Search results for ""White Pine Press""

The richly imagined fables, vignettes, and prose poems of Flares reveal the elementary strangeness of this world. Here is the improvised travel record of a poet haunted by history, who documents what he discovers in foreign lands with an exacting and hallucinatory eye. Composed in transit, on diplomatic missions to scores of countries, Flares will endure in the reader’s imagination as a series of signals in the night, illuminating the hidden corners of our time here on earth.

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The powerful and imaginative diction of these poems combined with their dramatic contexts forces the reader to enter their own contemplation of those things we carry deep inside of who we are. A rare thing in poetry.

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Most readers have never heard of José Alfredo Zendejas Pineda (1953-1998). A few might know him by his pseudonym, Mario Santiago Papasquiaro. But many readers know (and even love) the quasi-mythical character he inspired, Ulises Lima, from Roberto Bolaño’s The Savage Detectives: “a ticking time bomb” who wrote incessantly “in the margins of books that he stole and on pieces of scrap paper that he was always losing,” but who “never wrote poems.” The real Santiago did, in fact, fill every page he could find with his words. And he may indeed have been “a ticking time bomb.” But—for the record—he did write poems.

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Su Dong-po is recognized as one of the main Chinese poets of the Sung Dynasty and this bilingual collection contains work never previously translated.

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In Interrogation Room, Jennifer Kwon Dobbs's second collection, poems that restore redacted speech and traverse forbidden borders suture together divided bodies, geographies, and kinships to confront the unending Korean War's legacies of forced distances and militarized silences. Kwon Dobbs powerfully entwines uneasy, tentative reconciliations among South Korea's relatives in the North, her birth family in the South, and the transnational diaspora to which she belongs to resist the war's deprivations of language and imagination.

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Merz is keenly attentive to daily life as a revelator of essential truths, and thus uses poetry as a way of returning closer to it; and “to unbecome what was.” Merz' “nearing” and “distancing” processes take place inside us, through language. By summing up so gently and exactly (but also sometimes drolly or pointedly) the movement of duality, Merz enables us to sense more fully, time and again, what it means to be alive: that “strange exhilaration within,” as he puts it in another of these splendid poems so vividly and resourcefully translated by Marc Vincenz.

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“Every poem in this book is a like a heart in a jar. Kathleen’s superb eye and exacting craft rides on the power of images that throttle the reader off the page, yet one foot is so firmly rooted in the real world, we feel incredibly satisfied that we took a wild journey and came back home safely. These poems are a great ticket, existing as tremendous short scripts for the films she directs in our heads.” --Michael Delp, Lying in the River’s Dark Be Kathleen McGookey has published two full-length collections of poems and two chapbooks.

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"Prose was always meant for colloquy, risk, and intimacy. With these rich and conversant prose poems, Marvin Bell and Christopher Merrill return spoken language to sport--sometimes competitive, but often cooperative, exploratory, even humanely probative. What is a friend? Bell and Merrill demonstrate friendship is drawn from imagination."--Stephen Kuusisto, author of Letters to Borges "The best conversationalists intuit and respond to unspoken questions and interstitial meanings, sidelong concerns and secret subjects. They also know how to listen to another's story and hear the line or inflection that calls forth their own tale in a way that enlarges, well, everything. Marvin Bell and Christopher Merrill's stunning epistolary paragraphs illustrate the inner workings of just such an intimate, agile, and sustained conversation. This collaborative, high wire act offers up profound truths in exactly the way the most exciting poems take shape--by leaps of imagination and complete trust in the power of association to bring up riches, songs, and wisdom from the depths."--Lia Purpura After the Fact is a lively and imaginative conversation between two legendary poets. Marvin Bell, writing from Iowa City and Port Townsend, and Christopher Merrill, writing from around the world, give us an intimate look into collaboration at its best. Christopher Merrill's recent books include Boat and Necessities. He is the director of the International Writing Program at the University of Iowa. Marvin Bell's works include collaborations with poet William Stafford and volumes of an original poetic form, most recently collected in Vertigo: The Living Dead Man Poems.

