Search results for ""Wymer Publishing""

Meticulous, detailed reference-styled timelines, charting the history of this esteemed UK institution, from its inception to the band's posthumous last album, Coda, issued in 1982. This elegant coffee table book charts the explosive live stage history of the band, along with the iconic albums. Memorabilia adds a visual feast to the book.

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When the classic Deep Purple MKII line-up reformed in 1984 after an eleven year absence, it proved once again that this was the definitive Deep Purple and their reunion tour was a box office bonanza. Sadly by 1989 the friction between Blackmore and Gillan that had led to the spilt first time around did so again and Gillan was fired. With all eyes on the 25th anniversary of the band's 1968 inception, there was huge pressure, both from within and outside the band for Gillan to return to the fold so that the occasion could be celebrated in style. The critics said it wouldn't work — it did. And they said it wouldn't last... well they were certainly right about that! Upon Gillan's return in late 1992 they produced The Battle Rages On... album and then planned to embark on a world tour. However, the American shows were all cancelled, which left just Europe and Japan. Whilst the tensions within the band were greater than ever, Jon Lord went on to say, “the shows were done at an energy level and ability level I’ve rarely seen attained before. I think we played as well as we’ve ever played.” Indeed, for those fortunate to witness the tour most fans shared Lord's opinion. Yet, the divisions between Blackmore and Gillan grew as the tour progressed with Blackmore calling a halt to proceedings before the Japanese leg could begin. In all there would be just thirty-seven shows — the last hurrah of the ultimate Deep Purple line-up. Author Jerry Bloom caught ten of the shows and was privy to some of the shenanigans that went on, making him the ideal person to document the last MKII tour in detail. Along with the comprehensive narrative, this beautifully designed book is crammed full of never before seen photos from the tour. It includes many shots of the band both on stage as well as back stage, in hotels, on aeroplanes and relaxing as the tour wound its way across Europe culminating in Blackmore's last show with the band in Finland on 17th November 1993.

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Phil Pickett first tasted success in seventies band Sailor who scored with hits such as'Girls, Girls, Girls' and 'A Glass of Champagne'. However there can be no doubt that his greatest achievements have been as a performer and songwriter with eighties pop sensation Culture Club with the charismatic singer Boy George.Phil had been Culture Club's keyboard player and vocal arranger right from the beginning and the band were already huge when he started to collaborate on their songwriting. Talk about being in the right place at the right time!He co-wrote 'It's A Miracle' and 'Karma Chameleon'. The latter song was number 1 in every country in the world that had a chart, selling 1.4 million records in the UK alone."Pickett played extensively on all of Culture Club's records throughout this period and also co-wrote many other songs with the band including 'Move Away'.Throughout a long career, Phil has also been associated with a huge variety of artists, writers and producers including Paul McCartney, Phil Ramone, Quincy Jones, Joe Cocker, Jeff Beck, Take That & Malcolm McLaren.He has also written songs for West End musical theatre and Hollywood movies, including Electric Dreams, Top Secret & The Lost Boys. Phil's autobiography explores all the ups and downs of his career whilst being firmly focused on the exploits of Culture Club and Boy George, making this a must read for fans, as well as those fascinated by the music business itself.

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NEC Arena Birmingham, November 9th 1993. Deep Purple were in crisis. No longer able to tolerate the presence of singer Ian Gillan, Ritchie Blackmore, the ace guitarist, made his displeasure known in a way that would have consequences none present could possibly have predicted. Blackmore's departure soon followed, and a merciful end seemed to have come for a band that had been riven with tensions for years. But then, after a brief dalliance with Joe Satriani, acknowledged six string maestro Steve Morse stepped in and a whole new age began. This book takes a critical look at the so-called 'Morse Era', charting the highs, the lows, the triumphs and the tragedies. It is a compelling story of albums, tours, musicians coming and musicians going, a story of a band that moved forward like few bands ever have, but who, nevertheless, could never completely escape from the shadow of that disastrous night at the NEC...

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Dublin's Thin Lizzy have become one of the most revered cult acts of all time, studious and discerning fans of hard rock the world over revelling in the storytelling acumen of the legendary Phil Lynott and the craft and class of his band. Through numerous interviews with most of the principals involved and a mountain of painstaking research Emerald; Thin Lizzy's Golden Era examines the band's career up to 1976 culminating in the superlative and sparkling Jailbreak, home of such hits as 'Cowboy Song', 'Emerald', 'Jailbreak' and 'The Boys Are Back In Town' and followed by Johnny The Fox that included the hit single 'Don't Believe A Word'. Along the way, alcohol and drugs wreaked havoc between band members, producers and managers, but despite line-up changes and a mostly grinding, rock scrabble existence, Ireland's favourite sons persevered, finally achieving the smash hit record they'd deserved for so long. Immerse yourself in Popoff's celebrated record-by-record methodology and emerge a rejuvenated Lizzy fan, newly appreciative of the deep album tracks hiding within this singular band's often forgotten early years. A revised and expanded version of Popoff's previous Dublin To Jailbreak Emerald; Thin Lizzy's Golden Era is based on interviews the author conducted specifically for the book with band members Eric Bell, Scott Gorham, Brian Downey, Gary Moore and Brian Robertson; managers Terry O'Neill and Ted Carroll; producers Nick Tauber and Ron Nevison; Nigel Grange from Vertigo; road manager Frank Murray and cover artist Jim Fitzpatrick. Revealing Phil Lynott in all his dastardly guises Emerald; Thin Lizzy's Golden Era, is an essential read for the devoted Lizzy fans.

