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This an authoritative scholarly edition of Mansfield's camping journal, offering new understandings of her colonial life. Katherine Mansfield filled the first half of the 'Urewera Notebook' during a 1907 camping tour of the central North Island, shortly before she left New Zealand forever. Her camping notes offer a rare insight into her attitude to her country of birth, not in retrospective fiction but as a nineteen year old still living in the colony. This publication aims to be the first scholarly edition of the 'Urewera Notebook', providing an original transcription, a collation of the alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey. As a whole, this edition challenges the debate that has focused on Mansfield's happiness or dissatisfaction throughout her last year in New Zealand to reveal a young writer closely observing aspects of a country hitherto beyond her experience and forming a complex critique of her colonial homeland. This is a new, more accurate transcription of the notebook, which can be read either as standalone text, or in tandem with commentary and textual notes. It's an introductory essay drawing on important new developments in New Zealand literary criticism, advances in historiography of the period and legal history, notably Judith Binney's Te Urewera: Encircled Lands (2009), Richard Boast's Buying the Land, Selling the Land (2008) and the Waitangi Tribunal Reports. It offers a route map, revised itinerary and authoritative annotation for the text, all based on fresh archival research of primary history material. It offers previously unpublished photographs from a Beauchamp family photograph album in the Alexander Turnbull Library and in the Ebbett Papers held at the Hawke's Bay Museum.

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These are Katherine Mansfield's non-fiction collected in one volume for the first time. This volume redefines Katherine Mansfield as a critic, translator and poet. Bringing together all of Mansfield's poetry (some 179 poems and several songs), her literary translations (including letters by Anton Chekhov as well as those of Dostoevsky to his wife), her witty, sometimes scorching, parodies and pastiches, her imaginative aphorisms, her many incisive and heartfelt reviews of the novels of the day, and her essays, including those for the little magazine, Rhythm, this collection attests to the enormous variety and distinctiveness of the non-fiction writing that Mansfield produced, some of it unpublished until this edition. For the first time, Mansfield scholars and devotees can read all of Mansfield's non-fiction work, which expands considerably on previous partial editions of her poems or critical writings. Arranged chronologically, and with perceptive notes and a General Introduction by two leading Mansfield scholars, this is, at last, the Edition that Mansfield deserves. This volume of Mansfield's poetry and critical writing comprises: Book reviews (not collected since 1987 and incomplete); Poetry (not collected since 1988 and incomplete); Translations (not previously collected); Essays (not collected since 1987 and incomplete); Parodies (not previously collected); and, Pastiches (not previously collected). Much of the material has been out of print for decades. It is fully annotated. Some of the material has never been collected or seen before.

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