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"Vibrant with the intensity of blues singers."-Feminist Bookstore News "Patricia Spears Jones is cosmopolitan blues goddess alive on the wind stream of transnational homemade intimate gossip. Her poems are a highly effective antidote to living in a country where caring seems to have been placed on the Endangered Activities list."-David Rivard "Patricia Spears Jones reminds me of those wisecracking, foolproof women in the old films she so lovingly dissects-the ones whose deadsure, replenishing humor and never-fail good sense causes the audience to sit up and clap."-Cyrus Cassells "She has given us a world where music and brains are allowed to co-exist with instinct, where the lyric and the literal may dwell without eyeing the other with suspicion."-Cornelius Eady From "The Perfect Lipstick": It is why I appreciate my favorite shade of lipstick: Sherry Velour. Sounds like the name of a drag queen from the early seventies. One of those strapping Black men who had enough of playing macho, put their feet in five-inch heels and made saints of Dinah Washington, Rita Hayworth and a very young Nina Simone. So, on goes this lipstick. Pretty for parties. Fatal for festivals. Sherry Velour and her hot discoveries: light above the fog, a toy ship. Black men in sequined dresses and the click of new words in the new world where the most dangerous of dreams come true. Patricia Spears Jones was named by Essence.com as one of its "40 Poets [They] Love" in 2010.

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"An unusual, exciting volume which serves ideally to lead readers into the extraordinary creative world of three Minnesota poets who are familiar with the contemporary poetry of several nations and who together are bringing to American poetry a powerful new direction away from academicism. Poetry which experiments with content rather than with form and whose life does not depend upon the metrics but upon the life of the poet himself. "--John Logan This is a facsimile edition of the original Sixties Press book issued in 1962 and contains some of Robert Bly's and James Wright's iconic poems.

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"So unexpected, so revelatory, such exquisite prose (and poetry) these 'sequences,' as the editors choose to call them, may be undefinable, but they are certainly not indescribable. I describe them as hypnotic, startling, and alive."--Dinty W. Moore Nothing to Declare is a ground-breaking anthology of cross-genre work. What you will find here are linked prose poems, narrative sequences, lyrical essays, koans, fairy tales, and epistolary addresses. It contains the work of over fifty writers including Nin Andrews, Jennifer Kwon Dobbs, Marie Harris, Jim Harrison, Gian Lombardo, Debra Marquart, Julie Marie Wade, and Gary Young.

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"The most moving, beautiful, and eloquent expression of wonder in literature. If there has been anything new in recent literature of any type it is this undefinable book: poetry, short tales, and intelligence in each paragraph. A delight."--Jeanne Teixidor Alberto Ruy-Sanchez is an award-winning Mexican writer and editor.

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"Delicate, gracious, and eloquent, Brandi's poems reveal that he remains an extraordinary profound poet of prayer and praise."--David St. John "A subtly crafted compendium of geophysical/metaphysical perception shifts and non-static reflections by a world-poet, journeying yet always profoundly at home in this multi-layered Trickster world."--Ken Rodgers, Kyoto Journal "These poems shine with a Taoist sensibility and the wisdom and simplicity of self. Poems of rare precision, charm, and truth."--Joanne Kyger John Brandi lives in El Rito, New Mexico, where he continues to write, paint, and nurture a few melons in the garden.

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Good poetry contains the kind of knowledge we search for, the kind that resonates in the heart as well as the mind. The poems in this anthology are timeless, spanning two millenniums, and are drawn from many different centuries and cultures. The voices range from ancient China, Japan, and India to contemporary America and Europe. What they share is a living spirit that can help us change the way we see ourselves, and the world. Contributors include Han-shan, Du Fu, Li Po, Ryokan, Issa, Yosa Buson, Ikkyu, Rumi, Antonio Machado, Juan Ramon Jimenez, Tomas Transtromer, Rolf Jacobsen, Rainer Maria Rilke, Pablo Neruda, Gabriela Mistral, Denise Levertov, Jane Hirshfield, Gary Snyder, Joseph Bruchac, Sam Hamill, James Wright, Ilya Kaminsky, Robert Bly, and many others.

