Search results for ""author barbara wright""

As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including "The Golden Fruits", which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir "Childhood" may in fact be Sarraute's most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, "Childhood" is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and, indeed, the truth. Her relationships with her mother in Russia and her stepmother in Paris are especially heartbreaking: long-gone actions are prodded and poked at by Sarraute until they yield some semblance of fact, imbuing these maternalistic interactions with new, deeper meaning. Each vignette is bristling with detail and shows the power of memory through prose that is by turns funny, sad, and poetic. Capturing the ambience of Paris and Russia in the earliest part of the twentieth century, while never giving up the lyrical style of Sarraute's novels, this book has much to offer both memoir enthusiasts and fiction lovers.

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On a crowded bus at midday, the narrator observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man takes it. Later, in another part of town, the man is spotted again, while being advised by a friend to have another button sewn onto his overcoat. Exercises in Style retells this apparently unremarkable tale ninety-nine times, employing a variety of styles, ranging from sonnet to cockney to mathematical formula. Too funny to be merely a pedantic thesis, this virtuoso set of themes and variations is a linguistic rustremover, a guide to literary forms and a demonstration of imagery and inventiveness.

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Pierrot Mon Ami, considered by many to be one of Raymond Queneau’s finest achievements, is a quirky coming-of-age novel concerning a young man’s initiation into a world filled with deceit, fraud, and manipulation. From his short-lived job at a Paris amusement park where he helps to raise women’s skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity.This “innocent” implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau’s principle translator).

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In late-nineteenth-century Paris, the writer Hubert is shocked to discover that Icarus, the protagonist of the new novel he’s working on, has vanished. Looking for him among the manuscripts of his rivals does not solve the mystery, so a detective is hired to find the runaway character, who is now in Montparnasse, where he learns to drink absinthe and is picked up by a friendly prostitute.

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Set in a big Dublin hotel of the mid-nineteenth century, The Singular Life of Albert Nobbs is a total theatre creation. In it, we discover that Albert, the perfect waiter – who never drinks, smokes or flirts with the chambermaids – is in fact a woman who once dressed as a man to avoid poverty and is now trapped in the role. Based on a short story by George Moore, which was recently adapted into a major Hollywood film starring Glenn Close, Benmussa’s story releases a string of disturbing questions about the nature of women and society, and is one of the most powerful and groundbreaking plays of the 1970s.

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Published originally as the purported French translation of a novel by fictional Irish writer Sally Mara, We Always Treat Women Too Well is set in Dublin during the 1916 Easter Rising and tells the story of the siege of a small post office by a group of rebels, who discover to their embarrassment that a female postal clerk, Gertie Girdle, is still in the lavatory some time after they have shot or expelled the rest of the staff. The events that follow are not for prudish readers, forming a scintillating, linguistically delightful and hilarious narrative. By far Queneau’s bawdiest work, We Always Treat Women Too Well contains all of its author’s hallmarks: wit, stylistic innovation and formal playfulness – expertly rendered into English by Barbara Wright’s classic translation.

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The cult classic from one of France's most stylish writers'Don't give a damn,' says Zazie, 'what I wanted was to go in the metro'Impish, foul-mouthed Zazie arrives in Paris from the country to stay with her uncle Gabriel. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, Zazie in the Metro remains as stylish and witty as ever.

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Trio marks the first time these three shorter Pinget works are collected in a single volume. From the sublime surrealism of Between Fantoine and Agapa, through the Faulknerian take on rural life in That Voice, to the musical rhythm and flow of Passacaglia, this collection charts the varied career of one of the French New Novel's true luminaries.The space between the fictional towns of Fantoine and Agapa is akin to Faulkner's Yoknapatawpha County: an area where provincialism is neither romanticized nor parodied; where intrigue--often violent intrigue--confronts the bucolic ideal held both by insiders and outsiders; and where reality is shaped not by events, but by talk and gossip, by insinuation and conjecture. Written over the course of his career, these three novels are by turns hilarious and dark, surreal and painstakingly accurate; together they demonstrate the consistent quality of Pinget's versatility.

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When shop-owner Julia Segovia decides that she’s going to marry the handsome if exceedingly young and naive soldier Valentin Brû, he willingly goes along with her scheme. Little does he know that he will have to contend with disgruntled in-laws, eccentric locals, a cunning wife, a shifty career in fortune-telling, the approaching threat of war with Germany and the mysteries of Parisian public transport. With a cast of eccentric characters, amusing incidents and an uplifting tone, The Sunday of Life – its title playfully alluding to Hegel’s theory of history – is a scintillating novel which showcases Queneau’s trademark punning, sly wit and delight in the absurdity of people and situations.

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