Search results for ""Turner Publicaciones, S.L.""
Turner Publicaciones, S.L. Espejo y reino / Ornamento y Estado: Álvaro Perdices
This book brings together a wide series of photographs that travel through unknown times and places in the Salón de Reinos, the former Army Museum in Madrid. The images of Álvaro Perdices constitute an archive and visual device that reveals the corners, the absences, the shields without weapons, the empty showcases, the reflection of the intruders or the feasts that have gathered in the remains of the old palace of Felipe IV. The approaches of this art and archive project delve into the ruptures and changes of this state building and its symbols over time. Texts by Juan Herreros, María Virginia Jaua, María Dolores Jiménez-Blanco, Manolo Laguillo, Álvaro Perdices and Manuel Segade. In co-edition with the CA2M, Centro de Arte Dos de Mayo, Madrid. Text in English and Spanish.
£21.60
Turner Publicaciones, S.L. Armando Romero
Armando Romero's paintings often juxtapose his re-painting of historical works by Old Masters like Velazquez, Bosch, and Veronese with images from popular culture; consequently, the adjective most commonly used to describe his work is 'irreverent.' This practice is typified in series like Las Nuevas Tentaciones De San Antonio (2000) in which he re-paints and re-presents Bosch's triptych The Temptations of St. Anthony (1501) but in addition to the fantastic imagery typical of Bosch already in the original, Romero adds Tweety, Pokemon, various Looney Tunes and Disney characters - Daffy Duck, Porky Pig, Bugs Bunny, Woody Woodpecker, and Goofy - superheroes including Superman, Spiderman, and the Fantastic Four, the Jetsons, Topcat, Penelope Pitstop, the Flintstones, Smurfs, the gang from Scooby-Doo and Jerry from Tom and Jerry. At first glance, irreverent certainly seems like an appropriate description of such work but further consideration of his historical source here - particularly because Romero frequently returns to Bosch - suggests that we consider not only quite how irreverent describe the work of an artist as irreverent in the 21st century.
£22.50
Turner Publicaciones, S.L. Cinthia Marcelle: A Conjunction of Factors
This volume offers a survey of the last 20 years of work from Brazilian multimedia artist Cinthia Marcelle (born 1974), who is known for her collaborative and action-based projects aimed at disrupting existing social and political systems. Text in English and Spanish.
£27.90
Turner Publicaciones, S.L. Adrián Fernández: Memorias pendientes / Pending Memories
Latest production of Cuban artist, Adrián Fernández, concerned with the impact of material culture, history and memory on contemporary man. Interested in the symbols that represent ideologies and that construct collective identities, he searches in his photography for the memory of the historical past and its impact on his cultural present. His work is organised in series that sometimes interconnect and complement each other. Each new series is a consequence of the previous one, with similar concerns and interests, from black and white photography with a documentary perspective, to studio photography, to the use of digital media and colour photography. His sculptural work is developed in installations, in which he uses assemblage and welding of metal and carbon steel. Text in English and Spanish.
