Search results for ""Wits University Press""

On 8 January 2012 the African National Congress (ANC) of South Africa, the oldest African nationalist organisation on the continent, celebrated its one hundredth anniversary. This historic event has generated significant public debate within both the ANC and South African society at large. There is no better time to critically reflect on the ANC’s historical trajectory and struggle against colonialism and apartheid than in its centennial year.One Hundred Years of the ANC is a collection of new work by renowned South African and international scholars. Covering a broad chronological and geographical spectrum and using a diverse range of sources, the contributors build upon but also extend the historiography of the ANC by tapping into marginal spaces in ANC history.By moving away from the celebratory mode that has characterised much of the contemporary discussions on the centenary, the contributors suggest that the relationship between the histories of earlier struggles and the present needs to be rethought in more complex terms. Collectively, the book chapters challenge hegemonic narratives that have become an established part of South Africa’s national discourse since 1994. By opening up debate around controversial or obscured aspects of the ANC’s century-long history, One hundred years of the ANC sets out an agenda for future research.The book is directed at a wide readership with an interest in understanding the historical roots of South Africa’s current politics will find this volume informative.

Read more less

Place of Thorns: Black Political Protest in Kroonstad since 1976, is a landmark study that examines the tumultuous and often fractious politics in Kroonstad’s black townships.In spite of the town’s relative obscurity, the author demonstrates a rich tradition of civic and political life in its townships and provides a persuasive explanation for the violence unleashed in the 1990s after decades of relative political ‘quiescence’.Based on scores of life history interviews, the book illustrates a shift in the political mood from 1976 onwards. Inspired by the philosophies of Black Consciousness and the Congress movement, students developed a radical attitude and they spearheaded and shaped political protests in the townships up to the 1990s. However, tensions between the local civic associations and the regional and national ANC leadership ultimately cost the ANC the first democratic local government elections in Kroonstad. As a work of revisionist history, this book showcases South Africa’s nuanced liberation history that unfolded in smaller, less known places.The book is essential reading for scholars and students, and everyone interested in the South African liberation history, ‘local’ histories, political mobilisation and protests.

Read more less

Life of Bone brings into sharp relief, and interrogates, the abutting practices of the scientific and the artistic, practices which have co-existed since the beginning of our species. It's based on an exhibition, scheduled to open in May 2011 at the Origins Centre at the University of the Witwatersrand. This exhibition will display the original fossil skull of the Taung child hominid alongside artworks by Joni Brenner, Gerhard Marx and Karel Nel made specifically in response to these evolutionarily significant remains. This unique combination of paleoanthropological finds and art prompts a range of enquiries on the nature of both artistic and scientific disciplines, and encourages a dialogue between the very distant historic and the contemporary.

Read more less

Much of the work in the field of African studies still relies on rigid distinctions of ‘tradition’ and ‘modernity’, ‘collaboration’ and ‘resistance’, ‘indigenous’ and ‘foreign’. This book moves well beyond these frameworks to probe the complex entanglements of different intellectual traditions in the South African context, by examining two case studies. The case studies constitute the core around which is woven this intriguing story of the development of black theatre in South Africa in the early years of the century. It also highlights the dialogue between African and African-American intellectuals, and the intellectual formation of the early African elite in relation to colonial authority and how each affected the other in complicated ways.The first case study centres on Mariannhill Mission in KwaZulu-Natal. Here the evangelical and pedagogical drama pioneered by the Rev Bernard Huss, is considered alongside the work of one of the mission’s most eminent alumni, the poet and scholar, B.W. Vilakazi. The second moves to Johannesburg and gives a detailed insight into the working of the Bantu Dramatic Society and the drama of H.I.E. Dhlomo in relation to the British Drama League and other white liberal cultural activities.

Read more less

In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more fl exible and multifaceted entity than its predecessor.If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, Authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot– the mapping and making of social betterment – appears to have been lost.The compulsion to forensically detect the actual causes of such loss of direction has resulted in the prominence of creative nonfi ction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens; this, De Kock argues, is reproduced in much postapartheid writing. And, although fi ctional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fi ction underplots, yielding to the imprint of real conditions to determine the narrative construction.

Read more less

Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce … (Karl Marx 1852) In the face of the continuing national tragedy of the inequality, poverty and unemployment which have triggered rising working- class discontent around the country, the ANC announced a ‘second phase’ of the ‘national democratic revolution’ to deal with the challenges. Ironically, the ANC post-Mangaung has resolved to preserve the core tenets of the minerals-energy-financial complex that defined racial capitalism – while at the same time ratcheting up the revolutionary rhetoric to keep the working class and marginalised onside. If the ‘first phase’ was a tragedy of the unmet expectations of the majority, is the ‘second phase’ likely to be a farce? The chapters in this volume are written by experts in their fields and address issues of politics, power and social class; economy, ecology and labour; public policy and social practice; and South Africa beyond its borders. They examine some of these challenges, and indicate that they are as much about the defective content of policies as their poor implementation. The third volume of the New South African Review continues the series by providing in-depth analyses of the key issues facing our country today.

Read more less

While there are many studies of the global influence of crops and plants, this is perhaps the first social history based around a plant in South Africa. Plants are not quite historical actors in their own right, but their properties and potential help to shape human history. In turn, the trail of the prickly pear in South Africa has been profoundly affected by the plant’s biological characteristics. Plants such as the prickly pear tend to be invisible to those who do not use them, or at least on the peripheries of people’s consciousness. This book explains why they were not peripheral to many people in the Eastern Cape, and why a wild and sometimes invasive. plant from Mexico remains important to African women in shacks and small towns.

