Search results for ""author andrew taylor""

From No.1 bestselling author Andrew Taylor comes the sequel to the phenomenally successful The Ashes of London Over 1 Million Andrew Taylor Novels Sold! A time of terrible danger…The Great Fire has ravaged London. Now, guided by the Fire Court, the city is rebuilding, but times are volatile and danger is only ever a heartbeat away. Two mysterious deaths…James Marwood, a traitor’s son, is thrust into this treacherous environment when his father discovers a dead woman in the very place where the Fire Court sits. The next day his father is run down. Accident? Or another murder…? A race to stop a murderer…Determined to uncover the truth, Marwood turns to the one person he can trust – Cat Lovett, the daughter of a despised regicide. Then comes a third death… and Marwood and Cat are forced to confront a vicious killer who threatens the future of the city itself.

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From No.1 bestselling author Andrew Taylor comes the sequel to the phenomenally successful The Ashes of London Over 1 Million Andrew Taylor Novels Sold! A time of terrible danger…The Great Fire has ravaged London. Now, guided by the Fire Court, the city is rebuilding, but times are volatile and danger is only ever a heartbeat away. Two mysterious deaths…James Marwood, a traitor’s son, is thrust into this treacherous environment when his father discovers a dead woman in the very place where the Fire Court sits. The next day his father is run down. Accident? Or another murder…? A race to stop a murderer…Determined to uncover the truth, Marwood turns to the one person he can trust – Cat Lovett, the daughter of a despised regicide. Then comes a third death… and Marwood and Cat are forced to confront a vicious killer who threatens the future of the city itself.

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The third instalment of the brilliant William Dougal series, from the bestselling author of The American Boy and The Ashes of London. There's unfinished business between William Dougal and his widowed father. Part of it has to do with Celia Prentisse, William's ex-girlfriend. When her historian father is found drowned, it's declared suicide, but Celia remains unconvinced - not least because his abandoned clothes were found with a bottle of the wrong brand of gin and a slim volume of Schopenhauer's essays. It's not much evidence, but it's enough to send her godfather, retired British intelligence officer Major Ted Dougal, and his son William off on a trail that leads to a 1930s arsenic poisoning and a still-classified World War I court martial . . .

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From the No.1 Sunday Times bestselling author of The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett. Over 1 Million Andrew Taylor Novels Sold! A dangerous secret lies beneath Whitehall Palace… Brother against brother. Father against son. Friends turned into enemies. No one in England wants a return to the bloody days of the Civil War. But Oliver Cromwell’s son, Richard, has abandoned his exile and slipped back into England. The consequences could be catastrophic. James Marwood, a traitor’s son turned government agent, is tasked with uncovering Cromwell’s motives. But his assignment is complicated by his friend – the regicide’s daughter, Cat Lovett – who knew the Cromwells as a child, and who now seems to be hiding a secret of her own about the family. Both Marwood and Cat know they are putting themselves in great danger. And when they find themselves on a top secret mission in the Palace of Whitehall, they realize they are risking their lives…and could even be sent to the block for treason. Praise for Andrew Taylor ‘One of the best historical crime writers today’ The Times ‘If you like C. J. Sansom, or Hilary Mantel, you’ll love Andrew Taylor’ Peter James ‘Effortlessly authentic…gripping…moving and believable. An excellent work’ C. J. Sansom ‘This is historical crime fiction at its dazzling best’ Guardian ‘One of the best historical novelists around’ Sunday Times ‘A breathtakingly ambitious picture of an era’ Financial Times ‘A masterclass in writing for the genre’ Ann Cleeves ‘Andrew Taylor is one of our finest storytellers' Antonia Hodgson ‘Vivid and compelling’ Observer ‘A novel filled with intrigue, duplicity, scandal and betrayal, whose author now vies with another master of the genre, C. J. Sansom’ Spectator ‘Taylor brings the 17th century to life so vividly that one can almost smell it’ Guardian ‘A most artful and delightful book, that will both amuse and chill’ Daily Telegraph

