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Dickens’s Dialogue: Margins of Conversation explores the rhetoric of Dickens’s characters and its place in his work. Drawing on Victorian conversation manuals and more recent philosophical, sociological, and linguistic insights into the nature of conversations, Goodin describes three major character types whose rhetorical strategies exemplify the conflicting forces of cooperation and violation that shape many conversations. Bullies such as Eugene Wrayburn (Our Mutual Friend) marshal interruption, interrogation, inattention, silence, and other devices to compete for conversational power. Con artists such as Sam Weller (The Pickwick Papers) seek intimacy or reduced social distance through what they say, whether flattering or self-deprecating, as well as what they do, like whispering or shaking hands. And muddlers such as Cousin Feenix (Dombey and Son) often consciously avoid the perils of clarity by introducing various forms of incoherence—not least by inserting parentheses within parentheses. These strategies also work together in individual novels to further Dickens’s own purposes, as an extended treatment of Dombey and Son shows in Goodin’s concluding chapter.

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Criminal Justice and Law Enforcement Annual: Global Perspectives (CJLE) is a peer-reviewed annual publishing current interdisciplinary research on a wide array of vital international subjects related to criminal justice systems. We seek to publish: broad creative analyses of criminal justice systems or system components; articles and treatises on power, social theory, and the apparatuses of crime and punishment; comparative examinations; explorations of the intersection/s between criminal justice systems and other social, political, or economic structures; interdisciplinary and paradigm-challenging new work. Articles in CJLE take advantage of the broader perspective that annual publication provides by tackling large interpretative questions, offering synthetic analyses of major methodologies, or considering new theoretical approaches to criminal justice studies in the widest and most international sense.

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Formerly published by AMS Press, Studies in Medieval and Renaissance History continues with an annual volume now published by ACMRS.

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During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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