Search results for ""University of Alberta Press""

Translation is tricky business. The translator has to transform the foreign to the familiar while moving and pleasing his or her audience. Louise Ladouceur knows theatre from a multi-dimensional perspective that gives her research a particular authority as she moves between two of the dominant cultures of Canada: French and English. Through the analysis of six plays from each linguistic repertoire, written and translated between 1961 and 2000, her award-winning book compares the complexities of a translation process shaped by the power struggle between Canada's two official languages. The winner of the Prix Gabrielle-Roy and the Ann Saddlemyer Book Award, Dramatic Licence addresses issues important to scholars and students of Translation Studies, Canadian Literature and Theatre Studies, as well as theatre practitioners and translators. The University of Alberta Press acknowledges the financial support of the Government of Canada, through the National Translation Program for Book Publishing, for our translation activities. Foreword by E.D. Blodgett.

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That Audible Slippage invokes a poetics of active listening and environmental sound to investigate the ways in which we interact with the world, balancing perception and embodiment alongside a hypnagogic terrain of grief and mortality. Audibility is a primary theme of this collection—what can be heard, what is obstacled, and what remains unheard. Many of the poems included in the collection try to hold spaces open for the slipperiness of the heard and unheard and the not-yet heard and their associated problems: error, insufficiency, loss, incompleteness, and other affects such as fear and avoidance. “A Branch of Happen,” the opening section of award-winning poet Margaret Christakos’ collection, explores interior listening to both the self as sensation machine and the collaged external soundscape we both hear and fail to hear within the assailing violences and inequities of the news. A second suite, “Heart is a Guest Whippet Resting on a Firm Trunk,” is troubled by memories of deceased loved-ones amid the North Saskatchewan River valley and the many-layered history of amiskwaciwâskahikan (Edmonton). The fragmentary “Listening Line Notebook” multiplies the treatment of listening as a situated perceptual, sensory, and ethical process. A final long poem called “The Incubation” navigates ideas of being asleep and awake, altered and attuned, as well as spiritually dis/located in time and space. Poised within and beyond both established and emergent traditions of ecocriticism, contemporary feminisms, and experimental lyric, this intriguing and probing work of sound-illuminated poems welcomes readers into its overlapping worlds with grace.

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Kasia Van Schaik’s debut story collection follows the journey of Charlotte Ferrier, a child of divorce raised by a single mother in a small town in British Columbia after moving from South Africa. Mother and daughter wait out the end of a bad year in a Mexican hotel; a friendship is tested as forest fires demolish Charlotte’s town; a childhood friend disappears while travelling through Europe; and a girl on the beach examines the memories of dying jellyfish. The stories traverse the most intimate and transforming moments of female experience in a world threatened by ecological crisis. Longlisted for the Scotiabank Giller Prize 2023.

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You Might Be Sorry You Read This is a stunning debut, revealing how breaking silences and reconciling identity can refine anger into something both useful and beautiful. A poetic memoir that looks unflinchingly at childhood trauma (both incestuous rape and surviving exposure in extreme cold), it also tells the story of coming to terms with a hidden Indigenous identity when the poet discovered her Métis heritage at age 38. This collection is a journey of pain, belonging, hope, and resilience. The confessional poems are polished yet unpretentious, often edgy but humorous; they explore trauma yet prioritize the poet’s story. Honouring the complexities of Indigenous identity and the raw experiences of womanhood, mental illness, and queer selfhood, these narratives carry weight. They tell us “You need / only be the simple / expression of the divine / intent / that is your life.” There is a lifetime in these poems.