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the first instalment in the acclaimed Lydmouth seriesWorkmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby. Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby's death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase ... 'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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From the bestselling author of The American Boy, a No.1 Sunday Times best-seller and a Richard & Judy Book Club choice, comes another gripping historical crime novel Over 1 Million Andrew Taylor Novels Sold! A Times Historical Crime Novel of the year ‘An absolute delight in a series that goes from strength to strength’ S. G. McLean, prize-winning author of the Seeker series ‘This is Taylor at his unassailable best’ Financial Times London 1671 The damage caused by the Great Fire still overshadows the capital. When a man’s brutally disfigured body is discovered in the ruins of an ancient almshouse, architect Cat Hakesby is ordered to stop restoration work. It is obvious he has been murdered, and Whitehall secretary James Marwood is ordered to investigate. It’s possible the victim could be one of two local men who have vanished – the first, a feckless French tutor connected to the almshouse’s owner; the second, a possibly treacherous employee of the Council of Foreign Plantations. The pressure on Marwood mounts as Charles II’s most influential courtiers, Lord Arlington and the Duke of Buckingham, show an interest in his activities – and Marwood soon begins to suspect the murder trail may lead right to the heart of government. Meanwhile, a young, impoverished Frenchwoman has caught the eye of the king, a quiet affair that will have monumental consequences…

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*WINNER of the Ellis Peters Historical Dagger Award 2013*‘Andrew Taylor wrote superb historical fiction long before Hilary Mantel was popular’ Daily TelegraphFrom the No.1 bestselling author of THE AMERICAN BOY comes a new historical thriller set during the American War of Independence. August, 1778. British-controlled Manhattan is a melting pot of soldiers, traitors and refugees, surrounded by rebel forces as the American War of Independence rages on. Into this simmering tension sails Edward Savill, a London clerk tasked with assessing the claims of loyalists who have lost out during the war. Savill lodges with the ageing Judge Wintour, his ailing wife, and their enigmatic daughter-in-law Arabella. However, as Savill soon learns, what the Wintours have lost in wealth, they have gained in secrets. The murder of a gentleman in the slums pulls Savill into the city’s underbelly. But when life is so cheap, why does one death matter? Because making a nation is a lucrative business, and some people cannot afford to miss out, whatever the price…

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The first book in the brilliant William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. William Dougal, a post-graduate expert in the medieval script of Caroline Minuscule, stumbles on the garroted corpse of his tutor - and finds himself embroiled in a hunt for a cache of diamonds, a deadly fairy story in which no one obeys the rules, least of all Dougal's girlfriend Amanda. As the body count rises, the couple pursue both the diamonds and their doom from London, to an East Anglian cathedral close, from Cambridge to a wintry Suffolk estuary.

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Bonar Law was a prominent opponent of Home Rule for Ireland; he also served the shortest term of any of Britain's 20th century Prime Ministers. In 1922 he was responsible for ending the coalition.

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THE NUMBER ONE BESTSELLER AND AWARD-WINNING RICHARD & JUDY BOOK CLUB PICK Murder, lies and betrayal in Regency England England 1819. Thomas Shield, a master at a school just outside London, is tutor to a young American boy and the child’s sensitive best friend, Charles Frant. Helplessly drawn to Frant’s beautiful, unhappy mother, Shield becomes entwined in their family’s affairs. When a brutal murder takes place in London’s seedy backstreets, all clues lead to the Frant family, and Shield is tangled in a web of lies, money, sex and death that threatens to tear his new life apart. Soon, it emerges that at the heart of these macabre events lies the strange American boy. What secrets is the young Edgar Allan Poe hiding?

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The Anatomy of Ghosts is a gripping historical mystery from the bestselling author of The Ashes of London1786, Jerusalem College, Cambridge.The ghost of murdered Sylvia Whichcote is sighted prowling the grounds by commoner Frank Oldershaw. Worried her son is descending into madness, Frank's anxious mother employs rationalist John Holdsworth to investigate the sighting, throwing the uneasy status quo at the college into chaos.For the sinister Holy Ghost Club governs the privileged life at Jerusalem. Pursued by the ghost of his dead wife, Maria, and Elinor, the very-much-alive Master's wife, Holdsworth must unravel the circumstances surrounding Sylvia's death or succumb to the hauntings himself . . .