Read more less

Why does it matter that nations should care for their archives, and that they should develop a sense of shared identity? And why should these processes take place in the public domain? How can nations possibly speak about a shared sense of identity in pluralistic societies where individuals and groups have multiple identities? And how can such conversations be given relevance in public discussions of reconciliation and development in South Africa? These are the issues that the Public Conversations lecture series - an initiative of the Constitution of Public Intellectual Life Project at Wits University - proceeded from in 2006. Five years later, cross currents in contemporary South Africa have made the resumption of a public debate to clarify the meanings of identity and citizenship even more imperative, and an understanding of 'archive' even more urgent. The 2006 lectures were subsequently collected, resulting in this volume which takes its title from Weber's point, elaborated on in the chapter by Benedict Anderson that the future asks us to be worthy ancestors to the yet unborn. The title, as did the lecture series, aims to reach a broad and informed reading public because the topic is still of pressing interest in contemporary public discourse. In a changed (and, some might say, degraded) environment of public dialogue, the editor hopes to inspire a re-thinking of the very essence of what it means to be a citizen of South Africa. Becoming worthy ancestors aims to make accessible the theoretically informed, sometimes highly academic work of its various contributors. With chapters from high profile international and local contributors, it will be of interest to South African and international audiences. Editing for publication has further enhanced the accessibility of each speaker's thinking without forfeiting any of its complexity, and the addition of an introductory chapter by the editor contributes to the coherence of the volume. While the target audience is the broad public, the book is based on a core of academic thinking and research.

Read more less

This original book is a much needed and far reaching exploration of post-apartheid South African life worlds. ""Entanglement"" aims to capture the contradictory mixture of innovation and inertia, of loss, violence and xenophobia as well as experimentation and desegregation, which characterises the present. The author explores the concept of entanglement in relation to readings of literature, new media forms and painting. In the process, she moves away from a persistent apartheid optic, drawing on ideas of sameness and difference, and their limits, in order to elicit ways of living and imagining that are just starting to take shape and for which we might not yet have a name. In the background of her investigations lies a preoccupation with a future-oriented politics, one that builds on largely unexplored terrains of mutuality while being attentive to a historical experience of confrontation and injury. This book works with the idea of entanglement - a rubric within which we can begin to meet the challenge of the 'after apartheid'. Entanglement offers a means by which to draw into our analyses those sites in which what was once thought of as separate come together or find points of intersection in unexpected ways. It is an idea which signals largely unexplored terrains of mutuality, wrought from a common, though often coercive and confrontational, experience. It points away from a time of resistance towards a more ambivalent moment, in which the time of potential, both latent and actively surfacing in South Africa, exists in complex tandem with new kinds of closure and opposition.

Read more less

Was the ""mfecane"" a figment of historians' imagination as Julian Cobbing contends? How large a responsibility do Shaka and the Zulu people bear for the social turbulence in South-central and South-east Africa in the early decades of the 19th century? These are some of the issues explored in this collection, which is designed as a response to the radical critique of Dr Cobbing and other scholars. The ""mfecane"", suggests Cobbing, must be seen as a myth lying at the root of a set of interlinked assumptions and distortions that have seriously twisted our understanding of the main historical processes of late 18th- and early 19th-century Southern Africa. Contributors to this collection assess the implications of this critique for scholars from a range of disciplines, notably history, anthropology, archaeology, history of art and African languages. But the book is not only about the debate over Cobbing's work; it is also an indicator of the state of current scholarship in Southern Africa in the 18th and 19th centuries and, because it raises questions about the nature of sources and, indeed, about the nature of historical debate itself, it is also about historiography. This book should provide a useful guide for students starting out in this field, as well as a resource for established scholars seeking their way through the textual intricacies of varied editions and secondary texts that become the primary sources for historiographical debate.

Read more less

In Black X: Liberatory Thought in Azania, Tendayi Sithole elaborates on the problematic signifier X, a marker of the dehumanization of the black subject, and makes an argument for the struggle for Azania as a liberatory project. Azania refers to the land that became South Africa after its conquest by settler-colonialists. Sithole argues that post-1994 South Africa retains the markers of its colonial past and remains a territory of unfreedom for blacks. He shows that the colonial contract still stands, with the land question unresolved by the new constitutional dispensation. For Sithole, being and land are indissoluble, and the denial of the centrality of land restitution is a denial of the black being. Drawing on the Black Consciousness philosophy of Steve Biko, he critiques the manner in which Marx and Marxism evade the reality of antiblack racism and landlessness as drivers of colonial conquest and ongoing forms of oppression, and emphasises the existential struggle of the black subject as explicated in Mabogo P More’s African philosophy. Sithole gathers these iterations under the mark X, and shows how the black subject, as a dehumanized figure, continues to radically insist on alternative forms of being in an antiblack world, and on Azania as the true form of liberation.This timely and relevant book offers a way to rethink the meaning of liberation in a country that has yet to rename and redefine itself.

Read more less

Debates about decolonisation of the mind and of our curricula reveal the dark shadow cast over the world by the adventurers of the modern era, beginning in 1492. Decolonisation explores questions of justice, injustice and inhumanity that have geographically and intellectually shaped the course of history through overlapping colonial, decolonial and postcolonial eras.This multidisciplinary collection uses the lenses of history, philosophy, literature and education to examine aspects of colonialism and decolonisation, and their revolutionary and evolutionary manifestations which, contributors argue, occurred simultaneously in the historical and epistemological record. The problems that come into focus have a kaleidoscopic effect on how we come to understand fraught issues, from the ‘invention’ of blacks, to the formulation of the ideology of trusteeship and the obligations to ‘lower civilisations’. Decolonisation brings together an internationally renowned group of scholars to showcase their search for decolonial strategies within their disciplinary focus, covering ideas such as the different layers at which colonialism operates, strategies for a decolonisation that does not recolonise, and the importance of preserving and publishing in indigenous languages. This is a much-needed reference book for students and scholars in the field of decolonisation, history, philosophy and pedagogy. The introductory chapter offers a clear and concise primer to this complex subject, covering colonialism, imperialism, decoloniality, and the various actors involved.

