Search results for ""author . meyer""

Meyer Feldberg is a storyteller. The source of his stories is his rich and unique life, which took him from South Africa under apartheid to a C-Suite in present-day New York, from the hallowed halls of academia to the frenzy of global investment banking. As with all storytellers, there is a purpose embedded in each of his stories that is specific in its details but universal in its message.No Finish Line is Meyer Feldberg as his friends and colleagues know him. It is the professor dispensing sage advice. It is the mentor telling a tale about himself that is really about you. In his telling, Feldberg’s story—his successes and his failures—is a lesson plan for how to lead a worthy personal and professional life.This concise volume reminds the reader of the importance of courage and decency in our relationships. Feldberg shows how values such as self-awareness, personal responsibility, and generosity play out in ways that in retrospect become pivotal. He relates his regrets as well as his triumphs, candidly sharing how our failures to live up to our own expectations can continue to haunt us. Written by a leading fixture of New York’s educational, cultural, and business elite, No Finish Line is an engaging portrait of what matters most in living a good and successful life.

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This volume presents three of Meyer Schapiro's finest essays on Pablo Picasso (1881-1973). Given that we esteem artists whose work epitomizes particular styles, how can we likewise value Picasso, an artist who demonstrates a wide range of artistic styles? In his first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences. In Einstein and Cubism: Science and Art, Schapiro investigates potential connections between the two most important radical innovations in science and art of the early 20th century: Einstein's 1905 Theory of Relativity and Braque and Picasso's Cubism at the end of the same decade. Schapiro uses the assumed relationship between the two to analyse the classic themes of space, time and movement in art, celebrating the innovations of both Relativity and Cubism as models of the searching, questioning mind, in short, of freedom of thought. In the final essay, Schapiro shows that Guernica, although the greatest political work of art of the 20th century, nevertheless embodied many of Picasso's artistic and personal obessions. This book offers comprehensive analysis of the 20th century's most prolific artist - Pablo Picasso. It will appeal to all those who have followed Picasso's career and to those intrigued by the multi-faceted connections between art and social changes.

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Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation. In addition to contributions by visual artists Anne and Patrick Poirier and video artist Bill Viola, the study offers a provocative set of case studies by Horst Bredekamp, Page du Bois, Martha Feldman, Stefan Jonsson, Elizabeth Liebman, Carol Mavor, Teresa McKenna, Richard Meyer, David Roman, Debora Silverman and David Summers.

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Meyer ("Mike") Berger was one of the greatest journalists of this century. A reporter and columnist for The New York Times for thirty years, he won a Pulitzer Prize in 1950 for his account of the murder of thirteen people by a deranged war veteran in Camden, New Jersey. Berger is best known for his "About New York" column, which appeared regularly in the Times from 1939 to 1940 and from 1953 until his death in 1959. Through lovingly detailed snapshots of ordinary New Yorkers and far corners of the city, Berger's writing deeply influenced the next generation of writers, including Gay Talese and Tom Wolfe. Originally published in 1960 and long out of print, Meyer Berger's New York is a rich collection of extraordinary journalism, selected by Berger himself, which captures the buzz, bravado, and heartbreak of New York in the fifties in the words of the best-loved reporter of his time. "Mike Berger was one of the great reporters of our day . . . he was a master of the color story, the descriptive narrative of sights and sounds-of a parade, an eclipse, a homicidal maniac running amok . . . or just a thunderstorm that broke a summer heat wave . . . ."-The New York Times, obituary, February 6, 1959 "Dip into Meyer Berger's New York, at any point, and you will find things you never knew or dreamed of knowing. . . . It has a heart, a soul, and a beauty all its own." -Phillip Hamburger, The New York Times Book Review