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the fifth instalment in the acclaimed Lydmouth seriesWhen Mattie Harris's body is found drowned in the river, everyone in Lydmouth knows something is wrong. Mattie wasn't a swimmer - it can't have been a simple accident. She was drunk on the last night of her life - could she have fallen in? Or was she pushed? Mattie was a waitress, of no importance at all, so when Lydmouth's most prominent citizens become very anxious to establish that her death was accidental, Jill Francis's suspicions become roused. In the meantime she is becoming ever closer to Inspector Richard Thornhill, and discovering that the living have as many secrets as the dead...'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the second instalment in the acclaimed Lydmouth seriesWhen a spinster of the parish is found bludgeoned to death in St John's, and the church's most valuable possession, the Lydmouth chalice, is missing, the finger of suspicion points at the new vicar, who is already beset with problems.The glare of the police investigation reveals shabby secrets and private griefs. Jill Francis, struggling to find her feet in her new life, stumbles into the case at the beginning. But even a journalist cannot always watch from the sidelines. Soon she is inextricably involved in the Suttons' affairs. Despite the electric antagonism between her and Inspector Richard Thornhill, she has instincts that she can't ignore . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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FEATURED IN THE TIMES TOP 100 CRIME & THRILLERS SINCE 1945 Bleeding Heart Square is a tense historical thriller from the bestselling author of The Ashes of London1934, LondonInto the decaying cul-de-sac of Bleeding Heart Square steps aristocratic Lydia Langstone fleeing an abusive marriage. However, unknown to Lydia, a dark mystery haunts Bleeding Heart Square. What happened to Miss Penhow, the middle-aged spinster who owns the house and who vanished four years earlier? Why is a seedy plain-clothes policeman obsessively watching the square? What is making struggling journalist Rory Wentwood so desperate to contact Miss Penhow?And why are parcels of rotting hearts being sent to Joseph Serridge, the last person to see Miss Penhow alive?

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The fifth part of the acclaimed William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. Rod Lorton wants revenge. After his wife's death, he discovers unsavoury truths about her and her former employer, PR chief Ivor Newley.Called in to investigate Lorton's new-found enemy, private detective William Dougal uncovers a weakness to exploit: Newley's rare collection of coins, coins that would leave Newley susceptible to blackmail if the collection were to disappear . . .That was the plan. But the outcome throws up something far more sinister and infinitely more dangerous than Dougal could have expected. For instead of being met with a bundle of cash when he arrives to seal the deal, the only payment Dougal is faced with is a corpse.

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The first book in the No. 1 Times bestselling series ‘This is terrific stuff’ Daily Telegraph ‘A breathtakingly ambitious picture of an era’ Financial Times ‘A masterclass in how to weave a well-researched history into a complex plot’ The Times Over 1 Million Andrew Taylor Novels Sold! A CITY IN FLAMESLondon, 1666. As the Great Fire consumes everything in its path, the body of a man is found in the ruins of St Paul’s Cathedral – stabbed in the neck, thumbs tied behind his back. A WOMAN ON THE RUNThe son of a traitor, James Marwood is forced to hunt the killer through the city’s devastated streets. There he encounters a determined young woman, who will stop at nothing to secure her freedom. A KILLER SEEKING REVENGEWhen a second murder victim is discovered in the Fleet Ditch, Marwood is drawn into the political and religious intrigue of Westminster – and across the path of a killer with nothing to lose…

