Search results for ""auckland university press""

I am in bed with you. The room varies. But I'm always on the left. I am pulling the pieces of myself into myself. In the winter I left myself behind in the 90s. I'm coming back now. You can see the light touching me. I can see layers of tissue finally making a body. And once I have a body I have a head. And in my head are these thoughts. -From 'I am in bed with you' Playful and fluid but completely serious, Emma Barnes's surreal phantasmagoria I Am in Bed with You leads us through the very personal worlds of sex, gender and the body. Barnes cracks jokes, makes us uncomfortable, shows us a little tenderness, leaves a lot unsaid and does it all with language that provokes and confounds. 'I'm a mentally ill, / married, chronically ill, queer woman with two feet underground', the author reveals. 'I birth Sigourney Weaver's android baby', they tell us next. This collection is personal and fantastical, funny and excruciating. It's poetry in the process of unravelling most of what you thought you knew.

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Like the clear morning song of te koparapara, the bellbird, this book aims to allow the Maori world to speak for itself through an accessible introduction to Maori culture, history and society from an indigenous perspective. In twenty-one illustrated chapters, leading scholars introduce Maori culture (including tikanga on and off the marae and key rituals like powhiri and tangihanga), Maori history (from the beginning of the world and the waka migration through to Maori protest and urbanisation in the twentieth century), and Maori society today (including twenty-first century issues like education, health, political economy and identity). Each chapter provides a descriptive narrative covering the major themes, written in accessible formal English, including appropriate references to te reo Maori and to the wider Pacific. Chapters are illustrated with a mixture of images, maps and diagrams as well as relevant songs and sayings. Te Koparapara is an authoritative and accessible introduction to the past, present and future of the Maaori world for students and general readers.

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In this remarkable biography, Jennifer Ashton uses the life of one man as a unique lens through which to view the early history of New Zealand. Born in Scotland in 1818, John Webster came to New Zealand via Australia in 1841 (after a violent encounter in the outback which he just escaped unscathed) and spent most of the rest of his life in Hokianga. At the Margin of Empire charts his colourful experiences carving out a fortune as the region's leading timber trader and cultivating connections with the leading figures of the day, M?ori and P?keh?. Webster fought alongside T?mati W?ka Nene in the Northern War, married one of Nene's relatives and built up his kauri timber business through trade with local chiefs (though at one point awoke to find a plundering party had arrived on his front lawn). He was also friends with Frederick Maning, and visited by George Grey, Richard Seddon and other luminaries of the day. Ashton takes us into Hokianga to reveal how the evolving intimate relationships and economic transactions of everyday life reflected larger shifts in colonial power. She argues that through his daily interactions, Webster helped slowly shift the balance of power in the North: the credit that he extended to his customers and kin saw them selling land to pay debts, helping push M?ori into economic dependence. In telling the story of John Webster's long and colourful life for the first time, this biography also explores the wider transformation of relationships between M?ori and P?keh? during the nineteenth century. It is an intimate and revealing account of life in early New Zealand.

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Through fun and gore, love and monsters, Sugar Magnolia Wilson's riveting first collection takes readers inside a world where past and present, fiction and fact, author and subject collide. Playful and yet not so sunny, these poems invite you in with extravagant and surprising imagery, only to reveal the uneasy, Frankenstein world within. `Sugar Magnolia Wilson's work punches holes into a parallel universe which explains ourselves back to us. Because a Woman's Heart is Like a Needle at the Bottom of the Ocean uncovers deep secrets within the reader through Wilson's intelligence, craft and close observation of being. It's an exceptional and uplifting collection which is a joy to read.' - Pip Adam `These poems are clever, intriguing, resistant, arresting, strange, funny and pleasingly unusual. Humorously self-conscious and with a wonderful facility with imagery, the overwhelming evidence in this collection is that Wilson is a significant new writer with a distinctive voice of her own.' - Mark Williams

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Beginning in Northland and heading into the blue beyond, Always Song in the Water is a book of encounters and epiphanies, a dinghy ride through New Zealand's oceanic imagination.

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For fifty years, Marti Friedlander (1928-2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.

