Search results for ""The Indigo Press""

An extraordinary memoir of anticipatory grief, seventy-two minutes of life and a silent maternity leave, from artist and academic Tamarin Norwood. A few months into pregnancy, Tamarin Norwood learned that the baby she was carrying would not live. Over the sleepless weeks that followed, Tamarin, her husband and their three-year-old son tried to navigate the unfamiliar waters of anticipatory sorrow and to prepare for what was to come. Written partly during pregnancy and partly during the silent maternity leave that followed, The Song of the Whole Wide World is an emergency response to grief held somewhere between the womb, the grave and the many stories that bind them: stories drawn from medical science, poetry, liturgy, vivid waking dreams of underwater life, and knowledge held deep within the body. This profoundly moving and intimate account offers a lyrical and fearless meditation on birth, death, and the possibilities of consolation.

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Moscow, 1985. Four teenagers – Anya, Milka, Petya and Aleksey, whose lives, like those of their Western counterparts, are fuelled by sex, alcohol and cigarettes – yearn for a world of Levi’s, Queen, foreign travel and the freedom to choose their fates. Instead, they encounter heartbreak and tragedy, while all around them Soviet policies, cruel but familiar, are giving way to untested concepts such as glasnost and perestroika and a brief flourishing of hope before the next repressive regime take root. This is the hour between dog and wolf, twilight, when one state has ended and another has not quite begun. Although it depicts a chaotic and desperate era, this exceptional debut novel pulsates with life. It is radiant with friendship and love, the power of international literature, values and politics, as its characters struggle to survive, to save their country and one another.

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In the summer of 2006, a chance encounter on the London Underground finds eighteen-year-old Ali tagging along with a school friend and a mysterious girl to a club. The girl is Cece, and she seems to be everything Ali is not. For one night he is transfixed and transformed into someone who might belong. All he knows is he will remember it forever. In 2064, Ali takes his final flight out of the UK to Morocco, in a world upturned by climate collapse. He has a wife and a daughter, reasons to return. Yet Ali is willing to abandon everything to find Cece again, finally to recapture that long summer night when he was young, and to understand how the actions taken – and not taken - have changed all their lives. Luminous and full of longing, Constance is a novel of teenage fragility, male blindness and everyday complicity.

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From Richard Seymour, one of the UK’s leading public intellectuals, comes a characteristic blend of forensic insight and analysis, personal journey, and a vivid respect for the natural world. A planetary fever-dream. An environmental awakening that is also a sleep-walking, unsteadily weaving between history, earth science, psychoanalysis, evolution, biology, art and politics. A search for transcendence, beyond the illusory eternal present. These essays chronicle the kindling of ecological consciousness in a confessed ignoramus. They track the first enchantment of the author, his striving to comprehend the coming catastrophe, and his attempt to formulate a new global sensibility in which we value anew what unconditionally matters.

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Walking on Cowrie Shells focuses on the lives of hyphenated-Americans with a multi-cultural heritage in the United States and Africa. The book spans genres – literary realism, horror, mystery, YA, science fiction – and features complex, fully-embodied characters: tongue-tied linguistic anthropologists, comic book enthusiasts and even water goddesses. The author hopes her stories entertain readers while also offering them a counterpoint to prevalent “heart of darkness” writing that too often depicts a singular “African” experience plagued by locusts, hunger, and tribal in-fighting.

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Everybody knows a Chauvo-Feminist… The 2017 #MeToo movement was a flagship moment, a time which empowered women to share their stories of sexual harassment and abuse in a spirit of solidarity and in demand of change. But have some men simply changed tactics? Acclaimed author Sam Mills investigates the phenomenon of the chauvo-feminist, the man whose public feminism works to advance his career, whilst his private self exhibits age-old chauvinistic tactics. Through testimonies and her own experience, Mills examines the psychological underpinnings of the chauvo-feminist, exploring questions of modern relationships, consent, and emotional abuse and asks how we might move beyond ‘trial by Twitter’ to encourage an honest and productive dialogue between men and women. Sam Mills is the author of numerous books, including The Quiddity of Will Self (Corsair, 2013), and recent memoir of love, madness and caring The Fragments of My Father (Fourth Estate, 2020).

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A multi-award-winning tale of love and courage, picked by the Independent as one of the 30 Best Debut Novels of 2019. Inspired by One Thousand and One Nights, Ahmad Danny Ramadan’s innovative and poetic debut novel tells the story of two lovers anchored to the memory of a dying Syria. One is Hakawati, the storyteller, keeping life in forward motion by relaying remembered fables and incidents from their youth to his dying partner. Each night he spins stories of a Damascus childhood, of leaving home, of persecution and hardship, and of his fated meeting with his lover. Meanwhile, Death himself, in his dark cloak, shares the house with the two men, eavesdropping on their secrets as he awaits their final undoing.

