Search results for ""Tempo""

Com o olhar atento ao mistério de reprodução da vida no âmago da natureza, os seus ciclos repetidos, No Tempo Lento reúne memórias de acontecimentos díspares de três tempos distintos: a infância de rituais rurais e a vida calma na aldeia circundada de pinhais, pássaros e ninhos ? descritos com minúcia e enlevo -, e as recordações das lendas contadas pela avó; a adolescência com as ilusões e desilusões do império e reminiscências das estórias da avó à lareira, como a do ?Reino Encantado do Congo?, que o autor revisita e contextualiza face à sua formação em História; a fase adulta e o fim das ilusões, com o autor a cumprir comissão militar no norte de Angola, outrora, parte integrante desse mesmo Reino do Congo, recordam-se acontecimentos trágicos ou pícaros ocorridos no dia a dia da Companhia e da sanzala. O acompanhamento do passar do tempo com histórias, poesias e costumes de outros tempos, lentos, de sonhos e deslumbramentos, leva-nos a refletir sobre as guerras, sobre o ser humano,

Read more less

A career survey of acclaimed installations from the master orchestrator of sensory experienceIcelandic Danish artist Olafur Eliasson (born 1967) is guided by a keen interest in perception, movement and lived experience, as well as those of the communities in which he works. Best known for his large-scale installation, Weather Project, which occupied the Tate Modern's Turbine Hall in 2003, Eliasson often makes use of elementary materials such as light, water and temperature-controlled mist to create an immersive or spiritual experience for his viewers. His practice is not limited to the confines of the museums and galleries where he shows, but also involves local communities through architectural projects, interventions in public spaces and artistic, social and environmental education programs. This volume presents an overview of Eliasson's 30-year career, including a selection of site-specific works, and features a collection of texts chosen by the art

Read more less

Em O Tempo e o Ser de Sullivan K cruzam-se diferentes géneros e linguagens literárias, nomeadamente, a ficção de matriz fantástico-científica, o romance filosófico, a ficção autobiográfica e até episódicos afloramentos poéticos, que descrevem experiências marcantes da vida de Sullivan K. O eixo central do enredo prende-se com a relação duplamente metafísica ? de um lado, um conjunto de reflexões científicas e filosóficas sobre temas de natureza metafísica strictu senso e, de outro, um relacionamento num plano (aparentemente) além da realidade física ? entre Sullivan K e Zeldo, uma entidade fantasmática, hipoteticamente alienígena, por vezes encarnada na personalidade de um erudito inglês do século dezanove, de superior inteligência e não menor subtileza, que interage com K, através de estranhos sonhos e de experiências reais, ora no presente, ora no passado. Entre sonhos, realidade, perdas de entes queridos, encontros e despedidas, K reflete sobre a vida, a morte e o tempo: ?Sentimos,

Read more less

This collection with parallel texts in Italian and English gives the English-reading audience a sense of the great variety of the present poetic scene in Italy with a selection of twenty-one of the most representative contemporary poets. Contemporary Italian poetry offers an extraordinary array of styles, voices, approaches, ways of looking at the world and ways of representing it. This anthology tries to capture the multiplicity of these voices with its selection of the most representative poets from different backgrounds: academics, working-class writers, editors, journalists, performers, travellers and professional translators. The poets who appear are: Antonella Anedda, Franco Buffoni, Dome Bulfaro, Maria Grazia Calandrone, Chandra Livia Candiani, Milo De Angelis, Matteo Fantuzzi, Fabio Franzin, Marco Giovenale, Mariangela Gualtieri, Andrea Inglese, Rosaria Lo Russo, Valerio Magrelli, Guido Mazzoni, Umberto Piersanti, Laura Pugno Shirin Ramzanali Fazel, Ida Travi, Luigi Trucillo, Patrizia Valduga, Giovanna Cristina Vivinetto and Lello Voce.

Read more less

Contemporary Italian poetry offers an extraordinary array of styles, voices, approaches, ways of looking at the world and ways of representing it. This anthology tries to capture the multiplicity of these voices with its selection of the most representative poets from different backgrounds: academics, working-class writers, editors, journalists, performers, travellers and professional translators. The reader will discover a diverse poetry dealing with the topical concerns of identity, sex, politics, migration and race.

Read more less

Rarely is an architect as closely connected to his or her place of work as is the case with Armando Ruinelli, born 1954, and his native village of Soglio in Val Bregaglia, Switzerland. Yet, far from what one might expect with such a small and remote place of barely 100 inhabitants, the limitation in this case became a distinction. Ruinelli’s attitude and work have grown organically from the village’s strong stone-built dwellings. Thus, he has become an internationally revered master of building in existing fabric, in particular in an Alpine environment. This first monograph on Armando Ruinelli documents comprehensively his work over nearly four decades. It demonstrates the evolution of his architectural language from the first buildings in Soglio of the 1980s, to conversions of existing buildings and designs for new ones that continue local traditions but also meet today’s demands in housing, and to the latest works, such as the almost abstract studio for Swiss artist Miriam Cahn in Stampa. Photographs and plans, as well as a photo essay newly created for this book by Swiss photographer Katalin Deér, are supplemented with texts and conversations between Ruinelli and his equally renowned fellow architect Gion A. Caminada that illuminate the architect’s work and attitude and convey the particular features of his Alpine environment. Text in Italian and German.

