Search results for ""Texas Christian University Press""

With this cookbook, I am proud to showcase the national Czech food, or as we call it, Staro?eská kuchyn? (recipes of our grandmothers). Throughout the book, notes and mini stories accompany the recipes, unfolding a myriad of facts about Czech culture, recipe origins, folklore, and Czech influence in the United States.

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Very few people know that the 1952 Dallas Texans ever existed and played in the NFL. Before the Dallas Cowboys became America's Team, these Texans were nobody's team. The NFL's first venture into Texas began with enthusiasm but ended in a doomed collapse before the season's end. Here, the Texans' rise and fall are chronicled for the first time.

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Welcome to the table! This is a love story about an ambassador and two Texans. Not any ol’ ambassador or any ol’ Texans. He was Lyndon Baines Johnson, and she was Claudia Alta Taylor, better known as Lady Bird Johnson. The ambassador is food. Food connects us. Food is culture and memory. We all have favorite recipes that we share with people we love. Lady Bird collected recipes her family loved, a lot of them exclusive to Texas cookin’. Two copies of each of her favorite recipes were always made: one for the Texas ranch she and LBJ both so dearly loved, the other reserved for the cookbook in progress that sat on her desk at the White House. At the Table with LBJ and Lady Bird shares menus, events, weddings, and outrageously funny anecdotes from the lives of LBJ and Lady Bird. Included are LBJ’s favorite recipes for Texas beef barbecue, smoked ranch beans, sourdough biscuits, Lady Bird’s famous pecan pralines, lemon cake, and more. Homestyle illustrations illuminate the distaff side of the thirty-sixth presidential administration, with recipes galore, history, and humor throughout.

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Created by an interdisciplinary team of researchers in partnership with a large urban school district, this guidebook helps teachers and school leaders in Texas and beyond learn how to overlay Latina/o/x Studies content on top of existing state standards, providing a practical roadmap toward historically accurate, culturally relevant curricula and instruction that can be injected into all K-12 social studies classes. Following a detailed introductory essay synthesizing the field for new practitioners, it provides detailed explanations of seven major themes that define Latinx Studies across time and space, each accompanied by embedded “enduring understandings” and “essential questions” to jumpstart the process of backward design. For Texas teachers and school districts, the guidebook also includes content maps that provide guidance on sample lessons for specific units in each course and grade level. Finally, educators can draw upon detailed annotated bibliographies to identify supplemental resources, guidance for learning activities outside the classroom, and a scope and sequence for a high-school Latinx Studies elective. This is essential reading for teachers and district leaders who seek to provide culturally relevant instruction to improve student outcomes among the nation’s largest and fastest-growing ethnic group.

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Did you know there was a plane crash on the TCU campus? Or that TCU once had an airport? Were you aware that TCU began integrating during World War II? Discover these and other interesting tidbits in Images and Stories of TCU’s First 100 Years, 1873–1973, which offers a visual and anecdotal history of TCU’s evolution. Images and Stories examines the university’s evolution as it moved from location to location, uncovering stories about TCU’s students and faculty and following the growth and expansion, changes and challenges, and struggles and successes that led to the TCU Centennial 1973. Some of the images and stories are well known, but many will come as a surprise. Enjoy the ride!

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Haid Shelton is his small-town church's song leader as a teen and dreams of becoming a rock singer. His enduring gifts are in his tenor voice and success as a Golden Gloves boxer. Hoping to evade Vietnam, Haid joins the Marine reserves, gets into serious trouble, and is sentenced to four years in the brig. There he's recruited as the sparring partner of future heavyweight champion Ken Norton. Haid's knockout by his new friend Kenny gets him routed to the war as an infantry grunt in 1968. Back home, bitter, with a disabled hand and a Purple Heart, he's surprised and signed to a recording contract by the rock star Leon Russell. He rejoins his friendship with Norton on the eve of Kenny's famous upset of Muhammad Ali, who's an important character along with George Foreman, Joe Frazier, and Mike Weaver. Later their lives are brought together by a horrendous accident and by Kenny's guardian angel Virginie Nalula, a child refugee from eastern Congo. The tale embraces themes of race relations, friendship, and the American culture of violence.