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Tesya has reasons to feel hopeful after leaving her last job, where she was subjected to a series of anonymous hate crimes. Now she is back home in London to start a new lecturing position, and has begun an exciting, if tumultuous, love affair with the enigmatic Holly. But this idyllic new start quickly sours. Tesya finds herself victimized again at work by an unknown assailant, who subjects her to an insidious, sustained race hate crime. As her paranoia mounts, Tesya finds herself yearning for the most elemental desires: love, acceptance, and sanctuary. Her assailant, meanwhile, is recording his manifesto, and plotting his next steps. Inspired by the author’s personal experiences of hate crime and bookended with essays which contextualise the story within a lifetime of microaggressions, Lessons in Love and Other Crimes is a heart-breaking, hopeful, and compulsively readable novel about the most quotidian of crimes.

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Should we become parents? This question forces us to reckon with what we love and fear most in ourselves, in our relationships, and in the world. When Gina Rushton considered this decision, the choice was less straightforward than she had assumed. Her search for an answer only uncovered more complexity. How do race, gender and class affect our experiences of pregnancy, birth, and parenthood? How do we address the paradox of creating new life on a planet facing catastrophic climate change? How do we navigate uncompromising workplace cultures and the pitfalls of excessive emotional labour? How does our own childhood impact how we choose to parent, if we do so at all? Drawing on a depth of knowledge gained through her extraordinary work as an award-winning journalist, as well as her personal experiences, Rushton wrote the book she and others needed to transform the discourse around the parenthood dilemma.

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The environmental emergency is the greatest threat we face. Preventing it will require an unprecedented political and social response. And yet, there is still hope. Academic, physicist, environmental expert and award-winning science communicator Paul Behrens presents a radical dual analysis of a civilisation on the brink of catastrophe. Setting out the pressing existential threats we face, he writes, in alternating chapters, of what the future could look like, at its most optimistic and pessimistic, and details the steps we can take to ensure our survival. In lucid and clear-sighted prose, Behrens argues that structural problems need structural solutions, and examines critical areas in which political will is necessary, including women’s education, food and energy security, biodiversity and economics.

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Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother''s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother''s disappearance and the secrets she''s sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it, a task that she returns to over and over but somehow never manages to complete. Tormented by an unmarked gravestone in an abandoned chapel and the tidal pull of the river, her childhood home begins to crumble as the past leads her down a path of self-destruction. But can art heal Marianne? And will her own future as a mother help her find peace?

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Suzanne Joinson grew up in a 1980s council estate in Crewe, where her parents were followers of The Divine Light Mission cult. This clash of class and counterculture destroyed her family, leaving a legacy of turmoil and poverty. Years later, she attempts to reclaim what she''s lost and piece together the impact of a childhood infused with esoteric yoga practices, psychedelic encounters, and meditation techniques. She acquires replicas of beloved objects that had to be destroyed in regular purges in the hope of restoring family ties. The Museum of Lost and Fragile Things explores the realm of mother-daughter relationships and inherited trauma, in a moving, delicately-woven account of coming to terms with a complicated past.

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Arrival is an exploration of the ripple effects of domestic abuse. The story follows a young woman fleeing her home country and trying to rebuild her life abroad, after she has suffered violence at the hands of an alcoholic father. Prompted by her therapist, the unnamed protagonist starts processing the abuse experienced in her childhood while also pondering what it means to be a mother when consumed by trauma. The novel bends form to accommodate the narrator’s scattered mind and her attempt to assemble a version of herself through fragments and stitches of memories, borrowed conversations and minutiae that linger and haunt. Despite grappling with heavy themes – trauma, rejection, cultural identity – the narrative is infused with love and determination and interwoven with folk tales and rituals. It depicts the ways in which we are resilient, capable of carving our own paths and reimagining our lives.

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What are the right questions to ask when seeking out the true spirit of a nation? In November 2017 the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from over thirty years of Robert Mugabe’s rule. In an essay that combines bold reportage, memoir and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the ‘coup that was not a coup’, the telling of history and manipulation of time and the ancestral spirts of two women – her own grandmother and Mbuya Nehanda, the grandmother of the nation.