£21.60
Turner Publicaciones, S.L. Nuances of Latin American Art: Matices del arte en América latina
Is there such a thing as Latin American Art? Does it need this label in a global art world? It is, of course, clear that there is no such thing, just as there is no African nor European art. It would be interesting though to include Caribbean art (which of course doesn't exist either) and talk about specific forms of creolization in the way that Edouard Glissant means it from a global perspective that is not just Western. If we look at different artistic expressions in different local contexts within a geographic and linguistic area called Latin America, the insights we get are very interesting. It might remind us of a kaleidoscope, an ever changing, glittering flux of perspectives on a fluid carrier medium. Through extensive field research involving travel in Argentina, Brazil, Colombia, Honduras, Mexico and Peru, I have been seeking to answer these questions and go into the Looking Glass. Those journeys have included connecting as much as possible with locals and investigating the subject of visual culture through them. In order to learn about local traditions, I have explored a small portion of the Amazonas on the border of Tres Fronteras, and stayed with an indigenous family on one of the Islands of Lake Titicaca. Additionally, in Peru I visited the art school in Cusco which is famous for the Cuzco School paintings. Whether in rural settings or the urban landscapes of Latin America, my approach has always been to be humble, to listen and learn, aware that my perspective is that of a Western woman. The discovery of immense cultural diversity intensely broadened my horizons. In order to develop an understanding of Latin American art, I have realized that attempting to describe it requires an open mind that stretches beyond any pre-conceived Eurocentric notions. Only then it is possible to appreciate the enormous variety of artistic expressions and contexts throughout multiple Latin American regions. The projects described here reflect fifteen collaborations that were carried out, over a period of six years involving thirty-four artists. In some cases, the exchanges included galleries in various Latin American countries. The themes explored were diverse and varied. They ranged from the abstract and highly conceptual to the more tangible and material. Together, the culminating exhibitions have each contributed to exploring essential questions about Latin American Art. The answers, however, are far from simple or complete. Beyond the collection gathered here, the process of discovery continues. So far, I have only witnessed the seedlings of my understanding beginning to emerge. During the process of trying to better understand Latin American Art and through producing exhibitions in Switzerland, as well as curating content in Mexico City and Brazil, it has become clear that cultural bridges can be built through the universal interests that inform artistic expression. These successful projects have demonstrated enormous potential for future artistic collaborations of all sorts. The possibilities are endless. - Andrea Hinteregger De Mayo, 2018. Text in English and Spanish.
£24.29
Turner Publicaciones, S.L. María Teresa Hincapié: If This Were a Principle of Infinity
Colombian artist María Teresa Hincapié (1956–2008) was one of the most influential figures of Latin American body art. This volume accompanies an exhibition at MACBA in Barcelona documenting her performances and installations. Text in English and Spanish.
£27.90
Turner Publicaciones, S.L. 100 Years Spanish Pavilion Venice Biennale, 1922-2022
2022 marks the 100th anniversary of the construction of the Spanish Pavilion at the Venice Biennale. The work carried out in these hundred years has contributed to the construction and consolidation of the image of Spain as a cultural power in the international arena, projecting, in one of the best world artistic showcases, the excellence of Spanish contemporary art. In this first century of history, the Spanish Pavilion has seen different styles, evolutions and artistic changes pass through its walls, whose dynamics have been possible thanks to the work of the curators who promoted and continue to promote a “pluralism of voices” that characterises the essence of the Biennale. This book includes extensive graphic documentation that is the result of exhaustive research work. Never before has so much documentation of interest on the history of the building and the exhibitions that took place within its walls over these years been jointly published. Text in English and Spanish.
£30.60
Turner Publicaciones, S.L. Where Art Lives in Latin America: Onde Vive a Arte na América Latina
Where Art Lives in Latin America has as its starting point the countless ways of exposing and showing contemporary art today. In addition to the traditional museum concept, with its program of temporary exhibitions and permanent collection, in recent decades other formats have emerged that conduct contemporary art thinking and doing, including foundations, artistic residencies, independent art spaces, sculpture parks, among others. The book brings the reader a selection of 35 spaces for creation and exhibition in Latin America that are a reference for the development of the state of the art not only in the region but worldwide, each in its own way. Composed of images from each space and exclusive interviews with their respective directors and curators, the publication brings together unavoidable and original places that today represent the greatest poles of thought and avant-garde in contemporary Latin American art. Text in English, Portuguese and Spanish.
£36.00
Turner Publicaciones, S.L. Sigfredo Chacón - Crossings
Chacón's work can be read as a pictorially narrated story of the problems of modern and contemporary painting. Throughout his career, genres and aesthetics are transgressed in his artistic production, "pure" painting is invaded by conceptual art or becomes an installation, and the most radical geometry shares the stage with abstract expressionism. This book is the most complete editorial work dedicated to the artist, one of the main protagonists of contemporary Venezuelan and Latin American art. It contains critical texts by authors of international and national prestige, such as Jesús Fuenmayor, Dan Cameron, Nadja Rottner and Félix Suazo; it also includes a complete interview with the artist by graphic designer and curator Álvaro Sotillo and a detailed chronology by Israel Ortega and Leonor Solá. Illustrated with numerous reproductions of his works and a selection of previously unpublished historical photographs, it is destined to become an essential bibliographical reference.