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New Zealand's most extraordinary literary everyman - poet, novelist, critic, activist - C. K. Stead told the story of his first twenty-three years in South-West of Eden. In this second volume of his memoirs, Stead takes us from the moment he left New Zealand for a job in rural Australia, through study abroad, writing and a university career, until he left the University of Auckland to write full time aged fifty-three. It is a tumultuous tale of literary friends and foes (Curnow and Baxter, A. S. Byatt and Barry Humphries and many more) and of navigating a personal and political life through the social change of the 1960s and 70s. And, at its heart, it is an account of a remarkable life among books - of writing and reading, critics and authors, students and professors. From Booloominbah to Menton, The New Poetic to All Visitors Ashore, from Vietnam to the Springbok Tour, C. K. Stead's You Have a Lot to Lose takes readers on a remarkable voyage through New Zealand's intellectual and cultural history.

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Colin McCahon (1919-1987) was New Zealand's greatest twentieth-century artist. Through landscapes, biblical paintings and abstraction, the introduction of words and Maori motifs, McCahon's work came to define a distinctly New Zealand modernist idiom. Collected and exhibited extensively in Australasia and Europe, McCahon's work has not been assessed as a whole for thirty-five years. In this richly illustrated two-volume work, written in an accessible style and published to coincide with the centenary of Colin McCahon's birth, leading McCahon scholar, writer and curator Peter Simpson chronicles the evolution of McCahon's work over the artist's entire forty-five-year career. Simpson has enjoyed unprecedented access to McCahon's extensive correspondence with friends, family, dealers, patrons and others. This material enables us to begin to understand McCahon's work as the artist himself conceived it. Each volume includes over three hundred illustrations in colour, with a generous selection of reproductions of McCahon's work (many never previously published), plus photographs, catalogue covers, facsimiles and other illustrative material. This will be the definitive work on New Zealand's leading artist for many years to come.

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In the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney - young, Northern and openly gay - was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School - an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.

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New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. Published to coincide with a touring exhibition of her work initiated by Auckland Art Gallery Toi o Tamaki, this book explores Hodgkins as a traveller across cultures and landscapes - teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Mary Kisler and Catherine Hammond (Auckland Art Gallery Toi o Tamaki, New Zealand).

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This unusual and important book is in the first place a richly illustrated history of an innovative educational programme, developed by Arnold Wilson, that began in the 1970s in Northland and which brought schools and communities onto the marae and involved them in making art. Essentially students were encouraged to tell traditional stories through dancing, singing, drama, carving, painting. The programme was hugely successful both as art education and as away of developing self esteem and a sense of identity and shared values. But it was abolished in 1988 with the changes encompassed in Tomorrow's Schools. The book is therefore also intended to open up discussion for the future about Maori education, the teaching of art, race relations, indeed a whole range of major contemporary issues. It is well written and moving and though not a conventional academic study it will work brilliantly in achieving its purpose.

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This book is an important study of the growth of the New Right in New Zealand in the years 1984 to 1999.

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Galleries of Maoriland introduces us to the many ways in which Pakeha discovered, created, propagated and romanticised the Maori world at the turn of the century - in the paintings of Lindauer and Goldie, among artists, patrons, collectors and audiences; inside the Polynesian Society and the Dominion Museum; among stolen artefacts and fantastical accounts of the Maori past. The culture of Maoriland was a Pakeha creation. But Galleries of Maoriland shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Why did the idealisation of an ancient Maori world, which obsessed ethnological inquirers and artists alike, appeal also to Maori? Who precisely were the Maori participants in this culture, and what were their motives? Galleries of Maoriland looks at Maori prehistory in Pakeha art; the enthusiasm of Pakeha and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy at the turn of the twentieth century, this book provides a new understanding of our art and our culture.