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Author Martin Popoff assembles a panel of experts to roll through the records one by one, no stone unturned, no songs left unaddressed. There's been little written about Plant's journey from solo icon of the '80s through to his repeated deep-dives into Americana, world music, tributes to other writers, and the singular symphony of sounds that results when he mixes these parts. This book deconstructs each of Plant's 11 thought-provoking albums. It's hoped that the reader emerges with a new and nuanced appreciation for what Robert's been trying to achieve over the decades.

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They were the envy of all the more "earthly" rock acts scrambling to make it in the world of '70s hard rock, each and all aspiring to the success levels of Aerosmith, Ted Nugent, Blue Oyster Cult, Styx and Angel label mates Kiss. But the story of Angel is of a band out of time, playing regal progressive heavy metal and then changing to try reach radio, in either guise, not quite clicking with enough Kiss fans-Kiss were the devils in black and Angel were the good guys in white-nor the fans of progressive rock or, later, those more inclined to Foreigner, Journey and Cheap Trick. Along the way, the band went first class, with the best gear, a killer stage show and tons of promotion from Neil Bogart and Casablanca until they had racked up a million dollars of debt by the end of their blessed run, the guys often oblivious to what lesser bands had to go through. Indeed, this is a story of a band hailed as rock stars and indeed often headlining like rock stars, without the record sales to justify the crazy spending that a believing Bogart threw at the band. Then it was all over and we heard virtually nothing from any of them (save for keyboardist Gregg) after 1981 until... well, both Punky Meadows and Frank DiMino stormed back with solo albums. And then, appearing outta nowhere like they did in their famous stage show, Angel returned in 2019 with a blindingly white and quite sprightly new album called Risen. Come celebrate what it was like to live as the alter-ego to Kiss as we examine the band's five studio albums of the original run, the crushing concert album, Live Without a Net, as well as where it all went wrong and the inspiring return of Frank and Punky through the spirited hard rocker that is Risen.

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Over and Done is a celebration of the classic Quo line-up of Rossi, Parfitt, Lancaster and Coghlan and is built around a huge selection of mainly, unpublished on and off stage photos from the seventies, alongside those from the 2013/14 reunion. Words come from long-standing, devoted Quo fan Alan Stutz who has seen the band in excess of one hundred times since 1976, including every London show the classic line-up played in the seventies plus the very last show performed in Dublin. This unique book encapsulates the excitement of the ultimate Quo line-up in all its glory and is topped off with a foreword by John Coghlan. With the sad passing of Rick Parfitt in 2016 and Alan Lancaster in 2021, the 2013/14 reunion proved to be the last chance to witness the legendary four on stage. This book will help bring back some of the excitement and memories that every Quo fan who witnessed the classic band will have. This is a beautiful memento of moments in Quo history that sadly are now truly over and done.

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Since joining Deep Purple in 1973, David Coverdale has enjoyed a hugely successful career. Having been plucked from semi-professional obscurity by Deep Purple, within months he was cavorting around the globe with one of the biggest rock bands in the world and fronting Purple on its 1974 US tour which included performing in front of one of the biggest audiences ever for a one day concert at the California Jam in front of hundreds of thousands. After three albums the band finally succumbed to the internal frictions and called it a day in 1976. After initially launching himself with two solo albums, Coverdale set about rebuilding his career with his own band Whitesnake. By the early eighties sell out UK tours and hit singles proved that Coverdale was capable of achieving success with his own band and later that decade Whitesnake hit the heights in America, that he had experienced with Deep Purple, with its multi-million selling, eponymous 1987 album. By the early nineties Coverdale put the band on hold whilst enjoying a brief dalliance with Jimmy Page, as well as later finding time for further albums under his own name, but Whitesnake has continued to be at the forefront of Coverdale's career from the mid nineties and onwards and remain relevant in the new millennium. 2019 saw the release of the band's first new album in four years and now with Coverdale in his seventies, retirement is supposdely imminent. As such there is no better time to appraise his career. Beautifully designed and packaged, A Life In Vision documents key moments of David Coverdale's long and illustrious career as one of rock's finest singers with photos from Deep Purple through to the present day Whitesnake, along with stories that chart his career.

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With riots, prison sentences and equipment stolen, 1980 and the earlier part of 1981 was an incredibly turbulent time for The Stranglers. Their misfortune provided the press with excellent stories but rarely was their music written about. Understandably, with its paranoid exploration of extraterrestrial themes, The Gospel According To The Meninblack hadn’t really caught on. With everything to play for when it came to making the next album, La Folie – and indeed the hit single, ‘Golden Brown’ – it would see The Stranglers back at the top of their game. In this book, Laura Shenton MA LLCM DipRSL offers an in-depth perspective on La Folie from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of The Stranglers’ legacy today.

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Yes: A Visual Biography I: 1968 - 1981 documents the progressive rock pioneer's first twelve years from the release of their eponymous debut album through to 1980's Drama: A suitable name for a band whose career has been full of drama as documented in Popoff's narrative that charts Yes's ups and downs as the band glided out of the sixties with a full-on assault on the seventies music scene that saw them become one of the biggest global acts-selling out venues around the world from New York's Madison Square Garden to London's Wembley Arena. Popoff takes you on a journey from the early days of the band with original members Chris Squire, Jon Anderson, Bill Bruford, Peter Banks and Tony Kaye; to the hugely successful seventies when the likes of Steve Howe, Patrick Moraz, Rick Wakeman and Alan White all added their individual stamps on the band's identity. Then the surprise union with The Buggles that saw Yes enter the eighties a world apart from the way they had entered the seventies but continuing to delight their legion of fans.