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An unflinching look at Charleston, a beautiful, endangered port city, founded by English settlers in 1669 as a hub of the sugar and slave trades, which now, as the waters rise, stands at the intersection of climate and race. Unbeknownst to the tourists who visit the charming streets of the Charleston peninsula, rapidly rising sea levels and increasingly devastating storms are mere years away from rendering the city uninhabitable. Weaving science, narrative history, and the family stories of Black Charlestonians, Charleston: Race, Water, and the Coming Storm chronicles the tumultuous recent past in the life of the city – from protests to hurricanes – while illuminating the escalating riskiness of its future. Charleston’s vulnerability is emblematic of vast portions of global coastlines that are likely to be chronically inundated in just a few decades. In Charleston, as in other global cities, little planning is underway to ensure a thriving future for all residents. Charleston, by Harvard Law School professor and author Susan Crawford, tells the story of a city that has played a central role in America’s painful racial history for centuries. Foreword by Annette Gordon-Reed, Pulitzer Prize winning author of On Juneteenth.

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A powerful and provocative collection of essays that offers poignant reflections on living between society’s most charged, politicized, and intractably polar spaces—between black and white, rich and poor, thin and fat. Savala Nolan knows what it means to live in the in-between. Descended from a Black and Mexican father and a white mother, Nolan’s mixed-race identity is obvious, for better and worse. At her mother’s encouragement, she began her first diet at the age of three and has been both fat and painfully thin throughout her life. She has experienced both the discomfort of generational poverty and the ease of wealth and privilege. It is these liminal spaces—of race, class, and body type—that the essays in Don’t Let It Get You Down excavate, presenting a clear and nuanced understanding of our society’s most intractable points of tension. The twelve essays that comprise this collection are rich with unforgettable anecdotes and are as humorous and as full of Nolan’s appetites as they are of anxieties. Over and over again, Nolan reminds us that our true identities are often most authentically lived not in the black and white, but in the grey of the in-between.

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In Tomorrow Is Too Late, Grace Maddrell collects testimonies of activism and hope from young climate strikers, from Brazil and Burundi to Pakistan and Palestine. These youth activists are experiencing the reality of the climate crisis, including typhoons, drought, flood, fire, crop failure and ecological degradation, and are all engaged in the struggle to bring these issues to the centre of the world stage. Their strength and determination show the urgency of their cause, and their understanding that the generations above them have failed to safeguard their environment. With contributors aged between eight and twenty-five, this is an inspiring collection of essays from the most vital generation of voices in the global struggle for climate justice, and offers a manifesto for how you can engage, educate, and inspire change for a more hopeful future.

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Lily O’Farrell started drawing cartoons as a way of making sense of the everyday sexism she encountered as a young woman, and her Instagram feed has now grown to over 225,000 followers. In Kyle Theory, Lily addresses the pressing issues of the day through hilarious and relatable cartoons, from #MeToo and the patriarchy, to racism, internet culture and how to deal with trolls. Feminism is for everybody, and so is this book.

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From Lucia Osborne-Crowley, author of I Choose Elena, comes an immersive polyphonic memoir exploring the intricacies of abuse, trauma, and shame. Through the voices of women, trans and non-binary people around the world and her own deeply moving testimony, Lucia speaks of vulnerability and acceptance, and the reclaiming of ourselves in a world that repeatedly asks us to carry the weight of the shame of the atrocities committed against us. Widely researched and boldly argued, My Body Keeps Your Secrets reveals the secrets a body keeps — the trauma that can rewrite our biology, our relationship with sex, and how we connect with others, establishing Lucia's credentials as a key intersectional feminist thinker of a new generation.

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How do you imagine the future when your story traps you in the past? Harare, 2000. Gabrielle is a newly-qualified lawyer, fighting for justice for a young girl. Ben is an urbane and charismatic junior diplomat, attached to Harare with the American embassy. With high-level pressure on Gabrielle to drop her case, and Robert Mugabe’s youth wing terrorising his political opponents as he tightens his grip on power, they begin a tentative love affair. But when they fall victim to a shocking attack, their lives splinter across continents and their stories diverge, forcing Gabrielle on a painful journey towards self-realisation. Irene Sabatini, Winner of the 2010 Orange Award for New Writers, navigates Zimbabwe’s unfolding political crises, showing how the dehumanising effects of political violence can shape and remake a life. An Act of Defiance is a sweeping political drama about a young woman’s fight for love and agency in troubled times.

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In a time of war, what is the shape of love? Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile community, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos – each sibling resisting the roles gender and society assign. Through a cast of complex, beautifully-drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a future.