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First published in 1974, The Improbable Rise of Redneck Rock grew out of a magazine article coauthored by Jan Reid. His first book was a sensation in Texas. It portrayed an Austin-based live music explosion variously described as progressive country, cosmic cowboys, and outlaw country. The book has been hailed as a model of how to write about popular music and the life of performing musicians. Written in nine months, Reid's account focuses on predecessors of the 1960s and the swarm of newborn venues, the most enduring one the justly famed Armadillo World Headquarters; profiles of singer-songwriters that included Jerry Jeff Walker, Michael Martin Murphey, Steven Fromholz, B.W. Stevenson, Willis Alan Ramsey, Bobby Bridger, Rusty Wier, Kinky Friedman, and the one who became an international star and one of America's most treasured performers, Willie Nelson; and the rowdy heat-stricken debut of Willie's Fourth of July Picnics.Though Reid has resisted the writerly trend of specialization in his career, his debut brought him back to popular music and musicians' lives in Layla and Other Assorted Love Songs, Texas Tornado: The Music and Times of Doug Sahm, and now a related novel, The Song Leader. The Improbable Rise of Redneck Rock is a landmark of popular culture in Texas and the Southwest. Readers will be glad to once more have it back.

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Most would not expect a book about a stroke to be entertaining, but this memoir will force you to laugh through a tragedy, then cry, then laugh again.Avrel Seale was fifty, did not smoke or drink, had low blood pressure, and had hiked more than two hundred miles the year a stroke nearly ended his life. In an instant, he was teleported into the body of an old man - unbalanced, shaky, spastic, and half-paralyzed. Overnight, he was plunged into a world of brain surgeons, nurses, insurance case managers, and an abundance of therapists.Beginning three weeks before his stroke to set the stage, Seale leads us through the harrowing day of his stroke and emergency brain surgery with minute-by-minute intensity. We then follow him through ICU, a rehab hospital, and a neuro-recovery group-living center, where we meet a memorable cast of other stroke survivors and also those recovering from auto accidents and gunshots. Finally home, Seale leads us through a new life of firsts, including returning to work, to driving, to playing guitar, to camping, and even to writing a book - all with one hand.What emerges from his humor ('elegant but devastating') is a revealing critique of the hospital experience, the insurance industry, and rehab culture. And his nothing-off-the-table quest for recovery shows both the sobering struggles and inspiring possibilities of life after a stroke in twenty-first century America.

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It is the mid 1870s, and the railroad being built westward toward San Antonio will eventually connect Texas to California. Luling, one of the towns springing up along the route, is the end of the line for a year or so. Established in 1874 a few miles east of the San Marcos River, Luling is a melting pot of humanity. Later known as the toughest town in Texas, it is a haven for gamblers, outlaws, and 'ladies of the night.'Hardeman Lodge follows some of the characters introduced in Plum Creek (TCU Press, 2016) as they meet the challenges that life presents them. Billy McCulloch faces some tough moral choices as he embarks upon the practice of law. Ada Adams and Everett Hardeman become engulfed in a crisis arising from her marriage to a cruel husband. And the indomitable Lily Poe is forced to deal with tragedy.In spite of lingering racial prejudice and streaks of lawlessness, principles of justice and fair play still live in the hearts of most of the characters who come near Hardeman Lodge.