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Time marches on: by 2022 it will have been fifty years since the release of the Rolling Stones' Exile on Main St. and the epic, infamous American tour the band undertook to promote that album. 2022 also marks the 60th anniversary year of the formation of the band. The Rolling Stones In America is published in time to mark both of these anniversaries. Why were the Stones so successful in the States when so many other English bands failed to make their mark? Why was the band so drawn towards American blues music? What was their relationship with the burgeoning American counter-culture? What really happened at Altamont, and why? It could be argued that a marker for the end of the Sixties era might be the Stones' infamous 1972 American tour. So much had changed in the three years since their last American tour that the 1972 tour might deserve deeper attention than it had previously been given; perhaps it might even be as significant as other events that cultural historians traditionally identify to mark the end of the long 1960s - such as Richard Nixon's re-election for a second Presidential term in November 1971, the Watergate scandal and impeachment of 1973 that ended Nixon's presidency, or the American military withdrawal from Vietnam in 1973, with the war ending in defeat in 1975. This hugely detailed tome addresses those questions, making this a unique addition to the Rolling Stones' bibliography.

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For Jethro Tull, 1975 would prove to be a fascinating year. With Aqualung and Thick As A Brick behind them, and with A Passion Play and War Child having been met with a mixed critical reception, their next album, Minstrel In The Gallery is the product of a band who kept on going and who weren't afraid to explore. Minstrel In The Gallery is abundant in innovative musical ideas and insightful lyrics. Recorded in sunny Monte Carlo and described by Sounds as "a pleasant surprise", the album is a fascinating combination of acoustic and heavy rock teamed with a strings section, and of course, flute. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Minstrel In The Gallery from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull's legacy today.

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FZ88 follows in the wake of our hugely successful Zappa The Hard Way, written by Zappa aficionado Andrew Greenaway. That title published in 2010 documented Zappa's last tour in great detail. The only thing it really lacked was a swathe of great photos to accompany the insightful and in-depth story. This new title now completes the picture in more ways than one, built around the photos of Sergio `Milo' Albonico. The name will be familiar to Zappa buffs as Albonico was Zappa's official photographer and his photos were used on the 1988 tour programme as well as the album release Guitar. An extensive selection of Albonico's photos adorn the pages of this book. With additional text from Greenaway that puts the photos in context, along with words from Albonico, this publication is further enhanced by other previously unpublished photos as well as memorabilia from the time. This collection is a visual documentary of Zappa's last tour and a perfect companion to Zappa The Hard Way. But it also stands alone as a great collection of never-before-seen photos of Zappa from the rehearsals and concerts of his last tour.

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On 26th March 1971 at Newcastle City Hall, Keith Emerson, Greg Lake & Carl Palmer performed their version of Modest Mussorgsky’s Pictures At An Exhibition. An iconic classical piece given an innovative spin by the talented trio, it was released as an album following the success of their second studio album, Tarkus. In many ways, Pictures At An Exhibition is the underdog of Emerson, Lake & Palmer’s longstanding discography — so much so that there was uncertainty surrounding whether or not it was going to be released at all! And yet, despite the band’s uncertainties surrounding the LP at the time, it is now vital — both in terms of ELP’s history and in the wider sense of how it bridged a gap between rock and classical music. It certainly wasn’t the first album to do this but it is nevertheless a relevant and important part of such discourse. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on ELP’s Pictures At An Exhibition from a range of angles including how the album came to be, how it was presented and received at the time, how it compares to Mussorgsky’s original piece and what it means in terms of ELP’s legacy today.

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Adam and the Ants were formed in London by Hornsey Art College student Stuart Goddard in 1976 following an early Sex Pistols' gig. The band's devastating combination of Punk sensibility, heroic imagery and tribal rhythms saw them become one of the most iconic acts of the 1980s. Pioneers of the music video, the band achieved three top 20 albums which spawned 9 top 40 singles including 'Cartrouble', 'Kings of the Wild Frontier', 'Antmusic', 'Dog Eat Dog', 'Antrap' and the number 1 smash hits 'Stand and Deliver!' and 'Prince Charming'. Coinciding with the 40th anniversary of Adam Ant's first solo number 1 single 'Goody two Shoes', Mark N. Redmayne's unofficial biography draws upon painstaking research and interviews with ex Ants and key personnel to document how Adam rose from the ashes of Punk to become the first pop star of the 1980s. In 2022, Adam Ant continues to play to devoted Antpeople of all ages around the world - this is both his and our story.

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If any band deserves to have homage paid to them with a lavish, limited edition photographic book, look no further than Thin Lizzy. With their origins going back to the late sixties, by 1971 with the first album release, Lizzy’s journey really began. Incredibly no one has published a visual biography before, but now that has been rectified. Drawing on several thousand images and items of memorabilia this large format 240-page book is a treasure trove for Thin Lizzy devotees — crammed full of live and off-stage shots that portray the band’s journey through the decades. It also includes loads of super cool memorabilia including backstage passes, gig posters, media adverts and much more, all reproduced on high quality art paper. This is one future collector’s item that every self-respecting Lizzy fan will want to own. Rounding it off, Thin Lizzy: A Visual Biography is topped and tailed with 20,000 words by Lizzy biographer and world-renowned rock author Martin Popoff. This lavish book will prove to be a valuable addition to any fan’s collection.