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Ogadinma Or, Everything Will be All Right is a tale of departure, loss and adaptation; of mothers who experience trauma at the hands of controlling men, leaving them with burdens they find too much to bear. After an episode of abuse results in exile from her family in Kano, thwarting her plans to go to university, seventeen-year-old Ogadinma is sent to her aunt’s house in Lagos. When a whirlwind romance with an older man descends into indignity, she is forced to channel her strength and resourcefulness to escape a fate that appears all but inevitable. A feminist classic in the making, Ukamaka Olisakwe’s second novel introduces a heroine for whom it is impossible not to root and announces the author as a gifted chronicler of the patriarchal experience.

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In surrealist artist Paul Klee’s The Twittering Machine, the bird-song of a diabolical machine acts as bait to lure humankind into a pit of damnation. Leading political writer and broadcaster Richard Seymour argues that this is a chilling metaphor for our relationship with social media. Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience. Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we’re getting out of it, and what we’re getting into.

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When a teenager runs away from his father’s mysterious commune, he sets in motion a domino effect that connects a cast of six characters who narrate Wonder Valley. There’s Ren, just out of juvie, who travels to LA in search of his mother. There’s Owen and James, teenage twins who live in a desert commune, where their father, a self-proclaimed healer, holds a powerful sway over his disciples. There’s Britt, who shows up at the commune harbouring a dark secret. There’s Tony, a bored and unhappy lawyer who is inspired by the runner. And there’s Blake, a drifter hiding in the desert, doing his best to fight off his most violent instincts. Their lives will all intertwine and come crashing together in a shocking way, one that could only happen in this enchanting, dangerous city.

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Who are you, when you come from two places? Ennatu Domingo was adopted from Ethiopia at the age of seven and transplanted to Barcelona where she learned to flourish. But she never forgot her nomadic childhood in the mountains and meadows of Gondar, near the northern border with Eritrea. Having witnessed the hardships of Ethiopian rural women at an early age, she was inspired to study the patriarchal structures that underpinned her individual experiences, both in Europe and in contemporary Ethiopia. She has lived in Kenya, Belgium and the UK, and has travelled across five continents, but keeps returning to the country of her childhood, to re-construct a lost identity guided by the echo of her first language Amharic and the weight of a rich cultural heritage. Torn between forgetting and remembering, Ennatu explores the dilemma of international adoptees and migrant children and their quest for belonging in a book destined to be a classic of its genre.

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Could you put your beliefs before your family? Epic Annette is the extraordinary true story of Annette Beaumanoir: brilliant and fierce, she was a medical student living in a world at war who, at nineteen years old, joined the French Resistance and saved the lives of two Jewish children in Paris on the eve of their deportation to the camps. As a doctor and mother devoted to justice and equality, Annette was later found guilty of treachery for supporting the Algerian FLN in France and sentenced to ten years in prison. The story of her dramatic escape, trial in absentia and decades in exile, separated from her children, resembles that of the great heroes whose love for individuals had to compete with their destiny and love of humanity. Annette will remain with you forever. With this gripping personal tale of heroism and grief, author Anne Weber joins Homer in her ability to conjure a titan in an epic poem.

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Aged 15 and on track to be an Olympic gymnast, Lucia Osborne-Crowley was violently raped on a night out. The injuries she sustained that evening ended her gymnastics career, and eventually manifested in life-long chronic illnesses, which medical professionals now believe can be caused by untreated trauma. In a brilliantly researched and deeply affecting essay, Osborne-Crowley invites the reader to her on decade-long journey to recovery: from the immediate aftermath of the assault, through years of misdiagnosis, to the solace and strength she found in writers like Elena Ferrante. The author’s investigations reveal profound societal failures – of law, justice, education and the healthcare system. An essential contribution to the field of literature on assault and trauma, I Choose Elena argues that it is only through empathy than we can begin to address the self-perpetuating cycle of sexual violence.

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Eleven-year-old Martin has nothing but the shirt on his back, and a black rooster which is both a protector and a friend. The villagers steer clear of the boy, finding him strange; far too smart and kind. They would rather mistreat him than acknowledge his talents. When Martin meets a travelling painter and seizes the chance to leave the village with him, he is led into a terrible world which, thanks to his compassion and understanding, he is able to resist, becoming a saviour for those even more innocent than he is. An eleven-year-old boy with all the wisdom of the world shows us that with common sense, courage and a pure heart, we can change the world.

