Search results for ""art institute of chicago""
Abbeville Press Inc.,U.S. Treasures of the Art Institute of Chicago Paintings from the 19th Century to the Present
£9.99
Art Institute of Chicago Ellsworth Kelly: Portrait Drawings
An eye-opening presentation of largely unknown figurative drawings by a renowned pioneer of abstraction Featuring one hundred figurative works on paper by Ellsworth Kelly (1923–2015), this volume shows a new side of an artist best known for abstraction. These informal depictions of friends and expressive self-portraits—all rarely or never previously displayed or published—span the entirety of Kelly’s career, from the mid-1940s to the early 2000s. Throughout his life, Kelly made portraits as a means of keeping his hand adept at drawing, which provided a place to test his ideas, refine his bold use of lines, and interrogate the space between naturalism and abstraction. These works also capture his social milieu, which intersected with other creative circles and the queer community. He painstakingly recorded how his own appearance changed over time, and once described some of these sketches by saying, “I use myself in order to draw.” The accompanying critical essays unpack the ways in which such intimate efforts were fundamental to Kelly’s practice and situate this important aspect of his work within the artist’s wider oeuvre.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (July 1–October 23, 2023)
£40.00
Art Institute of Chicago Remedios Varo: Science Fictions
An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making. Essays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects. Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence. Distributed for the Art Institute of Chicago, in partnership with the Museo de Arte Moderno, Mexico City Exhibition Schedule: Art Institute of Chicago (July 29, 2023–November 27, 2023)
£30.00
Art Institute of Chicago Radical Clay: Contemporary Women Artists from Japan
A diverse selection of contemporary ceramic work by Japanese women, featuring stunning pieces from virtuosic artists Since World War II, women artists from Japan have made influential contributions to ceramics that have been inadequately acknowledged. This catalogue focuses on thirty-six ceramists who have produced original and technically innovative pieces over the past fifty years while working outside the male-dominated, traditional Japanese studio practice and its countermovements. Both established and emerging artists with diverse styles are presented together to showcase their collective achievements and impact. After embarking on their careers decades ago, Mishima Kimiyo (b. 1932), Tsuboi Asuka (b. 1932), and Ogawa Machiko (b. 1946) continue to produce groundbreaking sculpture that pushes the limits of the clay as a medium. Among the younger artists featured are Konno Tomoko (b. 1965) and Aoki Katsuyo (b. 1972), whose works explore themes ranging from bodily distortion to fantastical decoration. Many of these creators have resisted gendered expectations, whether by approaching traditionally “feminine” subjects like flowers in unconventional ways or by working in so-called masculine modes, including on large scales. All of the selected pieces are from the exemplary private collection of Carol and Jeffrey Horvitz, who have advocated strongly to bring these artists to global attention. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (December 16, 2023–June 3, 2024)John & Mable Ringling Museum of Art, Sarasota, Florida (July 27, 2024–May 11, 2025)Ackland Art Museum, The University of North Carolina at Chapel Hill (June 13–August 31, 2025)
£20.00
Art Institute of Chicago Andre Kertesz: Postcards from Paris
The first comprehensive study of these rare, influential objects, documenting a formative moment in the noted photographer’s early career This elegant book unites all of the known carte postale prints by the photographer André Kertész (1894–1985), including portraits, views of Paris, careful studio scenes, and exquisitely simple still lifes. Essays shed new light on the artist’s most acclaimed images; themes of materiality, exile, and communication; his illustrious and bohemian social circle; and the changing identity of art photography. Playful yet refined, the book’s design reflects the spirit of 1920s Paris while underscoring the modernity of the catalogue’s more than 250 illustrated works. Kertész made his rigorously composed prints on inexpensive but lush postcard stock, sharing them with friends and sending them back to family in Hungary. The works reveal the artist learning his craft as he encountered an international group of modernists—including Piet Mondrian, Fernand Léger, and Joseph Csáky—in the interwar metropolis. Prized by collectors as well as by Kertész himself, the cartes postales influenced his compositions and the intimate scale of his picture making for decades.Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (October 2, 2021–January 17, 2022)High Museum of Art, Atlanta (February 18–May 29, 2022)
£40.00
Yale University Press Ray Johnson c/o