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Winner of The HWA Gold Crown 2020 From the No.1 bestselling author of The Ashes of London and The Fire Court comes the next book in the phenomenally successful series following James Marwood at the time of King Charles II. Over 1 Million Andrew Taylor Novels Sold! A royal scandal… In the Court of Charles II, it’s a dangerous time to be alive – a wrong move may lead to disgrace, exile or death. The discovery of a body at the home of one of the highest courtiers in the land could therefore have catastrophic consequences. A shocking murder… James Marwood, a traitor’s son, is ordered to cover up the killing. But the dead man is known to Marwood – as is the most likely culprit, Cat Lovett. The stakes have never been higher…Marwood is sure Cat is innocent so determines to discover the true murderer. But time is running out. If he makes a mistake, it could threaten the King himself… Praise for Andrew Taylor ‘One of the best historical crime writers today’ The Times ‘If you like C. J. Sansom, or Hilary Mantel, you’ll love Andrew Taylor’ Peter James ‘Effortlessly authentic…gripping…moving and believable. An excellent work’ C. J. Sansom ‘This is historical crime fiction at its dazzling best’ Guardian ‘One of the best historical novelists around’ Sunday Times ‘A breathtakingly ambitious picture of an era’ Financial Times ‘A masterclass in writing for the genre’ Ann Cleeves ‘Andrew Taylor is one of our finest storytellers' Antonia Hodgson ‘Vivid and compelling’ Observer ‘A novel filled with intrigue, duplicity, scandal and betrayal, whose author now vies with another master of the genre, C. J. Sansom’ Spectator ‘Taylor brings the 17th century to life so vividly that one can almost smell it’ Guardian ‘A most artful and delightful book, that will both amuse and chill’ Daily Telegraph

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the final instalment in the acclaimed Lydmouth seriesAs a young police officer in Palestine during the closing months of the Mandate - the cradle of Middle Eastern terrorism - Richard Thornhill saw and did things which still haunt his dreams and make him fear for his sanity. Is he himself a killer? Now, when a retired police officer is found dead in the ruins of Lydmouth Castle, the past has come back to claim Detective Inspector Thornhill, and he is under suspicion of another murder. His wife Edith and former lover Jill Francis join forces in an uneasy alliance to try to help him. But there are many complications - scandalous allegations have been made about Miss Awre's School of Dancing; the Ruispidge Charity's annual dance for young people is under threat; teenagers haunt the newly opened Italian coffee bar and yearn for fumbled intimacies in the sheltering darkness of the Rex Cinema. And the Spring floods are rising higher than they have in living memory, drowning a multitude of secrets . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the sixth instalment in the acclaimed Lydmouth seriesWhen the body of Rufus Moorcroft, a middle-aged widower with a distinguished war record, is found in his summerhouse, the verdict is suicide. But both reporter Jill Francis and her lover, Detective Richard Thornhill, approaching the case from different angles, discover there's more to it than that. The key to the mystery stretches back to a highly-charged summer before the war, and back to another death. A local asylum plays a part, as do a moderately famous artist and his wife; Superintendent Williamson, now retired and loathing it; Councillor Bernie Broadbent - a man with more pies than fingers to put in them; a Cambridge don; an aristocratic unmarried mother, now gleefully drawing her old-age pension; and - to Thornhill's surprise and growing horror - his own wife, Edith.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the fourth instalment in the acclaimed Lydmouth seriesThe Korean war rumbles in the background throughout this novel as a reporter is found murdered at the Bathurst Arms, squatters are evicted from a military camp and there are new developments in the three-year-old hunt for a missing teenager. And in spite of all that's going on, Jill Francis, a local journalist, and DI Richard Thornhill find they can no longer resist their feelings for each other.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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The sixth instalment of the brilliant William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. William Dougal's life seems to be running smoothly. Now working with his old rival, Hanbury, his reputation is gaining him cases from every corner. But with every climb, there has to come a fall . . .When Dougal agrees to investigate the disappearance and suspected murder of publisher Oswald Finwood, he is faced with an array of suspects, all with the means and motive - from Finwood's estranged wife to an elusive author who had an appointment with Finwood on the day he disappeared.As Dougal probes deeper, he finds himself tangled in a complex web of greed, deceit and deadly family revenge . . .