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Volcanoes of Auckland is a handy field guide to the fiery natural world that so deeply shapes New Zealand's largest city - from Rangitoto to One Tree Hill, Lake Pupuke to Orakei Basin. For tens of thousands of years, volcanoes have profoundly shaped the area's geology and geography. And for hundreds of years, volcanoes have played a key part in the lives of Maori and Pakeha - as sites for pa, kumara gardens or twentieth-century military fortifications, as sources of stone and water, and now as parks and reserves for all to enjoy. In a new format designed for the backpack (and including three newly recognised craters), the field guide features: * an accessible introduction to the science of eruptions, including dating and the next eruption * a history of Maori and Pakeha uses of the volcanoes * an illustrated guide to each of Auckland's 53 volcanoes, including where to go and what to do * aerial photography, maps and historic photographs - over 400 illustrations, 80% of them new. This field guide will help readers engage afresh with the history, geography and geology of Auckland's unique volcanic landscape. How many volcanoes are there? When did they erupt and how do we know? Will there be another eruption in Auckland and, if so, where and when? Will we have sufficient warning to evacuate in time? What is a lava cave, a volcanic bomb or a tuff ring? Why were Auckland's volcanoes such an attraction to early Maori? Why is it that Auckland's freshest water comes out of our volcanoes? This book answers these and many more questions. Volcanoes of Auckland is the essential guide for locals and tourists, school children and scientists, as they climb up Mt Eden or North Head and take in the volcanic landscape that so shapes life in our city.

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Dragonflies and damselflies are among the most spectacular organisms on the planet. They have survived on earth for more than 325 million years, through a series of mass extinctions, by being exquisite examples of evolutionary adaptation: superb flyers with extraordinary vision and startling colours. This is a natural history and field guide to New Zealand's 14 species of dragonflies and damselflies. Easy to observe around wetlands and rivers, dragonflies and damselflies are favourites of New Zealand nature lovers, and this book will be too. Key features include: Expert and up-to-date information on the 14 species breeding in New Zealand. Natural history of the group including an introduction to evolution, habitats, biology, behaviour, photography and conservation. More than 200 new photographs and hand-drawn illustrations of dragonflies and damselflies at all life stages in their environment. Authoritative text on each species covering identification, measurement, behaviour, breeding, flying period and where to observe the species. Range maps for all species.

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Established in 2004.M?ori Television has had a major impact on New Zealand broadcasting. But over the past year or so, the politics of M?ori Television have been brought to the foreground of public consciousness, with other media outlets trackingM?ori Television's search for a new CEO, allegations of editorial intervention and arguements over news reporting approaches to Te K?hanga Reo National Trust. Based on three years of interviews with key stakeholders-staff, the Board, other media, politicians, funders and viewers- this is a deep account ofM?ori Television in its first ten years. Jo smith argues that today;s arguements must be understood within a broader context shaped by non-M?ori interests. Offering five frameworks to address the challenges of a M?ori organisation working within a wider non-M?ori context, this is a solidly researched examination ofM?ori Television's unique contribution to the media cultures of Aotearoa New Zealand. The first sustained and focused discussion of M?ori Television practices, the role of television in language revitalization, innovations in Maori programming and how audiences are engaging with indigenous television. Maori Television is one of the boldest state broadcasting ventures in recent years and its success is worthy of study by indigenous communities and state broadcasters internationally .

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During the nineteenth century European settlers transformed the environment of New Zealand’s South Island. They diverted streams and drained marshes, burned native vegetation and planted hedges and grasses, stocked farms with sheep and cattle and poured on fertiliser. Peter Holland undertakes a deep history of that settlement to answer key questions about New Zealand’s ecological transformation.

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Born in England c1820, Englishman Charles Heaphy - the first 'New Zealander' to win the Victoria Cross, the first European to explore the West Coast of New Zealand's South Island and the most distinguished 19th-century landscape painter in that country is, by any measure, a central figure in colonial history. In this engaging book, lavishly illustrated with Heaphy's paintings, drawings and maps, author Iain Sharp reveals the story of Heaphy's life and art.From his earliest surviving watercolour of birdlife in the Marlborough Sounds in August 1839 to his last known sketch on the back of an envelope, showing Maori witnesses at a Native Land Court hearing in December 1879, Charles Heaphy's paintings and drawings represent a remarkable visual diary of settler life. The works are without parallel in their evocative richness and have been a prototype for artists from Colin McCahon to Bill Hammond.Drawing on newspapers, diaries and letters as well as Heaphy's art, Sharp depicts a man who embodied the contradictions of European life in the colonies. Heaphy could be both a dreamy romantic and a self-serving opportunist, a man able to shoot a wild pig one day and discourse to scholars on geological science the next, someone who became almost as familiar with the back country as his Maori companions while thinking all the time of Europe. In charting the course of Heaphy's extraordinary life as artist, explorer, surveyor and soldier, Sharp tells us much about the settler culture and history.