£35.00
Turner Publicaciones, S.L. If I Lose Memory: Twenty Contemporary Cuban Artists
In this volume Corina Matamoros brings together some of the most outstanding creators of the Cuban contemporary artistic scene, with essays that reveal a sharp curatorial perspective. Emerging, for the most part, from shows organised at the National Museum of Fine Arts (Havana), these texts examine the personal poetics of the authors, while revealing the intense consonance that has existed between their brilliant artistic productions and the sustained and faithful welcome they have received in the collections of the National Museum, to which the author has dedicated her professional life. Creators such as José Toirac, Los Carpinteros, Lázaro Saavedra, Carlos Garaicoa, Abel Barroso, Aimée García, Sandra Ramos, Kcho, Eduardo Ponjuán, José Manuel Fors, and Gustavo Pérez Monzón, among others, are treated, according to the prologue by Dr. Juan Martínez, with vibrant prose, intelligence, and haiku economy. If I Lose Memory is an excellent addition to the corpus of literature on Cuban contemporary art. Text in English and Spanish. Contents: Prologue; JOSÉ MANUEL FORS | A Pike in Flanders; CARLOS GARCÍA | A History of Abstractions; SANTIAGO RODRÍGUEZ OLAZÁBAL | Between Heaven and Earth; JOSÉ TOIRAC | Coming Back; ALFREDO RAMOS | Vestiges; LOS CARPINTEROS | Inventing the World; CARLOS GARAICOA | The Architecture of the Amends; TANIA BRUGUERA | The Transposed Heads; ABEL BARROSO | Against the Borders; KCHO | The Drunken Boat; SANDRA RAMOS | Nautilus; EDUARDO PONJUÁN | Kiss Me again; ERNESTO RANCAÑO | Critical Biography Sketch; ROCÍO GARCÍA | If I Lose Memory; AIMÉE GARCÍA | A Cautious Deception of Meanings; RENÉ FRANCISCO RODRÍGUEZ | He Shaves His Body Self-Confidently; GLENDA LEÓN | Vital Signs; GLEXIS NOVOA | The Landscape and the Window; LÁZARO SAAVEDRA | The Lines Are Congested; GUSTAVO PÉREZ MONZÓN | Man, the Chosen Number; Artists Biographies.
£20.70
Turner Publicaciones, S.L. Arnaldo Coen
Arnaldo Coen (1940) is one of the most prominent Mexican artists. As a result of his restless, transgressive and irreverent creativity, his work has never ceased to be fresh. He has made important individual exhibits in the Museum of Modern Art and in the National Hall of the Palace of Fine Arts. His work has been exhibited in Asia, Europe, Africa, and Latin America, featuring in important collections and exhibitions in different cultural venues such as the Museum of Modern Art, Tlatelolco Cultural Center, Museum of Contemporary Art, Isidro Fabela Cultural Center, Museum of Mexican Art in Chicago and the Bank of Mexico, to name a few. This award winning artist has also been the focus of several recognised art critics such as Octavio Paz, Raquel Tibol, Carlos Monsivais, Juan Garcia Ponce, Salvador Elizondo, Teresa del Conde, Sigrunn Paas, Josephine Siller. Arnaldo Coen is the first monograph covering the artist's pictorial and sculptural works from the 1960s to date, with some 300 images complementing this contemporary, provocative and irreverent compendium of Coen's legacy.
£32.40
Turner Publicaciones, S.L. Iconocracia
Iconocracia uses photography to bring together approximately thirty creators of Cuban art from several generations who, despite their wide-ranging differences in biography, aesthetics and even politics, coincide in challenging what has been assimilated as Cuban photography and disseminated as such. The book is a collection of work by a series of artists who have managed to take in and process iconography with the steadfast goal of building, more than just an image, but a different imagery altogether from their individual positions and particular viewpoints. However, it also explores the very limits of photography as an act: the text by Ivan de la Nuez seeks to find a location other than the photographer's stance, radically stirring up what is usually considered to be a photographic object.