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From the No. 1 bestselling author of THE AMERICAN BOY comes a brilliant new historical thriller set during the French Revolution. Selected as Historical Novel of the Year by The Times and Sunday Times, and picked as one of Radio 4’s Crime Books of the Year. Paris, 1792. Terror reigns as the city writhes in the grip of revolution. The streets run with blood as thousands lose their heads to the guillotine. Edward Savill, working in London as agent for a wealthy American, receives word that his estranged wife Augusta has been killed in France. She leaves behind ten-year-old Charles, who is brought to England to Charnwood Court, a house in the country leased by a group of émigré refugees. Savill is sent to retrieve the boy, though it proves easier to reach Charnwood than to leave. And only when Savill arrives there does he discover that Charles is mute. The boy has witnessed horrors beyond his years, but what terrible secret haunts him so deeply that he is unable to utter a word?

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The eighth in the acclaimed William Dougal crime series, from the bestselling author of The American Boy and The Ashes of London. William Dougal is a respectable private detective, a hardworking citizen and a responsible father - and now he's also a killer.After a violent squabble takes a dangerous turn, Dougal decides to shun the police and instead take things into his own hands. He accepts the assistance of his old rival and current employer, Hanbury, to dispose of the corpse.But Dougal quickly finds that help doesn't come cheap. In fact, it's often more trouble - and danger - than it's worth . . .

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From the No.1 bestselling author of The American Boy and The Ashes of London comes a collection of three gothic novellas – Broken Voices, The Leper House and The Scratch – perfect for fans of The Loney by Andrew Michael Hurley. Three dark tales to read by the fireside in the cold winter months BROKEN VOICES It’s Christmas before the Great War and two lonely schoolboys have been left in the care of an elderly teacher. There is little to do but listen to his eerie tales about the nearby Cathedral. The boys concoct a plan to discover if the stories are true. But curiosity can prove fatal. THE LEPER HOUSE One stormy night, a man’s car breaks down. The only light comes from a remote cottage by the sea. The mysterious woman who lives there begs him to leave, yet the next day he feels compelled to return. But, the woman is nowhere to be seen. And neither is the cottage. THE SCRATCH Clare and Gerald live in the Forest of Dean with their cat, Cannop. Gerald’s young nephew, back from service in Afghanistan, comes to stay, with a scratch that won’t heal. Jack and Cannop don't like each other. Clare and Jack like each other too much. The scratch begins to fester.

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You Got This! is the ultimate guide to succeeding as an early career teacher. Whether you’re searching for your first teaching job, meeting your new class or preparing for your first parents’ evening, this book is full of advice and support to show you the ropes and lend a hand when you feel unsure. Covering all aspects of the Early Career Framework, it’s the perfect guide to thriving in the initial stages of your career. Andrew Taylor, aka Mr T, is an experienced teacher and ECT mentor who manages the popular Twitter account @MrTs_NQTs. This book condenses years of mentorship and coaching to address the key areas that early career teachers ask about, including: - interviewing for your first position - meeting the needs of all pupils - preparing for statutory assessments - building positive relationships with teachers, TAs and parents - self-care, managing workload and setting career goals. With daily tips, coaching questions and case studies with real ECTs, this book will ensure success from the very start and help you remember that no matter the hurdles, you got this! You Got This! was Highly Commended in the CPD category at the Teach Secondary Awards 2023.

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Over 1 Million Andrew Taylor Novels Sold! A Times Historical Crime Novel of the year ‘An absolute delight in a series that goes from strength to strength’ S. G. McLean, prize-winning author of the Seeker series ‘This is Taylor at his unassailable best’ Financial Times London 1671 The damage caused by the Great Fire still overshadows the capital. The disfigured body of a man is unearthed in the ruins of the old almshouse, forcing architect Cat Hakesby to stop restoration work. It is clear he has been murdered, and Whitehall secretary James Marwood is ordered to investigate. When the man’s identity is revealed, it’s clear that there are larger forces at play, and Marwood comes under serious pressure to solve the case. But an old adversary is attempting to stop him. As Cat and Marwood follow the threads of corruption into the heart of government, the king himself is being distracted from affairs of state. A young, impoverished Frenchwoman has caught his eye – a quiet affair that will have monumental consequences.