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With Genesis having formed over fifty years ago this photographic book celebrates the family of bands from the seventies to the present day. As well as being crammed full of images of Genesis from the days with Peter Gabriel through to the 2007 reunion, this book includes photos from the solo careers of Peter Gabriel, Phil Collins, Steve Hackett, Mike & The Mechanics, Ray Wilson and Anthony Phillips. Beautifully designed it includes previously unpublished concert photos stretching back in time from the Lyceum, London in 1971; Plymouth, 1972; Brighton, 1973 and unique photos taken at Headley Grange, Hampshire in 1974 during the recording of The Lamb Lies Down On Broadway - the last album with Peter Gabriel. The journey continues with never before seen photos from the first tour after Gabriel's departure as well as from Gabriel's first solo tour. Following Steve Hackett's departure in 1977 the band is captured at the massive Knebworth concert of `78. There are also photos of Hackett, Gabriel from their appearances at the Reading Festival where the later was reunited with Phil Collins. Moving into the next decade and beyond there are plenty of shots of the band during the hugely successful period with Phil Collins at the helm and even the brief period with his successor Ray Wilson is covered as well as the one off reunion with Gabriel and Hackett at the Six Of The Best concert at Milton Keynes in 1982. Additional imagery from the solo tours of Collins and Mike Rutherford's band Mike & The Mechanics help to round off the book along with plenty of photos that continue to document the solo careers of Hackett and Gabriel in recent times, as well as paying homage to the band's original guitarist Anthony Phillips that ensures all facets of the band are covered.

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Taking cue from the do-it-yourself attitude of their country’s punk movement, Britain’s up-and-coming heavy metal bands that comprised the New Wave of British Heavy Metal (NWOBHM) were not content to wait for record labels to come knocking. Instead, they took to issuing their own music, typically in the form of 7 inch singles but also 12s and full-length album, many indie, some on small labels, and some on the major labels smart enough to get on board (essentially EMI and MCA). Martin Popoff, writer of more record reviews than anybody in history across all genres), has undertaken the task of documenting virtually every record large and small from heavy metal’s most fabled period (beginning essentially in `79 with a hard stop at 1983) providing catalogue information, mini reviews as only he can do, plus a gob of thumbnails of those wonderful 7” picture sleeves and LP covers. Additional features: * Includes hundreds of rare 45 picture sleeve and album cover images. * Every record rated out of 10. * Layout designed so that LPs are distinguished from 7”, 10” and 12” singles/EPs. * Label, year of release and catalogue number for almost every entry. * Two appendices, displaying all 9’s and 10’s for singles as opposed to LPs.

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Rock City, Narita, Fire Down Under, Restless Breed, Born in America... These are the pioneering, superlative heavy metal records that represent the classic first decade of Brooklyn’s Riot’s, before the band would break up, eventually storming back with Thundersteel and The Privilege of Power, existing to this day as Riot V after the shocking death from Crohn’s disease of guitarist and leader Mark Reale. Riot’s is a tale of opportunities missed, of a band ahead of the curve, and of a band from which both its classic era lead singers — Guy Speranza and Rhett Forrester — are now dead, as is, of course, Mark Reale, a quiet man who, fatefully, wanted to leave the business to others and just play his heavy metal. But this book is not just about the ’75 to ’85 period of the band that spawned one of the finest metal records of all time, 1981’s Fire Down Under. Even if the classics framed by those ten years get the full, dedicated chapter, track-by-track Popoff treatment, the subsequent rich and substantial catalogue of the band is discussed as well, right up to the present day where Riot shines on. But still, the focus is on songs like `Warrior’, `49er’, `Road Racin’’, `Outlaw’, `Don’t Hold Back’, `Altar of the King’, `Violent Crimes’, `Vigilante Killer’ and of course the insanely anthemic `Swords and Tequila’, as we celebrate a New York institution that is perhaps the shining example of the term, “honorary New Wave of British Heavy Metal” band.

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Bob Sawyer - one time guitarist with both Iron Maiden & Praying Mantis tells his story covering the previously unchartered depths of the early days of both bands with all the gigs recalled from Bob's own archive, including previously unpublished photos. This unique account details Bob's musical journey from the early seventies to being the guitarist in Iron Maiden during the band's formative years in the mid-seventies - before they had even signed a record contract. The band gigged relentlessly in an around their native East end of London, where they regularly played the pubs and clubs such as the Cart & Horses and Bridge House. Although Bob left Iron Maiden before they were signed to EMI, the advent of a surge in this genre dubbed the New Wave of British Heavy Metal saw Bob touring with one of the chief exponents Praying Mantis as part of the 1980 Metal For Muthas Tour that included bands such as Motorhead, Saxon and Samson, as well as his former band Iron Maiden. Bob also picked up with Iron Maiden again when Praying Mantis toured as the support act on Maiden's first headlining tour. Bob kept diaries, which now published in this book, give a great behind the scenes look at the formative days of not just these bands but of the enduring heavy metal movement as well.

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Football fans love nothing more than to read about their favourite teams. Although this books is aimed at young teenagers they will delight all ages with their mixture of funny and enlightening stories and will give hours of pleasure discovering quirky facts about your favourite team. Each title is also augmented with a selection of sketches by the young sketch artist Becky Welton that depict some of the stories within. A percentage of net profits from this title will go to the children's charity ChildLine Rocks.