Read more less

With advances in molecular and evolutionary biology, one could almost wonder why we need the fossil record. Molecular sequence data can resolve taxanomic relationships, experiments with fruit flies demonstrate evolution and development in real time, and field studies of Galapagos finches have provided the strongest evidence for natural selection ever measured in the wild. What, then, can fossils teach us that living organisms cannot? This text demonstrates the rich variety of clues to evolution that can be gleaned from the fossil record. Contributors explore modes of development, the tempo of speciation and extinction, and macroevolutionary patterns and trends.

Read more less

Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. He also had an impact on rhythm and blues, rock and roll, and the Latin field. In Part 1, Reig tells his own story. Part 2 consists of interviews with key figures who were close to Reig at various stages of his career. Part 3 is an extensive discography of Reig's productions. The copious illustrations include many previously unpublished photos.

Read more less

A characteristic shared by the Roman and Byzantine illustrated calendars is that they represent the twelve months of the year, referable to an iconographic repertoire which is divided into three themes: the astrological-astronomical, the festive-ritual and the rural-seasonal. With regard to the first type, the months are depicted through images of the signs of the zodiac, often associated with images of the guardian deities of the months; the second category includes depictions of the months that refer to some important religious festivals; finally, the third theme includes images of the months that allude to the most important work activities performed in the countryside. The figurative calendars, which in most cases are made on mosaics, are characterized by a wide distribution in terms of time, concentrated between the 3rd and 6th century, and geography, with the areas of greatest attestation consisting of Italy, Africa Proconsularis, Greece and Arabia. With regard to the architectural context, the calendars from the West are prevalently documented in the domus, while those from the East are particularly attested in ecclesiastical buildings. The aim of research presented in this volume is the in-depth study of the connections between the meaning of the iconography of the Roman and Byzantine illustrated calendars and their historical and cultural context. Italian description: La caratteristica comune dei calendari figurati romani e bizantini consiste nella rappresentazione dei dodici mesi dell’anno, riferibile a un repertorio iconografico articolato in tre temi: quelli di tipo astrologico-astronomico, festivo-rituale e rurale-stagionale. Per quanto riguarda la prima tipologia, i mesi sono raffigurati mediante le immagini dei segni zodiacali, spesso associate a quelle delle divinità tutelari mensili; la seconda categoria include quelle raffigurazioni dei mesi che si riferiscono ad alcune importanti festività religiose; la terza tematica, infine, comprende quelle immagini dei mesi che alludono alle più rilevanti attività lavorative svolte in ambito campestre. I calendari figurati, realizzati nella maggioranza dei casi su mosaico, si contraddistinguono per un’ampia distribuzione in senso temporale, con una concentrazione cronologica fra il III e il VI secolo d.C., e geografico, con le aree di maggior attestazione costituite dall’Italia, l’Africa Proconsularis, la Grecia e l’Arabia. In merito invece al contesto architettonico, i calendari di provenienza occidentale sono documentati in prevalenza presso le domus, mentre per quanto concerne quelli orientali, sono attestati in particolare negli edifici ecclesiastici. L’obiettivo della ricerca presentata in questo volume si focalizza sull’approfondimento delle connessioni esistenti tra il significato dell’iconografia dei calendari figurati romani e bizantini e il loro contesto storico- culturale.

Read more less

Sluggish cognitive tempo (SCT) is increasingly recognized as a valid attention disorder distinct from attention-deficit/hyperactivity disorder. The culmination of more than 10 years of research and development, the Barkley Sluggish Cognitive Tempo Scale–Children and Adolescents (BSCTS-CA) is the first empirically based, norm-referenced tool designed to assess SCT symptoms (for example, chronic daydreaming, inability to focus, and lethargy) in the daily life activities of 6- to 17-year-olds. The scale typically takes a parent less than 5 minutes to complete. Detailed instructions for scoring and interpretation are provided. Also included is a clinical interview form based on the rating scale, for use in unusual circumstances where a parent is unable to fill out a rating scale.QUICK VIEW:What does it do?: Assesses concentration deficits in the daily life activities of children and adolescents.Age Range: 6–17.Administration Time: Less than 5 minutes.Format: Parent-report rating scale.Cost of Additional Forms: No cost--purchasers get permission to reproduce the forms and score sheets for repeated use. See also the Barkley Deficits in Executive Functioning Scale--Children and Adolescents (BDEFS-CA) and the Barkley Functional Impairment Scale--Children and Adolescents (BFIS-CA).Includes Permission to Photocopy Enhancing the convenience and value of the BSCTS-CA, the limited photocopy license allows purchasers to reproduce the forms and score sheets and yields considerable cost savings over other available scales. The large format and sturdy wire binding facilitate photocopying.Age Range: 6–17Forms and Profiles BSCTS-CA Parent Rating Scale BSCTS-CA Parent Interview BSCTS-CA SCT Profile (Ages 6–11, Males Only) BSCTS-CA SCT Profile (Ages 6–11, Females Only) BSCTS-CA SCT Profile (Ages 12–17, Males Only) BSCTS-CA SCT Profile (Ages 12–17, Females Only)