A New York Times best art book of 2021 “[A] gold mine of a book . . . Funny, biting, morbid, it’s a page-turner for sure.”—Holland Cotter, New York Times Ray Johnson (1927–1995) was a renowned maker of meticulous collages whose works influenced movements including Pop Art, Fluxus, and Conceptual Art. Emerging from the interdisciplinary community of artists and poets at Black Mountain College, Johnson was extraordinarily adept at using social interaction as an artistic endeavor and founded a mail art network known as the New York Correspondence School. Drawing on the vast collection of Johnson’s work at the Art Institute of Chicago, this volume gives new shape to our understanding of his artistic practice and features hundreds of pieces that include artist’s books, collages, drawings, mail art, and performance documentation. In keeping with Johnson’s democratic, rhizomatic, and antihierarchical ethos, this indispensable resource on the artist’s oeuvre contains 700 illustrations, many of them never before published, and twenty-one short essays by various contributors that allow readers to dip into and out of the book in a nonlinear manner. Distributed for the Art Institute of ChicagoExhibition Schedule:Art Institute of Chicago (November 26, 2021–March 21, 2022)
£45.00
Yale University Press Kings, Queens, and Courtiers: Art in Early Renaissance France
This sumptuous catalogue provides an overview of French art circa 1500, a dynamic, transitional period when the country, resurgent after the dislocations of the Hundred Years' War, invaded Italy and all media flourished. What followed was the emergence of a unique art: the fusion of the Italian Renaissance with northern European Gothic styles. Outstanding examples of exquisite and revolutionary works are featured, including paintings, sculptures, illuminated manuscripts, stained glass, tapestries, and metalwork. Exciting new research brings to life court artists Jean Fouquet, Jean Bourdichon, Michel Colombe, Jean Poyer, and Jean Hey (The Master of Moulins), all of whose creations were used by kings and queens to assert power and prestige. Also detailed are the organization of workshops and the development of the influential art market in Paris and patronage in the Loire Valley.Distributed for the Art Institute of ChicagoExhibition Schedule:Grand Palais, Paris(10/06/10-01/10/11)The Art Institute of Chicago(02/27/11-05/30/11)
£40.00
Arts Club of Chicago,U.S. Jean-Luc Mylayne: Mutual Regard
French photographer Jean-Luc Mylayne (born 1946) scouts out specific birds in locations across Europe and the US, then frames a scene, waiting for the bird to enter his camera's view. This volume documents a three-part project with The Art Institute of Chicago, including a "chapel" built in Millennium Park.
£44.09
Yale University Press James Ensor: The Temptation of Saint Anthony
This engaging volume describes the creation and restoration of the extraordinary large-scale drawing The Temptation of Saint Anthony—a work by late 19th-century Belgian artist James Ensor (1860–1949)—on the occasion of its first public showing in more than 60 years. The piece is composed of 51 separate sheets of paper collaged into a hallucinatory social critique and artist’s manifesto. Each sheet of the nearly six-foot-high work is reproduced at actual size, revealing Ensor’s remarkable technique and fertile imagination. Here, Saint Anthony is surrounded not with nature, as customary, but with the moral decay of society. Replete with tiny scenes depicting both sexual temptation and spiritual piety, Ensor splices potent imagery from travelogues, popular science, and technology magazines into a Symbolist masterpiece. Susan M. Canning, Patrick Florizöone, and Nancy Ireson analyze the drawing’s meaning; Herwig Todts details its origins and early history; and Kimberly J. Nichols recounts the work’s restoration. Distributed for the Art Institute of ChicagoExhibition Schedule: The J. Paul Getty Museum (06/10/14–08/31/14)The Art Institute of Chicago (11/23/14–01/25/15)
£20.00
Yale University Press Bisa Butler: Portraits
A beautifully illustrated look at the work of one of today’s most exciting artists Bisa Butler (b. 1973) is an American artist who creates arresting and psychologically nuanced portraits composed entirely of vibrantly colored and patterned fabrics that she cuts, layers, and stitches together. Often depicting scenes from African American life and history, Butler invites viewers to invest in the lives of the people she represents while simultaneously expanding art-historical narratives about American quiltmaking. Situating her interdisciplinary work within the broader history of textiles, photography, and contemporary art, contributions by a group of scholars—and entries by the artist herself—illuminate Butler’s approach to color, use of African-print fabrics, and wide-ranging sources of inspiration. Offering an in-depth exploration of one of America’s most innovative contemporary artists, this volume will serve as a primary resource that both introduces Butler’s work and establishes a scholarly foundation for future research. Distributed for the Art Institute of Chicago Exhibition Schedule: Katonah Museum of Art, New York (March 15–October 4, 2020) Art Institute of Chicago (November 14, 2020–September 6, 2021)
£25.00
Yale University Press Georg Jensen: Scandinavian Design for Living