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Meyer Schapiro (1904-96), renowned for his critical essays on nineteenth- and twentieth-century painting, also played a decisive role as a young scholar in defining the style of art and architecture known as Romanesque. And, appropriately, when he was invited to deliver the prestigious Charles Eliot Norton Lectures at Harvard, he chose Romanesque architectural sculpture as his topic. These lectures, acclaimed for the verve and freshness with which Schapiro delivered them, languished unpublished for decades. But Linda Seidel, who knew Schapiro well and attended the 1967 lectures, has now expertly transcribed and edited them, presenting them for the first time to an audience beyond the halls of Harvard. In editing the lectures, Seidel closely followed the recordings of the originals. Sentences are rendered as Schapiro spoke them, affording readers a unique opportunity to experience the legendary teacher as he rarely appears in print: forming his thoughts spontaneously, interrupting himself to develop related ideas, and responding to the audience’s interests by introducing humorous asides. Nonetheless, these lectures are carefully constructed, demonstrating Schapiro’s commitment to the originality and value of artistic production and affirming his lifelong belief in artists’ engagement with their cultures. Amply illustrated with many key works and augmented with Seidel’s indispensable introduction, this long-awaited volume will delight students and scholars of art history, as well as anyone interested in seeing a new side of a profoundly influential mind.

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Since the introduction of steel as a building material in the early twentieth century, its superior performance has challenged conventional wisdom about construction, enabling designs of surprising lightness and span. Steel offered the opportunity to significantly expand buildings vertically and thus emerged as a symbol of the conflict between technological progress and the architectural ideal. More recently, the use of exposed steel elements in modern architecture ushered in a rediscovery of buildings' metamorphoses. Building Additions in Steel looks at the largely ignored topic of steel additions in architecture and engineering, documenting an ambitious, interdisciplinary research project by architects, engineers, teachers, and students at the Zurich University of Applied Sciences, Institute of Constructive Design. The book offers basic theoretical and technical information on a selection of outstanding steel additions alongside more than 100 illustrations, including plans and photographs.

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Naphtali Lewis and Meyer Reinhold's Roman Civilization is a classic. Originally published by Columbia University Press in 1955, the authors have undertaken another revision which takes into account recent work in the field. These volumes consist of selected primary documents from ancient Rome, covering a range of over 1,000 years of Roman culture, from the foundation of the city to its sacking by the Goths. The selections cover a broad spectrum of Roman civilization, including literature, philosophy, religion, education, politics, military affairs, and economics. These English translations of literary, inscriptional, and papyrological sources, many of which are available nowhere else, create a mosaic of the brilliance, the beauty, and the power of Rome.

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Judd Steiner and Artie Straus have it all: wealth, intelligence, and the world at their feet as part of the elite, upper-crust Jewish community of 1920s Chicago. Artie is handsome, athletic, and popular, but he possesses a hidden, powerful sadistic streak and a desire to dominate. Judd is a weedy introvert, a genius who longs for a companion whom he can idolize and worship. Obsessed with Nietzsche's idea of the superhuman, both boys decide to prove that they are above the laws of man by arbitrarily picking and murdering a Jewish boy in their neighborhood. This new edition of Meyer Levin's classic literary thriller Compulsion reintroduces the fictionalized case of Leopold and Loeb -- once considered the "crime of the century" -- to a new generation. This incisive psychological portrait of two young murderers seized the imagination of an era and is generally recognized as paving the way for the first non-fiction novel. Compulsion forces us to ask what drives some further into darkness, and some to seek redemption. Heartbreaking as it is gripping, Compulsion is written with a tense and penetrating force that led the Los Angeles Times to call Levin, "the most significant Jewish writer of his times."

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For readers of The Nightingale and Brooklyn, an exquisitely moving novel about friendship, love, and redemption in a circle of immigrants who flee Europe for 1930s-era New York City.On the eve of World War II Egon Schneider--a gallant and successful Jewish doctor, son of two world-famous naturalists--escapes Germany to an uncertain future across the sea. Settling into the unfamiliar rhythms of upper Manhattan, he finds solace among a tight-knit group of fellow immigrants, tenacious men and women drawn together as much by their differences as by their memories of the world they left behind.They each suffer degradations and triumphs large and small: Egon's terminally acerbic lifelong friend, bestselling author Meyer Leavitt, now wears a sandwich board on a New York street corner; Catrina Harty, the headstrong daughter of a dirt-poor Irish trolley driver, survives heartbreak and loss to forge an unlikely alliance; and Egon himself is forced to abandon his thriving medical practice to become the "Cheese Man" at a Washington Heights grocery. But their spirits remain unbroken, and when their little community is faced with an existential threat, these strangers rise up together in hopes of creating a permanent home. With her uncanny ability to create indelible characters in unforgettable circumstances, Betsy Carter has crafted a gorgeous novel that will resonate with anyone who has ever felt adrift and longed for home.

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