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Micheline Maylor’s The Bad Wife is an intimate, first-hand account of how to ruin a marriage. This is a story of divorce, love, and what should have been, told in a brave and unflinching voice. Pulling the reader into a startling web of sensuality, guilt, resentment, and pleasure, this collection asks: what if you set off a bomb in your own house? What if you lose love and destroy everything you ever knew? These poems have a disarming immediacy, full of surprising imagery, dark humour, and the bold thoughts of a vibrant and flawed protagonist. Balancing a need for wildness and the space to dwell, The Bad Wife explores the taut confines of those vivid, earthly pleasures that we all know and sometimes can’t escape. I forgot the oath: Do no harm. -from “Yesterday, I Went to the Market”

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Social Justice Poetry Spoken-word poet Valerie Mason-John unsettles readers with potent images of ongoing trauma from slavery and colonization. Her narratives range from the beginnings of the African Diaspora to the story of a stowaway on the Windrush, from racism and sexism in Trump’s America to the wide impact of the Me Too movement. Stories of entrapment, sexual assault, addictive behaviours, and rave culture are told and contrasted to the strengthening and forthright voice of Yaata, Supreme Being. I Am Still Your Negro is truth that needs to be told, re-told, and remembered. Foreword by George Elliott Clarke. I was your Negro Captured and sold I am still your negro Arrested and killed —from “I Am Still Your Negro”

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In Camouflaged Aggression in Organizations, Alexander Abdennur unveils his theory of two modes of aggression in organizations: confrontational and camouflaged. Focusing on camouflaged aggression, he describes patterns of behaviour and shows how these intersect with personality and sociocultural factors. He defines the effects of non-confrontational aggression in terms of organizational and mental health. In discussing prevention and control of this harmful behaviour, Abdennur recommends a cognitive approach to manage workplace hostility in businesses, the public sector, and not-for-profit organizations. Professionals, professors, and students of psychology, organizational behaviour, and criminology will find this a necessary and insightful resource.

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Dissonant Methods is an innovative collection that probes how, by approaching teaching creatively, postsecondary instructors can resist the constrictions of neoliberalism. Based on the foundations of Scholarship of Teaching and Learning, whereby educators are asked to explore teaching as scholarship, these essays offer concrete and practical meditations on resistant and sustainable teaching. The contributors seek to undermine forms of oppression frequently found in higher education, and instead advance a vision of the university that upholds ideals such as critical thinking, creativity, and inclusivity. Essential reading for faculty and graduate students in the humanities, Dissonant Methods offers urgent, galvanizing ideas for anyone currently teaching in a college or university. Contributors: Kathy Cawsey, Kit Dobson, Ada S. Jaarsma, Rachel Jones, Kyle Kinaschuk, Namrata Mitra, Guy Obrecht, Katja K. Pettinen, Kaitlin Rothberger, Ely Shipley, Martin Shuster

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When the Rogers Place arena opened in downtown Edmonton in September 2016, no amount of buzz could drown out the rumours of manipulation, secret deals, and corporate greed undergirding the project. Working with documentary evidence and original interviews, the authors present an absorbing account of the machinations that got the arena and the adjacent Ice District built, with a price tag of more than $600 million. The arena deal, they argue, established a costly public financing precedent that people across North America should watch closely, as many cities consider building sports facilities for professional teams or international competitions. Their analysis brings clarity and nuance to a case shrouded in secrecy and understood by few besides political and business insiders. Power Play tells a dramatic story about clashing priorities where sports, money, and municipal power meet. Foreword by Richard Gruneau.

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Why couldn’t I occupy the world as those model-looking women did, with their flowing hair, pulling their tiny bright suitcases as if to say, I just arrived from elsewhere, and I already belong here, and this sidewalk belongs to me? When her marriage suddenly ends, and a diary documenting her beloved Opa’s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi Lewis decides to retrace his journey to freedom. Travelling alone from Amsterdam to Lyon, she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis’s memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations.