A beautifully illustrated look at how Georg Jensen pushed the boundaries of modern domestic design In 1904 Danish silversmith Georg Jensen (1866–1935) founded one of the world’s most celebrated design companies. Famous for its signature silver tableware that combines gleaming sculptural forms with lush ornament, Jensen’s eponymous firm has stood at the forefront of domestic design for over a century by combining an innovative and experimental spirit with a commitment to traditional craftsmanship. Tracing the evolution of Georg Jensen silver from its place in the company’s initial emergence through its continuing role as a touchstone for the global identity of Danish design, this book examines the creative processes and business practices behind Jensen’s stunning bowls, pitchers, coffee services, and other domestic objects. Lavishly illustrated with works ranging in style from organic to industrial, Georg Jensen is full of new insights gleaned from the company’s own archives and situates Jensen’s work in the broader context of 20th-century design. This unprecedented study includes scholarly essays by Alison Fisher, Maggie Taft, and Thomas C. Thulstrup that delve into the significant and continuing impact of Georg Jensen silver on modern domestic taste. Distributed for the Art Institute of ChicagoExhibition Schedule:The Art Institute of Chicago (06/22/18–09/09/18)
£40.00
Yale University Press Martin Puryear: Multiple Dimensions
A fascinating glimpse into the creative process of a major contemporary sculptor, featuring many previously unseen works on paper American sculptor Martin Puryear (b. 1941) creates work that combines the clean elegance of minimalism and the simplicity of traditional materials. His stunning sculptures explore themes of identity, ethnicity, and history, and are rich with social and cultural commentary. Puryear, who is known for abstract, large-scale pieces in wood, stone, and bronze, has captured the attention of the art world for the past 30 years. Despite the apparent simplicity of his works, however, he engages in an extensive iterative process that has, until now, been unknown. Martin Puryear: Multiple Dimensions explores that process, featuring numerous drawings, prints, and small-scale sculptures that have never before been published. This catalogue is the first to examine Puryear’s work across media, providing invaluable insight into his visual thinking, from sketches to working drawings and constructions for sculpture. Handsomely illustrated with nearly 120 color plates that demonstrate the evolution of Puryear’s ideas between drawings, prints, and sculptures, this beautiful volume draws back the curtain on the methodology of this important and enigmatic artist. Distributed for the Art Institute of ChicagoExhibition Schedule:Morgan Library and Museum (10/09/15–01/10/16)The Art Institute of Chicago (02/07/16–05/01/16)Smithsonian American Art Museum (05/27/16–09/06/16)
£20.00
Yale University Press David Goldblatt: No Ulterior Motive
A panorama of the career of South African photographer David Goldblatt, elucidating his artistic commitments, networks, and influence David Goldblatt: No Ulterior Motive coincides with a major traveling retrospective of the renowned South African photographer’s work. From vintage handprints of the artist’s black-and-white photography, taken between the 1950s and the 1990s, to his post-apartheid, large-format, color work, photographs in the volume are approached thematically—under headers such as “Assembly,” “Disbelief,” “Dialogues,” and “Extraction”—to draw out the artist’s core interests in working-class people, the landscape, and the built environment. Objects from Goldblatt’s (1930–2018) personal archive are also included. In an effort to create a more inclusive dialogue around Goldblatt’s work, the catalogue features images and texts by contemporary photographers and scholars, many of whom were mentored by Goldblatt, including Zanele Muholi and Sabelo Mlangeni. Some write on Goldblatt’s photographs, while others discuss his influence on their own work. Goldblatt devoted his life to documenting his country and its people. Known for his nuanced portrayals of life under apartheid, he covered a wide range of subjects, all of them intimately connected to South African history and politics. The wide-ranging voices in this catalogue foster a broad frame of reference for his work, thus countering a frequent misunderstanding of apartheid as a situation peculiar to South Africa. Published in association with Fundación MAPFRE, Art Institute of Chicago, and Yale University Art Gallery Exhibition Schedule: Art Institute of Chicago (December 2, 2023–March 25, 2024) MAPFRE, Madrid (May 29, 2024–September 1, 2024) Yale University Art Gallery (February 21, 2025–June 22, 2025)
£50.00
Cercle d'art Simone Pheulpin
“I’d like cloth to be recognized as a material as noble as wood, stone or metal”, says French artist Simone Pheulpin, referring to traditional sculpture. Her material is quite simple, bands of raw cotton fabric, manufactured in the Vosges. This cloth is totally transformed by a piling of very dense and regular folds held together by invisible metal pins, and nothing else. Having recognised it as a space entirely her own, she has, from sculpture to sculpture, invented a grammar of sorts, and lent to the fold as she shapes it a function that is not only visual but chromatic. The result is a very strange work that looks like colonies of coral or lichen, or else recall slabs of striated limestone, vast surfaces whose smoothness is shot with fault lines. Simone Pheulpin’s works can be found in London’s Victoria and Albert Museum, the Art Institute of Chicago and in the Musée des arts décoratifs de Paris. Text in English and French.