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Football fans love nothing more than to read about their favourite teams. Although this books is aimed at young teenagers they will delight all ages with their mixture of funny and enlightening stories and will give hours of pleasure discovering quirky facts about your favourite team. Each title is also augmented with a selection of sketches by the young sketch artist Becky Welton that depict some of the stories within. A percentage of net profits from this title will go to the children's charity ChildLine Rocks.

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A light-hearted look at Jethro Tull. Each chapter is a musical journey through the song, looking at what was happening with the band at that time. There is also time to recognise the musician's intrinsic and fantastic contributions to the musical world of Jethro Tull.

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This unique book is based around the unpublished photos of Whitesnake in 1981 by Andy Phillips. These photos were taken on stage, off stage and backstage, during the German tour. The photos are complimented by a narrative and timeline by Jerry Bloom, including album and gig reviews that charts one of the most eventful years in Whitesnake's history.

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The Electric Light Orchestra story spans over half a century. From humble beginnings, the band achieved global stardom. In celebration of ELO's illustrious career and complemented with a narrative this visual biography is brimming with photos and memorabilia.

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Slaves And Masters is arguably one of the most divisive albums in Deep Purple's history. A product of Ian Gillan's sacking from the band and the recruitment of former Rainbow vocalist Joe Lynn Turner, in 1990, Slaves And Masters divided the fanbase enormously. But with four fifths of the classic MKII line-up at the helm and a desire to recapture the live feeling in the studio, that had been a hallmark of their seventies' albums, was it really the worst Deep Purple album as some fans claim? In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Deep Purple's thirteenth studio album from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Deep Purple's legacy today.

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What does Francis Rossi of Status Quo think about global warming? Does Ian Gillan of Deep Purple think we’re doing a good job of caring for the planet? These questions and more are tackled by going to the source and asking them. Suzi Quatro, Don McLean, Kenney Jones, Marcella Detroit, Simon Kirke and many more: Over eighty music stars, past and present, are quizzed on their opinions about religion, aliens, politics and of course, the issues of climate change. Why? To raise awareness about the plight the planet is in. Nothing speaks to humans more than music and the influence these legends of rock and pop have is immense. Funny, thought provoking and eye opening, Minds Behind the Music is a book unlike any other. So settle down with a nice environmentally friendly cup of tea and enjoy.

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In 1983, Tears For Fears' debut album, The Hurting, was released after the success of their iconic single, 'Mad World'. Whilst embracing the popularity of synth pop, Roland Orzabal and Curt Smith created an album that had a darker edge to it. Commercially it was a bold move but with memorable melodies and catchy rhythms, it paid off - all whilst making reference to the work of psychologist Arthur Janov. In this book, music author Laura Shenton MA LLCM DipRSL offers an in depth perspective on The Hurting from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Tears For Fears' legacy today. As the author explains: "Basically, the book covers how the album was made, what was going on with the music in terms of the artist's intentions, how it did musically and commercially and what happened next." The narrative is essentially driven by contemporary interviews with the artists with small bits of music theory where relevant... in some cases they delve into the structure / key signatures / time signatures, based on the original sheet music without straying away from being an engaging read for non-musicians.

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From the breakthrough with Crime Of The Century to the colossal success of Breakfast In America, it was never a smooth journey for Supertramp. With ups & downs financially, commercially & in working relationships, Supertramp lived the highs & lows of the music business. From local gigs to highly demanding tours, this book documents it all.

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Guitarist Gordon Giltrap is the epitome of what is often referred to as a `musician’s musician’, in that the respect in which he is held by his peers speaks volumes for his ability and influence. Beginning his career as a solo acoustic guitarist and vocalist in the late 1960s, it was 1976 before the name Gordon Giltrap came into the public eye with the release of his landmark album Visionary, and album and single chart success followed over the next few years with the albums Perilous Journey and Fear Of The Dark, as he formed The Gordon Giltrap Band to perform these progressive rock-tinged works in the live environment. By now a wholly instrumental performer, his greatest commercial success came with his signature piece Heartsong, which followed up its chart success by being picked up by the BBC for use as the theme tune to their long-running Holiday programme. Following this, Gordon retreated largely to the acoustic realm with his next few albums, and retained a devoted hardcore following, as well as the aforementioned admiration of some of the biggest names in modern guitar music. Coming from the humblest of childhoods in South East London, Gordon’s life in and out of the spotlight has proved to be a rollercoaster of highs and lows and one which ultimately transcends even his musical achievements as a story of human triumph and tragedy

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When the future king of Great Britain's dog goes missing, Clive Travis PhD, a scientist working on secret government defence projects, goes looking for it. He soon finds himself drawn into a magical and mysterious high tech "MTRUTH" world of longstanding Anglo-Soviet conspiracy, espionage, witchcraft and the peace process in Ireland. But can, indeed should, he realise this world is no more than the product of his own mind and the condition he is suffering - paranoid schizophrenia? Is it possible for Dr Travis to shatter the delusional conspiracy and make a real contribution to the peace negotiations? And can he find himself in the process? This existential voyage through mental illness in search of a GBP10,000,000 donation to charity is a right Royal dog hunt and Travis's tour de force.