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Books That Changed the World tells the fascinating stories behind 50 books that, in ways great and small, have changed the course of human history. Andrew Taylor sets each text in its historical context and explores its wider influence and legacy. Whether he's discussing the incandescent effect of The Qu'ran, the enduring influence of Adam Smith's Wealth of Nations, of the way in which Uncle Tom's Cabin by Harriet Beecher Stowe galavanized the anti-slavery movement, Taylor has written a stirring and informative testament to human ingenuity and endeavour. Ranging from The Iliad to Harry Potter and the Philosopher's Stone, the Kama Sutra to Lady Chatterley's Lover, this is the ultimate, thought-provoking read for book-lovers everywhere.

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the third instalment in the acclaimed Lydmouth seriesAfter the coldest night of the year, they find the man's body. He is dangling from the Hanging Tree on the outskirts of a village near Lydmouth, with his trousers round his ankles. Is it suicide, murder, or accidental death resulting from some bizarre sexual practice?Journalist Jill Francis and Detective Inspector Thornhill become involved in the case in separate ways. Jill is also drawn unwillingly into the affairs of the small public school where the dead man taught. Meanwhile a Peeping Tom is preying upon Lydmouth; Jill has just moved into her own house and is afraid she is being watched. And there are more distractions, on a personal level, for policeman and reporter . . .'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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A major new study piecing together the intriguing but fragmentary evidence surrounding the lives of minstrels to highlight how these seemingly peripheral figures were keenly involved with all aspects of late medieval communities. Minstrels were a common sight and sound in the late Middle Ages. Aristocrats, knights and ladies heard them on great occasions (such as Edward I's wedding feast for his daughter Elizabeth in 1296) and in quieter moments in their chambers; town-dwellers heard and saw them in civic processions (when their sound drew attention to the spectacle); and even in the countryside people heard them at weddings, church-ales and other parish celebrations. But who were the minstrels, and what did they do? How did they live, and how easily did they make a living? How did they perform, and in what conditions? The evidence is intriguing but fragmentary, including literary and iconographic sources and, most importantly, the financial records of royal and aristocratic households and of towns. These offer many insights, although they are often hard to fit into any coherent picture of the minstrels' lives and their place in society. It is easy to see the minstrels as peripheral figures, entertainers who had no central place in the medieval world. Yet they were full members of it, interacting with the ordinary people around them, as well as with the ruling classes: carrying letters and important verbal messages, some lending huge sums of money to the king (to finance Henry V's Agincourt campaign in 1415, for instance), some regular and necessary civic servants, some committing crimes or suffering the crimes of others. In this book Rastall and Taylor bring to bear the available evidence to enlarge and enrich our view of the minstrel in late medieval society.

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The most basic unit of the physical book is the page. It has determined the historical evolution of the book, the types of information communicated, and how the audience accesses that information. Unique and rewarding in both its scope and approach, The Future of the Page is a collection of essays that presents the best of recent critical theory on the history and future of the page and its enormous influence on Western thought and culture. Spanning the centuries between the earliest record of the page and current computerized conceptions of page-like entities, the essays examine the size of the page, its relative dimensions, materials, design, and display of information. The page is broadly defined, allowing the volume to explore topics ranging from medieval manuscripts to non-European alternatives to the page, Algonquin symbolic literacy, and hypertext. This thought-provoking collection will appeal to literary scholars, book historians, graphic designers, and those interested in the impact of evolving print technologies on intellectual and cultural life.

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The first volume of critical texts to define the field of Transatlantic Literary Studies This Reader provides 42 exemplary readings that map the theoretical and literary aspects of this growing cross-disciplinary subject area. In a substantial Introduction to the volume, leading experts Susan Manning and Andrew Taylor suggest ways in which the transatlantic model can be most effectively used within literary studies. The readings that follow are organised around key ideas - the nation and cosmopolitanism, theories and practice of comparative literature, postcolonialism/imperialism, translation, style and genre, and travel - and provide accessible, annotated examples that demonstrate the different possibilities of comparative analysis. The book represents and promotes an understanding of British, European and American literary culture within a broader framework of transatlantic activity. Key Features *Defines the field of Transatlantic Literary Studies as taught in English and American Studies departments. *Includes important readings from key critics including J. Hillis Miller, Paul Giles, Edward Said and Paul Gilroy. *Provides a full Introduction and section headnotes that contextualise the field. *Presents material that explores transatlantic encounters from the early modern period to the present day.

