Search results for ""author Éric chevillard""

The Crab Nebula (La Nébuleuse du crabe) is comprised of fifty-two vivid chapters that provide startling insights into the existence of this nebulous man named Crab: his nightmarish—and none too solid—physique, his mysterious absence from the pages of history, his birth in prison, his never having been born at all. In his portrait of Crab, Éric Chevillard gives us a character who is genuinely strange and curiously like ourselves. A postmodernist novel par excellence, The Crab Nebula parodies literary conventions, deconstructs narrative and meaning, and brilliantly combines absurdity and hopelessness with irony and humor. What distinguishes it most of all is the startling originality of Chevillard’s voice and vision. There is whimsy and despair in this novel, pathos and laughter, satire and warm affection. The Crab Nebula is the fifth novel—and the first to be translated into English—by the brilliant young French author Éric Chevillard. His sympathetic yet outrageous portrait of Crab calls to mind works by Melville, Valéry, and Kafka, while never being less than utterly unique.

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?ric Chevillard here seeks to clear up a persistent and pernicious literary misunderstanding: the belief that a novel's narrator must necessarily be a mouthpiece for his or her writer's own opinions. Thus, we are introduced to a narrator haunted by a deep loathing for cauliflower gratin (and by a no less passionate fondness for trout almondine), but his monologue has been helpfully and hilariously annotated in order to clarify all the many ways in which this gentleman and ?ric Chevillard are nothing alike. Language and logic are pushed to their farthest extremes in one of Chevillard's funniest novels yet.

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New work from the acclaimed author of "The Crab Nebula" and "Palafox."

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The classic Grimms’ fairy tale of the valiant little tailor, as you’ve never read it before “A creative take on storytelling, suggesting the potential in even the most familiar tale, with Chevillard riffing comfortably across subject-matters and stories old and new.”—M. A.Orthofer, Complete Review Once upon a time, there lived a valiant little tailor who killed seven flies with one blow—but who is this narrator who has abruptly inserted himself into the story, claiming authorship? He’s indignant: the fairy tale, borne carelessly along by the popular imagination, subjected to the transformations of oral tradition, was collected in a lamentable state by the Brothers Grimm, and he intends to restore the tale and its giant-slaying, unicorn-fighting, boar-hunting star to their original magnificence. But the true hero of the story remains to be seen: Is it the tailor, the narrator, or someone else entirely? In this explosive retelling of the classic tale, Éric Chevillard enlists the reader in a dizzying game of crack-the-whip, with new directions and delights in every paragraph. At once irreverent and deeply sincere, this book is a mischievous, multifarious celebration of the power of stories and those who tell them.

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