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In 1965, John Giordano auditioned for Ezra Rachlin, the music director for the Fort Worth and Austin Symphony Orchestras, by playing a concerto with each. As a result of the audition, Rachlin engaged Giordano to perform with both orchestras and offered him the assistant conductor position with the Fort Worth Youth Orchestra. The results of that serendipitous audition proved to be the impetus for Giordano's grand career in symphonic orchestral conducting and led to his long-term relationship with both the Fort Worth Symphony Orchestra and the Van Cliburn International Piano Competition.Speak Loudly and Carry a Little Stick: A Conductor's Chronicles tells the story of the development of the FWSO and the Cliburn competition as the internationally renowned conductor John Giordano knew them. These enlightening and often humorous chronicles give readers insight into the expansion of the FWSO and the Cliburn during Giordano's tenure. Giordano's musical career and adventures carried him all over the world, from China and Russia to Amsterdam and Mexico, and gave him an opportunity to play with musical greats such as Ella Fitzgerald, Itzhak Perlman, and Tony Bennett. Through friendships with these talented artists and international figures and through his relationship with music, Giordano proves how critically important music is to our society and how music can positively impact a community.

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In Grace & Gumption: The Women of El Paso, thirteen contributors trace the history of El Paso from the distaff side. The women who settled El Paso faced an unusual reality. In 1848, the Treaty of Guadalupe Hidalgo changed the border, and people who were previously citizens of Mexico - living in their native country, speaking their native language - were suddenly citizens of the United States, forced to speak a foreign language. Editor Marcia Hatfield Daudistel gathers together authoritative voices who examine the bicultural identity of this city through the various roles the women assumed: artist and muse, philanthropist, healer, writer, historian, nun, suffragette, and businesswoman. The result is a new look at this city nestled between rivers, mountains, a military base, and Mexico. The women in this volume are just a few who left a legacy in El Paso. Their stories are kept alive through the memories of their families, the oral history of the Comadres, and in the history books. Their accomplishments were hard-won and required courage, persistence, inspiration, and especially grace and gumption. Contributors include Adair Margo, Mimi R. Gladstein, Yolanda Leyva, Nancy Miller Hamilton, Irasema Coronado, Lois Marchino, Deane Mansfield-Kelley, Meredith Abarca, Susan Goodman Novick, Lucy Fischer-West, Brenda Risch, Evelyn Posey, and Daudistel.

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In 1934, the year Calvin Littlejohn came to Fort Worth, the city was a sleepy little burg. This was the Jim Crow era, when mainstream newspapers wouldn't publish pictures of black citizens and white photographers wouldn't take pictures in black schools. In Fort Worth, Littlejohn began what would become a life-long career of documenting the black community. And there would be nothing remotely related to the white culture's depictions of Amos 'n' Andy or black kids grinning over a slice of watermelon in Littlejohn's portrayal of his adopted home and the people he came to appreciate and love. Littlejohn's natural aptitude for drawing had been honed by correspondence courses in graphic design and a stint in a photo shop where he learned about the camera, lighting, and the use of shadows. When Littlejohn was assigned to be the official photographer at I. M. Terrell - the city's only black high school at the time - his professional career was launched. Unlike many segregated cities, where blacks lived only in one section, blacks in Cowtown lived in every quadrant of the city. There was a thriving black business district, with hotels, restaurants, a movie theater, a bank, and a major hospital, pharmacy, and nursing school. And of course, there were the schools and churches. All would eventually be seen through Littlejohn's lens. Although he never set out to be the documentarian of Fort Worth's black community, he did what he set out to do: to capture the best of a community, focusing on its good times. This book features more than 150 shots Littlejohn captured over the course of his career.