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Alice Major observes the comedy and the tragedy of this human-dominated moment on Earth. Major’s most persistent question—“Where do we fit in the universe?”—is made more urgent by the ecological calamity of human-driven climate change. Her poetry leads us to question human hierarchies, loyalties, and consciousness, and challenges us to find some humility in our overblown sense of our cosmic significance. Now, welcome to the Anthropocene you battered, tilting globe. Still you gleam, a blue pearl on the necklace of the planets. This home. Clouds, oceans, life forms span it from pole to pole, within a peel of air as thin as lace lapped round an apple. Fair and fragile bounded sphere, yet strangely tough— this world that life could never love enough. And yet its loving-care has been entrusted to a feckless species, more invested in the partial, while the total goes unnoticed. — from “Welcome to the Anthropocene”

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In the aftermath of World War II, more than 4,500 Polish veterans, displaced by war and the Soviet-oriented Polish government, were resettled in Canada as farm workers; 750 of these men were accepted by the province of Alberta. Polish War Veterans in Alberta examines how these former soldiers came to experience their new country and its sometimes-harsh postwar realities. This compelling work of social history is brought to life through the words and stories of four veterans, whose remembrances provide an intimate first-hand look at a moment of Canada’s past that is at risk of being forgotten.

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Mary Schäffer was a photographer, writer, botanical painter, and mapmaker from Philadelphia, well known for her travels in the Canadian Rockies and Japan at the turn of the twentieth century. In Searching for Mary Schäffer, Colleen Skidmore takes up Schäffer’s own resonant themes—women and wilderness, travel and science—to ask new questions, tell new stories, and reassess the persona of Mary Schäffer imagined in more recent times. Public and private archival collections in the United States and Canada set the stage for this engrossing exploration of Schäffer’s creative, collaborative, and competitive enterprise amid the cultural complexities of Philadelphia’s science and photography communities, and the scientific, tourist, and Indigenous societies of the Rocky Mountains of Canada. “In this impressive book, Colleen Skidmore uses her considerable skills as a social historian of photography to shed new light on the remarkable life of Mary Schäffer. She knows the stories, the characters, and presents a social history that is fresh and convincing. Skidmore’s conclusion is brilliant and will certainly serve as a catalyst for further research and study of Mary Schäffer.” Donna Livingstone, President and CEO, Glenbow Museum

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Gisèle Villeneuve’s short stories test the elastic pull between passion and terror. For inspiration, Villeneuve turned to her personal history to examine what lures urban dwellers outdoors, to test themselves against peaks and valleys. Using the overarching metaphor of mountain climbing, she plays with form, language, and narrative to reveal our fears, our loves, our passions. Rising Abruptly is a perfect companion for anyone who likes to travel, loves a climber, or simply glories in the allure of the mountains. "Even the unassuming day trips deliver their moments. The whiteouts. The going off route. Scrambling back down on rock coated with verglas. Neither of us liking it one bit, but resolutely descending. Focusing on the moment that could change everything with one misstep. The four-hour scramble that begins on a sunny summer morning, stretching into the night to a seventeen-hour epic. There are such days, and they can happen an hour’s drive from Calgary on a relatively small mountain. Back to comfort, talking up a storm. Doing the post-mortem. Watching the tempest, still so real in our minds, relief and excitement printed on our windburned faces. Together, building story, across time and across silences. Back to comfort then acquires a whole new meaning when you bear the land deep in the bone." From “Assiniboine Crossroads”

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Flora Annie Steel (1847–1929) was a contemporary of Rudyard Kipling and rivaled his popularity as a writer during her lifetime, but her legacy faded due to gender-biased politics. She spent 22 years in India, mainly in the Punjab. This collection is the first to focus entirely on this “unconventional memsahib” and her contribution to turn-of-the-century Anglo-Indian literature. The eight essays draw attention to Steel’s multifaceted work—ranging from fiction to journalism to letter writing, from housekeeping manuals to philanthropic activities. These essays, by recognized experts on her life and work, will appeal to interdisciplinary scholars and readers in the fields of British India and Women’s Studies. Contributors: Amrita Banerjee, Helen Pike Bauer, Ralph Crane, Gráinne Goodwin, Alan Johnson, Anna Johnston, Danielle Nielsen, LeeAnne M. Richardson, Susmita Roye

