Search results for ""University of Georgia Press""

Looks at how the best reporters and writers craft narrative literary journalism. Matt Tullis uses the material he gathered in the more than seventy-five interviews with the best narrative and literary journalists in the US, to show how these professionals conceive and write compelling stories.

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Non-Performing Loans, Non-Performing People tells the previously untold stories of those living with mortgage debt in times of precarity and explores how individualized indebtedness can unite resistance in the struggle toward housing justice. The book builds on several years of Melissa García-Lamarca’s engagement with activist research in Barcelona’s housing movement, in particular with its most prominent collective, the Platform for Mortgage-Affected People (PAH). What García-Lamarca learned from fellow activists and the movement in Barcelona pushed her to rethink how lived experiences of indebtedness connect to larger political- economic processes related to housing and debt.The book is also inspired by feminist scholars who integrate the lens of everyday life into explorations of contemporary political economy and by anthropologists who connect macroprocesses to lived experience. Distinctive in how it integrates a racialized, gendered, and decolonial perspective, García-Lamarca’s research of mortgaged lives in precarious times explores two principal phenomena: first, how financial speculation is experienced in the day-to-day and differentially embedded in the dynamics of (urban) capital accumulation, and second, how collective action can unleash the liberating possibility of indebtedness.

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Dear Regina offers a remarkable window into the early years of one of America’s best-known literary figures. While at the University of Iowa Writer’s Workshop from 1945 to 1948, Flannery O’Connor wrote to her mother Regina Cline O’Connor (who she addressed by her first name) nearly every day and sometimes more than once a day. The complete correspondence of more than six hundred letters is housed at the Stuart A. Rose Manuscript, Archives, and Rare Book Library at Emory University. From that number, Miller selects 486 letters to show us a young adult learning to adjust to life on her own for the first time. In these letters, O’Connor shares details about living in a boardinghouse and subsisting on canned food and hot-plate dinners, and she asks for advice about a wide range of topics, including how to assuage her relatives’ concerns about her well-being and how to buy whiskey to use for cough medicine.These letters, which are being published for the first time with the unprecedented permission of the Mary Flannery O’Connor Charitable Trust, also offer readers important insights into O’Connor’s intellectually formative years, when her ideas about writing, race, class, and interpersonal relationships were developing and changing. Her preoccupation with money, employment, and other practical matters reveals a side of O’Connor that we do not often see in her previously published letters. Most importantly, the letters show us her relationship with her mother in a much more intimate, positive light than we have seen before. The importance of this aspect of the letters cannot be overstated, given that so much literary analysis conflates her and Regina with the "sour, deformed daughters and self-righteous mothers" that critic Louise Westling sees so often in O’Connor’s work.

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Oysters are humble animals yet very important. Vital to the health of our coast, this keystone species helps filter coastal waters and protects shorelines from undue erosion. In addition, oysters are a source for both food and physical shelter for a wide array of other animals as well as some plants.This book began with a federal grant to create a living shoreline, a manmade slope carefully engineered to provide optimal living conditions for oysters and that will function as a seamless part of the natural environment. Such living shorelines allow oysters to thrive while they also help protect the land from some of the problems that are increasing because of climate change.Why add a children's book to an ecological building project? Learning about oysters and their role in the environment will help our young people grow into adults who are good stewards of our planet. Understanding life cycles and the interconnections between species, no matter how small, are crucial to that outcome, and oysters are a fascinating and compelling way to explore those concepts.Includes: Full-page color illustrations throughout. Inset illustrations highlighting associated species, life-cycle stages, ecological insights, and human uses of oysters. Amazing oyster facts. Ways to help support oysters. Further reading.

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Fishing for Chickens is a well-seasoned blend of memoir and cookbook. It offers the perspective of a Bryson City, North Carolina, native on a particular portion of southern Appalachia—the Smokies. Casada serves up a detailed description of the folkways of food as they existed in the Smokies over a span of three generations, beginning early in the twentieth century. Fancy-dancy food magazines and self-ordained cuisine cognoscenti regularly rave about gustatory delights reflecting the Appalachian cooking tradition. Yet they focus on restaurants in regional cities such as Asheville and Nashville, Chattanooga and Cleveland, or even the bustling metropolis of Atlanta. Simply put, they are missing the boat, at least in Casada’s eyes. Peppered with ample anecdotes, personal memories and experiences, the wisdom of wonderful cooks, and recipes reflective of the overall high-country culinary experience, Casada’s book brings these culinary tales to life.Fishing for Chickens includes dishes that Casada has cooked and eaten, recipes handed down through family or close friends, food memories of an intensely personal nature, and an abiding love for a fast-fading way of life. In addition to twenty-four chapters focusing on such diverse topics as "Yard Bird," Nuts," and "New Year’s Fare," the author includes nearly two hundred family recipes. With his story, Casada guides readers through a fast-vanishing culinary world that merits not only recollection but preservation.