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The Stranglers exploded onto the music scene in 1977 with their iconic debut album Rattus Norvegicus. Lazily classed as a punk band because of their notorious behaviour and outrageous lyrics, the truth was somewhat different. Many books have been written about the behaviour of the band but this book focuses in-depth on the music and lyrics of every song during the years of the original line-up and destroys the myth of mindless musical provocateurs to reveal their brilliance and dark beauty by shining a forensic light on these musical visionaries. For fans of the band, whether musically experienced or not, it is a must-read. And for fans in general of rock music in the 70s and 80s, it will highlight what makes their music stand out as special and result in them dusting down their vinyl copies of the band's records to re-acquaint themselves with their music in a new light.

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After their last studio album in 1991 and the tour that followed it, fans have eagerly awaited a Dire Straits reunion ever since. Whilst the likelihood of that remains incredibly slim, this book is a celebration of the band and their amazing musical accomplishments — with 'Sultans Of Swing', 'Private Investigations' and 'Money For Nothing' being just the tip of the iceberg! From the early days of playing at London's Hope & Anchor in 1977, to the dizzying heights of the 1985-86 Brothers In Arms tour and beyond, this book documents it all. With vintage interviews and reviews aplenty, the story of Dire Straits is one that needs to be told and this mammoth book is the most comprehensive biography of the band yet published. Not only is the band’s story covered in detail through the narrative — this lavish coffee table book is also visually stunning — printed on high quality art paper and illustrated throughout with numerous photos and items of memorabilia making this a highly desirable Dire Straits collectible.

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An updated version of Loud 'n' Proud: Fifty Years of Nazareth, drawing on copious images and items of memorabilia, this large format 240-page book is a treasure trove for Nazareth devotees — crammed full of live and off stage shots that portray the band’s journey through the decades. It also includes loads of super cool memorabilia including backstage passes, gig posters, media adverts and much more, all reproduced on high quality art paper. From the early days of the seventies through to the current day, nestling alongside the wonderful imagery, the band’s whole career is documented by esteemed rock writer Martin Popoff who was assisted through the whole narrative by Nazareth’s founder and only remaining original member Pete Agnew. Popoff also interviewed Agnew for the book in addition to previous interviews the author has conducted, not only with the bass player extraordinaire but with many other band members past and present, all neatly laid out in a timeline, making this the essential go to Nazareth book.

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From The Inside is a thorough revised and expanded re-working of Hayward's previous books, Tin Pan Alley: The Rise of Elton John and From Tin Pan Alley to the Yellow Brick Road. From The Inside is not just an ordinary biography. It is effectively an oral history using interviews conducted over a fifteen-year period with just about every musician, producer, sound engineer, manager and key figure that worked with Reg Dwight, before and when he was Elton John, both in Britain and America, up to 1979. It is their story, From the Inside; how they contributed to the success of Sir Elton during that time, and how they played an unwitting part in his rise to fame. It is a collection of stories from the music makers, managers, executives and musicians that makes this book possible. They are the people who were there, observing what was going on and, in some cases, in close proximity to Sir Elton. It really is the story of those who still see him as an acquaintance or as a friend. It is the first time some of them have spoken out about their years working and sharing Sir Elton's life. Sadly, some of those contributors have passed now but their words and contributions live on in this book.

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Compiled by Blackmore biographer Jerry Bloom this is the perfect companion to his 2006 biography Black Knight, as it portrays Blackmore's career visually with photos and memorabilia from 1958 to the present day. Not only does it feature a large selection of photos, many of which have never been seen before but following years of research by Bloom, it also includes the most comprehensive gig list ever published, for Blackmore's pre-Deep Purple career between 1958-67 with over 400 gigs detailed from his days with The Outlaws - backing Gene Vincent and Jerry Lee Lewis; with Screaming Lord Sutch & The Savages; Neil Christian & The Crusaders; and even going back to his earliest bands such as The Vampires and The Condors. Augmented with memorabilia from the time, the book also plots Blackmore's career in photos, through Deep Purple, Rainbow and Blackmore's Night along with narrative by Bloom that puts the visual elements in context.

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From producing her own albums, to designing her own stage performances, Kate Bush has been an innovator throughout her career. With hits such as ‘Wuthering Heights’, ‘Babooshka’ and ‘Running Up That Hill’, her music has always been ethereal and her endearing image has often been regarded as one of mystique. The creativity and the conviction with which she has made her music continue to be an inspiration to not only her legions of fans, but many of her peers. In celebration of Kate’s entire career to date and complemented with a narrative by Laura Shenton MA LLCM Dip(RSL), this visual biography is packed with photos – many of which haven’t been published before (including several from her 1979 tour).

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If anyone has a detailed account of The Sweet’s career in the seventies, look no further than Jan Frewer. Jan had been the bassist and vocalist for sixties band Wainwright’s Gentleman, who for a while included lead vocalist Ian Gillan. Gillan was replaced by Brian Connolly, who along with the band’s drummer Mick Tucker went on to form The Sweet. As Jan explains, “I have written a daily diary since I was given my first one on Christmas Day 1959. It is now 2022 and I have never missed doing my bedtime diary in all that time – not a single day.” Jan kept in contact with his former bandmates and before too long he found himself with a new career as The Sweet’s sound engineer. Compiled from Jan’s diaries this book is a fly on the wall record of The Sweet during those heady days on the 1970s. A time when The Sweet was never far from everyone’s consciousness with regular TV appearances and their hit records constantly on the radio. This unique book is a delight for Sweet fans around the world with treasured information direct from the source — from a man who was there along the journey with Brian, Mick, Steve and Andy as The Sweet became seventies’ superstars.