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Growing up in Fort Worth during the 1950s never lacked in excitement for David Murph. In his memoir, Murph recalls a mischievous childhood punctuated by adventures in driving, occasional acts of accidental arson, more than one trip to the jailhouse, and countless other tales. The cast of characters includes not only friends and family but also famous figures such as John Scopes, Bobby Morrow, and Frankie Avalon. Murph details an early interest in politics and an unintentional affinity for troublemaking that had more to do with an active imagination and intense curiosity than any ill will. His adventures included broken windows, brushes with blindness, bull riding, and a pet spider monkey, alongside lessons about life and death and the importance of family. Murph's story brings to life a time when television was new and exciting, parents sided with the law, and people were to be trusted more often than not. As a close friend wrote in his senior yearbook, ""it would take a book to recall our adventures."" Murph fondly recalls his active youth with clarity and humor. In many ways, though, Murph's childhood was not all that unusual. Born in 1943 in Shreveport, Louisiana, Murph moved to Tyler, Texas, at the age of two with his family. He recalls moving to Fort Worth at the age of seven, feeling excited about his new home, and making new friends in the neighborhood and at school. In a neighborhood established around the time of World War II, he and his friends played war in their backyards. The child of a geologist and a homemaker, Murph vividly recalls the strong influence they were in his life. Murph's story follows him from early childhood through high school graduation and leaving for college at the University of Texas. His enthusiasm for leaving home is tempered by the reality of what it means to leave his parents and younger brother behind - a sentiment familiar to any college-bound student.

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This is the first time since 1967 that Fort Worth kids have had a history book written about their town, just for them. Unlike the outdated school text of 1967, this is the story not just of heroic white folks but of all the people who have made up our community. Twenty years and more of research went into the writing, which incorporates the latest historiography.The wealth of illustrations by artist Deran Wright are an integral part of the book. Wright carefully researched the people and events for each full-color painting, reaching out to descendants for photos and researching what long-ago machinery and locations looked like. The result is the story of Fort Worth told equally in words and pictures.

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A man to rival a strong character drawn from fiction, author Carol Henderson’s great-grandfather was frontier Texas-born in the year 1860. Full of grit and determination, Thomas Henry (T. H.) Cherryhomes lived to crease the edges of Texana. It’ll Rain Someday . . . Always Does is the tale of that strong, remarkable man, his difficult life and treacherous times. More than a rags to riches story, it is the tale of everyman, everywoman, who with heroic courage fixed their sights on an uncertain future. Riding horseback away from a hardscrabble dirt farm, a good mother, an abusive father, and six siblings, at the age of sixteen T. H. headed west toward Amarillo. Joining other cowpokes, he rode the Chisholm Trail, where he learned the skill of driving a hard bargain and found his calling: cattle ranching. Enduring hell, high water, and more than a few nightmares, he made his dream come true. Pushing through the end of the nineteenth century into the twentieth, his exploits left a story for the ages. This book, drawn from tattered handwritten letters, dusty photographs, and family lore and legend, narrates the life of a man whose history begs to see the light of day.

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Help Charley make her way to the State Fair of Texas, or so she hopes! Charley needs to come up with a plan to raise enough money to win tickets to the fair, but will her trouble with her CH sound get in the way? This is a book to be read for pleasure and to build confidence in children and students who are not alone in facing difficulties with speech and language impairments. It comes with 'secret tips' to tackle speech and language disorders, and most importantly, bring smiles along the way!

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Metro Music explores the musical history of Dallas, Fort Worth, and the surrounding area from the nineteenth century to the 1960s and the continuing echoes of that transformative decade. With nearly five hundred images, many previously unpublished, the book moves through genres and eras that include old-time fiddlers and string bands, singing cowboys, the blues, western swing, gospel, country-western, jazz, ragtime, big bands, Tejano and Tex-Mex, rhythm and blues, rockabilly, and rock 'n' roll. The authors visit such legendary venues as Crystal Springs Dance Pavilion and the Longhorn Ballroom, Panther Hall and the Bluebird, and step into historic recording studios where Robert Johnson waxed 'Hellhound on My Trail,' Willie created Red Headed Stranger, and the Legendary Stardust Cowboy birthed the demented masterpiece 'Paralyzed.''We deeply appreciate this musical heritage,' the authors declare, 'but we didn't realize just how amazing it is!'

