Search results for ""author alastair mcewen""

A handful of disparate lives converge at a remote seaside inn: a lovelorn professor, a renowned painter, an inscrutable seductress - and a beautiful young girl, fatally ill, brought to the sea by a desperate father's last hope. An intricate web of destinies and associations begins to reveal itself, but it is not until the arrival of a mysterious sailor called Adams that the truth in all its dreamlike beauty and cruelty becomes clear. Alternately playful and profoundly serious, Baricco's novel surges with the hypnotic power of the ocean sea.

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In this book Umberto Eco argues that translation is not about comparing two languages, but about the interpretation of a text in two different languages, thus involving a shift between cultures. An author whose works have appeared in many languages, Eco is also the translator of G rard de Nerval's Sylvie and Raymond Queneau's Exercices de style from French into Italian. In Experiences in Translation he draws on his substantial practical experience to identify and discuss some central problems of translation. As he convincingly demonstrates, a translation can express an evident deep sense of a text even when violating both lexical and referential faithfulness. Depicting translation as a semiotic task, he uses a wide range of source materials as illustration: the translations of his own and other novels, translations of the dialogue of American films into Italian, and various versions of the Bible. In the second part of his study he deals with translation theories proposed by Jakobson, Steiner, Peirce, and others. Overall, Eco identifies the different types of interpretive acts that count as translation. An enticing new typology emerges, based on his insistence on a common-sense approach and the necessity of taking a critical stance.

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In the tradition of his books On Beauty and On Ugliness and The Infinity of Lists, Umberto Eco presents an enthralling illustrated tour of the fabled places that have awed and eluded us through the ages."Eco is one of the most influential thinkers of our time" Los Angeles Times From the epic poems of Homer to contemporary science fiction, from the Holy Scriptures to modern mythology and fairy tale, literature and art are full of illusory places we have at some time believed are real, and onto which we have projected our dreams, ideals and fears. Umberto Eco leads us on an illuminating journey through these legendary lands - Atlantis, Thule and Hyperborea, the Earth's interior and the Land of Cockaigne - and explores utopias and dystopias where our imagination can confront concepts that are too incredible, or too challenging, for our limited real world. In The Book of Legendary Lands the author's text is accompanied by several hundred carefully assembled works of art and literature; the result is a beautifully illustrated volume with broad and enduring appeal.Translated from Italian by Alastair McEwen

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The final collection from the internationally acclaimed and bestselling author of The Name of the Rose and The Prague Cemetery, on the subjects of art and culture.In this collection of essays we find Umberto Eco’s perennial areas of interest explored in a lively and engaging style, accompanied by beautiful reproductions of the art he discusses. In these wide-ranging pieces he explores the roots of our civilization, changing ideas of beauty, our obsession with conspiracies and the emblematic heroes of the great narrative, amongst other fascinating topics.Umberto Eco was one of the most influential, and entertaining, intellectuals of the last century, as well as being a critically acclaimed and bestselling writer of both fiction and non-fiction.

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'Tiepolo: the last breath of happiness in Europe'The eighteenth-century Venetian painter Giambattista Tiepolo spent his life creating frescoes that are among the glories of Western art, yet he remains shrouded in mystery. Who was he? And what was the significance of the dark, bizarre etchings depicting sacrifice and magic, which he created alongside his heavenly works? Roberto Calasso explores Tiepolo as the last artist of the ancien régime and at the same time the first example of the "painter of modern life" evoked by Baudelaire. He was the incarnation of that peculiar Italian virtue sprezzatura: the art of not seeming artful.Translated by Alastair McEwen'A brilliant, eccentric, provocative . . . and thoroughly splendid celebration of a great painter' John Banville, The New Republic'Calasso is a myth-maker ... a book that treats paintings as a kind of sorcery' Peter Conrad, Observer

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A fifteen-year-old girl and her father, Johannes, take a cruise to Greece on the SS Proleterka. Jaeggy recounts the girl's youth in her distinctively strange, telescopic prose: the remarried mother, cold and unconcerned; the father who was allowed only rare visits with the child; the years spent stashed away with relatives or at boarding school. For the girl and her father, their time on the ship becomes their `last and first chance to be together.' On board, she becomes the object of the sailors' affection, receiving a violent, carnal education. Mesmerised by the desire to be experienced, she crisply narrates her trysts as well as her near-total neglect of her father.Proleterka is a ferocious study of distance, diffidence and `insomniac resentment.'

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We are here to remember what happened and to declare solemnly that 'they' must never do it again. But who are 'they'?HOW TO SPOT A FASCIST is a selection of three thought-provoking essays on freedom and fascism, censorship and tolerance - including Eco's iconic essay 'Ur-Fascism', which lists the fourteen essential characteristics of fascism, and draws on his own personal experiences growing up in the shadow of Mussolini. Umberto Eco remains one of the greatest writers and cultural commentators of the last century. In these pertinent pieces, he warns against prejudice and abuses of power and proves a wise and insightful guide for our times. If we strive to learn from our collective history and come together in challenging times, we can hope for a peaceful and tolerant future. Freedom and liberation are never-ending tasks. Let this be our motto: 'Do not forget.''He brilliantly exposes all that is absurd and paradoxical in contemporary behaviour. Eco's irony is disarming, his cleverness dazzling' Guardian

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