£61.20
Paperblanks Kara-ori (Japanese Kimono) Ultra Lined Journal
Showcasing silk dyed with beni (the pigment extracted from safflower petals) and lacquered in gold, this kimono design dates to the Edo period (1615–1868). It was originally used as a costume for the theatrical style known as Noh.Karaori refers specifically to the exquisitely embroidered woman’s kimono that traditional Noh theatre was known for. Both the material itself and the pattern depicted would have helped tell the story of the character. In this case, the stiff brocade creates a thick, glossed fabric that would not drape easily – this created an angular effect evoking the spirit of a noblewoman. The pattern of flowering grasses emphasized the character’s femininity.By the Meiji period (1868–1912) Noh had reached such heights that it was widely introduced overseas, and today there are still more than 70 Noh theatres throughout Japan. This beautiful example of karaori costuming can now be found at the Art Institute of Chicago. It is our great pleasure to work with such a gorgeous and culturally important piece of history to craft this journal design.
£22.49
Uncivilized Books Sweet Little Cunt: The Graphic Work of Julie Doucet
EISNER AWARD WINNER | Best Academic/Scholarly Work About Comics | 2019 One of the most influential women in independent comics, Julie Doucet, receives a full-length critical overview from a noted chronicler of independent media and critical gender theorist. Grounded in a discussion of mid-1990s media and the discussion of women’s rights that fostered it, this book addresses longstanding questions about Doucet’s role as a feminist figure, master of the comics form, and object of masculine desire. Doucet’s work is hilarious, charming, thoughtful, brilliant, and challenging, even three decades on. Anne Elizabeth Moore is an award-winning journalist, bestselling comics anthologist, and internationally lauded cultural critic. Her most recent book, Body Horror, is on the Nonfiction Shortlist for the 2017 Chicago Review of Books Nonfiction Award, was named a Best Book of 2017 by the Chicago Public Library, and was nominated for the 2018 Lammys. She teaches at the School of the Art Institute of Chicago and the College for Creative Studies. She was born in Winner, SD, and resides in Detroit with her cat. Praise for Body Horror: “[Body Horror is] scary as fuck and liberating. . . . Moore connects the dots that you did not even think were on the same page.” —Viva la Feminista
£8.50
Skyhorse Publishing ABCs of Art
“A surprisingly fresh take on the classic children's ABCs book.” A “Best Book of 2019.” —Vanity FairA fun way to inspire children’s imagination and creativity!” —Serena Williams“Art connects us all on the deepest level and this book will inspire young minds.” —Ken Griffin, founder & CEO of Citadel, trustee of the Art Institute of Chicago, and trustee of the Whitney Museum of American Art Learn the alphabet through fine art!Spark your child’s creativity and curiosity with this delightfully curated alphabet book featuring some of the world’s most iconic paintings.In this collection, your child will discover artwork by Leonardo da Vinci, Vincent van Gogh, Mary Cassatt, and many others. Help them locate the earring in Vermeer's Girl with the Pearl Earring, teach them different colors while examining Monet's Water Lilies, and count the pieces of fruit in Cezanne's The Basket of Apples.With a fun rhyming scheme and large, colorful text, ABCs of Art will inspire your budding art lovers as they learn the alphabet and new words by finding objects in paintings. Then, as your child grows, you can read the playful poems aloud together and answer the interactive questions that accompany each painting.