Read more less

Isabel Hofmeyr is one of the world’s leading scholars on African print cultures, postcolonial literary histories, Indian Ocean studies and the oceanic humanities. For four decades and counting, her work has produced profound conceptual innovations from the global South and for the world at large.The essays gathered in Reading from the South are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr’s path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.The collection focuses on Hofmeyr’s life and work, her education and early career, her deep rootedness in place, and her political, creative and institution-building activities. The book captures Hofmeyr’s innovative and original scholarship through published works that address a range of topics: orality and literacy, feminist literary criticism, transnational histories of the book, South–South cultural connections, and the phenomenology of reading within the Indian Ocean world and, indeed, around the globe. After reading the collection as a whole, scholars in the field will have a much deeper appreciation of Hofmeyr’s work and the formidable contribution she has made to the study of African print cultures and oceanic humanities at large.

Read more less

The National Government moves to introduce segregated education galvanised the staff and students of the four ‘open universities’ to oppose any attempt to interfere with their autonomy and freedom to decide who should be admitted. In subsequent years, as the regime adopted increasingly oppressive measures to prop up the apartheid state, opposition on the campuses, and in the country, increased and burgeoned into a Mass Democratic Movement intent on making the country ungovernable. Protest escalated through successive states of emergency and clashes with police on campus became regular events. Residences were raided, student leaders were harassed by security police and many students and some staff were detained for lengthy periods without recourse to the courts. First published in 1996, WITS: A University in the Apartheid Era by Mervyn Shear tells the story of how the University of the Witwatersrand (Wits) adapted to the political and social developments in South Africa under apartheid. This new edition is published in the University’s centenary year with a preface by Firoz Cachalia, one of Wits’ student leaders in the 1980s. It serves as an invaluable historical resource on questions about the relationship between the University and the state, and on understanding the University’s place and identity in a constitutional democracy.

Read more less

‘The silence of the cell is less disturbing than the deliberate silence of the human beings who come and go. I know that it is part of the process, designed to break my morale, but that doesn’t make it any easier. I calculate that I am speaking less than twenty words a day, and begin to wonder whether my vocal chords will dry up and wither if this goes on … I have never been very talkative, but now I begin to hunger after talk more strongly than for either food or drink.’Lionel ‘Rusty’ Bernstein was arrested at Liliesleaf Farm, Rivonia, on 11 July 1963 and tried for sabotage, alongside Nelson Mandela, Walter Sisulu, Govan Mbeki and other leaders of the African National Congress and Umkhonto we Sizwe in what came to be known as the Rivonia Trial. He was acquitted in June 1964, but was immediately rearrested. After being released on bail, he fl ed with his wife Hilda into exile, followed soon afterwards by their family. This classic text, fi rst published in 1999, is a remarkable man’s personal memoir of a life in South African resistance politics from the late 1930s to the 1960s. In recalling the events in which he participated, and the way in which the apartheid regime affected the lives of those involved in the opposition movements, Rusty Bernstein provides valuable insights into the social and political history of the era.

Read more less

This collection of six plays by one of South Africa’s leading playwrights and actors features works written between 1984 and 1993. Slabolepszy is a master of dialogue, capturing the essence of the personality and speech patterns of his protagonists in language that is often dramatic, frequently funny, sometimes tragic and always entertaining.The works included are Under the Oaks, Over the Hill, Boo to the Moon, Smallholding, Mooi Street Moves and The Return of Elvis du Pisanie.Elvis won Slabolespzy the 1992/93 IGI Life Vita Award for Play of the Year and, together with Mooi Street Moves, gained him the Vita Playwright of the Year award.This collection is introduced by Robert Greig, a well-known theatre critic, and by Bobby Heaney, who has been involved in the evolution of several of Slabolepszy’s plays.

Read more less

Traumatic stress and post-traumatic stress more particularly, has gained international prominence as a condition or disorder that affects people across the globe in the wake of exposure to extreme life events, be these collective or individual. Given the history of political violence in South Africa, extremely high levels of violence against women and children and the prevalence of violent crime, South Africa has the unfortunate distinction of being considered a real life laboratory in which to study traumatic stress. Taking both a historical and contemporary perspective, the title covers the extent of and manner in which traumatic stress manifests, including the way in which exposure to such extremely threatening events impacts on people's meaning and belief systems. Therapeutic and community strategies for addressing and healing the effects of trauma exposure are comprehensively covered, as well as the particular needs of traumatised children and adolescents. Illustrative case material is used to render ideas accessible and engaging. Traumatic stress in South Africa provides a comprehensive and up-to-date overview of theory and practice in the field of traumatic stress studies, incorporating both international and South African specific findings. The particular value of the text lies in the integration of global and local material and attention to context related challenges, such as how trauma presentation and intervention is coloured by cultural systems and class disparities. The text would be of particular interest to scholars and practitioners working with traumatic stress in developing countries or in settings in which assessment and intervention resources are limited. The book highlights both psychological and sociopolitical dimensions of traumatic stress and emphasises insights derived from working in the South African context that have potential relevance for shaping the direction of traumatic stress studies.