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Jon Lord will forever be immortalised as a musical pioneer. His attitude towards his art form - "It's all music" ensured that he embraced his joint passions for rock 'n' roll and orchestral music, along with other genres, throughout his career. Having initially found his feet in sixties r'n'b group The Artwoods, the formation of Deep Purple with co-conspirator Ritchie Blackmore escalated Jon to huge success with one of the biggest bands of the seventies, and again in the mid-eighties when the band reformed. In between, several years spent in Whitesnake added to his portfolio. Outside of his commitment in both these rock bands, Lord produced many albums under his own name, fusing his various musical interests, producing some sublime work in the process. Eventually deciding that his desire as a composer required more time and commitment than his day job with Deep Purple would afford, he eventually left the band he had helped to create, in 2002. For the next decade, Jon engrossed himself in his composing - producing monumental works such as Durham Concerto that became a firm favourite on Classic FM radio - and Boom Of The Tingling Strings, a four movement piano concerto. All aspects of Jon's long and illustrious career are plotted throughout this book, accompanied by numerous photos, many previously unpublished that help to emphasise the incredibly colourful career of this extraordinarily talented musician.

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By 1978, the landscape of pop music had changed considerably since Jethro Tull’s earlier hit albums Aqualung (1971) and Thick As A Brick (1972). Punk, disco and new wave were in and progressive rock’s heyday was over. Despite all of this, during the year of the band’s tenth anniversary, a cohesive line-up of Jethro Tull worked happily together to release the successful studio album, Heavy Horses. In this book, author Laura Shenton MA LLCM DipRSL offers an in-depth perspective on Heavy Horses from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull’s legacy today.

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Denim and Leather is 260 pages of biker metal hail after hail, with two four-page photo sections, loads of fresh interview content, all the facts and dates and even some of the hot disputes. As the back cover crows... Stand Up and Be Counted! Now that there's no more Motorhead, it's up to Iron Maiden and Saxon to uphold the fine tradition of the New Wave of British Heavy Metal, something both bands have been doing for over 40 years now. Indeed, 2020 marked the 40th anniversary of Saxon's landmark Wheels of Steel album, a record we celebrate in this book with much reverence and many pints of ale clinked between headbangers clad in both denim and leather. Of course there's more than that but not everything! Indeed, Denim and Leather: Saxon's First Ten Years focuses on the band's golden era, Saxon's prodigious first decade of output. Saxon, Wheels of Steel, Strong Arm of the Law, Denim and Leather, Power & the Glory, Crusader, Innocence Is No Excuse, Rock the Nations and Destiny each are dedicated stand-alone chapters, inside of which Popoff deconstructs every song across both sides of the original vinyl, while not forgetting bonus tracks and B-sides, as well as the live material along the way, including the beloved The Eagle Has Landed album. It's a glory-bound Saxon-fest that is long overdue, and it is the hope of the author that at the end of this sometimes critical examination that the reader returns to these records with new reflections on the NWOBHM and some of the detrimental things that came after for many bands, the heroes of our story included.

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A quietly spoken, true English eccentric with something of a rebellious streak, Tony Stratton Smith initially charmed and blustered his way into the music business as a manager during the early 1960s and a few years later, when the record labels stopped playing by what he believed to be the rules, he simply went and formed his own -The Famous Charisma Label - and set about spinning the record business on its head. An independent label like no other, it is fair to say that without Strat's total belief and unwavering long-term support there would be no Genesis - Phil Collins has said as much - and a long line of artists owe Tony a similar debt of gratitude, from Monty Python to Malcolm McLaren, Lindisfarne to Sir John Betjeman, Vivian Stanshall to Julian Lennon. A former sports journalist and close friend to Jimmy Greaves and Sir Matt Busby (Strat narrowly missed a seat in the Munich Air crash) he later became a popular figure in the horse racing world. But making money was never very high on Tony's agenda, simply a means to an end that enabled him to fund the music and mayhem that brought him so much enjoyment. Strat was never happier than when the artists that he had so carefully nurtured were fulfilling their creative potential, delighting in working with the talents of Peter Gabriel, Alan Hull, Clifford T. Ward, Howard Werth and Peter Hammill. Ultimately, what he really cared about were the people, the creativity, about imagination, inspiration and risk, and the sheer joy to be had in bringing all those elements together, lighting the Charisma-pink touch paper and standing back, glass in hand, to watch what might happen when the sparks began to fly.

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Quite simply, Martin Popoff’s Sabotage! Black Sabbath in the Seventies marks the most intensive analysis of Black Sabbath’s first eight albums ever attempted. This is a big book—129,000 words long, every song analysed in detail, loads of first-hand interview footage from close to 50 interrogations. In the baking, Popoff interviewed all of the principles—Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward—repeatedly, along with myriad other folks who are part of this remarkable tale. Black Sabbath, Paranoid, Master of Reality, Vol 4, Sabbath Bloody Sabbath, Sabotage, Never Say Die and Technical Ecstasy… these are the building blocks of heavy metal, and within these awesome audio chapters, Popoff breaks down each and every song on each of these reverberating and cannonating records, while Geezer offers explanation of the lyrics, Bill poetically explains why these songs resonate and Tony and Oz look on with their characteristic sense of bemusement. Also touched upon are the band’s torrid troubles with money and management and drugs and booze, as well as tour tales, album cover stories and production tips ‘n’ tricks. Also included are two four-page sections of colour plates. All told, it’s everything needed to send the reader back to the catalogue, headphones on, for a second listen of this landmark run of records spanning 1970’s self-titled debut to 1978’s Never Say Die, the shambling, controversial last gasp before Ozzy’s shocking ouster from the ranks.

