Search results for ""Swiss Institute""

Complete documentation of the longest-running work from Hans Haacke's famous Poll series German artist and institutional critique pioneer Hans Haacke (born 1936) is famed worldwide for examining museums by directly asking their audiences questions. Hans Haacke: Swiss Institute Visitors Poll documents the results of his longest ever poll work, which was conducted at Swiss Institute from June 21, 2018 to October 24, 2019. Newly commissioned for this publication, Haacke's featured essay outlines the history of his poll works, discussing the context and development of this body of work over four decades—all leading up to the Swiss Institute Visitors Poll. The book documents the results of the poll, including 652 pages of facsimile index cards that were written by poll respondents in response to Question #20: “What multiple-choice question would you also have liked to see in this poll?”

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In the “St. Petersburg gamble,” the house offers to flip a coin until it comes up heads. The payoff doubles each time tails appears. By conventional definitions, the St Petersburg gamble has an infinite potential return; nonetheless, most players feel that they should not risk more than a few dollars each time. Explaining why people offer such small sums for something with infinite potential remains contentious in both economics and philosophy. The St. Petersburg Paradox embodies Swiss Institute’s longstanding dedication to producing inventive group exhibitions, putting artists across a century (Marcel Duchamp, Ericka Beckman, Hans Arp, Amalia Ulman, Tabor Robak) in dialogue with each other to explore the precarious nature of gaming and the impulses that underlie the way risk is calculated. Embracing the conceptual framework of an exhibition at Swiss Institute and its related public programs, each book in the SI Series adds retrospective context through seminal essays, archival materials, event transcripts, artist portfolios and exhibition documentation, as well as reprints and new translations of important texts. Each book in the series assumes a unique format to delve into the work of an artist, an artistic movement or a philosophical conundrum.

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In Eugene Ionesco's absurdist play The Chairs, chairs stand in for characters at the brink of the world's end. Artist and curator Andreas Angelidakis pays homage to Ionesco at Swiss Institute with Fin de Siècle, a fantastical and idiosyncratic narrative of design after modernism. Inspired by Ionesco's play, Angelidakis reanimates a number of important chairs from design history and popular culture, casting them in dramatic roles. As a document of Swiss Institute's inaugural Architecture and Design show, this volume includes a conversation on late-modernist design between Angelidakis and Beatrice Galilee, Associate Curator of Architecture and Design at the Met; a dialogue on AirBnB's approach to space with Alessandro Bava, Aaron Taylor Harvey, Sean Monahan and Rachael Yu; an essay and specially created artist's book by Angelidakis; and a glossary of the chairs selected for the exhibition.

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Work Hard, the curatorial debut of celebrated Swiss artist Valentin Carron (born 1977), presents a creative discourse between a surprising group of artists: Edmond Bille, Vittorio Brodmann, Marguerite Burnat-Provins, Luciano Castelli, Claudia Comte, Sylvain Croci-Torti, Latifa Echakhch, Frédéric Gabioud, Mathis Gasser, Fabrice Gygi, Andreas Hochuli, Trix and Robert Haussmann, David Hominal, Bernhard Luginbühl, Urs Lüthi, Fabian Marti, Méret Oppenheim, Simon Paccaud, Mai-Thu Perret, Ugo Rondinone, Denis Savary, Daniel Spoerri and Jean Tinguely. In this book Carron suggests an imaginary time and place in art history while conjuring mythologies of labor and exploring the very personal approach that he took to understanding the narrative of national identity. Essays by Mai-Thu Perret and Balthazar Lovay plus an annotated walkthrough by Carron evoke the vernacular poetry of quirky Swissness.

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Inspired by Le Corbusier's 1925 Pavillon de l'Esprit Nouveau, the second exhibition in Swiss Institute's annual Architecture and Design series presents a prototype for the 21st-century home, simulating a living environment where the house moves beyond its physical confines and into the digital realm.

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A leading figure of photorealist painting, Franz Gertsch (born 1930, Switzerland) has created monumental portraits of charismatic youths and meditative depictions of nature in vivid and pains- taking detail for over fifty years. Polyfocal Allover surveys Gertsch’s paintings from 1970 to 1982 and woodcut prints from 1979 to 2019, reflecting a vision in which all that lies within the frame is accorded equal value. The essays, interviews, and conversations in this publication bring further definition to the lives and landscapes Gertsch renders with such virtuosic, eerie precision.

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Stefanie Hessler is a contemporary art curator, writer, editor and director of Swiss Institute in New York. Knut Ljøgodt, art historian, is director of the Nordic Institute of Art, Oslo. Susanne Østby Sæther is curator of photography and new media at the Henie Onstad Kunstsenter in Oslo.