£13.49
Taschen GmbH Piano
While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the “inside-out” Pompidou to the airy shells of the Tjibaou Cultural Center in Nouméa, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano’s own words, “each time, it is like life starting all over again.”
£15.00
Taschen GmbH Piano. Complete Works 1966–Today. 2021 Edition
Renzo Piano rose to international prominence with his co-design of the Pompidou Center in Paris, described by The New York Times as a building that “turned the architecture world upside down.” Since then, he has continued to craft such iconic cultural spaces as the Modern Wing of the Art Institute of Chicago and, more recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan’s Meatpacking District with both indoor and outdoor galleries. In London, the Piano touch has also transformed the skyline with the Shard. At the age of 84, the Italian maestro retains all of his enthusiasm and kindness—and his recent roster is more impressive than ever. As he confided to the author, “I think at a certain age, one can discover that there is what the French call the ‘fil rouge,’ a kind of red thread that relates one building to another over time. In my case, I believe it is about lightness and the art of building.” From freshly built museums in Athens and Santander; ongoing works in Lisbon, London, Toronto, and Geneva; to such humanitarian projects as the Emergency Children’s Surgical Hospital in Entebbe, Uganda, and the Children’s Hospice in Bologna, Italy, Piano’s career is a thrilling journey through the beauty and very essence of architecture. Based on the massive XXL monograph, this widely updated edition brings the architect’s definitive career overview to an accessible format and is illustrated by photographs, sketches, and plans.
£54.00
Distributed Art Publishers William Klein: Who Are You, Polly Maggoo?
Klein’s madcap romp of a photo-novel brilliantly translates his cult ’60s film into book form Based on the original images and dialogue of William Klein’s 1966 film Who Are You, Polly Maggoo?, this fantastic photo-novel tells the adventures of Polly Maggoo, a star model played by Dorothy McGowan (model for Vogue in the 1960s). The plot unfolds across the fashion world of Polly Maggoo; the world of television (based around the character of director Jean Rochefort); and a magical kingdom of operetta whose crown prince (played by Sami Frey) is in love with the young model. Also featuring in this star-studded cast are Alice Sapritch, Delphine Seyrig, Philippe Noiret, Roland Topor and Jacques Seiler. The publication ingeniously translates into book form the zany universe of the film. Klein’s masterful framing gives exquisite rhythm to its page composition and flow as we follow the crazy adventures of the extraordinary heroine in a madcap race through the streets and rooftops of Paris, all the way up to a distant palace lost in the snow. Born in New York, William Klein (1926–2022) was a multidisciplinary artist whose practice revolutionized photography, particularly fashion and street photography. His fashion work was the subject of several iconic photobooks, including Life Is Good and Good for You in New York (1957) and Tokyo (1964). In the 1980s, he turned to film projects. His works are held in the collections of the Museum of Modern Art in New York, the National Gallery of Art in Washington, DC, and the Art Institute of Chicago, among others.
£99.00
Tuttle Publishing Japanese Yokai and Other Supernatural Beings: Authentic Paintings and Prints of 100 Ghosts, Demons, Monsters and Magicians
Superb Yokai images from the world's leading museums and private collections!Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians—mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including: Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night And many more! The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings—sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.Prints and Paintings sourced from the following list of museums, libraries and private collections:Art Institute of ChicagoChristie's, London & New YorkThe Cleveland Museum of ArtHarold B. Lee Library, Brigham Young UniversityKyoto University, Main LibraryLibrary of CongressLos Angeles County Museum of ArtThe Metropolitan Museum of ArtMinneapolis Institute of ArtNational Museum of Japanese HistoryPrinceton University LibraryRijksmuseum, AmsterdamSmithsonian Libraries
£22.49
FrommerMedia Frommer's Chicago day by day
Map your own adventure. Chicago Day by Day is the perfect answer for travelers who want to know the best places to visit and the best way to see the city. Packed with color photos, this bestselling guide offers dozens of itineraries that show you how to see the best of Chicago in a short time—with bulleted maps leading the way from sight to sight. Featuring a full range of thematic and neighborhood tours, plus dining, lodging, shopping, nightlife, and practical visitor info, Chicago Day by Day is the only guide that helps travelers organize their time to get the most out of a trip. Inside this book you'll find: · Full color throughout with hundreds of photos and dozens of maps · One- to three-day itineraries that include The Loop: An Architectural Tour, the Art Institute of Chicago, Bucktown & Wicker Park, Hyde Park, Navy Pier & Environs for Kids, side trips to Oak Park and Evanston, and more · Star ratings for all hotels, restaurants, and attractions to clue you in on great finds and values · Tear-resistant foldout map in a handy, re-sealable plastic wallet Frommer’s Chicago Day by Day is written by noted Chicago journalist Kate Silver, whose work has appeared in the Chicago Tribune, People, the Washington Post, Saveur, and many other publications. She is also the author of the celebrated Frommer’s EasyGuide to Chicago. About Frommer’s: There’s a reason that Frommer’s has been the most trusted name in travel for more than sixty years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfill their dreams of travel in Europe, and since then, we have published thousands of titles became a household name helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.