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On June 23, 1985, the bombing of Air India Flight 182 killed 329 people, most of them Canadians. Today this pivotal event in Canada’s history is hazily remembered, yet certain interests have shaped how the tragedy is woven into public memory, and even exploited to advance a strategic national narrative. Remembering Air India insists that we “remember Air India otherwise.” This collection investigates the Air India bombing and its implications for current debates about racism, terrorism, and citizenship. Drawing together academic analysis, testimony, visual arts, and creative writing, this innovative volume tenders a new public record of the bombing, one that shows how important creative responses are for deepening our understanding of the event and its aftermath. Contributions by: Cassel Busse, Chandrima Chakraborty, Amber Dean, Rita Kaur Dhamoon, Angela Failler, Teresa Hubel, Suvir Kaul, Elan Marchinko, Eisha Marjara, Bharati Mukherjee, Lata Pada, Uma Parameswaran, Sherene H. Razack, Renée Sarojini Saklikar, Maya Seshia, Karen Sharma, Deon Venter, Padma Viswanathan

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Tar Wars offers a critical inside look at how leading image-makers negotiate escalating tensions between continuous economic growth mandated by a globalized economic system and its unsustainable environmental costs. As place branding assumes paramount importance in an increasingly global, visual, and ecologically conscious society, an international battle unfolds over Alberta’s bituminous sands. This battle pits independent documentary filmmakers against professional communicators employed by government and the oil industry. Tar Wars engages scholars and students in communications, film, environmental studies, social psychology, PR, media and cultural studies, and petrocultures. This book also speaks to decision makers, activists, and citizens exploring intersections of energy, environment, culture, politics, economy, media and power.

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Lisa Martin’s new poetry collection seeks the kind of lyric truth that lives in paradox, in the dwelling together of seeming opposites such as life and death, love and loss, faith and doubt, joy and sorrow. Here readers will find a range of moods, tones, and subjects, as well as both traditional and contemporary forms—from sonnets to prose poems. This is a collection imbued with the light of an enduring, if troubled, faith. With its focus on spirit, ethics, and how to live well, Believing is not the same as Being Saved offers a tender meditation on the moments that make a life. There’s a way of speaking as if the difference matters, as if the road home is finite—everything begins and ends somewhere, like your hand in mine, or how last light fractures in the limbs of pine—while beyond my window, a coyote follows a trail into the dusk that only it can see. — from "Map for the road home"

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“…the proverb says that whoever sees the world from the back of an elephant learns the secrets of the jungle and becomes a seer. I had to be content to become a poet.” —Lawrence Durrell Best known for his novels and travel writing, Lawrence Durrell defied easy classification within twentieth-century Modernism. His anti-authoritarian tendencies put him at odds with many contemporaries—aesthetically and politically. However, thanks to a compelling recontextualization by editor James Gifford, these thirty-eight previously unpublished and out-of-print essays and letters reveal that Durrell’s maturation as an artist was rich, complex, and subtle. Durrell fans will treasure this selection of rare nonfiction, while scholars of Durrell, Modernist literature, anti-authoritarian artists, and the Personalist movement will also appreciate Gifford’s fine editorial work. Foreword by Peter Baldwin. “Gifford’s scholarly command of the archives shows—especially his working intimacy with the unpublished archived words of Durrell’s editors, publishers, and collaborators. I have no doubt that this collection will serve as a starting point for any number of new critical ventures into the life and writing of Lawrence Durrell.” —Charles Sligh, University of Tennessee at Chattanooga