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Patrolling the Border focuses on a late eighteenth-century conflict between Creek Indians and Georgians. The conflict was marked by years of seemingly random theft and violence culminating in open war along the Oconee River, the contested border between the two peoples. Joshua S. Haynes argues that the period should be viewed as the struggle of nonstate indigenous people to develop an effective method of resisting colonization.Using database and digital mapping applications, Haynes identifies one such method of resistance: a pattern of Creek raiding best described as politically motivated border patrols. Drawing on precontact ideas and two hundred years of political innovation, border patrols harnessed a popular spirit of unity to defend Creek country. These actions, however, sharpened divisions over political leadership both in Creek country and in the infant United States. In both polities, people struggled over whether local or central governments would call the shots. As a state-like institution, border patrols are the key to understanding seemingly random violence and its long-term political implications, which would include, ultimately, Indian removal.

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Frankie Welch (1924-2021) combined a creative mind and an entrepreneurial spirit to establish herself as a leading American textile, accessories, and fashion designer in a career that spanned four decades, from the 1960s through the 1990s. This lavishly illustrated book provides a lively account of her life and career, tracing her rise from the small town of Rome, Georgia, to her role as a doyenne of fashion in the Washington, D.C., area. Featuring her scarf and fashion designs for the 1968 presidential campaigns, the history of her influential dress shop in Alexandria, Virginia, her connections to first ladies and other D.C. tastemakers, and her exuberant embrace of Americana during the U.S. Bicentennial, this history weaves Welch's personal biography into the literal fabric of our country.Frankie Welch's Americana discusses significant designs and their creation, use, and influence in detail, while highlighting how Welch embraced and promoted her role as an entrepreneur, building a niche business that capitalized on her location near Washington and her political connections. Welch was most widely known for her custom scarves, and each design offers an opportunity for readers to view the nation's recent past through the informative lens of women's fashion.Welch designed thousands of scarves for many clients, including Betty Ford, Furman University, McDonald's, the National Press Club, the Hubert Humphrey presidential campaign, the Smithsonian Institution, and the Garden Club of Georgia. Concise and well researched, Frankie Welch's Americana is the first book to document the ambition and accomplishments of one of the South's most prominent fashion authorities of the second half of the twentieth century.

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Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come.Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams.

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How to find wisdom and spiritual sustenance in a time of crisis and uncertainty? In Divine Fire, David Woo answers with poems that move from private life into a wider world of catastrophe and renewal. The collection opens in the most personal space, a bedroom, where the chaotic intrusions of adulthood revive the bafflements of childhood. The perspective soon widens from the intimacies of love to issues of national and global import, such as race and class inequality, and then to an unspoken cataclysm that is, by turns, a spiritual apocalypse and a crisis that could be in the news today, like climate change or the pandemic. In the last part of the book, the search for ever-vaster scales of meaning, both sacred and profane, finds the poet trying on different personas and sensibilities—comic, ironic, earnest, literary, self-mythologizing— before reaching a luminous détente with the fearful and the sublime. The divine fire of lovers fading in memory—"shades of the men in my blood"—becomes the divine fire of a larger spiritual reckoning. In his new book of poems, Woo provides an astonishing vision of the world right now through his exploration of timeless themes of love, solitude, art, the body, and death.

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Universities are more than engines propelling us into a bold new future. They are also living history. A college campus serves as a repository for the memories of countless students, staff, and faculty who have passed through its halls. The history of a university resides not just in its archives but also in the place itself?the walkways and bridges, the libraries and classrooms, the gardens and creeks winding their way across campus.To think of Emory as place, as Hauk invites you to do, is not only to consider its geography and its architecture (the lay of the land and the built-up spaces its people inhabit) but also to imagine how the external, constructed world can cultivate an internal world of wonder and purpose and responsibility?in short, how a landscape creates meaning. Emory as Place offers physical, though mute, evidence of how landscape and population have shaped each other over decades of debate about architecture, curriculum, and resources. More than that, the physical development of the place mirrors the university’s awareness of itself as an arena of tension between the past and the future?even between the past and the present, between what the university has been and what it now purports or intends to be, through its spaces. Most of all, thinking of Emory as place suggests a way to get at the core meaning of an institution as large, diverse, complex, and tentacled as a modern research university.

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A practical how-to guide written for discovering and enjoying reptiles and amphibians in their natural settings. This book will enhance the enjoyment of herp enthusiasts and bolster conservation efforts.