£11.99
Goose Lane Editions Ken Danby: Beyond the Crease
Ken Danby (1940-2007) was one of Canada's foremost practitioners of contemporary realism. Rooted in the Canadian psyche, nourished by his Ontario rural roots, Danby's subject matter was broad and expansive, yet it was the images of Canadian landscapes and life that captured the public's attention. At the Crease, a 1972 egg tempera painting depicting a nameless hockey goalie viewed from ice-level, was his best-known work, and for many, it defined him as an artist. An accomplished painter, watercolourist, printmaker, and commercial artist, Danby's career began to unfold with a modernist narrative in the 1960s and 1970s. It intersected with the fervent nationalism expressed in the music of Ian and Sylvia Tyson, Gordon Lightfoot, and Joni Mitchell. According to art historian Patrick Hutchings, Danby's paintings bring us "face to face with a moment of our own time." Ken Danby: Beyond the Crease, the first major book on Ken Danby's creative practise in two decades, examines the depth and breadth of Danby's work. Designed to accompany a major retrospective exhibition organized by the Art Gallery of Hamilton, it features an essay by art historian Ihor Holubizky, a detailed chronology by Christine Braun, more than sixty reproductions of Danbys major paintings, including At the Crease, Lacing Up, Pancho, and Pulling Out, and dozens of archival photographs, as well as Danby's own words about his life and work drawn from an unpublished autobiographical essay that he completed shortly before his death. Danby's work is highly collectable and can be found in numerous private and public collections, including those of the Museum of Modern Art, New York; the National Gallery of Canada; the Musée des beaux arts, Montreal; the Art Gallery of Vancouver; the Art Institute of Chicago; and the Brooklyn Museum. Ken Danby became a member of the Order of Canada in 2001.
£31.49
Siglio Press Ray Johnson and William S. Wilson: Frog Pond Splash: Collages by Ray Johnson with Texts by William S. Wilson
This gemlike Ray Johnson book celebrates his friendship with writer and logophile William S. Wilson in pictures and words A New York Times critics' pick | Best Art Books 2020 Dubbed "Ray Johnson's Boswell," writer and logophile William S. Wilson was one of legendary artist Ray Johnson's closest friends and biggest champions. He was also perhaps Johnson’s most trusted poetic muse and synthesizer of referents and references. The influence was mutual: throughout their lifelong friendship, begun when both men were in their twenties, writer and artist challenged and enriched one another’s work. Published on the occasion of the exhibition of Ray Johnson works from Wilson's archive at the Art Institute of Chicago, Frog Pond Splash embodies the energy, expansiveness and motion of their work and their friendship. Editor Elizabeth Zuba has selected short, perspicacious texts by Wilson (from both published and unpublished writings) and collage works by Johnson to create juxtapositions that do not explicate or illustrate; rather, they form a loose collage-like letter of works and writings that are less bound than assembled, allowing the reader to put the pieces together, to respond, to add to and return to the way Johnson required of his correspondents and fellow travelers. Taking its title from Wilson's haiku equivalence of Johnson's process, Frog Pond Splash is a small book but many things: a collage-like homage to their friendship, a treasure chest of prismatic "correspondances," as well as an unusual portrait of the disappearing, fractured Johnson through Wilson's words. Zuba's nuanced selection and arrangement of images and texts in this sumptuous little volume honors Johnson's "open system" (which rejected closed and consistent meanings, codes and symbols) in its open, associative, and intimate playfulness.
£24.30
Royal Society of Chemistry Science and Art: The Painted Surface
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted. Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art. Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst.