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People across Canada’s North have created vibrant community institutions to serve a wide range of social and economic needs. Neither state-driven nor profit-oriented, these organizations form a relatively under-studied third sector of the economy. Researchers from the Social Economy Research Network of Northern Canada explore this sector through fifteen case studies, encompassing artistic, recreational, cultural, political, business, and economic development organizations that are crucial to the health and vitality of their communities. Care, Cooperation and Activism in Canada’s Northern Social Economy shows the innovative diversity and utter necessity of home-grown institutions in communities across Labrador, Nunatsiavut, Nunavik, Nunavut, Northwest Territories, and Yukon. Readers, researchers, and students interested in social economy, Aboriginal studies, and northern communities will find much to enjoy and value in this book. Contributors: Frances Abele, Jennifer Alsop, Matthew A. Beaudoin, Jean-Sébastien Boutet, Julia Christensen, Cédric Drouin, Moses Hernandez, Noor Johnson, Sheena Kennedy Dalseg, Frédéric Moisan, Joseph Moise, Rajiv Rawat, Jerald Sabin, Chris Southcott, Kiri Staples, Lucille Villaseñor-Caron, Valoree Walker

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“Of all the crimes to which Palestinians have been subjected through a century of bitter tragedy, perhaps none are more cruel than the silencing of their voices. The suffering has been most extreme, criminal, and grotesque in Gaza, where Ghada Ageel was one of the victims from childhood. This collection of essays is a poignant cry for justice, far too long delayed.” —Noam Chomsky There are more than two sides to the conflict between Palestine and Israel. There are millions. Millions of lives, voices, and stories behind the enduring struggle in Israel and Palestine. Yet, the easy binary of Palestine vs. Israel on which the media so often relies for context effectively silences the lived experiences of people affected by the strife. Ghada Ageel sought leading experts—Palestinian and Israeli, academic and activist—to gather stories that humanize the historic processes of occupation, displacement, colonization, and, most controversially, apartheid. Historians, scholars and students of colonialism and Israel-Palestine studies, and anyone interested in more nuanced debate, will want to read this book. Foreword by Richard Falk. Contributors: Yasmeen Abu-Laban, Ghada Ageel, Huwaida Arraf, Abigail B. Bakan, Ramzy Baroud, Samar El-Bekai, James Cairns, Edward C. Corrigan, Susan Ferguson, Keith Hammond, Rela Mazali, Sherene Razack, Tali Shapiro, Reem Skeik, Rafeef Ziadah.

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“A visitor from down south stared at my apple tree and said: ‘Those don’t grow here you know. It’s too cold.’ If the apricot tree in Highlands knew it couldn’t live here, it might stop scattering white blossoms over three lawns.” – Bert Almon Edmonton has a rich and diverse horticultural history. Vacant lot gardeners, rose gardeners, and horticultural societies have all contributed to the beautification of the capital city of Alberta, and through the enthusiasm of florists, seedsmen, and plant breeders the city has developed a distinct horticultural character. In this collection of nine essays, each with a different theme, Kathryn Chase Merrett depicts the development of Edmonton’s social, cultural, and physical landscape as it has been shaped by champions of both nature and the garden. Edmontonians and all urbanites interested in gardening and local history, as well as professors and students of history, cultural studies, and urban design, will delight in the colourful storytelling of Why Grow Here.

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A peasant in peaked hat and blue shirt, with trousers rolled up high above his bare knees, crossed the road and silently examined the tricycle. “You have a good horse,” he then said; “it eats nothing.” —from An Italian Pilgrimage The 1880s was an exhilarating time for cycling pioneers like Elizabeth and her husband Joseph. As boneshakers and high-wheelers evolved into tandem tricycles and the safety bike, cycling grew from child’s play and extreme sport into a leisurely and, importantly, literary mode of transportation. The illustrated travel memoirs of “those Pennells” were—and still are—highly entertaining. They helped usher in the new age of leisure touring, while playfully hearkening back to famous literary journeys. In this new edition, Dave Buchanan provides rich cultural contexts surrounding the Pennells’ first two adventures. These long out-of-print travel memoirs will delight avid cyclists as well as scholars of travel literature, cycling history, women’s writing, Victorian literature, and illustration.

