Search results for ""Steidl Publishers""

“Gerhard’s like a Communist. You have to go into the salt mines with him. If you’re willing to go there then you’re like brothers in arms and he’ll do what needs be.” Robert Polidori In August 2008 Monte Packham began taking notes of events unfolding around him during a typical working day as an editor at Steidl Publishers. Until January 2009 he made such daily jottings, candid observations of the organised chaos that is book-making at Steidl. These notes form the basis of Concentric Circles, the first book to depict the eclectic personalities and experiences that shape Steidl. Here the reader discovers the secret processes and comic facets of life at the publishing house: Günter Grass tapping tobacco into his pipe while refining the typography of his latest book, Gerhard Steidl at a Chanel fashion show or unsuccessfully trying to repair his fax machine, Paul Graham pondering binding materials, the sudden halt of the printing press… The book is enriched by interviews with and original texts by some of Steidl’s most important collaborators including Robert Frank, Karl Lagerfeld, Lewis Baltz, Jim Dine, Roni Horn, Tacita Dean, David Bailey and William Eggleston. Concentric Circles is both an unconventional portrait of Steidl Publishers and a compelling insight into the craft of book-making today. Monte Packham is a writer and editor living in Göttingen, Germany. Born in 1981 in Sydney, he has bachelor degrees with honours in art history and law from the University of Sydney. Packham’s writing has been published in Art & Australia, sleek and Another Magazine among others. Since 2007 he has worked as an editor at Steidl.

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Paris – A Short Return is the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. His visit to Paris in 1951 was his second return to Europe after he had settled in New York City in 1947 and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs selected by Robert Frank and Ute Eskildsen suggest that Frank’s experience of the “new world” had sharpened his eye for European urbanism. He saw the city’s streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.

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Between 1925 and 1938, photographer E.O. Hoppé traveled the length and breadth of Germany, recording people and places at one of the most tumultuous times in the country’s history. He photographed movie stars and captains of industry, workers and peasants, and captured the birth of the Autobahn and UFA film studios in its heyday. He saw the rise of fascism, the creation of vast new suburbs, and the displacement of people from their traditional ways of life. With unprecedented access to the country’s world-famous factories and industrial installations, he witnessed Germany as few others could—barreling headlong into the unknown. Moving, insightful, and deeply revealing, the full significance of Hoppé’s German work has been unknown until now. This volume combines photographs published in Hoppé’s legendary book of 1930, Deutsche Arbeit, with many new pictures never previously seen. From factory floor to the commuters of Berlin and Munich, Hoppé’s photographs reveal the profound social and economic tensions that preceded the Second World War. This publication uncovers Hoppé as a pivotal figure in the history of twentieth-century photography, who introduced for the first time elements of typology, seriality and sequence, which have become key elements of contemporary photographic practice. Hoppé used his experience in Germany to develop a new modern style of photography—showing not just how things looked, but how it felt to be there.

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