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"The most recent in a line of great American transcendentalist writers."--The New York Times "Bly's poems flow from ...the great current of longing for reality, true maturity, the devotee's call to the Beloved."--The Nation "Robert Bly changed the course of poetry in America by opening it up to the imagination and the deep-image aesthetic, he is dedicated to reintegrating poetry with life--daily life, the life of the body, spiritual and political life."--Huffington Post The Chinese-influenced strain of Bly's work with its room for movement, spontaneity, and openness is celebrated in Like the New Moon I Will Live My Life and most amply showcased in its over one hundred and fifty poems. The poems, collected from out-of-print books, chapbooks, and uncollected work spanning fifty years, form a companion to his recent Stealing Sugar From The Castle: New and Selected Poems. Like The New Moon I Will Live My Life When your privacy is beginning over, How beautiful the things are that you did not notice before! A few sweetclover plants Along the road to Bellingham, Culvert ends poking out of driveways, Wooden corncribs, slowly falling, What no one loves, no one rushes towards or shouts about, What lives like the new moon, And the wind Blowing against the rumps of grazing cows. Telephone wires stretched across water, A drowning sailor standing at the foot of his mother's bed, Grandfathers and grandsons sitting together. Robert Bly is one of the most influencial poets, translators, and editors of his generation.

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"For Aliki Barnstone, poetry seems a natural medium. The vision and cadences of these poems suggest a sensibility for which poetry is as inevitable as breathing or eating."--Robert Pinsky In Bright Body, Aliki Barnstone seeks to unite mind and body, spirit and matter, the individual and the body politic. Many of the poems are set in Las Vegas, a monument to materialism. This city of extremes informs Barnstone's vision and serves as a backdrop for her meditations on American history, war, the environment, erotic love, and the love of mother and child. Aliki Barnstone is a poet, translator, and critic.

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"Family Portrait doesn't just rewrite the history of the prose poem in America--it sets the record straight. Murphy's scholarly introduction sets the stage for a book that traces the history of American prose poetry from 1900--1950. Simply put, this collection belongs on every poet's--and poetry lover's--bookshelf. No one will be able to write about the prose poem without referencing Family Portrait."--Peter Conners The groundbreaking anthology of prose poetry collects over sixty voices including such well-known figures as Sherwood Anderson, William Lisle Bowles, Kay Boyle, e. e. cummings, H.D., Robert Duncan, T. S. Eliot, William Faulkner, Earnest Hemingway, Robert Lowell, Kenneth Patchen, Riding Jackson, Gertrude Stein, Jean Toomer, Thornton Wilder, and William Carlos Williams.

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"Conners' prose poem is not just a beautiful quirky moment that gives us a glimpse of the miraculous, but also an attempt to become a myth in itself. That Conners seems to get it all into one book is simply amazing. What can I say? A literary master."--Ilya Kaminsky "Conners writes with the playfulness and kinetic energy of an action painter. His spatters of images and fragmented narratives assume the condition of an exuberant non-sense that, in changing perspective, asserts a logic of its own."--Stuart Dybek Peter Conners is the author of Whiskey and Winter.

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Building on surrealist fables and traditional folktales, personal anecdotes and the tribal myths of his Serbian homeland, Vasko Popa created one of the most original poetries of the twentieth century.

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Ryokan (1758-1831) was a poet, master calligrapher, Zen hermit, and is one of the most beloved poets of Japan. Instead of becoming the head of a Zen temple, he preferred the simple and independent life of a hermit. Ryokan's poetry is simple, direct, and colloquial in expression.

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How do Bengali women love in times of social transition and political upheaval? These poems look at how Bengali women tell their truths of the heart and mind through their struggles for equality, opportunity, and recognition in a changing society. The poems follow a subtle trajectory through the stages of love: first love; marriage; separation; aging and death; and ultimate supreme, universal love, of which romantic love is an imperfect reflection.