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Things New and Strange chronicles a research quest undertaken by G. Wayne Clough, the first secretary of the Smithsonian Institution born in the South. Soon after retiring from the Smithsonian, Clough decided to see what the Smithsonian collections could tell him about South Georgia, where he had spent most of his childhood in the 1940s and 1950s. The investigations that followed, which began as something of a quixotic scavenger hunt, expanded as Clough discovered that the collections had many more objects and documents from South Georgia than he had imagined. These objects illustrate important aspects of southern culture and history and also inspire reflections about how South Georgia has changed over time.Clough’s discoveries?animal, plant, fossil, and rock specimens, along with cultural artifacts and works of art?not only serve as a springboard for reflections about the region and its history, they also bring Clough’s own memories of his boyhood in Douglas, Georgia, back to life. Clough interweaves memories of his own experiences, such as hair-raising escapes from poisonous snakes and selling boiled peanuts for a nickel a bag at the annual auction of the tobacco crop, with anecdotes from family lore, which launches an exploration of his forebears and their place in South Georgia history. In following his engaging and personal narrative, we learn how nonspecialists can use museum archives and how family, community, and natural history are intertwined.

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Franklin Delano Roosevelt visited Georgia forty-one times between 1924 and1945. This rich gathering of photographs and remembrances documents the vital role of Georgia’s people and places in FDR’s rise from his position as a despairing politician daunted by disease to his role as a revered leader who guided the country through its worst depression and a world war.A native New Yorker, FDR called Georgia his “other state.” Seeking relief from the devastating effects of polio, he was first drawn there by the reputed healing powers of the waters at Warm Springs. FDR immediately took to Georgia, and the attraction was mutual. Nearly two hundred photos show him working and convalescing at the Little White House, addressing crowds, sparring with reporters, visiting fellow polio patients, and touring the countryside. Quotes by Georgians from a variety of backgrounds hint at the countless lives he touched during his time in the state.In Georgia, away from the limelight, FDR became skilled at projecting strength while masking polio’s symptoms. Georgia was also his social laboratory, where he floated new ideas to the press and populace and tested economic recovery projects that were later rolled out nationally. Most important, FDR learned to love and respect common Americans – beginning with the farmers, teachers, maids, railroad workers, and others he met in Georgia.

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Self-taught Georgia artist Eddie Owens Martin (1908-86), known as St. EOM, created a visionary art site called Pasaquan in the mid-1950s in Marion County, Georgia. Covering seven acres, this evocative and fanciful site has captured the imaginations of thousands of visitors. Pasaquan includes six buildings connected by concrete walls, all of which are adorned with the artist’s vibrant, psychedelic folk art of bold, transfixing patterns, spiritual and tribal imagery, and exuberant depictions of nature.According to St. EOM, his art arose from a vision he experienced in his mid-twenties, while suffering from a high fever. The first of many visionary experiences, it featured a godlike being who offered to be Martin’s spiritual guide. Subsequent visions inspired him to begin making art and, eventually, to create a spiritual compound dedicated to a peaceful future for humankind. St. EOM enlarged his house to twice its original size by adding a long rear section covered inside and out with his rainbow-hued murals, mandalas, and relief sculptures. On the grounds he built a series of structures including a circular dance platform, some small temples, several totems, and a two-story pagoda, all in his wildly ornamental style. He also created more than two thousand freestanding pieces, including paintings, sculptures, and drawings.In the thirty years since St. EOM’s death, the Pasaquan Preservation Society worked to preserve the compound, which had fallen into neglect. In 2014 the Kohler Foundation and Columbus State University partnered with the society to restore the visionary art site for future generations. It is now listed on the National Register of Historic Places.

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One night, poet and environmental writer John Lane tuned in to a sound from behind his house that he had never heard before: the nearby eerie and captivating howls of coyote. Since this was Spartanburg, South Carolina, and not Missoula, Montana, Lane set out to discover all he could about his new and unexpected neighbors.Coyote Settles the South is the story of his journey through the Southeast, where he visits coyote territories: swamps, nature preserves, old farm fields, suburbs, a tannery, and even city streets. On his travels he meets, interrogates, and observes those who interact with the animals—trappers, wildlife researchers, hunters, rattled pet owners, and even one devoted coyote hugger. Along the way, he encounters sensible, yet sometimes perplexing, insight concerning the migration into the Southeast of the American coyote, an animal that, in the end, surprises him with its intelligence, resilience, and amazing adaptability.