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BA: An Insider's Guide is a practical, honest introduction to getting a great arts degree at university. Author Rebecca Jury has just emerged from the maelstrom of university study and offers her personal take on how to ace your BA. She introduces readers to everything from choosing courses (like putting together personalised gourmet sandwich), setting up a study space and doing part-time work, to turning up at lectures and tutorials and actually reading your 'readings'. In particular, she focuses on planning, work-life balance, study habits, succeeding at essays and exams, and sorting out a life after your degree. She offers 10 steps on how to make university a more rewarding and enjoyable experience. If you're not afraid to be a nerd, polish up your essays until they shine and master exam-taking techniques, Rebecca Jury suggests, you'll emerge from the university experience a better thinker, a more employable worker and a wiser person.BA: An Insider's Guide is an essential reader for all those considering study or about to embark on their arts degree. Among all the guides to essay writing and research for undergraduates, this book distinguishes itself by its coverage of the full range of student life, by its rootedness in recent experience at a New Zealand university and by its clear, engaging, personal style.

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Discusses the story of the shrinking bathing suit and the evolution of the black singlet. This book on the role of clothes in our history shows the way in which clothes reveal and identify, embody tradition and memory, are both local and global.

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Having left the university to write full-time at the end of volume two, Stead throws himself into his work. In novels like Sister Hollywood and My Name Was Judas, criticism in the London Review of Books and the Financial Times, poetry and memoir, Stead establishes his international reputation as novelist, poet and critic. It is also a period when Stead's fearless lucidity on matters literary and political embroil him in argument - from The Bone People to the meaning of the Treaty to the controversy over a London writer's flat. What was it like to be Allen Curnow's designated 'Critic across the Crescent'; or alternatively to be labelled 'the Tonya Harding of NZ Lit'? Covering Stead's travels from Los Angeles to Liguria, Croatia and Crete to Caracas and Colombia, as New Zealand poet laureate and Kohi swimmer, What You Made of It takes us deep inside the mind and experience of one of our major writers - and all in Stead's famously lucid 'story-telling' prose.

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Published a decade ago and reprinted multiple times, the authors' Changing Gears: How to Take Your Kiwi Business from the Kitchen Table to the Board Room was the first book that enabled Kiwi-sized firms to integrate business-school wisdom into their thinking. Gearing Up: Leading Your Kiwi Business into the Future is a completely revised and updated primer for owner-manager New Zealand businesses. The book introduces the business basics that haven't changed (business models and financial drivers, leadership, team building, strategy and planning), while exploring how globalisation and digital transformations are challenging what we know about doing business. Throughout, the authors focus - through real examples - on the opportunities and challenges faced by the Kiwi men and women running our owner-operated businesses.

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Between 2010 and 2014 Lynn Jenner made several related emotional and intellectual investigations. Lost and Gone Away is the record of these: a fascinating hybrid text of nonfiction, prose poems and poetry.The book traverses the aftermath of the Christchurch earthquake; samples and sifts through the lost and recovered detritus of the ancient world; radiates its attention out from that epicentre of loss, the Point Last Seen, from which all searches begin; and quietly, devastatingly, explores how one might think and write about the Holocaust, from far away. “More than a year ago a friend, who speaks five languages and reads several more, told me it would not be possible to write about the Holocaust from New Zealand. There’s so little to say here, she said. You should go to Europe. But this is where I am, I said. That is the problem. This is where I am from, this is who I am, and this is where I am.”

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New Zealand's first elected woman prime minister; nine years in power through the foreshore and seabed, Afghanistan and Iraq, Corngate and Speedgate; head of the UN Development Program and ranked among the most powerful women in the world. Helen Clark's public life is well known. But what about the inside stories?During 2012-2013, documentary-makers Claudia Pond Eyley and Dan Salmon interviewed a host of participants about the life of Helen Clark: Clark herself and her family, political friends and enemies, journalists and lobbyists, civil servants and diplomats. The resulting transcripts from those interviews, woven together here into a compelling narrative, offer a brilliantly multi-faceted, inside account of Helen Clark's life and career. From her father George Clark to friend Cath Tizard, Richard Prebble to Mike Moore, Winston Peters to Jim Anderton, Jacinda Ardern to John Key, Helen Clark and her contemporaries bring to life the tumultuous life and times of one of our most impor

