Search results for ""author caroline adderson""

In this poem addressed to a young child, author Caroline Adderson outlines the ten things a mother loves about her little one. From his scaly elbows and knees all the way to his twitchy tail, every inch of this little “monster” is itemized and admired.Gentle and humorous illustrations by Christina Leist show how one tired parent decides to participate in a bit of rowdy play at bedtime, with the result being a happily tired child and a mother who is even more in love with her offspring than she was at the beginning of the book.This satisfyingly unconventional bedtime story will encourage children and parents to appreciate each other just a little bit more every time they read it.

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Short stories about disparate characters consider what it means to find happiness.On New Year’s Eve, a pair of addicts robs a string of high-end parties in order to fund their own recovery. A recently separated woman relocates to a small northern town, where she receives a life-changing visitation, and a Russian hitman, suffering from a mysterious lung ailment, retrieves long-buried memories of his past. In the nineteenth century, a disparate group of women coalesce in the attempt to aid a young girl in her escape from a hospital for the insane. These are but some of the remarkable characters who populate these stories, all of them grappling with conflicts ranging from mundane to extraordinary. Caroline Adderson’s A Way to Be Happy considers what it means to find happiness—and how often it comes through the grace of others.

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Now in its 49th year, Best Canadian Stories has long championed the short story form and highlighted the work of many writers who have gone on to shape the Canadian literary canon. Margaret Atwood, Clark Blaise, Tamas Dobozy, Mavis Gallant, Douglas Glover, Norman Levine, Rohinton Mistry, Alice Munro, Leon Rooke, Diane Schoemperlen, Kathleen Winter, and many others have appeared in its pages over the decades, making Best Canadian Stories the go-to source for what’s new in Canadian fiction writing for close to five decades. Selected by guest editor Caroline Adderson, the 2019 edition draws together both newer and established writers to shape an engaging and luminous mosaic of writing in this country today—a continuation of not only a series, but a legacy in Canadian letters.

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Malcolm, an aging hairdresser, is reclusive and bitter. Alison, a salon apprentice, is dismissed by Malcolm for her embarrassing innocence. When their colleague is murdered by neo-Nazis, however, the two embark on an unplanned pilgrimage to Auschwitz. A moving and sharp-edged novel by the award-winning author of Ellen in Pieces.

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When the “grownup virus” hits, kids who live in the same apartment building must cope with strange new rules and extended time at home with parents and siblings. And they survive brilliantly, each in their own way. Twin boys throw themselves into an independent research assignment on prehistoric people and embrace their own devolution. A budding track star is encouraged to run laps on his balcony by a neighbor who has a secret crush on him. A classroom troublemaker reaches out to a teacher when his own father begins to exhibit signs of mental illness. A young entrepreneur saves himself and his hairdresser mother from financial collapse by renting out the family dog. And a girl finds a way to communicate with her hearing-impaired neighbor so that they can spy on the rest of the building. The stories follow the course of the pandemic, from the early measures through lockdown, as the kids in the building observe the stresses on the adults around them and use their own quirky kid ingenuity to come up with ways to make their lives better. Funny, poignant and wise, this book will long outlive even the pandemic. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions). CCSS.ELA-LITERACY.RL.4.6 Compare and contrast the point of view from which different stories are narrated, including the difference between first- and third-person narrations. CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.5 Explain how a series of chapters, scenes, or stanzas fits together to provide the overall structure of a particular story, drama, or poem. CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.5 Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, or plot. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.

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Winner of the Ethel Wilson Fiction Prize and shortlisted for the Governor-General's Award for fiction and the Commonwealth Writer's Prize, Caroline Adderson's short fiction collection travels far and wide. From adolescent brothers marooned at an indifferent relatives cottage, to a Depression-era Ukrainian immigrant reading the drought-parched skies above Palliser's Triangle, to two friends trying to make sense of feminism in the eighties, Adderson captures her characters' cadences, conflicts, and consolations, their individual burdens and the mysteries they share. Adventurous, often funny, and impeccably researched, these stories chart their lives with compassion and intelligence.

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A middle-grade novel about two maybe-orphans and their unlikely friendship with a cranky old neighbor. At first Curtis isn't that worried when his mother doesn't come home from her all-night job at the local gas station. She'll be back, he's ten out of ten positive. Besides, Curtis is used to looking after himself and his five-year-old brother, Artie. But when the landlord starts pressuring them for the rent and the authorities start to investigate, it's more than a 12-year-old can handle. Just in time, Mrs. Burt, the cranky, lonely old lady who lives across the street, offers to take Curtis and Artie to her lakeside cabin for the summer. As summer sails by and the weather grows colder, Mrs. Burt seems to be preparing to spend the winter at the cabin, and Curtis starts to worry. Have they really all just absconded to the lake for a summer holiday? Or have the two boys been kidnapped?