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The fifty-two paintings gathered here reveal as never before the wild beauty of Little St. Simons, an undeveloped barrier island on the Georgia coast. In showing us the island’s marshes and tidal creeks, shrub lands and forests, and dunes and beaches, artist Philip Juras helps us understand the natural and historical forces continually at work on this unique place.The Wild Treasury of Nature continues Juras’s exploration of the presettlement wilderness of the American South as the earliest naturalists would have encountered it. Strikingly composed and executed, Juras’s island paintings are based on extensive research and many hours spent at the sites he documents. From the contours of a pristine landscape down to the shape and colour of its smallest plant, each scene is a historically and ecologically credible rendering of a place that has remained miraculously unspoiled.The writings that accompany Juras’s paintings describe the natural history and unique cultural past of Little St. Simons in particular and the southern barrier islands in general, place the artwork within the American landscape painting tradition, and underscore the importance of vigilant stewardship for the island and the few remaining American places like it.

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Designed by Atlanta architect A. Thomas Bradbury and opened in 1968, the mansion has been home to eight first families and houses a distinguished collection of American art and antiques. Often called “the people’s house,” the mansion is always on display, always serving the public. Memories of the Mansion tells the story of theGeorgia Governor’s Mansion—what preceded it and how it came to be as well as the stories of the people who have lived and worked here since its opening in 1968. The authors worked closely with the former first families (Maddox, Carter, Busbee, Harris, Miller, Barnes, Perdue, and Deal) to capture behind-the-scenes anecdotes of what life was like in the state’s most public house. This richly illustrated book not only documents this extraordinary place and the people who have lived and worked here, but it will also help ensure the preservation of this historic resource so that it may continue to serve the state and its people.

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These twelve previously unpublished essays present innovative and practical ideas for addressing the harmful effects of sprawl. Sprawl is not only an ongoing focus of specialized magazines like Dwell; indeed, Time magazine has cited “recycling the suburbs” as the second of “Ten Ideas Changing the World Right Now.” While most conversations on sprawl tend to focus on its restriction, this book presents an overview of current thinking on ways to fix, repair, and retrofit existing sprawl.Chapters by planners, geographers, designers, and architects present research grounded in diverse locales including Phoenix, Arizona; Seattle, Washington; Dublin, Ohio; and the Atlanta, Georgia, and Washington, D.C. metro areas. The authors address head-on the most controversial aspects of sprawl—issues of power and control, justice and equity, and American attitudes about regulating private development. But they also put these issues in practical contexts, bringing in examples of redesign that are already occurring around the country, including the retrofitting of corridors and the repurposing of cul-de-sacs. Whether fixing sprawl requires a “cultural shift” in thinking or a “coordinated effort” by local government, these essays testify that a combination of forethought and creative thinking will be needed.

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This title focuses on a key architect in Florida's first building boom. Marion Manley (1893-1984) was Maimi's first female architect and successfully maintained an independent architectural practice in south Florida over much of the twentieth century. In this first comprehensive, illustrated work on Manley, Catherine Lynn and Carie Penabad explore the relationship of Manley's work to her life and to the broader historical moment of which she was a part, including the overall development of the city of Miami. The book catalogs all of Manley's known work, includes images and plans where available, and provides detailed examinations of what the authors consider to be her best, most emblematic work in each phase of her long career. Best known as one of the designers of the innovative University of Miami campus built just after the Second World War, Manley worked on other public buildings that are less well known, including an addition to the John Ringling Museum in Sarasota. Her residential work is interesting as well: modest and rational, with careful consideration of regional characteristics and construction appropriate to the south Florida landscape. As noted architect Elizabeth Plater-Zyberk remarks in her foreword, 'Understanding the reduced circumstances of the provenance of these buildings and their low-technology characteristics, such as rooms with cross ventilation, large areas of shaded glass, and the almost tactile relationship to the adjacent landscape, we must admire the legacy of Marion Manley'.

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Crackers in the Glade is a visually stunning account of bygone days in the Everglades. The largest remaining subtropical wilderness in the United States, the Everglades holds a unique place among all the world's wetlands. Through his writings and illustrations, fisherman, guide, and self-taught artist Rob Storter transports us to the remote, half-wild frontier of southwest Florida in the early part of the twentieth century. There, the events of any one day could include a hurricane, a face-to-face encounter with a panther, or the arrival of the latest packet from Key West.