Read more less

Dorothea Bleek’s selection of |xam narratives from the well-known Bleek and Lloyd Collection were originally published in the journal Bantu Studies during the 1930s. Decades later, Jeremy Hollmann collated and edited these extracts, adding notes on each of the narratives as well as Dorothea Bleek’s ‘sketch ‘of |xam grammar. The first edition of his book was published in 2004.This substantially revised second edition integrates new scholarship on the Bleek and Lloyd archive, and restores previously omitted material. The introduction to each narrative is expanded to contextualise it within the archive as a whole and, where relevant, reference it to the Notebook of which it is a part. The texts are critically reassessed, with additional notes and commentaries, particularly on English translations of the |xam language. Customs and Beliefs of the |xam, second edition, is an in-depth, authoritative resource that will be invaluable to scholars, heritage workers and activists.

Read more less

First published in 1976, People of the Eland was the first major step away from the outsider's view upon San rock art that had dominated studies of rock art for nearly a century. The title, an account of the rock art of the San of the Drakensberg Range, was also about the mountain San themselves: their lives, their beliefs, their culture and their history during colonisation. The book not only brought an extraordinary and dynamic body of art to the attention of a global audience, but also helped to lay the foundations for a new generation of research into the meaning of prehistoric art. People of the Eland aimed to gain an insider's view of the rock art using San understandings of the world. While following this approach, it quickly became clear to Vinnicombe that the art was very far from simple depictions of daily life as had once seemed likely, but instead reflected the most deeply held San beliefs and symbols. This approach and this understanding has now become the standard for all those working with San rock art. Whilst this early knowledge of San art has been built upon considerably since 1976, People of the Eland remains a cornerstone of our current understanding. Reprinted here in full colour, with the original artwork and photographs, People of the Eland remains a seminal work, the impact of which cannot be underestimated.

Read more less

Only 1000 copies of People of the Eland were printed in 1976. It was neither reissued nor reprinted. It has become one of the rarest and most expensive of all books on the African past. One of the things that most disturbed Patricia Vinnicombe while she was working at the Rock Art Research Institute at Wits in the early 2000s was that students could not access her book. As in many libraries, Wits University locks People of the Eland away in its rare and valuable book section. In 2002, Pat started to explore the possibility of republication. But, she did not feel that the book could be reissued without adding additional sections to explain how knowledge had expanded in the decades since the publication of the book. Tragically, Pat died in March 2003 before she could start work on the new sections. Peter Mitchell and Ben Smith have taken up this challenge and brought together the leading scholars in the field to write new sections to explain both how knowledge has changed since the publication of People of the Eland, and how current research is still influenced by this landmark volume. The Eland's People is thus intended as a companion volume to People of the Eland and it is hoped that this new volume will provide a richer appreciation of the importance of Pat's original work, as well as allowing readers an overview of current understandings of Drakensberg rock art.

Read more less

Why were depictions of animals a crucial trigger for the birth of art? And why did animals dominate that art for so long? In order to answer these questions, Renaud Ego examined some of the world’s finest rock art, that of the San of southern Africa. For thousands of years, these nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. The artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and, ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers.Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary, who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.

Read more less

As the dynamo of South Africa’s economy, Johannesburg commands a central position in the nation’s imagination, and scholars throughout the world monitor the city as an exemplar of urbanity in the global South.This richly illustrated study offers detailed empirical analyses of changes in the city’s physical space, as well as a host of chapters on the character of specific neighbourhoods and the social identities being forged within them. Informing all of these is a consideration of underlying economic, social and political processes shaping the wider Gauteng region.A mix of respected academics, practising urban planners and experienced policymakers offer compelling overviews of the rapid and complex spatial developments that have taken place in Johannesburg since the end of apartheid, along with tantalising glimpses into life on the streets and behind the high walls of this diverse city.The book has three sections. Section A provides an overview of macro spatial trends and the policies that have infl uenced them. Section B explores the shaping of the city at district and suburban level, revealing the peculiarity of processes in different areas. This analysis elucidates thelarger trends, while identifying shifts that are not easily detected at the macro level. Section C is an assembly of chapters and short vignettes that focus on the interweaving of place and identity at a micro level.With empirical data supported by new data sets including the 2011 Census, the city’s Development Planning and Urban Management Department’s information system, and Gauteng City-Region Observatory’s substantial archive, the book is an essential reference for planning practitioners, urban geographers, sociologists, and social anthropologists, among others.

Read more less

Baragwanath Hospital, Soweto illustrates how this rapidly growing, underfunded but surprisingly effective institution found the niche that allowed it to exist, to provide medical care to a massive patient body and at times even to flourish in the apartheid state. The book offers new ways of exploring the history of apartheid, apartheid medicine and health care. The long history of Chris Hani Baragwanath Hospital (its full current name) or Bara, as it’s popularly known, has been shaped by a complex set of conditions. Established in the early 1940s, Bara stands on land purchased by the Cornish immigrant John Albert Baragwanath in the late nineteenth century. He set up a refreshment post, trading store and hotel on the site – in what is now Soweto – which was a one day journey by ox-wagon from Johannesburg. The hotel became affectionately known as ‘Baragwanath Place’ (the surname is Welsh, from ‘bara’ meaning ‘bread’ and ‘gwenith’ meaning’ wheat’). The land was then bought by Corner House Mining Group and later taken over by Crown Mines Ltd. but was never mined. The British government bought the land in the early 1940s to build a military hospital but by 1947, Baragwanath ceased to operate as a military hospital and under the auspices of the Transvaal Provincial Administration a civilian hospital was opened with 480 beds. Patients were transferred from the ‘non-European’ wing of the Johannesburg General Hospital in the ‘white’ area of Johannesburg. Links were immediately forged with the University of the Witwatersrand and Bara would over time become one of its largest teaching centres. This link brought medical students and their teachers into direct contact with apartheid in the medical sphere. This book will contribute to studies of the history of apartheid that have begun to provide a more nuanced account of its workings. The history of Baragwanath and of the doctors and nurses who worked there tells us much about apartheid ideology and practice, as well as resistance to it, in the realm of health care.