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Fifteen-year-old Noemi has no choice but to leave school and work in the house of the wealthy De Grandbourg family. Just across the road from the slums where she grew up, she encounters a world that is starkly different from her own – yet one which would have been all too familiar to her ancestors. Bewitched by a pair of green eyes and haunted by echoes, her life begins to mirror those of girls who have gone before her. Within Noemi’s lament is also the herstory of Mauritius; the story of women who have resisted arrest, of teachers who care for their poorest pupils and encourage them to challenge traditional narratives, of a flawed Paradise undergoing slow but unstoppable change. In Riambel, Priya Hein invites us to protest, to rail against longstanding structures of class and ethnicity. She shows us a world of natural enchantment contrasted with violence and the abuse of power. This seemingly simple tale of servitude, seduction and abandonment blisters with a fierce sense of injustice.

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Shimmering writing depicting California’s Central Valley, the first book in a decade from a virtuoso story writer. These exquisite stories are mostly set in the 1980s in the small towns that surround Fresno. With an unflinching hand, Muñoz depicts the Mexican and Mexican American farmworkers who put food on our tables but were regularly and ruthlessly rounded up by the migra, as well as the quotidian struggles and immense challenges faced by their families. The messy and sometimes violent realities navigated by his characters—straight and gay, immigrant and American-born, young and old—are tempered by moments of surprising, tender care: Two young women meet on a bus to Los Angeles to retrieve the men they love who must find their way back from the border after being deported; a gay couple plans a housewarming party that reveals buried class tensions; a teenage mother slips out to a carnival where she encounters the father of her child; the foreman of a crew of fruit pickers finds a dead body and is subsequently—perhaps literally— haunted. In The Consequences, obligation can shape, support, and sometimes derail us. It’s a magnificent new book from a gifted writer at the height of his powers.

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Two schoolgirls in Bolton take acid just before their English class. A film journalist shares tea and a Kitkat with Marcel Proust, more or less, during a long train journey. An afterparty turns into a crime scene. Colleagues, maybe in love, have lunch and don’t quite talk about their relationship. A woman flees to New Orleans and finds unexpected treasures there. In her electric debut, Anna Wood skips through the decades of a woman’s life, meeting friends, lovers, shapeshifters and doppelgängers along the way. Delights and regrets pile up, time becomes non-linear, characters stumble and shimmy through moments of rupture, horror and joy. Written with warmth, wit and swagger, these stories glide from acutely observed comic dialogue to giddy surrealism and quiet heartbreak, and always there is music – pop songs as tiny portals into another world. Yes Yes More More is packed with friendship, memory, pleasure and love.

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AI has unparalleled transformative potential to reshape society but without legal scrutiny, international oversight and public debate, we are sleepwalking into a future written by algorithms which encode regressive biases into our daily lives. As governments and corporations worldwide embrace AI technologies in pursuit of efficiency and profit, we are at risk of losing our common humanity: an attack that is as insidious as it is pervasive. Leading privacy expert Ivana Bartoletti exposes the reality behind the AI revolution, from the low-paid workers who train algorithms to recognise cancerous polyps, to the rise of data violence and the symbiotic relationship between AI and right-wing populism. Impassioned and timely, An Artificial Revolution is an essential primer to understand the intersection of technology and geopolitical forces shaping the future of civilisation, and the political response that will be required to ensure the protection of democracy and human rights.

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A confrontation with the destruction of the Amazon by a writer who moved her life into the heart of the forest. In lyrical, impassioned prose, Eliane Brum recounts her move from São Paulo to Altamira, a city along the Xingu River that has been devastated by the construction of one of the largest dams in the world. In community with the human and more-than-human world of the Amazon, Brum seeks to “reforest” herself while building relationships with forest peoples who carry both the scars and the resistance of the forest in their bodies. Weaving together the lived stories of the region and its history of violent corruption and destruction, Banzeiro Òkòtó is a call for radical change, for the creation of a new kind of human being capable of facing the potential extinction of our species. In it, Brum reveals the direct links between structural inequities rooted in gender, race, class, and even species, and the suffering that capitalism and climate breakdown wreak on those who are least responsible for them. The title Banzeiro Òkòtó features words from two cultural and linguistic traditions: banzeiro is what the Amazon people call the place where the river turns into a fearsome vortex, and òkòtó is the Yoruba word for a shell that spirals outward into infinity. Like the Xingu River, turning as it flows, this book is a fierce document of transformation arguing for the centrality of the Amazon to all our lives.

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Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother’s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother’s disappearance and the secrets she’s sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it, a task that she returns to over and over but somehow never manages to complete. Tormented by an unmarked gravestone in an abandoned chapel and the tidal pull of the river, her childhood home begins to crumble as the past leads her down a path of self-destruction. But can art heal Marianne? And will her own future as a mother help her find peace?

Read more less