£49.99
Walker Art Centre,U.S. Jim Hodges: Give More Than You Take
Since the late 1980s, Jim Hodges’ poetic reconsiderations of the material world have inspired a body of multimedia work in which the manmade and artificial are invested with emotion and authenticity. Co-published by the Dallas Museum of Art and the Walker Art Center, this volume accompanies the first comprehensive, scholarly exhibition to be organized in the United States of this critically acclaimed American artist. Examining over 25 years of his artistic career, this uniquely designed catalogue weaves together the voices of many to situate the artist’s work within issues of identity, social activism, illness, beauty, generosity and death. Contributions include an in-depth overview of Hodges’ career by Jeffrey Grove, Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art; an essay and interview with the artist by Olga Viso, Executive Director of the Walker Art Center; a reflection on Hodges’ early artistic development by Bill Arning, Director of the Contemporary Arts Museum, Houston; an essay on sentimentality and the artist’s recent video work by Helen Molesworth, Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston; as well as ruminations on recurring motifs in the artist’s work by author Susan Griffin. Born in 1957 in Spokane, Washington, New York-based artist Jim Hodges has been featured in numerous solo and group exhibitions in the U.S. and in Europe, including the 2004 Whitney Biennial and a solo exhibition at the Centre Georges Pompidou, Paris. Hodges’ work is included in the collections of notable institutions, among them the Dallas Museum of Art; the Walker Art Center, Minneapolis, MN; The Art Institute of Chicago; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art; The Museum of Modern Art, New York; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York.
£51.30
Paul Holberton Publishing Ltd Van Gogh. Self-Portraits
The myth of Van Gogh today is linked as much to his extraordinary life as it is to his stunning paintings. His biography has often shaped the way that his self-portraits have been (mis)understood. Van Gogh. Self-Portraits reconsiders this aspect of his production and places the artist’s self-representation in context to reveal the role it plays in his oeuvre. It also explores the power and profound emotion of these highly personal paintings.Van Gogh. Self-Portraits is the first time this theme has been exclusively addressed. Self-portraits painted during Van Gogh’s time in Paris (February 1886 – February 1888) have been the subject of two exhibitions (in 1960 at Marlborough Fine Arts in London and in 1995 at the Kunsthalle in Hamburg) but never has the full chronological range been explored. The exhibition at The Courtauld Gallery, which this volume accompanies, features paintings from both the Parisian and Provençal periods. It brings together half of Van Gogh’s thirty-five known self-portraits to examine the ways the artist approached this particular subject-matter. On a practical level, painting himself provided Van Gogh with the cheapest and most patient of models and represented an important conduit for stylistic experimentation. He also used self-portraiture as an homage to his illustrious Dutch predecessor Rembrandt, as well as a way of fashioning his own identity and presenting himself to the outside world. Of particular interest is the striking way the evolution of Van Gogh's self-representation over the short years of his artistic activity can be seen as a microcosm of his development as a painter.In addition to the world-famous Self-Portrait with Bandaged Ear in The Courtauld’s collection, the exhibition showcases a group of major masterpieces brought together from international collections, including the Van Gogh Museum in Amsterdam, the Muse d’Orsay in Paris, the Art Institute of Chicago and the National Gallery of Art in Washington, D.C., among others. This beautifully illustrated catalogue includes detailed entries on each work, an appendix illustrating all of Van Gogh’s self-portraits and three insightful essays on the theme.
£22.50
Edition Axel Menges New Military Museums
Museum architecture has blossomed over the past few decades. Art museums lead the way in terms of new buildings by superstar architects such as Frank Gehry, Herzog and de Meuron, Jean Nouvel, and Renzo Piano, among many more. Those facilities have received public and professional recognition through media attention and design awards. But other museum typologies exist, one such being for buildings that showcase military history and artifacts. All too often, one thinks of these as unsophisticated in their design and amateurish or antiquated in their exhibitions. Nowadays, nothingcan be further from the truth. This volume examines more than thirty of them internationally that were constructed over the past two decades and more. The museums are featured in individual entries and lavish color photography. Some were designed by internationally renowned architects such as Norman Foster, Daniel Libeskind, Skidmore Owings & Merrill, and Robert A.M. Stern, but many more are the products of creative, accomplished designers. Beyond the architecture of these museums, exhibition and installation designs by noted specialist firms such as Ralph Appelbaum Associates, Koosmann.dejong, and Gallagher & Associates, among others, have raised the bar in terms of immersive experiences for their visitors. New military museums presented within the book are examined within the context of the history of war memorials and military museums, the latter being a less well researched subject. In the end, military museums relate back to antique sculptural commemorationsof victorious campaigns and martial leaders, collections and displays of war trophies, and the search to find useful architectural memorials, the latter especially so after the World Wars of the twentieth century. Architectural historian John Zukowsky has an earned doctorate from Binghamton University. While curator of architecture for The Art Institute of Chicago (19782004), he organized a number of award-winning exhibitions accompanied by major books. After that, he held executive positions within military-related museums such as the Intrepid Sea, Air & Space Museum and the Pritzker Military Museum and Library. Since 2012 he has authored several books about architecture and design, including Why on Earth Would Anyone Build That (2015), Building Chicago: The Architectural Masterworks (2016), and Architecture Inside Out: Understanding How Buildings Work (2018).