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From ‘bikie’ gangs to skinheads, the Mongrel Mob to Black Power, gangs have had a massive impact on our society. Based on intensive research within gangs, Patched is the first major history of gang life in New Zealand. Jarrod Gilbert traces the story from the early bodgies and widgies, the rise of the Hell’s Angels and other bikie gangs, the growth of the Mongrel Mob and Black Power in the 1970s and shifts towards organised crime over the past ten years. Throughout, Gilbert brings us the gang members, police and politicians in their own gritty and gripping words. Violent and sometimes horrifying, this book explores a tough but revealing facet of New Zealand life.

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Philip Soutar died at Ypres in 1917. Before becoming a soldier, Soutar’s life revolved around his farm at Whakat?ne, where he lived with his M?ori wife Kathleen Pine in an ‘as-you-please marriage, uncelebrated by a clergyman’. Matters of the Heart introduces us to couples like Philip and Kathleen to unravel the long history of interracial relationships in New Zealand.

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Focusing on Tai Tokerau, the northern region of New Zealand, as a case study but with conclusions applicable across the country, the leading M?ori scholars and elders in Maranga Mai! call for their people to wake up to the challenges they face. Through stories and statistics, demography and policy, they identify the key issues and pose potential solutions.

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A compelling collection of essays on the impact of close partnership on the life and work of nine celebrated artist couples.

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This work describes the changes made to television broadcasting in New Zealand during the period 1984-1992. It examines the ways in which TVNZ, a division of the Broadcasting Corporation of New Zealand, was transformed into a commercialized state-owned enterprise.

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This work seeks to explain what it meant to be male or female in Taradale, Hawkes Bay, in the half century from 1880 to 1930. Daley places particular focus on family, work and leisure.

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Since the mid-1800's Te Kingitanga has been a force in New Zealand society. The Maori King movement combines spiritual and political elements which conserve the ""turangawaewae"" (standpoints) of the past with practical leadership in the contemporary Maori world. This collection of 14 biographies of leaders has been put together to celebrate the settlement of the Tainui claim and the royal apology given by Queen Elizabeth to the Tainui people in 1995.

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A new softback edition of this modern classic of our most renowned tree, the totara. A wonder of evolution, the big tree of the forest, the wood behind Maori carving and Pakeha fence posts: the 'mighty totara' is New Zealand's tree and this book tells its story. The 'mighty totara' is one of our most extraordinary trees. Among the biggest and oldest trees in the New Zealand forest, the heart of Maori carving and culture, trailing no. 8 wire as fence posts on settler farms, clambered up in the Pureora protests of the 1980s: the story of New Zealand can be told through totara. Simpson tells that story like nobody else could. In words and pictures, through waka and leaves, farmers and carvers, he takes us deep inside the trees: their botany and evolution, their role in Maori life and lore, their uses by Pakeha, and their current status in our environment and culture. By doing so, Simpson illuminates the natural world and the story of Maori and Pakeha in this country. Our largest trees, the kauri Tane Mahuta and the totara Pouakani, are both thought to be around 1000 years old. They were here before we humans were and their relatives will probably be here when we are gone. Totara has been central to life in this country for thousands of years. This book tells a great tree's story, and that is our story too.

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We became teenagers in the nineties when New Zealand felt a lot less cool about queerness and gender felt much more rigid. We knew instinctively that hiding was the safest strategy. But how to find your community if you're hidden? Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn't know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction and much much more. From established names to electrifying newcomers, the cacophony of voices brought together in Out Here sing out loud and proud, ensuring that future generations of queers are afforded the space to tell their stories and be themselves without fear of retribution or harm.