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Richly illustrated with over 600 color photographs, this guide describes more than 1,100 wildflowers that can be found east of the Mississippi - in our woods and parks, along mountain trails or dunes, and even floating in streams. Whether you are a resident or a visitor, an amateur naturalist or a professional botanist, this guide will be a welcome addition to your library, classroom, or backpack. Wildflowers of the Eastern United States is Thorough: Covers more than 1,100 species of wildflowers found from Maine to northern Florida, including forbs, grasses, rushes, and sedges. More than 700 of these species also are found west of the Mississippi. Useful: Includes both common and scientific names. The succinct descriptions and color photographs provide the most easily recognizable characteristics necessary for positive identification of each species. Accessible: Keeps language as simple as possible so that hobbyists as well as specialists will find the book accurate and easy to use. A glossary and line drawings define and illustrate botanical terminology, and the authors provide a brief guide to plant structure. Informative: Describes range, blooming season, and typical habitat for each species. A list of plants with unusual characteristics is a further aid to identification.

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Disturbing, ironic, haunting, brutal. What inner struggles led Flannery O'Connor to create fiction that elicits such labels? Much of the tension that drives O'Connor's writing, says Sarah Gordon, stems from the natural resistance of her imagination to the obedience expected by her male-centred church, society and literary background. This text shows us a writer whose world was steeped in male presumption regarding women and creativity. The book is filled with fresh perspectives on O'Connor's Catholicism; her upbringing as a dutiful, upper-class southern daughter; her reading of Thurber, Poe, Eliot and other arguably misogynistic authors; and her schooling in the New Criticism. As Gordon leads us through a world premised on expectations at odds with O'Connor's strong and original imagination, she ranges across all of O'Connor's fiction and many of her letters and essays. While acknowledging O'Connor's singular situation, Gordon also gleans insights from the lives and works of other southern writers: Eudora Welty, Caroline Gordon and Margaret Mitchell among them.

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This work combines the drama of the author's open-heart surgery with essays on the natural world. It tells of how he slipped into depression after the operation, but recovered with the help of studies of flora and fauna of the ridge.

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Virtually every famous nineteenth-century writer (Harriet Beecher Stowe, Nathaniel Hawthorne, Ralph Waldo Emerson)— and many not so famous—wrote literature for children; many contributed regularly to children’s periodicals, and many entered the field of nature writing, responding to and forwarding the century’s huge social and cultural changes. Appreciating America’s unique natural wonders dovetailed with children’s growth as citizens, but children’s journals often exceeded a pedagogical purpose, intending also to entertain and delight. Though these volumes aimed at a relatively conservative and mostly white, middle-class, and affluent audience, some selections allowed both children and their parents room for imaginative escape from restrictive social norms. Covering a period that initially regarded children’s natural bodies as laboring resources, Stronger, Truer, Bolder traces the shifting pedagogical impulse surrounding nature and the environment through the transformations that included America’s nineteenth century emergence as an industrial power. Karen L. Kilcup shows how children’s literature mirrored those changes in various ways. In its earliest incarnations, it taught children (and their parents) facts about the natural world and about proper behavior vis-à-vis both human and nonhuman others. More significantly, as periodical writing for children advanced, this literature increasingly promoted children’s environmental agency and envisioned their potential influence on concerns ranging from animal rights and interspecies equity to conservation and environmental justice. Such understanding of and engagement with nature not only propelled children toward ethical adulthood but also formed a foundation for responsible American citizenship.

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Grave sites not only offer the contemporary viewer the physical markers of those remembered but also a wealth of information about the era in which the cemeteries were created. These markers hold keys to our historical past and allow an entry point of interrogation about who is represented, as well as how and why. Grave History is the first volume to use southern cemeteries to interrogate and analyze southern society and the construction of racial and gendered hierarchies from the antebellum period through the dismantling of Jim Crow. Through an analysis of cemeteries throughout the South—including Alabama, Florida, Georgia, Kentucky, Maryland, Missouri, and Virginia, from the nineteenth through twenty-first centuries—this volume demonstrates the importance of using the cemetery as an analytical tool for examining power relations, community formation, and historical memory. Grave History draws together an interdisciplinary group of scholars, including historians, anthropologists, archaeologists, and social-justice activists to investigate the history of racial segregation in southern cemeteries and what it can tell us about how ideas regarding race, class, and gender were informed and reinforced in these sacred spaces. Each chapter is followed by a learning activity that offers readers an opportunity to do the work of a historian and apply the insights gleaned from this book to their own analysis of cemeteries. These activities, designed for both the teacher and the student, as well as the seasoned and the novice cemetery enthusiast, encourage readers to examine cemeteries for their physical organization, iconography, sociodemographic landscape, and identity politics.