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Fear and embarrassment prevent frank and meaningful communication on the topic of sex. Participatory theatre can break the uncomfortable silence, and with over 700 performances across Canada, Jane Heather's award-winning play Are We There Yet? has been an effective tool for teaching teen sexuality since 1998. The play and accompanying educational program were the subject of a major impact assessment where researchers from many disciplines examined how and why theatre can make change. This comprehensive, well-organized volume by two leading experts in community-based theatre offers a rich diversity of material and analysis. Theatre, Teens, Sex Ed will be a valuable resource for academics, practitioners, and specialist readerships in the fields of theatre, sex education, sociology, and public health. The play appears in the volume and is available separately as a reproducible PDF. A video production of examples of theatrical participation is included on a pocketed DVD. Contributors: Shaniff Esmail, Brenda Munro, Tracy L. Bear, James McKinnon, and the Are We There Yet? Community-University Research Alliance. Jan Selman is Professor in the Department of Drama at the University of Alberta in Edmonton. She directs contemporary and original theatrical work. Jane Heather is a playwright and Associate Professor in the Department of Drama at the University of Alberta. Both have worked extensively creating theatre for change in collaboration with communities.

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"The miracle of the preserved word, in whatever medium—print, audio text, video recording, digital exchange—means that it may transfer into new times and new places." —From the Introduction Margaret Mackey draws together memory, textual criticism, social analysis, and reading theory in an extraordinary act of self-study. In One Child Reading, she makes a singular contribution to our understanding of reading and literacy development. Seeking a deeper sense of what happens when we read, Mackey revisited the texts she read, viewed, listened to, and wrote as she became literate in the 1950s and 1960s in St. John’s, Newfoundland. This tremendous sweep of reading included school texts, knitting patterns, musical scores, and games, as well as hundreds of books. The result is not a memoir, but rather a deftly theorized exploration of how a reader is constructed. One Child Reading is an essential book for librarians, classroom teachers, those involved in literacy development in both scholarly and practical ways, and all serious readers. Foreword by Roberta Seelinger Trites.

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Over the course of fifty years, distinguished Staff Sergeant (retired) of the Royal Canadian Mounted Police, Alert Henry (Al) Lund amassed the largest ever collection of Mountie books, magazines, and comics. From a collection of thousands, he selected approximately one hundred of his favourites for the exhibition and catalogue. In the books, magazines, and comics, the artists and illustrators have captured the image of the Mountie in a variety of styles and have often depicted him as a Canadian hero and world icon. Lund’s collection was donated to the University of Alberta Libraries and will be on display at Bruce Peel Special Collections in 2017 (bpsc.library.ualberta.ca).

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Although its mission and centrality to teaching and research remain fundamentally unchanged, the University of Alberta Library of today bears scant resemblance to its earliest incarnations. During its first century, it weathered frequent moves and much adversity, and witnessed many changes within the University and the world at large, as it gradually evolved into one of North America's largest academic research libraries. But throughout those 100 years, the commitment and dedication of its staff to service, innovation, and occasionally improvisation, have remained constant. This Centenary publication from The University of Alberta Library will enlighten fellow librarians, institutional historians, and friends of The University of Alberta.

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Showcasing archival materials from the early years of John Martin's Black Sparrow Press, this catalogue brings to light the collaborative relationship between writers, editors, designers, and presses. Prominently featured are the works of poets Charles Bukowski, Robert Creeley, John Ashbery, and others. The exhibit, which took place at the University of Alberta's Bruce Peel Special Collections Library (home of the Black Sparrow Press Archive), was curated by twelve University of Alberta graduate students under the guidance of Dr. Michael J. O'Driscoll of the Department of English and Film Studies.

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The Hogarth Press is perhaps most famous for its association with Virginia Woolf, as she was both a partner in the Press and its most important author. But there is more to the Press than Woolf herself. This catalogue, published to accompany a 2009 exhibit at the University of Alberta's Bruce Peel Special Collections Library, highlights the broad international scope of the Hogarth Press, as well as the variety of genres and surprisingly diverse range of titles it published.

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Randolph Caldecott (1846-1886) was a pioneer in the way he charmed his young readers with an innovative and engaging aesthetic approach to the picture book genre. In celebration of this remarkable achievement, Desmarais offers a convincing account of how Caldecott established a new standard of taste in children's picture books. The featured books are from the author's personal collection.

