Search results for ""author alison amp"

If you''re looking for Alison Hunter, you can catch her most nights at The Venue, a Nashville club hosting acts from Bon Iver to Death Cab. Sounds glamorous - but not for Al, who''s working the door with a boy with mysterious eyes, bumming drinks and worse from the tattooed bartender, and wondering if she''ll ever make it as a songwriter. One night, as a storm floods the city, her fly-by-night touring-band boyfriend washes into town, and Al is reminded of all the reasons she should drop him... and all the things that keep her hanging on. As her girlfriends urge her to forget a shattering open mic fiasco, Al tries to power through her hungover mornings and pull even one song worth a damn out of her guitar. Torn between dreams and despair, she becomes obsessed with the disappearance of a troubled indie star, and slowly starts to lose it herself - until one reckless night threatens to derail her altogether. As propulsive and sexy as the rasp of an overdriven amp, Lo Fi is an open-hearted

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From the center of Imperial Rome to the farthest reaches of ancient Britain, Gaul, and Spain, amphitheaters marked the landscape of the Western Roman Empire. Built to bring Roman institutions and the spectacle of Roman power to conquered peoples, many still remain as witnesses to the extent and control of the empire. In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces. Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial contest took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial contest and its place within the highly politicized cult practice of the Roman Empire.

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Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it "the first big, good movie of the post-war era" to tackle the "veterans problem." Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act.Award-winning author Alison Macor illuminates the film's journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help "the American people to build an even better democracy" following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film's nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

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2023 Wall Award Finalist, Theatre Library Association How a Hollywood gem transformed the national discourse on post-traumatic stress disorder. Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

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This oversized hardcover is jam-packed with gorgeous artwork and captivating stories from today’s heavy hitters in both mainstream and indie comics. Greg Pak and Tom Raney deliver a poignant tale of police officer returning to duty thanks to a supernatural replacement to his amputated arm in “Phantom Limb Ghostpuncher.” Cullen Bunn and Nathan Fox introduce us to the skateboarding, sword-wielding goth girl who fights against creatures of the night in “Dark, Dark World.” Phil Hester and Daniel Warren Johnson take us back to the world of Vikings in “Plunder.” Tyler Chin-Tanner and Toby Cypress combine desert dystopia with technotronic futurism in “The Wall.” Marguerite Bennett and Varga Tomi share one woman’s quest to tame a living, breathing mountain. In “The Beard,” Fred Van Lente and Alison Sampson present a woman with an unusual dilemma; her newfound facial hear has given her the ability to fly, give up one and so goes the other. Justin Zimmerman and Mike Lawrence show us the events of Word War I through the eyes of a young girls with a jet pack and wings in “Flyer.” Plus many, many more.

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In a society that breathlessly awaits “the new” in every medium, what happens to last year’s new? Ample critical energy has gone into the study of new media, genres, and communities. But what becomes of discarded media? In what manner do the products of technological change reappear as environmental problems, as “the new” in another part of the world, as collectibles, as memories, and as art? Residual Media grapples with these questions and more in a wide-ranging and eclectic collection of essays. Beginning with how cultural change bumps along unevenly, dragging the familiar into novel contexts, the contributors examine how leftover artifacts can be rediscovered occupying space in storage sheds, traveling the globe, converting to alternative uses, and accumulating in landfills. By exploring reconfigured, renewed, recycled, neglected, abandoned, and trashed media, the essays here combine theoretical challenges to media history with ideas, technology, and uses that have been left behind. From player pianos to vinyl records, and from the typewriter to the telephone, Residual Media is an innovative approach to the aging of culture and reveals that, ultimately, new cultural phenomena rely on encounters with the old. Contributors: Jennifer Adams, DePauw U; Jody Berland, York U; Sue Currell, U of Sussex; Maria DiCenzo, Wilfrid Laurier U; Kate Egan, U of Wales; Lisa Gitelman, Catholic U; Alison Griffiths, CUNY; James Hamilton, U of Georgia; James Hay, U of Illinois—Champaign-Urbana; Michelle Henning, U of the West of England; Lisa Parks, UC Santa Barbara; Hillegonda C. Rietveld, South Bank U; Leila Ryan, McMaster U; John Davis, Alfred U; Collette Snowden, U of South Australia; Jonathan Sterne, McGill U; JoAnne Stober, National Archives, Canada; Will Straw, McGill U; Haidee Wasson, Concordia U. Charles R. Acland is Professor and holds the Concordia University Research Chair in communications studies at Concordia University, Montreal.

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This book is a quick and easy way to learn the second 100 basic Chinese traditional characters. The major struggle facing all beginning Chinese language students is to learn to recognize, read and write hundreds of Chinese characters. A working knowledge of characters is essential for any student wishing to learn Chinese. The Second 100 Chinese Characters adopts a structural approach that helps students to overcome this initial difficulty and quickly master the basic Chinese characters that are fundamental to this language. This book contains characters that have been carefully selected and sequenced for rapid and effective learning. For effective learning, memorization and practice, each Chinese character is shown separately on a single page, together with its English definitions, hanyu pinyin romanization, alternate form (if any), a stroke order guide and ample space for writing practice. The stroke order guides introduce the student to the standard stroke sequence used in writ

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This book is a quick and easy way to learn the second 100 basic Chinese traditional characters.The major struggle facing all beginning Chinese language students is to learn to recognize, read and write hundreds of Chinese characters. A working knowledge of characters is essential for any student wishing to learn Chinese. The Second 100 Chinese Characters adopts a structural approach that helps students to overcome this initial difficulty and quickly master the basic Chinese characters that are fundamental to this language. This book contains characters that have been carefully selected and sequenced for rapid and effective learning. For effective learning, memorization and practice, each Chinese character is shown separately on a single page, together with its English definitions, hanyu pinyin romanization, alternate form (if any), a stroke order guide and ample space for writing practice. The stroke order guides introduce the student to the standard stroke sequence used in writing the characters, by tracing over them. After learning the correct stroke order, the student can then practice writing the character on their own, thus reinforcing recognition and memorization. Large boxes with grid lines for correct proportions are provided. Related compounds and phrases containing each character are also included to assist in vocabulary building. Three indexes (alphabetically by the English meanings and the pinyin romanization, and by radicals) are provided at the back of the book for quick and easy reference, along with extra sheets of blank boxes for writing practice. This book features The second 100 most frequently-used Chinese characters. Foundation characters for the HSK A level language proficiency test. Standard hanyu pinyin romanizations. Step-by-step stroke order guides and ample space for writing practice. Over 500 words and phrases containing the basic characters. Concise English definitions.

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