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In this scintillating sequel to Sabotage! Black Sabbath in the Seventies, Martin Popoff blows up the kaleidoscopic narrative of the Sabs over the ensuing twenty years, dissecting each and every of the band's ten studio albums and two (and-a-half) live albums produced over that time period. So this is the book where we hear the gripes, snipes, swipes and thumbs-up likes from Ronnie James Dio, Ian Gillan, Glenn Hughes, Tony Martin and finally once more Ozzy Osbourne, as they remark upon this institution coddled by the anchor of the band Tony Iommi, who valiantly held Black Sabbath together through many years of blood, sweat and Tyrs. Heaven and Hell, Mob Rules, Live Evil, Born Again, Seventh Star, The Eternal Idol, Headless Cross, Tyr, Dehumanizer, Cross Purposes, Forbidden and finally, extensively broken down, Reunion... they're all here, song by song, the hirings and the firings highlighted and explained. Incorporating talk from over 60 interviews conductive with band members and other relevant parties over 25 years, make no mistake-this is the most in-depth examination of the band during this timeframe ever executed. So come one and all, re-love modern-era Black Sabbath all over again-you'll be pleasantly surprised at how much dastardly doom there is from Tony Iommi that you need to know and embrace once again.

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Don Short’s autobiography is a treasure trove of revealing untold stories and sensations from a showbusiness journalist who became enmeshed in the golden age of entertainment.  He was credited with coining the 'Beatlemania' tag. He had the scoop of a lifetime with his world exclusive — "Paul Quits The Beatles." This book tells of his travels around the world with The Beatles. It also talks about Don’s ominous task of healing a rift between John Lennon and his seafaring father Freddie, who he had not seen for 17 years. Don Short also monitored the rise to fame of the Rolling Stones and acted as a bodyguard for Mick Jagger at his wedding to Bianca. He went on to become a confidante of many of Hollywood's greatest stars. He was at Elizabeth Taylor's bedside as she recovered from a life-threatening illness; he helped Roger Moore to obtain a tricky divorce; he persuaded Elvis Presley to explain his nine-year absence from the stage; he managed hellraiser Richard Harris as a challenge in New Orleans; dined with Muhammad Ali in his snowbound Chicago home and caught up with Louis Armstrong in San Remo as he prepared to premiere his international hit ‘What A Wonderful World.’

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Published to tie in with the 50th anniversary of these festivals, Brian Ireland revisits the events, taking stock of their historical importance, and to note their influence not just on popular culture and society, but as part of a new musical culture that developed in the late 1960s and which saw young, similarly-minded people engage about multiple rights issues such as military draft, free speech, civil rights, gender equality, drug use, spirituality, capitalism - even revolution. It explores the festivals' organisation, promotion, and unfolding, as well as their immediate and enduring impact. The book is also about the 1960s, particularly the political, social, and cultural changes that provided the context for these festivals. A catalyst for these changes was the `baby boom' that provided the `foot soldiers' for both the Vietnam War and the counterculture that opposed it. It also provided the audiences for music festivals such as the annually recurring Newport Folk Festival, and for one-off events like 1967's Monterey and of course 1969's Woodstock, and Altamont. The activism of this young generation, the `New Left', looked to American values of freedom and democracy, but found them undermined by rampant consumerism, political assassinations, and by the horrors of the Vietnam War. All of this is explored behind the backdrop of the music festivals to form a broad social agenda for change that, by the time of Woodstock, transformed how Americans viewed themselves and their society. The Altamont Speedway Free Festival occurred just a few months later. Meant to be a `Woodstock West' it is nevertheless remembered as the antithesis of Woodstock, mainly because of the violence that unfolded and especially the tragic death of Meredith Hunter - killed by Hells Angels who were employed to provide security at the festival. Country Joe McDonald, a notable performer at Woodstock, sums up the popular memory of both festivals: "Woodstock and Altamont seem like bookends to the great social experiment of the late sixties.' The former seems proof that hippie idealism about peace and love was possible; Altamont, however, seems to reflect the dark side of the hippie dream - the flip side of the coin which has Charles Manson's face upon it.

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Iron Maiden first appeared at the Reading Rock Festival in 1980 when Paul Di'Anno was fronting the band and Dennis Stratton was on guitar. They appeared second on the bill to UFO on the second night. Undoubtedly for Maiden's Steve Harris there was nothing but respect for the headliners with UFO's Pete Way being one of Harris's biggest bass guitar influences. Also on the bill that day were two future Iron Maiden members - Bruce Dickinson, then the lead singer with Samson, and guitarist Janick Gers of White Spirit, who were brought in as a replacement band. By 1982 when Maiden returned to Reading it was naturally as the headlining act on the Saturday evening. The band had gone through significant changes to the line-up, most notably with Bruce Dickinson now fronting them, which coincided with their rise in popularity. Incredibly it would be another twenty-three years before Maiden returned to Reading, by which time they were in their third decade and had become the undisputed giants of metal. Their longevity also stood out as most of the other major acts that performed over the three days had only appeared on the scene over the previous few years and none could boast a back catalogue quite like Maiden's. With a large collection of photos by Alan Perry and memorabilia from the gigs plus narrative from Iron Maiden biographer Neil Daniels, this book is a wonderful celebration of Maiden's unforgettable appearances at this British institution.

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