Search results for ""Yorkshire Sculpture Park""

This authoritative guide, the companion to Yorkshire West Riding: Leeds, Bradford and the North, covers a vast area marked by tremendous diversity of both landscape and buildings. The territory is rich in medieval churches and castles, 17th-century houses and 18th-century mansions, yet it is also deservedly famous for its outstanding 19th- and 20th-century ecclesiastical, civic, commercial and industrial buildings. Major examples of every period of English architecture are represented, from Selby Abbey to the palatial country house of the Earls Fitzwilliam at Wentworth Woodhouse, and from Halifax Town Hall to Sheffield’s Park Hill flats and the Yorkshire Sculpture Park near Wakefield. In the fine Pevsner tradition, this book situates the region’s full array of buildings within geological, local, national, and international contexts.

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Walking South Yorkshire is a collection of 30 circular walks, between 2 and 8 miles (3 and 13 km) in length, that explore the ancient woodland and rural visitor attractions around Sheffield, Rotherham and Barnsley.Attractions visited include: Yorkshire Sculpture Park, Wentworth Castle Gardens, Stainborough Park, Cannon Hall Museum, Old Moor RSPB Reserve, Monk Bretton Priory, Elsecar Heritage Centre, Worsbrough Mill, Rockley Blast Furnace, Wentworth Woodhouse, the Waterloo Pottery Kiln, Catcliffe Glass Cone, Graves Park Animal Farm, Roche Abbey and the Chesterfield Canal.Written by local walker, Rob Haslam, each walk features detailed route directions, combined with a thorough insight into the county's rich, yet little-known, heritage of ancient woodland. All walks can be reached by public transport from Sheffield, Meadowhall, Rotherham and Barnsley, feature Ordnance Survey 1:25,000 maps and information on public transport, car parking, history, refreshments and terrain.

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England's greatest county boasts an incomparable range of iconic features, set within such diverse regions as the Yorkshire Dales, North York Moors, South Pennines and Yorkshire Wolds. This new title is a celebration on foot of the glorious landmarks of Yorkshire, with the principle feature being that all walks are between 2 and 3 undemanding miles in length. These modest distances offer a perfect stroll for families, casual walkers and all who want to enjoy a leisurely exploration of outstanding country landscapes. 50 illustrated strolls lead through stunning landscapes to explore Aysgarth Falls, Ilkley Moor, Robin Hood's Bay, MalhamCove, Haworth, Rievaulx Abbey, Standedge Tunnel, Richmond Castle, Brimham Rocks, the White Horse of Kilburn, Ribblehead Viaduct, Yorkshire Sculpture Park, Whitby, Studley Royal, Goathland and York - to name but a few. Over 100 colour photographs depict features and landscapes along the routes. YORKSHIRE'S LANDMARKS.... in bite-size walks

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This new title is the latest in the new series of Paul Hannon's walking guides covering Yorkshire. A range of enhancements see a more logical geographical spread, in this case featuring the entire eastern half of West Yorkshire. With Calderdale, the South Pennines, Bronte country and Ilkley covered in companion volumes, this book features locations that are but a stone's throw from the larger centres of population. The fringes of the great northern city of Leeds, along with Wakefield and the country towards Bradford and Huddersfield offer untold attractions within the boundaries of West Yorkshire. The walks include such iconic locations as Temple Newsam, Yorkshire Sculpture Park, Fairburn Ings, Roundhay Park and Emley Moor. There are 25 enjoyable outings amid a rich variety of scenery. A collection of 50 colour photographs depict features and landscapes along the routes, while the concise route descriptions are complemented by a wealth of background information.

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Nick Hornby (b. 1980, London) is one of the leading sculptors of his generation in Britain today, creating works on both intimate and monumental scales, and at the intersection of art history and contemporary technology. Hornby’s practice uses software that allows him to extract, alter and hybridise sculptures from art history into new works made from marble, steel, bronze, resin, wood and composite materials. It could be said that Hornby has opened up a new sculptural language for the twenty-first century.This, his first major monograph, features approximately 175 images, many of which are reproduced here for the first time or have been commissioned for the publication. Alongside documentation of works presented in galleries and outdoor spaces are production images taken in the studio and fabrication workshops. Hornby’s practice is here divided into four categories: Intersections, Extrusions, Hydrographics and Collaborations.A foreword by Luke Syson, Director of the Fitzwilliam Museum, Cambridge, offers insight into Hornby’s internal and external relationship with sculpture, considering the links between two and three dimensions, abstraction and representation, the ‘real’ and the digital.Editor Matt Price’s introduction takes readers on a whistlestop tour of the artist’s oeuvre, from his early family life and studies at Chelsea and The Slade in London, to his latest major exhibitions and commissions. Price covers a range of significant aspects such as the importance of music and sound, which were key elements of Hornby’s early work, to sculptures made in collaboration with others, and recent pieces combining art history with technology in their design and fabrication.An essay by Dr Hannah Higham, Senior Curator of Collections and Research at the Henry Moore Foundation, provides the most substantial piece of critical writing on Hornby’s work to date, drawing out specific touchstones in the history of art and discussing the relationship between the work and time. Higham further explores the ways that the motion and position of the viewer alter the experience of the sculptures, with new angles revealing fresh artistic inspirations from Hans Arp or Elizabeth Frink to ideas from communities Hornby has worked with and other contemporary artists with whom he has collaborated.An interview with Dr Helen Pheby, Associate Director, Programme, at Yorkshire Sculpture Park, probes the artist further about his cultural and theoretical inspirations, methods, materials and ideologies, including his views on collaboration, the public nature of art and its accessibility. Their conversation provides an insight into the thinking of the artist at a crucial stage in his career.The monograph brings together works spanning Hornby’s career for the first time. It follows Hornby’s first institutional solo exhibition at MOSTYN, Wales, and his first permanent outdoor sculptural commission for Harlow Science Park in Essex.The publication is edited by Matt Price, designed by Herman Lelie, printed by EBS, Verona, and published by Anomie, London.Nick Hornby, born in 1980, is a British artist living and working in London. Hornby studied at The Slade School of Art and Chelsea College of Art where he was awarded the UAL Sculpture Prize. In the UK he has exhibited at Tate Britain, Southbank Centre, Leighton House (all London), Cass Sculpture Foundation, Sussex, MOSTYN, Wales, and the Fitzwilliam Museum, Cambridge. International exhibitions have been held at the Museum of Arts and Design, New York and Poznan Biennale, Poland, along with residencies with Outset, Israel, and Eyebeam, New York. In 2014 Hornby was made a Fellow of the Royal Society of Sculptors.

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