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Nicola’s adorable little dog, June Bug, keeps getting into trouble. She steals the neighbor’s turkey, yanks down the Christmas tree and destroys Mum’s almost-finished giant crossword. Everyone is mad, and it looks as though June Bug’s days are numbered. Will doing a good deed make up for June Bug’s bad behavior? Nicola certainly hopes so. And when she and June Bug come across a new nursing home in the neighborhood, it feels like a Sign. They volunteer to become regular visitors at Shady Oaks, certain that June Bug’s cute tricks will cheer up the elderly residents. In fact, they could all use some cheering up. It’s the holiday, and yet everyone seems to be cranky and off balance. Nobody has put up any lights, Nicola’s grade five teacher is inexplicably crabby, and Nicola’s big brother Jared stays holed up in front of the computer playing Inferno 2, eagerly sending winged creatures into a fiery abyss. Even Nicola is not herself, and when a new girl, Lindsay, tries to be her friend, Nicola finds herself being uncharacteristically mean, because Lindsay seems to be one of those hair-and-jewelry girls who wants her own subscription to Bride magazine for Christmas. But Nicola’s mother won’t let her visit Shady Oaks by herself, so when Lindsay offers to go with her, Nicola agrees. And the girls discover that something unusual is going on at the home, where it seems that a few of the more remarkable patients are being kept against their will. Freeing them will bring out the very best in Nicola, and especially in June Bug.

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The delightful adventures of a visually impaired barn cat and his annoying flea, as they set off to experience the world and find themselves participants in some of the most remarkable events of the early twentieth century.Pudding Tat is born on the Willoughby Farm in 1901 — just another one of Mother Tat’s kittens. But it turns out that Pudding is anything but ordinary. He is pure white with pink eyes that, though beautiful, do not see well, and hearing that is unusually acute. He finds himself drawn to the sweet sounds of the world around him — the pattering heartbeat of a nearby mouse, the musical tinkling of a distant stream.Soon the sounds of adventure call to Pudding, too. But before he can strike out into the wide world on his own, he hears a voice — coming from right inside his own ear. A flea has claimed Pudding as his host. The bossy parasite demands that Pudding take him away from the lowly barn and the drunken singing of his fellow fleas. He doesn’t want adventure but a finer life — one where he can enjoy a warm bed and blood flavored not with mice, but with beef tenderloin and cream.Fortunately for this mismatched pair, the world is an extremely interesting place in 1901. Over the next decade and a half, Pudding and his flea find themselves helping to make history — a journey over Niagara Falls in a barrel, a visit to the Pan-American Exposition on the day President McKinley is shot, a luxurious stay in Manhattan with songwriter Vincent Bryan, a terrifying trip on the airship America, and a voyage on the ill-fated Titanic.Through each narrow escape, the call to adventure for the cat, and luxury for his disgruntled flea, beckons them on, right to the devastation of a World War I battlefield. Then Pudding is filled with a new longing, one that brings him, with his flea’s help now, full circle and back home.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.4.3Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).CCSS.ELA-LITERACY.RL.5.2Determine a theme of a story, drama, or poem from details in the text, including how characters in a story or drama respond to challenges or how the speaker in a poem reflects upon a topic; summarize the text.CCSS.ELA-LITERACY.RL.5.7Analyze how visual and multimedia elements contribute to the meaning, tone, or beauty of a text (e.g., graphic novel, multimedia presentation of fiction, folktale, myth, poem).CCSS.ELA-LITERACY.RL.6.3Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

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Editor John Metcalf has inspired, challenged, and championed countless writers over his long career. In Off the Record, he encourages six to reveal what one rarely discusses in polite society: how they became writers instead of radio announcers or cabinet makers. The essays collected here, each accompanied by a short story, offer fascinating insight into the relationships between writers, their editors, and their fiction.Off the Record brings together work by six noted Canadian writers, among them the winners of the Rogers Writers’ Trust Fiction Prize, the Butler Book Prize, and the Marian Engel Award: Caroline Adderson, Kristyn Dunnion, Cynthia Flood, Shaena Lambert, Elise Levine, and Kathy Page. Their essays are candid, moving, and surprisingly relatable—providing plenty of inspiration for those among us who want to write.

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