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Partners in Gatekeeping illuminates a complex, distinctly transnational story that recasts the development of U.S. immigration policies and institutions. Lauren Braun-Strumfels challenges existing ideas about the origins of remote control by paying particular attention to two programs supported by the Italian government in the 1890s: a government outpost on Ellis Island called the Office of Labor Information and Protection for Italians, and rural immigrant colonization in the American South—namely a plantation in Arkansas called Sunnyside. Through her examination of these distinct locations, Braun-Strumfels argues that we must consider Italian migration as an essential piece in the history of how the United States became a gatekeeping nation. In particular, she details how an asymmetric partnership emerged between the United States and Italy to manage that migration. In so doing, Partners in Gatekeeping reveals that the last ten years of the nineteenth century were critical to the establishment of the modern gatekeeping system. By showing the roles of the Italian programs in this migration system, Braun-Strumfels establishes antecedents for remote control beyond the well-studied Chinese and Mexican cases.

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Drawing on the work of an alliance of grassroots organisations called the Portland Harbor Community Coalition (PHCC), Erin Goodling shows how communities have come together across lines of race and class to work for a more just, green future in Portland, Oregon.

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Modern Cronies traces how various industrialists, thrown together by the effects of the southern gold rush, shaped the development of the southeastern United States. Existing historical scholarship treats the gold rush as a self-contained blip that—aside from the horrors of Cherokee Removal (admittedly no small thing) and a supply of miners to California in 1849—had no other widespread effects. In fact, the southern gold rush was a significant force in regional and national history. The pressure brought by the gold rush for Cherokee Removal opened the path of the Western & Atlantic Railroad, the catalyst for the development of both Atlanta and Chattanooga, Tennessee. Iron makers, attracted by the gold rush, built the most elaborate iron-making operations in the Deep South near this railroad, in Georgia’s Etowah Valley; some of these iron makers became the industrial talent in the fledgling postbellum city of Birmingham, Alabama. This book explicates the networks of associations and interconnections across these varied industries in a way that newly interprets the development of the southeastern United States. Modern Cronies also reconsiders the meaning of Joseph E. Brown, Georgia’s influential Civil War governor, political heavyweight, and wealthy industrialist. Brown was nurtured in the Etowah Valley by people who celebrated mining, industrialization, banking, land speculation, and railroading as a path to a prosperous future. Kenneth H. Wheeler explains Brown’s familial, religious, and social ties to these people; clarifies the origins of Brown’s interest in convict labor; and illustrates how he used knowledge and connections acquired in the gold rush to enrich himself. After the Civil War Brown, aided by his sons, dominated and modeled a vigorous crony capitalism with far-reaching implications.

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Tracing the rise in criminalization of immigrant communities, the book outlines a groundbreaking transnational ethnographic approach.

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When I went to work for Lockheed-Georgia Company in September of 1952 I had no idea that this would end up being my life’s work." With these words, Harry Hudson, the first African American supervisor at Lockheed Aircraft’s Georgia facility, begins his account of a thirty-six-year career that spanned the postwar civil rights movement and the Cold War.Hudson was not a civil rights activist, yet he knew he was helping to break down racial barriers that had long confined African Americans to lower-skilled, nonsupervisory jobs. His previously unpublished memoir is an inside account of both the racial integration of corporate America and the struggles common to anyone climbing the postwar corporate ladder. At Lockheed-Georgia, Hudson went on to become the first black supervisor to manage an integrated crew and then the first black purchasing agent. There were other "firsts" along the path to these achievements, and Working for Equality is rich in details of Hudson’s work on the assembly line and in the back office. In both circumstances, he contended with being not only a black man but a light-skinned black man as he dealt with production goals, personnel disputes, and other workday challenges.Randall Patton’s introduction places Hudson’s story within the broader struggle of workplace desegregation in America. Although Hudson is frank about his experiences in a predominantly white workforce, Patton notes that he remained "an organization man" who "expressed pride in his contributions to Lockheed [and] the nation’s defense effort.

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In 1878, Elder Joseph Standing traveled into the Appalachian mountains of North Georgia, seeking converts for the Church of Jesus Christ of Latter-day Saints. Sixteen months later, he was dead, murdered by a group of twelve men. The church refused to bury the missionary in Georgia soil; instead, he was laid to rest in Salt Lake City beneath a monument that declared, "There is no law in Georgia for the Mormons." Most accounts of this event have linked Standing’s murder to the virulent nineteenth-century anti-Mormonism that also took the life of prophet Joseph Smith and to an enduring southern tradition of extralegal violence. In these writings, the stories of the men who took Standing’s life are largely ignored, and they are treated as significant only as vigilantes who escaped justice.Historian Mary Ella Engel adopts a different approach, arguing that the mob violence against Standing was a local event, best understood at the local level. Her examination of Standing’s murder carefully situates it in the disquiet created by missionaries’ successes in the North Georgia community. As Georgia converts typically abandoned the state for Mormon colonies in the West, a disquiet situated within a wider narrative of post-Reconstruction Mormon outmigration to colonies in the West. In this rich context, the murder reveals the complex social relationships that linked North Georgians—families, kin, neighbors, and coreligionists—and illuminates how mob violence attempted to resolve the psychological dissonance and gender anxieties created by Mormon missionaries. In laying bare the bonds linking Georgia converts to the mob, Engel reveals Standing’s murder as more than simply mountain lawlessness or religious persecution. Rather, the murder responds to the challenges posed by the separation of converts from their loved ones, especially the separation of women and their dependents from heads of households.