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This collection of essays is the first to examine the events of September 11, 2001 from a woman's point of view. Shortly after the terrorist attack on the United States, Marjorie Agosin and Betty Jean Craige asked women writers to think about both the effects and the causes of the attack and to reflect on what might be done to make a safer global community. Women of varied ethnic and religious backgrounds responded, and their reflections create a multi-dimensional image both poignant and provocative.

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"With this volume, Chaves makes an outstanding contribution to the books that present classical Chinese poetry in both accurate and enjoyable English translation."-Choice Yuan Hung-tao (1568-1610) was the greatest poet of Ming dynasty China. His poetry and essays brilliantly exhibit an originality and vitality that were lacking in the writing of his contemporaries. The writings of Yuan and his two brothers reveal these men to have been individualists who made outstanding contributions to the growth and development of poetry, presenting a penetrating picture of Ming society. Jonathan Chaves is a professor of Chinese at George Washington University and the translator of several volumes of Chinese poetry, including Heaven My Blanket, Earth My Pillow.

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This book contains work from all phases of Kenny's career, beginning with his Butler University days through his life in New York City and on his many road trips through his eventual return to his homeland in the Adirondack Mountains in New York State. Much of the work appeared originally in books that are long out of print. The book also contains over twenty new poems.

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Up until the 17th century, the bulk of Korean poetry was written in Chinese, the language of poets, scholars and monks. This anthology includes 100 poems spanning over 1000 years. Lovers of Chinese and Japanese poetry will delight in these translations, which capture both the elegant simplicity and emotional complexities of the originals.

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Keeley has had a life-long relationship with Greece, beginning with his childhood, when his father served in the diplomatic corp. This is his memoir of Greece, its life, culture, writers and people. It traces his childhood through the war years, when, unable to return due to the war, he became almost an exile in his home country. As an adult he returns a professor, the translator and friend of the major Greek poets, and marries a Greek woman. "Borderlines" documents a writer's search for meaning in a life influenced by often conflicting cultural values.

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Our image of Korea is shaped by the memory of the Korean War and the country's recent emergence as a fast-developing Asian industrial power. English-speaking readers are largely unaware of Korea's long literary tradition and the work of its contemporary writers. This anthology presents work by half a dozen contemporary writers, all of whom won the prestigious Korean People's Literary Award, and offers insights into this little-known culture and people. The stories, which focus on ordinary Korean people and the impact of war on their lives, are introduced by Korean scholar Dr David McCann.

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These seventy poems are masterpieces from over a thousand years of classical Chinese poetry. Beauty and simplicity meld to convey an astounding landscape with both enchanting details and breath-taking vastness. The poems constitute an anthology, given to Chinese school children as a text to aid their instruction in Mandarin, and to introduce them to China’s rich literary history. The poems are considered representative of China’s highest poetic achievements from the Han Dynasty to the Qing. We have striven to mirror the emotional state and the musical values of the originals. We chose to translate line by line, and have eschewed jumbling lines within individual poems.

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Tao Yuan-ming stands first in the line of China’s great lyric poets. Tao Yuan-ming, who lived around 400 A.D., stands first in the line of China’s great lyric poets. Just as the Impressionists taught us to see in a new way, Tao taught the Chinese a lyrical attitude toward life. Creator of an intimate, honest, plain-spoken style, Tao was a man whose life spoke as eloquently as his art. Indeed, no poet’s life and art have ever been more of a piece. Born into corrupt and turbulent times, Tao resigned his post as Magistrate, choosing to live the humble and difficult life of a farmer. He and his family would pay dearly for this choice, enduring hunger, cold and poverty. But he never wavered from it, holding steadfastly to the Confucian virtue of “firmness in adversity.” For a scholar to live this kind of reclusive life, giving up wealth and power, represented the highest moral virtue to the Chinese Tao was given the posthumous title “Summoned Scholar of Tranquil Integrity.” Integrity is certainly the first word that springs to mind in thinking of Tao.