Read more less

Richard Moore Rive (1930–1989) was a writer, scholar, literary critic and college teacher in Cape Town, South Africa. He is best known for his short stories written in the late 1950s and for his second novel, ’Buckingham Palace‘, District Six, in which he depicted the well-known cosmopolitan area of District Six, where he grew up. In this biography Shaun Viljoen, a former colleague of Rive’s, creates the composite qualities of a man who was committed to the struggle against racial oppression and to the ideals of non-racialism but was also variously described as irascible, pompous and arrogant, with a ’cultivated urbanity‘. Beneath these public personae lurked a constant and troubled awareness of his dark skin colour and guardedness about his homosexuality. Using his own and others’ memories, and drawing on Rive’s fiction, Viljoen brings the author to life with sensitivity and empathy. The biography follows Rive from his early years in the 1950s, writing for Drum magazine and spending time in the company of great anti-establishment writers such as Jack Cope, Ingrid Jonker, Jan Rabie, Marjorie Wallace, Es’kia Mphahlele and Nadine Gordimer, to his acceptance at Magdalene College, Oxford, where he completed his doctorate on Olive Schreiner, before returning to South Africa to resume his position as senior lecturer at Hewat College of Education. This biography will resurface Richard Rive the man and the writer, and invite us to think anew about how we read writers who lived and worked during the years of apartheid.

Read more less

Through five colourful characters, three of them living out their very individual lives in an unnamed public park in Johannesburg, Zakes Mda explores the plight of women and children in a patriarchal and male-dominated twenty-first century world.Lord Stewart mourns his virginal companion (and regrets he didn’t try a little harder to change her state). He turns to another virgin, the eponymous Lady of Benoni, to help him find his lost love. Professor mourns the loss of his wife, Thabisile, humiliated and driven out of her community because she was believed not to have been a virgin before her marriage. MaDlomo mourns the fate of her child, raped as a three-month-old by a man seeking a cure for his HIV-positive state. And running in the background is the court case of a spiritual leader accused of rape and defended by the indomitable MaDlomo because of his support for the reintroduction of virginity testing.Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The discourse of patriarchy and its ‘regime of truths’ that define female sexuality, its obligations and its custodianship, are the focus of the play.Zakes Mda’s satire is a kaleidoscopic display of the extremes to which men (and by implication women) are prepared to go in terms of valuing what is ‘virginal’. Mda presents us with the consequences of transgression: that which is seen as polluted and judged to be dangerous to the good health and purity of a group, a society, a culture. Taboos, superstition, customs and moral ethics become the subjects of inquiry and are, at times, subjected to ribald satire. This play cuts into a virtuoso style of theatre that can in no way be confused with the objectives and methods of conventional realism. Mda establishes a unique style and tone that is innovative, entertaining and challenging. It fuses satirical elements derived from classical poetry with a modernist sensibility that synthesises Brechtian and Absurdist features of theatricality, using characters as types and montage. Above all, in this work there is a profound exploration of what it means to operate in the politically charged landscape that defines post-apartheid South Africa with its cultural pluralities and differentials in access to resources and agency. Stylistically adventurous and unafraid to deviate from conventionally accepted norms, Mda is iconoclastic in his handling of the ways in which attitudes to power, superstition, ethics and sex are constructed. The cultural discourse of patriarchy and the ‘regime of truths’ regarding ideals and taboos defining female sexuality, its obligations, and its custodianship are the focus of this play.Written with ribald wit and trenchant satire, Our Lady of Benoni is suffused with laughter and pathos, leaving readers with much to ponder.

Read more less

Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles.Daniels’ study goes to the heart of current debates and asks why the ANC, given its stated commitment to the democratic objectives of the Constitution, is so ambivalent about the freedom of the media. What would be the consequences of a revised media policy on democracy in South Africa, and at what cost to freedom of expression?Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and the conflictual relationship between the two. She argues that the ANC’s understanding of democracy, transformation and development entails (amongst other things) the rallying of the nation behind its leadership as the premier liberation movement and democratically elected representative of the majority while morally coercing black journalists and professionals into loyalty. Daniels challenges the dominant ANC view that journalists are against transformation and that they take instruction from the owners of the media houses; in short that they are ‘enemies of the people’.Fight for Democracy is a timely publication in the context of the impending clampdown on media freedom and the twin threats of the Protection of State Information Bill (Secrecy Bill) and the Media Appeals Tribunal, both of which signify closures in South Africa’s democracy.Written in a polemical style, this is a work of activism that will be essential reading for the informed public as well as those working in Journalism and Media Studies. It should interest all democrats, members of political organisations as well as academics and Right2Know activists, locally and internationally.

Read more less

Somewhere on the Border was written by Anthony Akerman while in exile more than two decades ago. The play was intercepted in the post and banned as a publication by the apartheid censors because the language was considered ‘offensive’ and the portrayal of the South African Armed Forces ‘prejudicial to the safety of the state’. This publication of a one-act version of the play brings the South African Border War back into public discourse and pierces through the armour of silence, secrecy and shame that still surrounds it. The script is complemented by an author’s preface and an afterword by historian Gary Baines, as well as photographs of its 2011 production.