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Television History, the Peabody Archive, and Cultural Memory is the first edited volume devoted to the Peabody Awards Collection, a unique repository of radio and TV programs submitted yearly since 1941 for consideration for the prestigious Peabody Awards. The essays in this volume explore the influence of the Peabody Awards Collection as an archive of the vital medium of TV, turning their attention to the wealth of programs considered for Peabody Awards that were not honored and thus have largely been forgotten and yet have the potential to reshape our understanding of American television history.Because the collection contains programming produced by stations across the nation, it is a distinctive repository of cultural memory; many of the programs found in it are not represented in the canon that dominates our understanding of American broadcast history. The contributions to this volume ask a range of important questions. What do we find if we look to the archive for what’s been forgotten? How does our understanding of gender, class, or racial representations shift? What different strategies did producers use to connect with audiences and construct communities that may be lost?This volume’s contributors examine intersections of citizenship and subjectivity in public-service programs, compare local and national coverage of particular individuals and social issues, and draw our attention to types of programming that have disappeared. Together they show how locally produced programs—from both commercial and public stations—have acted on behalf of their communities, challenging representations of culture, politics, and people.

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Nature and travel writer Bill Belleville has inspired and informed countless readers through his books and magazine articles. River of Lakes, praised as ""erudite"" (Publishers Weekly), and ""elegiac"" (Florida Today), has spurred a resurgence of interest in Florida's St. Johns River. A similar sense of wonder abounds in Deep Cuba (Georgia), which reveals the island's diverse marine life. In these eighteen essays and articles Belleville takes us through Florida, the Caribbean, and Latin America in quest of the distinctive, the wondrous, the threatened, and the undiscovered. His wanderings take him to the once prosperous, now submerged pirate city of Port Royal, Jamaica, and to an offshore Florida reef just in time for a night dive to witness the seldom-seen spawning of the coral. In the Dominican Republic, Belleville dives with archaeologists in search of pre-Columbian Taino artifacts, long lost in the dark depths of a sacred cenote. In Trinidad he joins the search with native fishermen for the rare golden hammerhead shark. Whether seeking the queen conch off the islands of the Turks and Caicos or the flashlight fish in Cuba's southern waters, Belleville's purpose is always more than adventure for its own sake. Hungering for the distinct sense of a place, his curiosity compels him to learn all he can about the wild secrets of the remotest landscapes, from inland jungles to teeming island waters. Belleville's language creates a dreamy double vision, blending archetype and precision so well that the reader is convinced he has not merely read about jeweled moray and pink dolphins, but floated alongside them in tropical waters. ""These tales are not hairy-chested, macho attempts to conquer snowcapped peaks, but adventures into sensuality and meaning."" - Susan Zakin, author of Coyotes and Town Dogs.

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With The Sentimental State, Elizabeth Garner Masarik shows how middle-class women, both white and Black, harnessed the nineteenth-century culture of sentiment' to generate political action in the Progressive Era.

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The burgeoning terrain of Martin Luther King Jr. studies is leading to a new appreciation of his thought and its meaningfulness for the emergence and shaping of the twenty-first-century world. This volume brings together an impressive array of scholars from various backgrounds and disciplines to explore the global significance of King—then, now, and in the future.Employing King’s metaphor of "the great world house," the major focus is on King’s appraisal of the global-human struggle in the 1950s and 1960s, his relevance for today’s world, and how future generations might constructively apply or appropriate his key ideas and values in addressing racism, poverty and economic injustice, militarism, sexism, homophobia, the environmental crisis, globalization, and other challenges confronting humanity today. The contributors treat King in context and beyond context, taking seriously the historical King while also exploring how his name, activities, contributions, and legacy are still associated with a globalized rights culture.

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Uncovers how James Oglethorpe's philosophical and moral evolution from slave trader to abolitionist was propelled by his relationships with two formerly enslaved men. His friendships' with Ayuba Suleiman Diallo and Olaudah Equiano are little-known examples of interracial antislavery activism that breathed life into the abolitionist movement.

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Introduces the remarkable story of how sheep helped shape American history from the colonial era through the early twentieth century. By introducing the readers to a cast of characters whose lives intersected with sheep, the book illuminates the roles the animals played in the growth and development of the United States.