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In 1948 Hank O'Neal was eight years old, and his baseball mentors were his grandfather, C. A. Christian, who'd been an exceptional semipro player at the turn of the century, and two of his father’s classmates at TCU, Jim Nolan and Jim Busby. His grandfather went on to college and became a pharmacist, but he never forgot his days of glory as a teammate of the soon-to-become-legendary Ty Cobb. After his introduction to these three men, all Hank wanted was to play baseball.In 1954 his family moved to Syracuse, New York, where Hank hung around McArthur Stadium, the home of the Syracuse Chiefs. One of the players, Ben Zientara, lived two doors away, and not only did Hank pester him and the other players, but he also began writing major league players, both active and retired. One of them, Ty Cobb, became his pen pal in 1955. He'd played with Hank's grandfather in Georgia fifty-five years earlier, and the 'nastiest man in baseball' was kind and supportive to his young fan.Sincerely, Ty Cobb traces ten years of a child's life in baseball, from his first struggles on the sandlot to his final high school game. It is illustrated with period memorabilia and twelve pages of handwritten letters from Ty Cobb, plus others from Hall of Fame players like Eddie Walsh and Frankie Frisch.

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Teacher and historian Charles Herner describes the life and accomplishments of Alexander Brodie, an intriguing figure whose accomplishments merit a careful study. Herner guides his reader through this man’s life, highlighting not only the most historically noteworthy events, but also those formative moments that shaped Brodie’s character.

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Where the Paluxy River now winds through the North Texas Hill Country, the great lizards of prehistory once roamed, leaving their impressive footprints deep in the limy sludge of what would become the earth's Cretaceous layer. It wouldn't be until a spring day in 1909, however, when young George Adams went splashing along the creekbed, that chance and shifting sediments would reveal these stony traces of an ancient past.Young Adams' first discovery of dinosaur tracks in the Paluxy River Valley, near the small community of Glen Rose, Texas, came more than one hundred million years after the reign of the dinosaurs. During this prehistoric era, herds of lumbering ""sauropods"" and tri-toed, carnivorous ""theropods"" made their way along what was then an ancient ""dinosaur highway."" Today, their long-ago footsteps are immortalized in the limestone of the riverbed, arousing the curiosity of picnickers and paleontologists alike. Indeed, nearly a century after their first discovery, the ""stony oddities"" of Somervell County continue to draw Saturday-afternoon tourists, renowned scholars, and dinosaur enthusiasts from across the nation and around the globe.In her careful and colorful history of Dinosaur Valley State Park, Jasinski deftly interweaves millennia of geological time with local legend, old photographs, and quirky anecdotes of the people who have called the valley home. Beginning with the valley's ""first visitors"" - the dinosaurs - Jasinski traces the area's history through to the decades of the twentieth century, when new track sites continued to be discovered, and visitors and locals continued to leave their own material imprint upon the changing landscape. The book reaches its culmination in the account of the hard-won battle fought by Somervell residents and officials during the latter decades of the century to secure Dinosaur Valley's preservation as a state park.

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Texas Country Singers contains brief biographies of twenty-seven Texas singers. The artists chosen are traditional country singers like Ernest Tubb, Lefty Frizzell, Hank Thompson, Willie Nelson, and Ray Price. The authors have not included rockabilly artists, modern country-pop singers, singers of local or regional reputation, or singers of purely western songs. The twenty-seven singers are Texas born, admittedly an artificial discrimination, but one made necessary by the size of these small books.The authors include some almost forgotten names like Vernon Dalhart, the earliest Texas country singer to make a national name, and Moon Mullican, a singer/pianist who influenced Jerry Lee Lewis and other piano playing singers. Fans with long memories won't forget Adolph Hofner, Tommy Duncan, Milton Brown, and Stuart Hamblen (who once came in fourth in a race for President of the United States). And everyone still remembers Gene Autry, Jim Reeves, Tex Ritter, Buck Owens, Waylon Jennings, Tanya Tucker, Lee Ann Womack, and the contemporary king of Texas country, George Strait. Each sketch includes the best-known songs, as well as the awards and honors each earned.