£19.35
Turner Publicaciones, S.L. Lucien Herve: White Spain and Black Spain
Lucien Hervé (1910-2007) was one of the great architectural photographers of the 20th century. His methodological and conceptual patterns were reflected in his work, which includes a long collaboration with Le Corbusier. In 1958 he launched the project for a photobook on the monastery of El Escorial commissioned by the RM publishing house in Barcelona, and a year later, during a trip around Spain, a second commission on popular Mediterranean architecture arose. Although they remained unpublished, both works were the object of constant revision by the photographer throughout his life. Sixty years later, both photobooks are published, preceded by specialised texts by architects Javier Mosteiro and Marco Iuliano. The publication is completed by a volume in which Iñaki Bergera and art historian Horacio Fernández offer us an overview of the artist's life and investigate the relationship between these two projects. Text in English and Spanish. Contents: Volume 1: Prefacio / Preface - Judith Hervé; Hervé en España. Blancos y negros, luces y sombras / Hervé in Spain. Whites and Blacks, Lights and Shadows; - Iñaki Bergera; Rigor y tijeras / Rigueur and Scissors - Horacio Fernández. Volume 2: Mediterránea / Mediterranean - Marco Iuliano; Arquitectura popular española / Spanish Popular Architecture - Lucien Hervé. Volume 3: El Escorial, a la luz -y contraluz- de Lucien Hervé: imágenes y reflexiones / El Escorial in the Light - and the Backlight - of Lucien Hervé: Images and Reflections - Javier Mosteiro; El Escorial - Lucien Hervé. Published to accompany an exhibitions at PhotoEspaña, Galería José de la Mano, Madrid, from 5 June to 31 July 2019.
£27.00
Turner Publicaciones, S.L. Ignasi Aballí: Corrección / Correction
Spain attended the 59th edition of the Venice Biennale with the artist Ignasi Aballí, with a solid and long career, and with a proposal curated by Bea Espejo, a great connoisseur of the artist’s work. In Corrección / Correction, Ignasi Aballí dialogues with the architectural space of the Spanish pavilion, making his project an opportunity to investigate the places that surround us. With his intervention he modifies the space of the Pavilion itself and, by extension, its location in the Biennial and its relationship with the city. The book includes texts by curator Bea Espejo, writer Ruth Estévez, publisher Moritz Küng, artist Alejandro Cesarco and a conversation between Aballí and Manuel Borja-Villel, director of the MNCARS. In co-edition with AECID. Text in English and Spanish.
£37.80
Turner Publicaciones, S.L. Sordo Madaleno: Urban transformation
In its 85th year of existence, the architectural practice founded in 1937 by a very young Juan Sordo Madaleno, has decided to publish this unconventional monograph which compiles the most ambitious projects built (and not built) within the context of the transformation, and which at the same time reflect and determine the evolution urban and rural landscapes of post-revolutionary Mexico. From the very first constructions, the firm has been a pioneer not only in the erection of modern buildings, but also in inherently urban architectural designs, fundamental components of overlapping urban scales. This book includes contributions from some of the leading thinkers in urban architecture today, highlighting the commitment that has guided a unique family of architects for three generations.
£36.00
Turner Publicaciones, S.L. Pangolin
Shortly after the beginning of the Covid-19 lockdown, Iran do Espírito Santo, in São Paulo, contacted Enrique Juncosa, in Mallorca, proposing to collaborate on a book. It so happened that Juncosa had started some poems in prose related to travels based on personal memories and imagination, and which referred to a way of life that was suddenly suspended. He wrote 40 poems, suggesting the idea of quarantine, encompassing quarantine, encompassed under the title Pangolin, an animal pointed out as the initial propagator of the virus. Do Espírito Santo made 40 watercolours, one per poem, related to the text, although not always in an evident way, suggesting an inner journey. Floating images in a white space, abstract and geometric in origin, with the delicacy of oriental miniatures. Text in English and Spanish.
£31.50