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one of a series of new editions of Henry James's most famous short stories and novels.

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A reconstruction of the life and works of a sixteenth-century minstrel, showing the tradition to be flourishing well into the Tudor period. Richard Sheale, a harper and balladeer from Tamworth, is virtually the only English minstrel whose life story is known to us in any detail. It had been thought that by the sixteenth century minstrels had generally been downgradedto the role of mere jesters. However, through a careful examination of the manuscript which Sheale almost certainly "wrote" (Bodleian Ashmole 48) and other records, the author argues that the oral tradition remained vibrant at this period, contrary to the common idea that print had by this stage destroyed traditional minstrelsy. The author shows that under the patronage of Edward Stanley, earl of Derby, and his son, from one of the most important aristocratic families in England, Sheale recited and collected ballads and travelled to and from London to market them. Amongst his repertoire was the famous Chevy Chase, which Sir Philip Sidney said moved his heart "more than witha trumpet". Sheale also composed his own verse, including a lament on being robbed of 60 on his way to London; the poem is reproduced in this volume. ANDREW TAYLOR lectures in the Department of English, University of Ottawa.

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Delve into this trove of anecdotes and stories to prove the core decency of humankind at a time when kindness can seem in short supply.This engaging collection demonstrates that courteous behaviour transcends all barriers, from gender and wealth to age and class – here are noble acts by footballers and fashionistas, television personalities and teenagers, great commanders and humble private soldiers, society ladies and modest housewives, elderly philosophers and very young children.It includes Alexander the Great, Marie Antoinette, the Duke of Wellington, Evelyn Waugh, Winston Churchill, Sammy Davis Junior and Colonel Tim Collins.Often amusing, sometimes moving, occasionally astounding and always fascinating, How to Be Kind is a tribute to the finest, albeit often overlooked, qualities of humankind

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THE NUMBER ONE BESTSELLER AND AWARD-WINNING RICHARD & JUDY BOOK CLUB PICK An atmospheric and deeply absorbing literary historical crime classic – featured in The Times ‘Top Ten Crime Novels of the Decade’. England 1819: Thomas Shield, a new master at a school just outside London, is tutor to a young American boy and the child’s sensitive best friend, Charles Frant. Helplessly drawn to Frant’s beautiful, unhappy mother, Thomas becomes entwined in their family’s affairs. When a brutal murder takes place in London’s seedy backstreets, it is not certain who either the victim or the killer is. But all clues seem to lead back to the Frant household, and Shield is tangled in a web of lies, money, sex and death that threatens to tear his new life apart. And what of the strange American boy at the heart of these macabre events – what is the dark secret of young Edgar Allan Poe?

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From the No.1 bestselling author of The Last Protector and The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett during the time of King Charles II. Over 1 Million Andrew Taylor Novels Sold! A Times Best Paperback of 2022 Two young girls plot a murder by witchcraft. Soon afterwards a government clerk dies painfully in mysterious circumstances. His colleague James Marwood is asked to investigate – but the task brings unexpected dangers. Meanwhile, architect Cat Hakesby is working for a merchant who lives on Slaughter Street, where the air smells of blood and a captive Barbary lion prowls the stables. Then a prestigious new commission arrives. Cat must design a Poultry House for the woman that the King loves most in all the world. Unbeknownst to all, at the heart of this lies a royal secret so explosive that it could not only rip apart England but change the entire face of Europe…