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Katahi ano te pakanga nui whakaharahara a nga tuahangata nei ka whakamaoringia hei whakaputanga ki te ao marama. Ngati Ranaki me Te Ranga-Tipua - mai ano i te wehenga o Rangi raua ko Papa ko raua tonu nga taua tuahangata rongonui katoa - ka wera te umu pokapoka o te ao tukupu i tenei pakanga turaki aorangi. Katahi nei te pukapuka ko tenei - he kohinga no nga pakiwaituhi hirahira katoa i tenei tekau tau kua hori - e huihui mai ai a Tua Rino, a Kapene Amerika, a Toa, a Kaiora, a Katipo, a Tama-Werewere, a Matihao, a Whatupihi, a Rangipo, a Te Auto me te huhua noa atu i tenei purakau e rereke katoa nei o ratau ahua a muri ake nei. Kati, i tenei whakamaoritanga ka rangona e nga kaipanui nga tukinga me nga patunga katoa a nga ira tipua me nga tuahangata e hihiko ai te ngakau tangata ki nga pakanga me nga tutunga puehu kare e taea ki te puka pakiwaituhi kotahi. ________ The ultimate superhero showdown now available for the first time in te reo Maori. The Avengers and the X-Men - the two most popular superhero teams in history - go to war in a space-faring, world-changing epic. This landmark book - the culmination of a decade's worth of incredible storytelling - brings together Iron Man, Captain America, Thor, Hulk, Black Widow, Spider-Man, Wolverine, Cyclops, Storm, Magneto and more in the story that changes them forever. Now with every smack and crunch, every mutant and every hero, translated into te reo Maori, readers will get to experience the larger-than-life battles too big for any other comic to contain.

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`The things that are really big and really close are too big and too close to be seen.’ A colossal jungle. Two suns. The sea on fire. If the mind were a place, what might it look like? Under Glass is an ambitious new collection by one of the most exciting young poets writing today. Gregory Kan’s second book is a dialogue between a series of prose poems, following a protagonist through a mysterious and threatening landscape, and a series of verse poems, driven by the speaker’s compulsive hunger to make sense of things. Kan’s explorations of the outer and inner landscapes frequently cross paths but leave the reader in doubt – this is a collection full of maps and trapdoors, labyrinths and fragmented traces. Under Glass opens up new ways of telling stories – while questioning the value of storytelling itself. Beautifully crystalline and emotionally powerful, this poetry collection takes readers on a journey that is frightening yet tender, imperfect but triumphant.

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`Men no longer whisper "Revolution", they shout it; and they no longer carry banners, but throw bricks' - Letter home from Harvard, 1970. Jock Phillips grew up in post-war Christchurch where history meant Ancient Greece and home was England. Over the last 50 years - through the Maori renaissance, the women's movement, the rediscovery of ANZAC and more - Phillips has lived through a revolution in New Zealanders' understanding of their identity. And from A Man's Country to Te Ara, in popular writing, exhibitions, television and the internet, he played a key role in instigating that revolution. Making History tells the story of how Jock Phillips and other New Zealanders discovered this country's past. In this memoir, Phillips turns his deep historical skills on himself. How did the son of Anglophile parents, educated among the sons of Canterbury sheep farmers at Christ's College, work out that the history of this country might have real value? From Harvard, Black Power and sexual politics in America, to challenging male culture in New Zealand in A Man's Country, to engaging with Maori in Te Papa and Te Ara, Phillips revolted against his background and became a pioneering public historian, using new ways to communicate history to a broad audience.

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Presents the first history of Maori war captives. Drawing on Maori oral sources as well the records of colonists, Petrie analyses freedom and unfreedom in traditional Maori society; the role of economics and mana in shaping captivity; and how the arrival of colonists, trade and war transformed Maori society and the place of captives.

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Recovers the powerful history, politics and architecture of the Architectural Centre to return us to a vision of a modernist city, partially realised in Wellington New Zealand. Gatley and Walker begin writing the city back into the history of architecture in this country.

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From the origins of Maori (and Pakeha ideas about those origins), through land purchases and the King Movement of the nineteenth century, and on to twentieth century politics and the new history of the Waitangi Tribunal, Sorrenson brings together his major writing from the last 56 years into a powerful whole. Throughout his career, Sorrenson has been concerned with world views—to understand Maori conceptions of Kingitanga or Pakeha ideas of racial hierarchies from the inside.