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This collection of linked stories follows four generations of the Songs, a Korean American family, beginning in 1924 just prior to the Immigration Act and extending to near the end of the century. Linked stories, or stories that form a story cycle, are a common book-length form seen in Asian American literature that accommodates multiple perspectives across generations and locations. Through this story cycle, patterns emerge as cultural identity and individuality, often in tension with one another, shape choices and outcomes. With these stories, Carol Roh Spaulding charts shifting definitions of "Americanness" across time through the arc of a family narrative. She also explores desire and belonging as articulated, in turns, by the mother, father, granddaughter, great-grandson, and even a ghost child who died after a tragic accident. But these linked stories center on the life experiences of Gracie Song. They follow her from girlhood to young motherhood, through her children’s teenage years, and finally to her elderly solitude, when to her great astonishment she finds romance with a younger man and reconciliation with an estranged daughter—both unexpected gifts of later life.

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We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible. When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship. Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

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Final Resting Places brings together some of the most important and innovative scholars of the Civil War era to reflect on what death and memorialization meant to the Civil War generation—and how those meanings still influence Americans today. In each essay, a noted historian explores a different type of gravesite—including large marble temples, unmarked graves beneath the waves, makeshift markers on battlefields, mass graves on hillsides, neat rows of military headstones, university graveyards, tombs without bodies, and small family plots. Each burial place tells a unique story of how someone lived and died; how they were mourned and remembered. Together, they help us reckon with the most tragic period of American history. CONTRUBUTORS: Terry Alford, Melodie Andrews, Edward L. Ayers, DeAnne Blanton, Michael Burlingame, Katherine Reynolds Chaddock, John M. Coski, William C. Davis, Douglas R. Egerton, Stephen D. Engle, Barbara Gannon, Michael P. Gray, Hilary Green, Allen C. Guelzo, Anna Gibson Holloway, Vitor Izecksohn, Caroline E. Janney, Michelle A. Krowl, Glenn W. LaFantasie, Jennifer M. Murray, Barton A. Myers, Timothy J. Orr, Christopher Phillips, Mark S. Schantz, Dana B. Shoaf, Walter Stahr, Michael Vorenberg, and Ronald C. White

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Longleaf pine forests are an iconic forest of the southeastern United States. Although these forests were often called "pine barrens" by early explorers and colonists, they were far from barren. Frequent and low-intensity surface fires are fueled by the unique plant diversity of the forest itself and serve as the catalyst that perpetuates the ecosystem on which many rare species depend. With this guide, authors John McGuire, Carol Denhof, and Byron Levan reveal the forest’s unique characteristics by shining a light on its inhabitants, the ecological processes that are necessary for their survival, and how we as humans play a role in shaping this ecosystem.Covering a wide range of topics, such as the anatomy of the longleaf tree, its history (and revival), and the surrounding fauna and flora, the authors provide the general reader with a thorough understanding of a forest that used to stretch as far as the eye could see. They claim that although the remnants of this once-great longleaf pine forest exist, they are often just a reminder of its former majesty, only recognizable to the informed observer. The Forest That Fire Made is dedicated to introducing the next generation of outdoor enthusiasts to many of the unique animals and plants that their ancestors would have known. This guide includes three hundred color images of the flora and fauna that make longleaf pine forests their habitat and more than forty detailed drawings that document the most common species of animals, plants, and insects found there. It also describes more than forty longleaf pine forests to visit in nine southern states: Alabama, Florida, Georgia, Louisiana, Mississippi, North Carolina, South Carolina, Texas, and Virginia. In these preserved areas (many of which are publicly accessible), one can still experience the majesty of these once-dominant ecological communities.

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The Sum of Her Parts explores how women’s body parts and the roles/parts that women play have been deployed toward political ends. One essay examines Sarah Winchester and the lore that sprung up around her most famous—and most falsely mythologized—home, the Winchester Mystery House, to suggest that the woman and her house have been used as vessels to hold the nation’s ongoing gun guilt. Another essay springboards from a personal encounter into etymological history, tracing how the word "cunt" went from being a relatively benign description of a body part to the word the Oxford English Dictionary cites as the most vile invective in the English language. Connecting topics as diverse as bra shopping, Wonder Woman, and a Metallica rockumentary, Griffiths explores what women’s parts mean in contemporary America. Griffiths uses humor and sincerity to approach the topic of the female body through a wide variety of essay forms, blending lyric and narrative modes. Using fragmentation as well as traditional argumentation, the collection invites the reader to think ambiguously and explosively, allowing complication rather than easily connected dots. The result is a discussion of the female body that is varied, complex, nuanced, and thoughtful.

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