Read more less

When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to ""Exiles and Homecomings: A Biography of Es'kia Mphahlele"", the idea of Mphahlele's death was remote and poetic. The title, ""Bury Me at the Marketplace"", suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa's public sphere. That death has now come and we mourn it. Manganyi's words at the time have acquired a new significance: in the symbolic marketplace, he noted, 'the drama of life continues relentlessly and the silence of death is unmasked for all time'. The silence of death is certainly unmasked in this volume, in its record of Mphahlele's rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa's literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele's own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele's correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele's personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele's mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell's insightful explanatory notes.

Read more less

This, the second volume of the history of University of the Witwatersrand, Johannesburg (Wits) by historian Bruce Murray, has as its central theme the process by which Wits became an ‘open’ university admitting students of all races, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government. The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. WITS: The ‘Open’ Years paints a vivid picture of student life through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women.

Read more less

WITS: The Early Years is a history of the University up to 1939. First established in 1922, the University of the Witwatersrand, Johannesburg developed out of the South African School of Mines in Kimberley circa 1896. Examining the historical foundations, the struggle to establish a university in Johannesburg, and the progress of the University in the two decades prior to World War II, historian Bruce Murray captures the quality and texture of life in the early years of Wits University and the personalities who enlivened it and contributed to its growth. Particular attention is given to the wider issues and the challenges which faced Wits in its formative years. The book examines the role Wits came to occupy as a major centre of liberal thought and criticism in South Africa, its contribution to the development of the professions of the country, the relationship of its research to the wider society, and its attempts to grapple with a range of peculiarly South African problems, such as the admission of black students to the University and the relations of English- and Afrikaans-speaking white students within it. This edition of WITS: The Early Years is republished in the University’s centenary year with a preface by Keith Breckenridge, who writes, ‘In the republication of Murray’s two volume history of Wits, readers have an opportunity to explore the often dramatic and contested story of this university … Murray produced an intimate, almost scandalous intellectual history of the institution that served as his home for practically half a century.’

Read more less

Why do some universities seem to be in a constant state of turmoil and dysfunction? Jonathan Jansen explores the root causes of chronic instability in a sample of South African universities. Through scrutiny of investigatory reports and interviews with more than 100 university managers and government officials, Jansen finds that at the heart of the dysfunction in universities is an intense and sometimes deadly competition for resources especially on campuses located in impoverished communities. It is not the lack of institutional resources but their concentration in a university that draws a mix of corrupt actors from local politicians and taxi operators to members of council and management into a never-ending run on the material (such as money for infrastructure) and symbolic (namely, graduation certificates for sale) assets of these institutions. Jansen argues that the problem won’t be solved through investments in ‘capacity building’ alone because the combination of institutional capacity and institutional integrity contributes to serial instability in universities. Jansen makes an important intervention to understanding the root causes and offers interventions to produce stabilities such as the depoliticisation of university councils and appointing academics of integrity and capacity in the management and leadership of these fragile institutions. This groundbreaking and long overdue study will offer a promising way forward for universities to better serve their communities and the country more broadly.

Read more less

Across the world, universities are grappling with the colonial legacies that have shaped them. That struggle is especially vital in South Africa where the Rhodes Must Fall and Fees Must Fall movements have catalysed decolonial activism and discourse against the legacy of apartheid in higher education. This collection asks what epistemic justice might look like in teaching, learning and research across multiple academic disciplines. Each author writes from first-hand experience of teaching at the University of Cape Town, an institution that was and remains a key site of complicity with and resistance against settler colonialism, apartheid, and their ongoing oppressions. The contributors trace power relations that are embedded in various teaching and learning spaces at UCT, asking critical questions about the kinds of subjects and objects of knowledge that are produced by their disciplines. Further, they explore new ideas, texts, and intellectual and pedagogical practices that can help academics interrogate, challenge and transform the dominant power relations in the South African academy. Collectively, these chapters work to imagine new subjects of knowledge in the postcolonial university through an ethic of epistemic justice. At a time when debates on decolonisation have gained urgency in academic, civic and public spaces, this interdisciplinary collection serves as a valuable archive documenting and reflecting on a turbulent period in South African higher education. It is an important resource for academics looking to grasp debates on decoloniality both in South Africa, and in university and teaching spaces further afield. Calling for concerted and collaborative work towards greater epistemic justice across diverse disciplines, the book puts forward a new vision of the postcolonial university as one that enables excellent teaching and learning, undertaken in a spirit of critical consciousness and reciprocity.

Read more less

With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. Chinese and African encounters through the lens of the visual arts and material culture, however, is a neglected field. Visualising China in Southern Africa is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Richly illustrated, the collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. Some of the artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.

Read more less

Bones and Bodies is a highly accessible account of the establishment of the scientific discipline of biological anthropology. Alan G Morris takes us back over the past century of anthropological discovery in South Africa and uncovers the stories of individual scientists and researchers who played a significant role in shaping perceptions of how peoples of southern Africa, both ancient and modern, came to be viewed and categorised both in the public imagination and the scientific literature.Morris reveals how much of the earlier anthropological studies were tainted with the tarred brush of race science, evaluating the works of famous anthropologists and archaeologists such as Raymond Dart, Thomas Dreyer, Matthew Drennan and Robert Broom. Morris also considers how modern anthropology tried to rid itself of the stigma of these early racist accounts. In the 1960s and 1970s, Ronald Singer and Phillip Tobias introduced modern methods into the discipline that disputed much of what the public wished to believe about race and human evolution. Bones and Bodies shows the battle facing modern anthropology to acknowledge its racial past but also how its study of human variation remains an important field of enquiry at institutions of higher learning.