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In this engaging history, prize-winning author Rebecca Priestley reveals the alternative history of 'nuclear New Zealand' - a country where there was much enthusiasm for nuclear science and technology, from the first users of x-rays and radium in medicine; the young Kiwi physicists seconded to the Manhattan Project; support for British bomb tests in the Pacific; plans for a heavy water plant and a nuclear power station; prospecting for uranium on the West Coast of the South Island; and thousands of scientists and medical professionals working with nuclear technology. She then considers the dramatic transition to the proudly 'nuclear-free New Zealand' policy in the 1980s. In the late 1970s, less than a decade before, the country had been considering nuclear power to meet growing electricity demand. Following the nuclear-free policy, anything with nuclear associations came under suspicion: taxi drivers referred to a science institute using a particle accelerator as 'the bomb factory' a

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Soon after the missionaries arrived in nineteenth-century New Zealand, Maori began converting to protestant Christianity in large numbers. Without the manpower or materials to build their own churches, missionaries largely relied on Maori to build houses of worship. As a result, the early churches drew on strands from the British ecclesiastical tradition as well as elements from Maori art and architecture to produce a distinctive and arresting new style. The last of these whare-style churches was destroyed when the Rangiatea church at Otaki burned down in 1995. In this book, Richard Sundt draws on a range of primary materials to chronicle early Maori church building in New Zealand for the first time. The book focuses on the Anglican/Church Missionary Society churches that dominated the period. After looking at British church architecture and early interactions between Maori and missionaries, Sundt looks at how key arguments were resolved - oveer carving and painting in churches, the use of liturgical space, etc. - by looking at particular buildings in detail. Whare Karakia is groundbreaking work that sheds new light on the history of both religion, architecture, and the story of Maori and Pakeha in New Zealand.

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The Age of Enterprise is an important book, written for a broad audience, which covers an area little touched by traditional historians such as Keith Sinclair, Jamie Belich or Michael King. It shows how entrepreneurship and innovation transformed the New Zealand economy in the late 19th century and sets our experience in context with other similar developments in settler colonies such as Australia and Latin America. In particular, The Age of Enterprise draws on case studies and historical evidence to reveal that the small, organic, rapidly expanding firm was the potent force in New Zealand's growth - the local, smalltime entrepreneur is the hero of this story. By focusing on the shape of our economic history Ian Hunter here fills a major gap in our knowledge of the colonial period which has so far derived largely from the work of social and political historians.

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Looking at the intellectual life in today's New Zealand, this work is organised around interviews with leading intellectuals. It shows that in their commitment to understanding and improving the social world they have faced hostility, incomprehension and rejection but their lives are rich, complex and dramatic.

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This text is comprised of three essays which focus on different periods in Frances Hodgkins work, followed by 40 full-colour reproductions. This edition features an afterword with details of some newly discovered works and an updated bibliography and list of exhibitions.

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Captain Cook in the Underworld is a book-length poem by a gifted Maori poet, an archetypal exploration of Western mythology and legend as it 'discovers' itself in the South Pacific. The poem was commissioned as the libretto for a new work with composer John Psathas for the fiftieth anniversary celebration of Wellington's Orpheus Choir. Captain Cook in the Underworld offers fresh perspectives on the familiar story of Cook's Pacific explorations; it has a broad bi-cultural (European/Polynesian) frame of references; and Sullivan employs a bold risk-taking approach. The book is a highly stylised, 'operatic' account of the voyages, with similarities to the musical structure of Coleridge's Rime of the Ancient Mariner', and opera. As the poem unfolds, European myth (Orpheus, Venus, etc) has to make space for Polynesian myth (Maui, Reinga, etc). In the final pages, Cook is required after his death to face up to the damage his expeditions have inflicted on the indigenous peoples of the Pacific. This theme of European guilt and recognition will have a strong and shocking impact.

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Whether we are competing for a job, building a business or championing a good cause, some days it can feel as if we are trapped in an endless competition for status, wealth or attention. Maybe if we learn to play the game and follow the rules we'll come out on top. But is life really a finite game - a game of selection and rules, winners and losers, players and spectators? In The Infinite Game, Niki Harre asks us to imagine our world anew. What if we are all part of a different type of game entirely - a game in which playing matters more than winning, a game that anyone can join at any time, a game in which rules evolve as new players turn up - an infinite game? Harre looks at our society (are people pawns or participants?) and ourselves (what kind of player would you like to be?) to offer an inspiring vision of how we might live well together. Deeply informed by psychological research and a life of social activism, Niki Harre's provocative book teaches us all how we might live life as an infinite game.

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