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Leonard Sanders' sweeping epic novel vividly captures the history of Fort Worth, the wild and wooly city ""where the West begins,"" by following the fortunes of one family. The story opens when war-orphaned Travis Scurlock wanders into the new settlement on the bluff overlooking the Trinity River. Within a few years, Scurlock is a well-known trial lawyer. He marries, has a family, helps transform Fort Worth from a sleepy village to a busy commercial center, and serves as a U.S. Senator. But Scurlock has a dark side that brings complexity to these pages. We follow generations of Scurlocks, the admirable and the less than admirable, as they shepherd the family fortunes through the Civil War, World War I, the oil boom, and World War II. This is often the story of ruthless, fiercely ambitious men, of betrayal and tragedy, but it is also a story of strength and achievement. ""Fort Worth"" is a rich novel for a city with a rich heritage. It was first published in 1984 by Delacorte Press.

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The Scopes Monkey Trial, the Sacco and Vanzetti case, Brown v. Board of Education, and even subsequent televised high-profile murder trials pale in comparison to Arizona v. California, argues author Jack August in ""Dividing Western Waters"", August's look at Arizona's herculean legal and political battle for an equitable share of the Colorado River. To this day Arizona v. California is still influential. By the time Mark Wilmer settled in the Salt River Valley in the early 1930s, he realized that four basic commodities made possible civilization in the arid West: land, air, sunshine, and water. For Arizona, the seminal water case, Arizona v. California, the longest Supreme Court case in American history (1952-1963), constituted an important step in the construction of the Central Arizona Project (CAP), a plan crucial for the development of Arizona's economic livelihood. The unique qualities of water framed Wilmer's role in the history of the arid Southwest and defined his towering professional career. Wilmer's analysis of the Supreme Court case caused him to change legal tactics and, in so doing, he changed the course of the history of the American West.

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This novel is set in the Lone Star State during the Cold War at the beginning of the 1960s. The post-war generation is in a frenzy of high living and profligate spending. The characters here are all caught in this brave new world: some are the princes of prosperity, others are the victims of it.

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Presents twenty-eight paintings from the Landmark Series, paintings of historic Fort Worth structures, many of which no longer stand today with text elucidates each painting, explaining details and their historical significance.

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The first of its kind, this book chronicles and contextualizes the underexplored history of African American memory at TCU. It focuses specifically upon the understudied role of Black Americans within TCU lore from many perspectives: students, staff, faculty, administrators, and alumni. TCU in Purple, White, and Black explores the academic, athletic, artistic, and cultural impact of a group of people that was not formally included in the university for nearly the first century of its existence, and is an honest look at the history of segregation, integration, and inclusion of Black Americans at TCU. Anyone interested in race relations, the function of memory, and North Texas history will find the text and its layered analytical approach appealing.

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When Jackrabbit Jewel’s friend Pecos Bill cannot take a herd of longhorn cows to a big ranch in Montana, the task falls to Jewel. She follows the Goodnight-Loving Trail and must face many of the tribulations historical cowboys would have faced.Jackrabbit Jewel’s character is based loosely on Jewel Frost Duncan, a pioneer ranchwoman and cowgirl who was elected to the National Cowgirl Museum and Hall of Fame in 1976. As a publicity stunt, in 1937 Howard’s Studio in Pecos modified an image of her to make it appear she was riding a “Texas-sized jackrabbit.” This historical photo was the inspiration for Conejo Grande, the giant jackrabbit who is Jewel’s mount and loyal companion throughout the story. Jackrabbit Jewel is a children’s story that gently mixes Texas tall tale with the history of Texas and the Southwest.