£32.31
Distributed Art Publishers Dawoud Bey & Carrie Mae Weems: In Dialogue
A visual and conceptual conversation between two leading US photo-artists famed for their mutual explorations of race, class and power Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles. Photographer Dawoud Bey (born 1953) had his first exhibition at the Studio Museum in Harlem in 1979. Since then, his work has been presented internationally to critical and popular acclaim. Recent large-scale exhibitions of his photographs have been presented at the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Art Institute of Chicago and Tate Modern, London. Bey’s writings on his own and others’ work are included in Dawoud Bey: Seeing Deeply and Dawoud Bey on Photographing People and Communities. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Famed for her Kitchen Table Series, among other works, Carrie Mae Weems (born 1953) explores power, class, Black identity, womanhood, and the historical past and its resonance in the present moment. In addition to photography, Weems creates video, performance and works of public art, and organizes thematic gatherings which bring together creative thinkers across a broad array of disciplines. Her work has been exhibited across the world, at venues such as the Frist Center for the Visual Arts, the Solomon R. Guggenheim Museum, the Centro Andaluz de Arte Contemporáneo and the American Academy in Rome.
£35.99
Paperblanks Karakusa/Kara-ori (Mixed Pack) Washi Tape
Harmonious flowers, balanced colours and highly precise details create the eye-catching, high-impact effect of this Japanese kimono design.Originally designed as a costume for the theatrical style known as Noh, our Kara-ori pattern leaves little doubt why Noh is derived from the words for “skill” and “talent.” With silk and gold lacquered stripes, this is one of the best examples of Japanese textile design we have found. It comes from the Edo period (1615–1868) when Noh theatre, known for the sumptuousness of its costumes, was at its height.Noh theatre is one of the world’s oldest performing arts and has been handed down through generations of Japanese composers and performers. The plots draw from legend, history and contemporary events and are structured around song and dance. Though the thematic tone is often poetic yet monotonous, the costumes are anything but. In fact, Noh is often referred to as “mask drama” due to the importance placed on masks and costumes within the form.The term karaori, for which this design is named, refers specifically to the exquisitely embroidered traditional woman’s kimono like the one reproduced here. Karaori are regarded as some of the most beautiful theatrical costumes in the world, thanks in part to the Japanese aristocracy’s embrace of the theatre style – as both viewers and performers.Though Noh is a Japanese art, karaori means “Chinese weave,” as the fabric has its roots in China. And like the costume reproduced in our Peking Opera Embroidery series, this too would have been crafted for a male performer playing a female role. Both the material itself and the pattern shown would have helped tell the story of the character. In this case, the stiff brocade technique created a thick, glossed fabric that would not drape easily – this was used to create an angular effect evoking the spirit of a noblewoman. The flowering grasses depicted served to emphasize the woman’s femininity.By the Meiji period (1868–1912) Noh had reached such heights that it was introduced overseas, influencing artists far and wide. William Butler Yeats, for example, wrote an essay on Noh in 1916 that he titled “Certain Noble Plays of Japan.” And even more contemporarily, David Byrne of the Talking Heads discovered Noh while touring Japan and, according to American music critic Josh Kun, was inspired by the highly stylized, stiff costumes to “design the oversize business suit that became a visual staple of Talking Heads live shows.”Today there are more than 70 Noh theatres throughout Japan and it has been deigned an Intangible Cultural Heritage by UNESCO. This beautiful example of karaori costuming can be found at the Art Institute of Chicago as part of the Otto C. Deering gift. It is our great pleasure to work with such a gorgeous and culturally important piece of history to craft this Paperblanks design.
£7.21