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Specialists in building and civil engineering, architecture, traffic and transport engineering, urban planning and avalanche science came together at the Fifth International Conference on Snow Engineering, organized by the Federal Swiss Institute for Snow and Avalanche Research in Davos 2004. This event belongs to a series of Snow Engineering Conferences held every four years since 1988. These conferences have become an important event for the international exchange of information on recent developments in snow engineering. The following thematic areas were discussed in the technical sessions and are here presented in this volume: - Transportation- Housing and Residential Planning- Snow Loads- Ski Mechanics- Hazard Mitigation- Snow Technology and Science- Avalanche Engineering

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Essays on Ellie Ga, Joanna Piotrowska, Walter Pfeiffer, Steve Reinke, Anna Papier and more, in the latest issue of Osmos As founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom) explains, Osmos Magazine is “an art magazine about the use and abuse of photography.” The magazine is divided into thematic sections—some traditional, and others more idiosyncratic. Osmos Magazine issue 19 features Oliver Chanarin in conversation with Rafal Milach about the Magnum photographer’s book In Nearly Every Rose …, plus essays by Tom McDonough on Ellie Ga; Lucy Gallun on Joanna Piotrowska; Walter Pfeiffer introduced by Swiss Institute curator Daniel Merritt; Kenta Murakami on Steve Reinke's The Hundred Videos; Anna Papier on the Dutch photographer Bart Julius Peters; Christian Rattemeyer on Levan Mindiashvili; Drew Sawyer on Erin Jane Nelson; Ksenia Nouril on Rafael Soldi; and Leon Dish Becker's reportage, ESL Political Clickbait, on memes designed by YouTubers infiltrating and promoting paranoia.

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Sigfried Giedion (1888-1968) and Carola Giedion-Welcker (1893-1979) were among the most distinguished and influential scholars of art and architectural history during the 20th century's earlier dacades. Of particular impact was their role in connecting leading protagonists of modernism in architecture, art, and literature, such as Alvar Aalto, Hans Arp, Constantin Brancusi, Marcel Breuer, Max Ernst, Walter Gropius, Barbara Hepworth, Le Corbusier, Laszlo Moholy-Nagy, Piet Mondrian, or Sophie Taeuber-Arp. The discourses they initiated, for example on the New Vision in photography or a 'Synthesis of Arts', have lost nothing of their relevance and provide new starting points through to the present day. The estate of Sigfried and Carola Giedion-Welcker is today kept in Zurich at ETH Zurich's Institute for the History and Theory of Architecture, the Swiss Institute for Art Research, the University of Zurich's Institute of Romance Studies, and the James Joyce Foundation. It comprises some 16,000 letters, 10,000 photographic prints and negatives, a wealth of other papers, and a vast library. This new book offers a re-evaluation of Sigfried and Carola Giedion-Welcker's work, impact, and lasting significance. The editor and contributors were the first to draw fully on the estate, which has been opened entirely to researchers only recently. Featuring a vast number of previously unpublished documents and other images alongside excerpts from the extensive correspondence the two maintained with their artist friends and colleagues in academia, it provides a unique and manifold insight into the 'Giedion universe'.

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This book transposes the ‘free-energy principle’, as espoused by the neuroscientist Karl Friston, to strategic governance, and forming the new concept of Free-Energy Governance (FEG). This concept lays the foundation for a new logic of governing continuous transformation. In addition to guiding the structure, cognition, and capabilities of success in strategic renewal, FEG provides a systematic and practice-relevant approach to predicting a firm’s potential for entropy.Using this new concept, the author shows that the success of continuous strategic renewal and business innovation, elements crucial for firm survival, are determined by the triplet of a firm’s structure, cognition, and dynamic board capabilities. “How to govern large organizations in times of high uncertainty and permanent change? To answer this pressing question, … Bijan Khezri has been the first to apply [the free energy] principle to management science … This book is an eyeopener for every reflective leader.¨ Professor Oliver Gassmann, Director of the Institute of Management and Technology, University of St. Gallen “I really enjoyed reading this book. It was both exciting and reassuring to see how the same fundamental ideas can be found in fields as disparate as nonequilibrium steady-state physics and theories of governance.” Professor Karl. J. Friston; Director of the Wellcome Centre for Human Neuroimaging “Using a term often applied to best-selling novels, ‘it is a page turner’ in which I learned something new in every chapter! Every board member, all executives and scholars interested in strategic leadership and governance must read this book if they wish to remain relevant in the coming transformational decades.” Michael A. Hitt University Distinguished Professor Emeritus, Mays Business School, Texas A&M University Former President, Academy of Management, and former Editor, Academy of Management Journal "We could not ask for a better author to initiate this new conversation in the board research community and convey its merits to the world of board practice." Martin HilbProfessor Emeritus, University of St. Gallen Founder and Managing Partner, International Board Foundation and President of Swiss Institute of Directors “Set against a wide swath of literature, the book impressively makes the case for a new logic of strategic renewal in which the board of directors plays a central role.” Professor Constance E. Helfat, Tuck School of Business at Dartmouth

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