Read more less

Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman. Before the advent of the metronome ca. 1800, there was little in the way of a standardized, commonly accessible method for precisely communicating how fast musical compositions should be performed. Instead of absolute time (that is, plottable on a metronome), Baroque musicians developed notational cues for relative speed: this was accomplished primarily through combinations of time signatures and note values. Julia Dokter's Tempo and Tactus in the German Baroque helps decode these tempo cues for modern performers. Part 1 investigates metric theory in music treatises from roughly 1600 to 1790. Parts 2 and 3 explore the organ scores of pivotal composers such as J. S. Bach, Dieterich Buxtehude, Matthias Weckman, and Nicolaus Bruhns, and present case studies demonstrating how Baroque tempo indications may interact in performance situations. Readers will discover how Baroque musicians modified the Renaissance mensural system to incorporate tempo shifts; how the various duple, triple, and compound meters interrelated; how the technical display of stylus phantasticus writing affected tempo; how tempo words (such as allegro) functioned; and how the choice of performing forces-chorus, solo keyboard, and so on-could affect the way tempo was notated. By addressing questions of tempo fundamental to German Baroque music, this book lays important groundwork for organists and for performers of other instrumental music of this period.

Read more less

A sweeping narrative history of American immigration from the colonial period to the present “A masterly historical synthesis, full of wonderful detail and beautifully written, that brings fresh insights to the story of how immigrants were drawn to and settled in America over the centuries.”—Nancy Foner, author of One Quarter of the Nation The history of the United States has been shaped by immigration. Historians Carl J. Bon Tempo and Hasia R. Diner provide a sweeping historical narrative told through the lives and words of the quite ordinary people who did nothing less than make the nation. Drawn from stories spanning the colonial period to the present, Bon Tempo and Diner detail the experiences of people from Europe, Asia, Africa, and the Americas. They explore the many themes of American immigration scholarship, including the contexts and motivations for migration, settlement patterns, work, family, racism, and nativism, against the background of immigration law and policy. Taking a global approach that considers economic and personal factors in both the sending and receiving societies, the authors pay close attention to how immigration has been shaped by the state response to its promises and challenges.

Read more less

Unlike the 1930s, when the United States tragically failed to open its doors to Europeans fleeing Nazism, the country admitted over three million refugees during the Cold War. This dramatic reversal gave rise to intense political and cultural battles, pitting refugee advocates against determined opponents who at times successfully slowed admissions. The first comprehensive historical exploration of American refugee affairs from the midcentury to the present, Americans at the Gate explores the reasons behind the remarkable changes to American refugee policy, laws, and programs. Carl Bon Tempo looks at the Hungarian, Cuban, and Indochinese refugee crises, and he examines major pieces of legislation, including the Refugee Relief Act and the 1980 Refugee Act. He argues that the American commitment to refugees in the post-1945 era occurred not just because of foreign policy imperatives during the Cold War, but also because of particular domestic developments within the United States such as the Red Scare, the Civil Rights Movement, the rise of the Right, and partisan electoral politics. Using a wide variety of sources and documents, Americans at the Gate considers policy and law developments in connection with the organization and administration of refugee programs.

Read more less

Unlike the 1930s, when the United States tragically failed to open its doors to Europeans fleeing Nazism, the country admitted over three million refugees during the Cold War. This dramatic reversal gave rise to intense political and cultural battles, pitting refugee advocates against determined opponents who at times successfully slowed admissions. The first comprehensive historical exploration of American refugee affairs from the midcentury to the present, Americans at the Gate explores the reasons behind the remarkable changes to American refugee policy, laws, and programs. Carl Bon Tempo looks at the Hungarian, Cuban, and Indochinese refugee crises, and he examines major pieces of legislation, including the Refugee Relief Act and the 1980 Refugee Act. He argues that the American commitment to refugees in the post-1945 era occurred not just because of foreign policy imperatives during the Cold War, but also because of particular domestic developments within the United States such as the Red Scare, the Civil Rights Movement, the rise of the Right, and partisan electoral politics. Using a wide variety of sources and documents, Americans at the Gate considers policy and law developments in connection with the organization and administration of refugee programs.

Read more less

Os Cães de Cérbero Poemas, aforismos, armas limpas e espadas afiadas da Terra, do Inferno e do Céu. Poemas, aforismos e canções da liberdade e da revolução. Poemas, aforismos e canções que disparam sobre o século XXI. Poemas, aforismos e canções do tempo, do pouco tempo, do muito tempo e do Nada. Poemas, aforismos e canções da vida, da morte, da morte em vida e da vida no não-tempo.Blitzkrieg-Bot Songs Canções-poema para rock?n?roll, música electrónica e todos os géneros musicais cyber song ou tradicionais de combate. São canções-poema para danças eróticas sobre pedra fria e mausoléus fartos.

Read more less

"This is a "Ninth" and no mistake. . .the most significant British string quartet of the century. . ."David J Brown, Tempo, March 1985

Read more less