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Poets Karla K. Morton and Alan Birkelbach began this journey to celebrate our national parks' 100th anniversary, but for these two poets the sojourns quickly became something greater than that. In their words, 'As humans we have this tendency to look at a piece of land and see real estate. [But] when concrete covers all our natural spaces, not only do we lose earth's creatures, we also lose the great teacher of our souls. You cannot sit beneath trees taller than the Statue of Liberty, or gaze upon vistas untouched since their creation, without feeling the awe and wonder of what the natural world has to offer. You cannot experience such beauty without being wholly changed. Our great-great-great-grandchildren deserve these untouched gifts'.This journey, illustrated with gorgeous colour photos of all of America's grand national parks, is a feast for the eyes and heart. In the end, it is a plea for us to save these wonders for all future generations.

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In her introduction to Jenny Browne's New and Selected Poems, Naomi Shihab Nye writes, "The poems are switchboards of care extending in so many directions, beamed up to high, but always with the subtlety of idiosyncratic awareness"-it's fascinating to fathom how she gets from one place to another. A startle, a dazzle of impulses enlivening the spirit . . . " Browne's poems ask personal questions: How did we get here? Where are we going? Can we walk there together? From love letters to strangers to extended meditations on slow-moving rivers, these poems surprise in their fidelity to the strangeness of being alive. In the new poems included here, this heightened awareness is set against the landscape of a planet undergoing global climate change, quickly becoming inhospitable. Resisting the poles of paralysis and apocalypse, Browne travels through extreme and unfamiliar landscapes, considering the unthinkable, negotiating the past, and ultimately reimagining the future and our human place in it.

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In her memoir Talking to the Stars: Bobbie Wygant's Seventy Years in Television, Bobbie Wygant recalls her trailblazing career as an arts and entertainment reporter for Dallas-Fort Worth's Channel 5. Started in 1948 by Amon G. Carter, WBAP (now KXAS) was the first television station west of the Mississippi, and Wygant was there from the beginning. Like everyone on that early Channel 5 staff, Wygant pitched in to do a little of everything—writing copy, performing live on-air skits, presenting commercials—but she soon became known for the way she connected with celebrities. In a career spanning seven decades, Wygant has interviewed literally thousands of the most notable entertainers and celebrities since the 1950s—from Bob Hope, Jane Fonda, and Denzel Washington to Meryl Streep, Gwyneth Paltrow, and Matt Damon. Wygant was live on the air with her popular midday program Dateline on November 22, 1963, when news broke of JFK's assassination. A few months later, during their debut tour of the US, she interviewed the Beatles.In addition to charming and often funny accounts of her interviews with the stars, Wygant's personal observations of television broadcasting as it emerged at WBAP-TV offer fascinating insights into the infancy of today's multi-billion-dollar industry. This engaging and informative volume includes more than three hundred photographs of her favorite celebrity encounters.

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At the height of the sixties, a group of Texas writers stood apart from Texas’s conservative establishment. Calling themselves the Mad Dogs, these six writers—Bud Shrake, Larry L. King, Billy Lee Brammer, Gary Cartwright, Dan Jenkins, and Peter Gent—closely observed the effects of the Vietnam War; the Kennedy assassination; the rapid population shift from rural to urban environments; Lyndon Johnson’s rise to national prominence; the Civil Rights Movement; Tom Landry and the Dallas Cowboys; Willie Nelson, Jerry Jeff Walker and the new Outlaw music scene; the birth of a Texas film industry; Texas Monthly magazine; the flowering of “Texas Chic”; and Ann Richards’s election as governor.In Texas Literary Outlaws, Steven L. Davis makes extensive use of untapped literary archives to weave a fascinating portrait of writers who came of age during a period of rapid social change. Despite their popular image, the Mad Dogs were deadly serious as they turned their gaze on their home state, and they chronicled Texas culture with daring, wit, and sophistication.