Read more less

This revised edition of Bats of Southern and Central Africa builds on the solid foundation of the first edition and supplements the original account of bat species then known to be found in Southern and Central Africa with an additional eight newly described species, bringing the total to 124.The chapters on evolution, biogeography, ecology and echolocation have been updated, citing dozens of recently published papers. The book covers the latest systematic and taxonomic studies, ensuring that the names and relationships of bats in this new edition reflect current scientific knowledge.The species accounts provide descriptions, measurements and diagnostic characters as well as detailed information about the distribution, habitat, roosting habits, foraging ecology and reproduction of each species. The updated species distribution maps are based on 6 100 recorded localities.A special feature of the 2010 publication was the mode of identification of families, genera and species by way of character matrices rather than the more generally used dichotomous keys. Since then these matrices have been tested in the field and, where necessary, slightly altered for this edition. New photographs fill in gaps and updated sonograms aid with bat identification in acoustic surveys.The bibliography, which now contains more than 700 entries, will be an invaluable aid to students and scientists wishing to consult original research.

Read more less

Social science researchers in the global South, and in South Africa particularly, utilise research methods in innovative ways in order to respond to contexts characterised by diversity, racial and political tensions, socioeconomic disparities and gender inequalities. These methods often remain undocumented – a gap that this book starts to address. Written by experts from various methodological fields, Transforming Research Methods in the Social Sciences is a comprehensive collation of original essays and cutting-edge research that demonstrates the variety of novel techniques and research methods available to researchers responding to these context-bound issues. It is particularly relevant for study and research in the fields of applied psychology, sociology, ethnography, biography and anthropology. In addition to their unique combination of conceptual and application issues, the chapters also include discussions on ethical considerations relevant to the method in similar global South contexts. Transforming Research Methods in the Social Sciences has much to offer to researchers, professionals and others involved in social science research both locally and internationally.

Read more less

If you drive through Mpumalanga with an eye on the landscape flashing by, you may see, near the sides of the road and further away on the hills above and in the valleys below, fragments of building in stone as well as sections of stone-walling breaking the grass cover. Endless stone circles, set in bewildering mazes and linked by long stone passages, cover the landscape stretching from Ohrigstad to Carolina, connecting over 10 000 square kilometres of the escarpment into a complex web of stone-walled homesteads, terraced fields and linking roads. Oral traditions recorded in the early twentieth century named the area Bokoni – the country of the Koni people. Few South Africans or visitors to the country know much about these settlements, and why today they are deserted and largely ignored. A long tradition of archaeological work which might provide some of the answers remains cloistered in universities and the knowledge vacuum has been filled by a variety of exotic explanations – invoking ancient settlers from India or even visitors from outer space – that share a common assumption that Africans were too primitive to have created such elaborate stone structures. Forgotten World defies the usual stereotypes about backward African farming methods and shows that these settlements were at their peak between 1500 and 1820, that they housed a substantial population, organised vast amounts of labour for infrastructural development, and displayed extraordinary levels of agricultural innovation and productivity. The Koni were part of a trading system linked to the coast of Mozambique and the wider world of Indian Ocean trade beyond. Forgotten World tells the story of Bokoni through rigorous historical and archaeological research, and lavishly illustrates it with stunning photographic images.

Read more less

This is a stunning collection of more than 100 portraits, in black and white, of writers from Africa and, in particular, South Africa. The chronological arrangement reveals the changing conditions and roles of writers from the 1960s to the present. The most recent photographs were taken after the Pretoria Writers' Conference in 2002, which provided landmark debates around the identity and role of writers currently living in South Africa. A foreword by Keorapetse 'Willie' Kgositsile reflects on the early times, while short texts by more recent writers show the diversity of views held by writers living in contemporary South Africa.

Read more less

Many universities in South Africa have acquired new works of art for key spaces on their campuses. These works convey messages about the advantages of cultural diversity, but recently acquired sculptures, paintings and tapestries also critically engage with histories of racial intolerance and conflict. A current concern among tertiary South African institutions is the influence of British imperialism or Afrikaner nationalism on aspects of their inherited visual culture. Discussions from within the art world around the curatorship of art, memorials, insignia and regalia has shed light on these outmoded colonial value systems which universities now wish to distance themselves from. In Picturing Change, Brenda Schmahmann explores the implications of deploying the visual domain in the service of transformative agendas. In other words, how do universities reflect, through the visual objects on their campuses, on their revisionist aims and endorsements of cultural diversity? While most new commissions are innovative, there have been instances in which universities in South Africa have acquired works of art with potentially traditionalist – even backward-looking – implications. And while imperatives to remove inherited imagery may be underpinned by a wish to unsettle white privilege, there have in fact been occasions in which such actions have served to maintain the status quo. Further, while many expected that a post-apartheid era would have freed artists from censorship, some images produced or shown under the auspices of universities have in fact been susceptible to proscription for supposedly articulating hate speech. Schmahmann identifies and analyses a range of approaches taken by universities and commissioned artists towards these ‘troublesome’ visual objects .This study is the first to consider imagery at a range of tertiary institutions in the country, and it is unique in its exploration of a transformative ethos in the visual domain at universities. It will be invaluable to readers interested in public art and the politics of curating and collecting, and also to those concerned with the challenges involved in transforming contemporary universities into spaces welcoming of diversity in South Africa.