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The Uncommon Speech of Paradise showcases the work of 120 modern and contemporary poets from seventeen countries—Seamus Heaney, Czeslaw Milosz, Pablo Neruda, and Anna Akhmatova—as well as works by such premier American poets as John Ashbery, Rita Dove, Mary Oliver, Joy Harjo, and Wallace Stevens. Together, they offer a wide variety of voices, styles, and perspectives on the theory, practice, and purpose of poetry.

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Still Life with Defeats: Selected Poems of Tatiana Oroño is the first English-language collection of Oroño’s poetry. Her poems draw on motherhood, the loses in the Uruguayan dictatorship of the 1980s and, most of all, the natural world. She is a feminist and her poems show a consciousness of her own body, of being a woman in the pain and wonder of the everyday. But most of all, Oroño has a special awareness of language as a body of its own.

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The history of modernism in Chicago, as told by the writers who were there. London, Paris, and New York all have their chroniclers, and now Chicago gets her due. A city of enormous contemporary literary vitality, it also was the home of a profoundly generative burst of creativity that helped shape modernism as we know it. Robert Alexander locates this efflorescence in its historical context, and then lets the participants speak for themselves. Part oral history, part anthology, and assembled from names well known and not (including Ford Madox Ford, Sherwood Anderson, W.E.B. DuBois, Edgar Lee Masters, and Eunice Tietjens), in A Robin’s Egg Renaissance, Alexander has assembled a chorus of voices that shaped modernist aesthetics on the shores of Lake Michigan, with after effects in places and years far beyond.

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These poems balance between the harrowing and the beautiful, hovering at the precipice where women are both horseback riding heroines and battered mothers striving to protect their homes, their children, their identities. These poems are knives thrown with precision, fairytales rendered real through the grit and dirt of the natural world surrounding their imperfect speakers. Social media helps us grieve our losses (“suicide, suicide, suicide”) and white rabbits lead us down the winding roads of our past mistakes (“Until / a man just became an escape hatch to another man, / and all the worlds were eventually the same”). Transformations abound in this collection, though not by any conventional fairytale means, as Shaindel Beers with her knife-sharp wit and even sharper intuition unveils the nuance within the nuance of any situation. These poems don’t just seek escape—they create their own worlds within the escape hatches and (re)build from there.

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No One Checks the Time When They're Happy is a collection of stories, by turns sad and funny, about the thwarted expectations of the young as they grow older. Eun Heeyung's characters are misfits who, by virtue of their bodies or their lack of social status, are left to dream of momentous changes that will never come. Unsatisfied with work, with family, and with friends, they lose themselves in diets, books, and blogs. Her work humorously but humanely depicts the loneliness and monotony found in many modern lives. Eun Heekyung is the author of thirteen books of fiction and her work has been translated into seven languages. Amber Hyun Jung Kim is a freelance translator and conference interpreter.

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A Korean voice from a new generation of cutting-edge poets that will appeal to younger writers and readers. Shim includes deeply personal poems, lyric experiments, and strong social statements that reflects the voices of a community. His grandiose illusions and underprivileged whispers challenge us to consider our relationships.

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"Postage Due is a dazzling series of necessary utterances. Wade uses the language of Christianity to section her book, fraught with joy and pain, to explore what we owe and to whom. She employs postcards, letters, and literary and pop culture heroines--most notably Oz's Dorothy--to tell and retell of the dreamlike past. In Postage Due, you will meet the (post-confessional) young lady who fell from a star."--Denise Duhamel Postage Due is a sometimes ekphrastic, often epistolary scrapbook of poetic artifacts documenting an odd girl's coming of age. Julie Marie Wade is the author of two collections of lyric nonfiction, Wishbone: A Memoir in Fractures and Small Fires.

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"I was struck by the wisdom of this work, a quiet wisdom that inheres in images so fully imagined that one can never forget them. The language has been so thoroughly purified that truth becomes, in the telling, austerely beautiful."--Jay Parini "There's no word for what Young does, only for what he accomplishes--the capturing of small, daily miracles."--Dorianne Laux Gary Young is one of the country's best known prose poets and his unique, sinuous, brief style has a flavor all its own. This collection includes work selected from six previously published volumes and two unpublished sequences of new work. Gary Young lives in Santa Cruz, California.