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'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the seventh instalment in the acclaimed Lydmouth seriesLove and need make unexpected bedfellows, and both are blind. As the grip of a long hard winter tightens on Lydmouth, a dead woman calls the dying in a seance behind net curtains. Two provincial newspapers are in the throes of a bitter circulation war. A lorry-driver broods, and an office boy loses his heart. Britain is basking in the warm glow of post-war tranquillity, but in the quiet town of Lydmouth, darker forces are at play. The rats are fed on bread and milk, a gentleman's yellow kid glove is mislaid on a train, and something disgusting is happening at Mr Prout's toyshop.Returning to a town shrouded in intrigue and suspicion, Jill Francis becomes acting editor of the Gazette. Meanwhile, there's no pleasure left in the life of Detective Chief Inspector Richard Thornhill. Only a corpse, a television set and the promise of trouble to come.'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

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Marking the 200th anniversary of Frederick Douglass' birth, this first collective history and comprehensive collection of the Douglass family writings and portraits sheds new light not only on Douglass as a freedom-fighter and family man but on the lives and works of Lewis Henry, Frederick Jr., and Charles Remond.

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Marking the 200th anniversary of Frederick Douglass' birth, this first collective history and comprehensive collection of the Douglass family writings and portraits sheds new light not only on Douglass as a freedom-fighter and family man but on the lives and works of Lewis Henry, Frederick Jr., and Charles Remond.

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During the 19th century the U.S. and Britain came to share an economic profile unparalleled in their respective histories. This book suggests that this early high capitalism came to serve as the ground for a new kind of cosmopolitanism in the age of literary realism, and argues for the necessity of a transnational analysis based upon economic relationships of which people on both sides of the Atlantic were increasingly conscious. The nexus of this exploration of economics, aesthetics and moral philosophy is philanthropy. Pushing beyond reductive debates over the benevolent or mercenary qualities of industrial era philanthropy, the following questions are addressed: what form and function does philanthropy assume in British and American fiction respectively? What are the rhetorical components of a discourse of philanthropy and in which cultural domains did it operate? How was philanthropy practiced and represented in a period marked by self-interest and rational calculation?The author explores the relationship between philanthropy and literary realism in novels by Charles Dickens, Nathaniel Hawthorne, George Eliot, and William Dean Howells, and examines how each used the figure of philanthropy both to redefine the sentiments that informed social identity and to refashion their own aesthetic practices. The heart of this study consists of two comparative sections: the first contains chapters on contemporaries Hawthorne and Dickens; the second contains chapters on second-generation realists Eliot and Howells in order to examine the altruistic imagination at a culminating point in the history of literary realism.

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This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are traditionally seen as providing. In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond. Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer's peer, John Ashbery.Through an emphasis on modernism as a space of generalized interference, the practice and trope of translation emerges as central to all of the writers concerned, while the book remains in constant dialogue with key recent works on transnationalism, transatlanticism, and modernism.

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Cultural Authority in the Age of Whitman deals with narratives of cultural legitimation in nineteenth-century US literature, in a transatlantic context. Exploring how literary professionalism shapes romantic and modern cultural space, Leypoldt traces the nineteenth-century fusion of poetic radicalism with cultural nationalism from its beginnings in transatlantic early romanticism, to the poetry and poetics of Walt Whitman, and Whitman's modernist reinvention as an icon of a native avant-garde. Whitman made cultural nationalism compatible with the rhetorical needs of professional authorship by trying to hold national authenticity and literary authority in a single poetic vision. Yet the notion that his 'language experiment' transformed essential democratic experience into a genuine American aesthetics also owes much to Whitman's retrospective canonization. What Leypoldt calls Whitmanian authority is thus a transatlantic and transhistorical discursive construct that can be approached from four angles: this book begins with an overview of transatlantic contexts such as the 19th-century literary field (Bourdieu) and the romantic turn to expressivism (Taylor); a detailed analysis of how Whitman's positions develop from the intellectual habitus and cultural criticism of Ralph Waldo Emerson follows, and in a third section Whitmanian authority is located within three conceptual fields that function as contact zones for European and American theories of culture: romantic notions of national style as a kind of music; place-centered concepts of national aesthetics; and traditional ideas about the aesthetic effects of democratic institutions. The final section, on Whitman's reinvention between the 1870s and the 1940s, discusses how the heterogeneous nineteenth-century perceptions of Whitman's work were streamlined into a modernist version of Whitman's nationalist program.

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