Search results for ""author ben siegel""

Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious Subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.

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Few contemporary American writers have stirred the minds and emotions of their readers as Philip Roth has done. Even fewer writers have excelled in various forms of the comic as Roth has for over a half-century. Playful and Serious assembles a group of outstanding Roth scholars and critics who focus their attention on the different ways Roth brings his comic tendencies to bear on essentially serious topics. The term 'comic' is used in the broadest sense to include humor, irony, satire, comedy, black comedy, and their variations. As co-editor Ben Siegel points out, Roth's special humor often appears to grow 'more surrealistic and obsessive, as in each new fiction he tries not merely to surpass the daily news but to touch what is deeply private and dark in the modern psyche.' In the process, he targets 'his society's most deeply embedded pieties and hypocrisies, enthusiasms, and lunacies.' This collection takes account of the majority of Roth's works, beginning with some of his earliest stories and ending with several of his most recent novels. It also includes an account of several relatively neglected works, such as 'Novotny's Pain' and 'On the Air,' but the essays in this volume deal mainly with the major works of fiction.

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