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Annotated list of materials related to the development and operation of pulp mills in northern Alberta.

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Censorship and book burning are still present in our lives. Lawrence Hill shares his experiences of how ignorance and the fear of ideas led a group in the Netherlands to burn the cover of his widely successful novel, The Book of Negroes, in 2011. Why do books continue to ignite such strong reactions in people in the age of the Internet? Is banning, censoring, or controlling book distribution ever justified? Hill illustrates his ideas with anecdotes and lists names of Canadian writers who faced censorship challenges in the twenty-first century, inviting conversation between those on opposite sides of these contentious issues. All who are interested in literature, freedom of expression, and human rights will enjoy reading Hill's provocative essay.

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Scholar and diplomat Brian L. Evans gives us the first English-language biography of Chester A. Ronning (1894-1984): diplomat, politician, educator, and one of Canada's major public figures. This fascinating story depicts Ronning, the man who received many honours, and deepens readers' knowledge of Canada's post-World War II diplomacy and Canada-China relations. Ronning was an extraordinary Canadian who combined Chinese sensibility with Norwegian calm practicality and American drive. His life journey was entwined with the history of China over many decades. Based on written materials, historical documents, and many hours of interviews with Ronning, his friends, and fellow politicians, The Remarkable Chester Ronning offers both a thorough and entertaining biography and a lens through which to view international politics.

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Melissa Morelli Lacroix explores the love and longing, loss and pain, grief and healing found in the music of Frédéric Chopin, Clara Schumann, and Claude Debussy in a series of poetic cycles that respond to each composer’s work. Lacroix writes with her ear finely tuned to the music of death and decay, to the harmonies and discords of music, nature, and human desire. Always, in A Most Beautiful Deception, we find the chords of love and devotion being torn apart by the deterioration of the body. Lacroix uses her research into the composers’ lives to add layers and nuance, thus creating a complex triangle between the reader, the music, and the poet. Woven almost imperceptibly into these accounts of three composers and their respective fights against the decay of the body and the mind, lies the thread of the poet’s own relationships and loss.

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you can't stop it. everyone's expendable, James. everyone's replaceable. even you. especially you. In a penetrating, violent, sexy, and often hilarious apocalypse, a world-famous superspy meets his demise at the hands of an audacious, painstaking poet. Kimmy Beach fuses popular culture and narrative poetry to astonishing effect in this, her fifth book. Feasting on the tropes, traps, and types of the James Bond mythos and doubling back on the incendiary narrative of Nikos Kazantzakis' The Last Temptation of Christ, Beach and her cast of loved-and-left Bond Girls dismantle the man and his mysteries. Fans of Beach's tenacious poetry and readers seeking redemption in explosive narrative and fearless wit will love The Last Temptation of Bond.

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Jenna Butler draws on her own experiences of her grandmother's disappearance into senile dementia to reassemble a sensual world in longpoem form that positively crackles with imagery and rhythm. Identities and memories flow and flicker as she strings together fragments of narrative into stories that comprise one woman's life. It entwines her disappearing life with that of the persona of the woman's granddaughter through a choreographed confusion of identities: of she's and I's. Few poets could execute this with convincing solemnity, while simultaneously recovering the dignity of the sufferer and her loved ones. Butler does. Poetry lovers, critics and scholars, and readers who crave a deft style charged with honest emotion should read Wells.

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This is the first in-depth analysis of major French- and English-Canadian news companies to show the impact of cross-media ownership on the diversity of new content. Surprisingly, the study lays to rest fears over content convergence of newspaper and television network ownership by Canadian media giants Canwest Global, CTVglobemedia, and Quebecor. Content-sharing between newspaper and television properties of these giant companies did not occur. This leads the authors to examine why, and to assess problems that mass media in Canada will likely face in the coming years, particularly as newsrooms strive to adapt to new media and the online environment. Policy makers, media executives, and journalism students and professors will find this study invaluable.

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