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January 6, 1955. It was on the occasion of President Dwight D. Eisenhower’s third annual State of the Union message. The president unexpectedly began his speech by mentioning that it was January 6 and the 72nd birthday of the venerable Speaker of the House, and publicly wishing for Mr. Rayburn many happy returns of the day.Instantly, the crowd that filled the House chamber was on its feet, noisily cheering, whistling, and stamping its feet and clapping its hands in a reverberating approval of the Speaker. Visitors in the galleries could not distinguish Republican from Democrat. - Speaker Jim WrightPrepared on the seventy-fifth anniversary of his election as Speaker of the US House of Representatives, this collection includes valedictory thoughts about Mr. Rayburn by two of the most significant leaders of Fort Worth history—Speaker Jim Wright and Dee J. Kelly—as well as essays by academics about Mr. Rayburn’s lasting impact on his district, on major legislation, and on Texas. Taken together, this readable collection offers an assessment of Rayburn that gives readers an understanding of the man who may be the greatest legislator in US history.

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Plum Creek is a historical novel set in nineteenth-century Texas. It is a coming-of-age story involving Billy McCulloch, a fifteen-year old boy who accompanies a former Texas Ranger, a black man, and two of his uncles on a quest to rescue a fourteen-year-old girl. The girl was captured by a band of renegades led by a half-breed Comanche killer aft er they slaughtered the rest of her family in a raid on their home in rural Central Texas.Th e pursuit of the renegades is set against a backdrop of post-Civil War Texas, just beginning to recover from the devastation of war and Reconstruction. Th e character of the former Texas Ranger is loosely based on John Coffee Hays, known as Jack Hays, who was called “Devil Yack” by many Mexican and Native American people because of the fame he won fighting in the Mexican War and, before and after, fighting the Comanches.As Billy and the older men ride, Texas is emerging into a new age around them. A new social structure is taking hold, the old ways of life are dying, and the future is uncertain.

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Vivid imagery and original research are the hallmarks of DFW Deco: Modernistic Architecture of North Texas, the latest in Jim Parsons and David Bush’s series of books documenting Art Deco and Art Moderne design in the Lone Star State. DFW Deco examines a vibrant architectural heritage that spans legendary eras in American history, from the Roaring Twenties through the Great Depression to World War II. DFW Deco explores the full range of modernistic building styles and some of the uniquely Texan influences that shaped the growing cities of North Texas. Classic zigzag skyscrapers promoted by Fort Worth boosters and Dallas businessmen, Art Deco storefronts in the booming towns of the great East Texas oilfield, and streamlined facilities inspired by innovations in transportation and communications all have a place in this book. DFW Deco looks not only at whole buildings, but also at their finely crafted details, ranging from vibrant tile murals depicting the scope of Texas history on Fort Worth’s monumental Will Rogers Memorial Center to stylized gold-leaf pinecones and cotton bolls in the ornate People’s National Bank Building in Tyler. Using a mix of original and historical photographs, this lavishly illustrated book promotes an appreciation of Main Street movie theaters, innovative suburban homes, and even a surprising collection of modernistic soft drink bottling plants. DFW Deco also documents the federal programs that helped build exceptional courthouses, schools, and post offices from small towns to big cities. The book ends with a chapter of short biographies of the architects and artists who created these landmarks. By illustrating the broad reach of modernistic design in North Texas, the authors hope to advance the preservation of significant buildings and encourage readers to explore the region themselves and discover their own Art Deco treasures.

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The Silent Shore of Memory chronicles the life of James Barnhill from his days as a young Confederate soldier through the trials of Reconstruction in his native Texas and his later career as a lawyer and judge.After being critically wounded at Gettysburg and a long recuperation in North Carolina, James Barnhill returns to Texas where he battles widespread corruption and vigilante violence during the turmoil of Reconstruction.Although he endures tragedy in his personal life, Barnhill becomes a respected lawyer who defends an African American man accused of rape and represents a titan of the Texas lumber industry in a precedent-setting confrontation with a railroad monopoly controlled by Wall Street financiers.Steeped in the history of the South, The Silent Shore of Memory explores the nuances of views on slavery and the dissolution of the Union, the complexity of race relations and race politics during the thirty years following the Civil War, and the powerful bonds of familial love and friendship.

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