Search results for ""author brother anthony""

A debut English-language collection of hopeful and carefully attentive poems by one of South Korea’s most lauded young poets.This collection offers a selection of poems from Sin Yong Mok’s earlier collections, intended to serve as an illustration of his evolution as a poet, alongside a complete translation of the poems from his fourth collection, When Someone Called Someone, I Looked Back. Beautifully translated by Brother Anthony of Taizé with close attention to the sonorous aspects of Sin’s lines, this collection also captures the larger themes within Sin’s work and his attention to the spirit of community and peaceful coexistence with others. These are poems with a powerful belief in humanity and the beauty of the smallest hopes.

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Kim Sa-in is a devotional poet who ably serves "all the unconsidered things in the world"--a cosmos flower, a turtle dove cooing near a firing range, the way a mourner offers a cup of wine to a widow. His eye for ordinary details that resonate in their new settings, his ability to discern social and political patterns in seemingly random events, his determination to plumb the depths of experience mundane and otherwise--these make him a singular presence in Korean poetry.

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This selection of Kim Seung-hee’s most recent poems is drawn half from her ninth collection, Hope is Lonely, and half from her tenth collection, Croaker on a Chopping Board. Focusing on humanity’s utter fragility through, among others, the themes of death, hope, depression and love, often seen through the lens of sorrowful womanhood, these poems, be they modernist or romantic in idiom, also comment on political and social issues, and Korean society and culture in general. Brother Anthony’s deeply sensitive translation, and his informative preface, make the work of this major Korean poet available for the first time in the UK.

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Night-Sky Checkerboard introduces English-language readers to the understated, imagistic lyricism of a Korean master at the peak of his powers. As a young poet, Oh Sae-young was fascinated by Modernism, and attempted to represent the inner landscapes of the dislocated self produced by industrial society before arriving at more existentialist concerns. The present volume, masterfully translated by Brother Anthony of Taize, reflects Oh Sae-young's harmonious fusion of image with idea, with woodpeckers pecking secret coded messages, the farmer finding the ground's erogenous zones, and a cloud factory on strike.

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Shin Kyong-Nim's first volume of poems, Farmers' Dance (Nong-mu), marked a major new step in the development of modern Korean poetry when it was published in 1973. The life of Korea's oppressed rural masses had never before been highlighted in such a manner. For years, the poet had shared that life as a laborer and salesman, and the poems reflect a deep identification with classes and situations that were normally not considered suitable subjects for poetry. This volume offers a full translation of the poems of the expanded 1975 edition, making available in English for the first time one of the most influential works of modern Korean poetry.

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Ko Un has long been a living legend in Korea, both as a poet and as a person. Allen Ginsberg once wrote, 'Ko Un is a magnificent poet, combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.' Maninbo (Ten Thousand Lives) is the title of a remarkable collection of poems by Ko Un, filling thirty volumes, a total of 4001 poems containing the names of 5600 people, which took 30 years to complete. Ko Un first conceived the idea while confined in a solitary cell upon his arrest in May 1980, the first volumes appeared in 1986, and the project was completed 25 years after publication began, in 2010. Unsure whether he might be executed or not, he found his mind filling with memories of the people he had met or heard of during his life. Finally, he made a vow that, if he were released from prison, he would write poems about each of them. In part this would be a means of rescuing from oblivion countless lives that would otherwise be lost, and also it would serve to offer a vision of the history of Korea as it has been lived by its entire population through the centuries. A selection from the first 10 volumes of Maninbo relating to Ko Un's village childhood was published in the US in 2006 by Green Integer under the title Ten Thousand Lives. This edition is a selection from volumes 11 to 20, with the last half of the book focused on the sufferings of the Korean people during the Korean War. Essentially narrative, each poem offers a brief glimpse of an individual's life. Some span an entire existence, some relate a brief moment. Some are celebrations of remarkable lives, others recall terrible events and inhuman beings. Some poems are humorous, others are dark commemorations of unthinkable incidents. They span the whole of Korean history, from earliest pre-history to the present time. Poetry Book Society Recommended Translation.

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Ko Un has long been a living legend in Korea, both as a poet and as a person. Allen Ginsberg once wrote, 'Ko Un is a magnificent poet, combination of Buddhist cognoscenti, passionate political libertarian, and naturalist historian.' When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected a hundred or so poems from the five collections published since the year 2002, collections acclaimed by Korean critics as bringing poetry to a new level of cosmic reference. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work. Readers here have access for the first time to many of the poems Ko Un has produced in the 21st century, as he approaches his eightieth year, his energy and originality unabated. As Michael McLure wrote years ago: 'Ko Un's poetry has the old-fashionedness of a muddy rut on a country road after rain, and yet it is also as state-of-the-art as a DNA micro-chip.' That remains true today. "First Person Sorrowful" is Ko Un's first book to be published in the UK, and has an introduction by Sir Andrew Motion.

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Kim Seung-Hee's poetry is usually described in Korea as "feminist," "subversive," and "surrealist." Most important is the way her poetic voices differ radically from any other Korean poet's, male or female. Her work has sometimes found a readier acceptance among readers of the English translations than among Koreans reading the originals, who are often puzzled by the seeming lack of conventional poetic themes and female sensitivity. Bilingual volume in English/Korean.

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These poems by "the happiest man in the world" are full of light though written in dark times. Ch'ōn had the art of seeing the beauty of life beyond all the pain, and of putting it into the music of words. Recently, many young Koreans have discovered in these poems and in the poet's life the innocence and honesty they look for in vain in modern society. His poverty and his body broken by torture never made Ch'ōn bitter or angry; his poems are hymns of joy at the marvels of nature and the simple pleasures of life. His greatest poem sees death, not as the end but as a journey "back to heaven" where he plans to tell the angels how beautiful life in this world can be.

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