Read more less

The second volume of the New South African Review (NSAR) continues a tradition of debate and critical, analytical scholarship about contemporary South Africa. Drawing on authors from academia and beyond, it aims to be informative, discursive and provocative. In this volume, the New Growth Path (NGP) adopted by the South African government in 2010 provides the basis for a debate about whether 'decent work' is the best possible solution to South Africa's problems of low economic growth and high unemployment. Rising inequality is explored against the backdrop of the failings of Black Economic Empowerment (BEE) and Broad-Based Black Economic Empowerment (BBBEE). The NGP's proposals for 'greening the economy' are discussed, with emphasis on the creation of 'green jobs' and biofuels. The volume also includes investigations into the crisis of acid mine drainage on the Witwatersrand, and other persistent environmental challenges. Possibilities for participatory forms of government are surveyed, and civil society activism is explored in relation to the South African Broadcasting Corporation (SABC) and environmental campaigns. The crisis in child care in public hospitals, the difficulties that characterise attempts at building relationships between the police and a township community, and the problems related to the absence of legislation to govern the powers of traditional authorities over land allocation (through the experience of the Eastern Cape) are also featured. Asking whether the NGP reflects a set of new policies or an attempt to re-dress old (com)promises in new clothes, this volume brings together different voices in debate about possibilities for alternatives to neo-liberal and capitalist development in South Africa.

Read more less

Good Jew, Bad Jew is a critique by one of South Africa’s foremost political theorists of mainstream understandings of Jewishness. Steven Friedman offers a searing analysis of the weaponisation of anti-Semitism in service of political objectives that support the Israeli state and global white supremacy. Looking specifically at the way in which language is used to shape identities, Friedman uses many examples to illustrate how anyone that opposes the interests and policies of the Israeli state is increasingly defined as anti-Semitic. The use of anti-racist language to defend racial domination distorts not only the meaning of what it is to be Jewish, but sheds light on how all dogmatic nationalisms function. Friedman uses India and South Africa as examples, but the analysis applies across the world too. This is a detailed, deeply researched and critical work that will appeal to both specialists and general readers looking for a considered view on how language shapes belief systems, and how the powerful forces of racism and nationalism – and their opponents – are being misrepresented.

Read more less

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children’s books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging. Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fierce and fearless writing ‘truth to power’. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty. These essays bring to life many facets of Magona’s personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona’s engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering direct and insightful responses to the conditions that inspired them. Through her essays Magona offers a reimagining of a broken society and the role literature can play in casting new light on old wounds.

Read more less

The essays in this collection were crafted in celebration of the centenaries, in 2019, of Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es’kia Mphahlele, all of whom were born in 1919. These foundational writers produced more than a half-century of writing and cultural production spanning criticism, editorials, essays, fiction, journalism, life writing and orature. The essays in the collection showcase these writers’ multifaceted engagements and generative insights on a wide range of issues, including precolonial existence, colonialism, empire, race, the language question, tradition, gender, modernity, exile, Pan-Africanism and decolonisation. A number of political and thematic threads cut across the essays, including those that explore the significance of the ‘colour line’, the role of education and cultural practices amidst the unfolding of colonial modernity, state racism and print culture in South Africa and elsewhere. Foundational African Writers examines the ways in which the centenarians’ legacies still resonate in the present and how the body of work that they produced is crucial to the genealogies and institutions of modern African and diasporic black arts and letters. Studying their works revisits established debates, provokes possibilities for interdisciplinary engagement with the imperatives of decolonisation and opens up new trajectories for future scholarship.

Read more less

Hoping for a better life, many migrants have made the journey to South Africa and set up as informal spaza shop traders in small towns and township areas, supplying the local residents with essentials. But thriving in environments afflicted by unemployment and crime is almost impossible when armed robberies are a daily reality, protection from law enforcement is not a given, and access to justice is effectively out of reach. Engaging first-hand with small traders and the Somali communities in Khayelitsha, Kraaifontein and Philippi, Vanya Gastrow investigates the predicament of these modern-day pariahs – social and political outcasts who belong neither to the elite nor the common people, and who are frequently the focus of xenophobic anger. Tracing national-level regulatory developments in post-apartheid democratic South Africa Gastrow shines a light on how retailers have been politicised and how they have faced growing informal and formal regulatory efforts to curtail their business activities. She demonstrates how democratic and constitutional frameworks can erode in contexts of heightened nationalism, populism and economic inequality. By investigating Somali informal shopkeepers’ experiences of crime, justice and regulation in the country, the fragility of law, pluralism and democracy in South Africa is uncomfortably exposed.

Read more less

Mahala's biography gives insight into the life and writing of Can Themba (1924–1967), an iconic figure of the South African literary world and Drum journalist who died in exile Can Themba: The Intellectual Tsotsi, a Biography brings to life the iconic South African writer and journalist, Can Themba, (21 June 1924 – 8 September 1967) who died while exiled in Swaziland in 1967. Best known for his classic short story, ‘The Suit’, Themba has been somewhat of an enigma, with very little known about his personal life. This biography brings forth the voices of those who had personal interactions with him, shining the light on different aspects of his life including education, literature, journalism and political fraternities. It features interviews with prominent individuals including his former students, Abdul Bham, Pitika Ntuli, and Mbulelo Mzamane; journalistic mentees Juby Mayet and Joe Thloloe; as well as friends, colleagues and contemporaries Parks Mangena, Peter Magubane, Jurgen Schadeberg, Don Mattera, and Nadine Gordimer; in addition to artists and academics Mothobi Mutloatse, Muxe Nkondo and Njabulo S. Ndebele. Also featured in this biographical text are veteran political figures such as Mangosuthu Buthelezi, Lindiwe Mabuza and Ahmed Kathrada. Themba’s intellectual acumen, scholarly aptitude and witticism are some of his most revered characteristics amongst those who had interactions with him either in person or through comprehensive reading of his works. Mahala is a master storyteller and deftly weaves together the threads of Themba's dynamic life. In this edifying biography Mahala recreates the sparkle and pathos of Sophiatown of the 1950s and the Drum era. Can Themba’s successes and failures, as well as his triumphs and tribulations reverberate on the pages of this long-awaited biography.

Read more less