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Korea's Zen tradition has always been vibrant and continues to thrive today. This book gives voice to the "Zen mind" of Korea's contemporary Zen Masters, articulated through koans and excerpts of conversations in the form of brief questions and answers with students and other teachers.

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This compelling selection is the first to span fifty years of H.E. Sayeh's bearing witness to a turbulent Iranian century, especially the national crises which followed the Islamic Revolution of 1979 and the CIA-led coup d'etat of 1953. Sayeh shows tremendous range, from the inward, spare lyric to bardic incantations that roll off the tongue and resonate with the voice of the whole nation, blending traditional Persian verse in the spirit of Rumi and Hafez with issues of contemporary Iranian society. Chad Sweeney and Mojdeh Marashi have delivered exquisite translations of this important Iranian poet.

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This collection is unique in its diversity and includes voices from Europe, Asia, South America, and the United States. Poets include Nin Andrews, Robert Bly, Ale Debeljak, Russell Edson, Marie Harris, Juan Ramon Jimenez, Peter Johnson, Kim Kwang Kyu, Morton Marcus, Gabriela Mistral, Pablo Neruda, Naomi Shihab Nye, Charles Simic, Tomas Transtromer, James Wright, and many others.

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The fruits of the season, James Wright's luminous prose captures eternal moments in his travels through Italy and France.

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Two thousand years have passed since the first of these poems were composed. A new introduction prefaces this expanded edition of Andrew Schelling's remarkable translations.

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Over the past decade over 350 women around the city of Juarez, Mexico, have been raped and murdered. The remains of these brutalized young women continue to be found scattered in the parched desert, vacant city lots, and roadside ditches. Others are never found. In Secrets In The Sand, Agosin through her words and images invites her readers to bear witness to the reality that the grieving families of the disappeared and murdered young women face every day. As a poet and human rights activist Marjorie Agosin has dedicated her life's work to the search for justice and human dignity.

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This is the first complete English translation of Campos de Castilla, the book central to Machado's work, which was written between 1907 and 1917. Machado made his living as a teacher, and in 1907 he accepted a post in the isolated town of Soria in Castile. He stayed for five years, marrying and then watching as his young wife slowly died of tuberculosis. Though he moved often during the rest of his life, Castile remained his spiritual center, and the poems, many the result of long walks in the countryside, reflect the landscape there: spare and luminous. Published in a bilingual edition, this classic of Spanish literature also contains poems that address Spain's post-colonial reality and tributes to the writers, thinkers, and poets of his country.

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"Imagine Alzheimer's sufferers and their loved ones treading water in a choppy sea of exhaustion and despair. Now picture Nancy Lagomarsino's "Light From an Eclipse" as a life preserver, airborne and spinning toward them -- a missile of hope and survival. The book is, in equal measures, heartrending and celebratory of the beauty and buoyancy of life in the face of death. I read this book moved and shaken by its poetic sensibility, its wisdom and the gift of its grace." -- Wally Lamb

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Written in English but infused with a sense of Spanish rhythms and history, the 'Floating Island' is equally an echo of Whitman, Ginsberg and Walcott. 'The coffee has redeemed itself by now./ I am awake enough to see you walking/ down the street to your apartment/exhausted like a sparrow/after long work in the tenements.'

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Portraits of families from around the world by this acclaimed documentary photographer. Seventy duotones portray people acclaimed documentary photographer Milton Rogovin met as he traveled the world. These are not glitzy celebrities seen in magazines; they are common people, both working-class and poor, for whom family is true wealth. Taken over five decades, Rogovin, rather than taking candid shots or placing his subjects in a formal pose, let them determine how they would be photographed. What was created was an intimate window on their lives that revealed how they wanted to be perceived and recorded for posterity. Milton Rogovin's photographs are in many major collections, and his archives were recently acquired by the Library of Congress. A true national treasure, Rogovin, now in his ninth decade, received the W. Eugene Smith Memorial Award in 1983.

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