of her close friend Charlotte Brontë was published in 1857 to immediate popular acclaim, and remains the most significant study of the enigmatic author who gave Jane Eyre the subtitle An Autobiography. It recounts Charlotte Brontë's life from her isolated childhood, through her years as a writer who had 'foreseen the single life' for herself, to her marriage at thirty-eight and death less than a year later. The resulting work - the first full-length biography of a woman novelist by a woman novelist - explored the nature of Charlotte's genius and almost single-handedly created the Brontë myth.

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Charlotte is a serious scientist. She solves important problems by following the scientific method. She has all the right equipment: protective glasses, a lab coat, a clipboard, and a magnifying glass. What she doesn't have is space. She has so many brothers and sisters (she is a rabbit, after all) that she is too squished to work on her experiments! Can she use science to solve her problem?

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'It is in every way worthy of what one great woman should have written of another.' Patrick Brontë Elizabeth Gaskell's The Life of Charlotte Brontë (1857) is a pioneering biography of one great Victorian woman novelist by another. Gaskell was a friend of Charlotte Brontë, and, having been invited to write the offical life, determined both to tell the truth and to honour her friend. She contacted those who had known Charlotte and travelled extensively in England and Belgium to gather material. She wrote from a vivid accumulation of letters, interviews, and observation, establishing the details of Charlotte's life and recreating her background. Through an often difficult and demanding process, Gaskell created a vital sense of a life hidden from the world. This edition is based on the Third Edition of 1857, revised by Gaskell. It has been collated with the manuscript, and the previous two editions, as well as with Charlotte Bront¨'e's letters, and thus offers fuller information about the process of composition than any previous edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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This stunning book presents Charlotte Perriand's photographic achievement in its entirety, offering new and valuable insights into the work of this important designer. Charlotte Perriand (1903-1999) was one of the most innovative furniture and interior designers of the twentieth century, long renowned for the tubular-steel chairs she created with le Corbusier. Her career spanned nearly seventy-five years and included work in her native France as well as in Africa, South America, Asia, and Europe, and today her designs are highly collectable. Recently, several hundred photographic negatives were uncovered in her archives, revealing for the first time the scope of her work as a photographer. In the late 1920s, French interior and furniture designer Charlotte Perriand was at the cusp of her career, just beginning her work as an architect, designer, town planner, and political militant. Starting in 1927, she turned to photography, which was to play a pivotal role in her development as a designer through the pioneering years of the modern movement. Her photographic venture ended in Japan in 1941, when the hope of a better world was shattered by World War II. For Charlotte Perriand, photography was a machine for thinking, taking notes, and stirring emotions, but it was also an instrument of political engagement. Today, her photographs are a revelation, offering unseen glimpses into her creative process and intellectual development. Her photographs express the important themes and questions explored by modern artists of the day, and are part of the vast stream of avant-garde movements in which painters, architects, and photographers - and sometimes all three combined - worked together in a common spirit.

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By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor. With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality. Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette. Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.

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Caroline of Brunswick, wife of George Prince of Wales and Prince Regent, and her daughter, Princess Charlotte, lived out their lives surrounded by a cast of characters who might have been lifted straight from the pages of some Gothic novel. Theirs was a saga of passion and pathos, tragedy and black comedy, feuding and fighting - all set in Regency England against a backdrop of Europe in turmoil. The marriage of the Prince of Wales - renowned for his intemperance, hedonism and plain ordinary selfishness - to his cousin Caroline of Brunswick in 1795 was a preordained disaster. The groom is said to have called for brandy when he first laid eyes on the bride, while the bride was later to swear that the groom spent most of their wedding night lying in the grate in a drunken stupor. Brought together for reasons of financial and dynastic expediencey, the couple split up within a year of the birth of their daughter, Charlotte Augusta in 1796. The colourful story of these two fiercely dependent and ultimately tragic women is brilliantly told by Alison Plowden, tapping into a wealth of contemporary correspondence, journals, memoirs and contemporary press reportage. 'Caroline & Charlotte' constitutes a real-life Regency romance which makes gripping and poignant reading.

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Charlotte March was one of the leading international fashion photographers from the 1960s to the 1980s. The major retrospective at Deichtorhallen Hamburg lays the foundation for the rediscovery of the iconic photographer’s oeuvre and offers a comprehensive overview of all of her creative periods for the first time. From her hitherto little-known early work, relating to the "Humanist Photography" movement, that reveals her sensitive eye for the margins of society in post-war Hamburg, took her to wholly unglamorous places, to her journeys to Italy in the 1960s, as well as her highly influential fashion and advertising photography. The narrative of her imagery for magazines such as twen, Stern, Harper's Bazaar, Vanity Fair, Elle, and Vogue reveals an emancipatory attitude and evoke the notion of a new lifestyle and the social upheaval of the 1960s. The exhibition and catalog illuminate March's multifaceted work and attest to her status as one of the most important female photographers of the second half of the 20th century.

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