Search results for ""St Martin's Press""

Brimming with heart and heat, Rules for Second Chances explores the hardest relationship question of all: can true love happen twice...with the same person?Liz Lewis has tried everything to be what people want. But she's always been labeled different from everyone else in the boisterous world of wilderness expeditionsthat is, if anyone notices her at all. Her marriage to popular adventure guide Tobin Renner-Lewis is a sinkhole of toxic positivity where she's the only one saying no. In a mountain resort town built around excitement, introverted Liz getsspreadsheets.When she gets mistaken for a server at her own thirtieth birthday party and her last line of communication with Tobin finally snaps, Liz vows to stop playing a minor character in her own life. The (incredibly well-researched and scientific) plan? A crash course in confidencevia improv comedy class.The catch? She's terrible at it, and the only person willing to practice with her

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Anyone who's ever wanted to turn the page on their old life or felt the whispered promise of a new dream, and a fresh start will fall in love with Pamela Kelley's charming new novel. New York Times bestselling author Mary Kay AndrewsTWO LIFELONG FRIENDS.Jess loves her work as a high-profile lawyer in Charleston. But when her marriage implodes, she retreats to her childhood home on Cape Cod with her thirty-year-old daughter, Caitlin, hoping to regroup with her longtime best friend, Alison.ONE BOOKSHOP BY THE BAY.Alison's career has taken a hit after twenty years as an editor for the magazine Cape Cod Living. But when she learns her beloved bookstore on the Cape is looking for new ownership, a new dream starts to form.AND THE SUMMER THAT COULD CHANGE EVERYTHING.As the two friends reopen the bookstore, they also open themselves up to the magic of second chances. A wonderful multi-generational story about mother

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So we purr, cara cara, and we glide, taka taka, and we zoom, zoom, ZOOM! Together, a boy and his parents drive to the city of Havana, Cuba, in their old family car. Along the way, they experience the sights and sounds of the streets-neighbors talking, musicians performing, and beautiful, colorful cars putt-putting and bumpety-bumping along. In the end, though, it's their old car, Cara Cara, that the boy loves best. A joyful celebration of the Cuban people and their resourceful innovation. ALSC Notable Book

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On an ordinary day in Bergen, Norway, in the late 1990s, Anna is reading in the garden while her two-year-old daughter, Laura, plays on her tricycle. Then, in one startling moment, Anna misreads a word, an alternate universe opens up, and Laura disappears. Twenty years or so later, life has gone on as if nothing happened. In each of the women's lives, however, something is not quite right. Both Anna and Laura continue to exist, but they are invisible to each other and forgotten in each other's worlds. Both are writers and amateur pianists. Both are married; Anna had two more children after Laura disappeared, and Laura is expecting a child of her own. They worry about their families, their jobs, the climate-and whether this reality is all there is. In the exquisite, wistful, slyly profound Present Tense Machine, Gunnhild Øyehaug delivers another dazzling renovation of what fiction can do, a testament to the fact that language shapes the world.

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From its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera’s greatest artists have striven to fuse multiple art forms - music, drama, poetry, dance - into a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music - opera assumes its true form when it pursues impossible goals. The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works - ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin - that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera’s greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera’s iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world.

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The Loft Generation: From the de Koonings to Twombly; Portraits and Sketches, 1942–2011 is an invaluable account by an artist at the center of a landmark era in American art. Edith Schloss writes about the painters, poets, and musicians who were part of the postwar movements and about her life as an artist in New York and later in Italy, where she continued to paint and write until her death in 2011. Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O’Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman. In The Loft Generation, Schloss creates a rare and irreplaceable up-close record of an era of artistic innovation and the colorful characters who made it happen. There is no other book like it. Her canny observations are indispensable reading for all critics and researchers of this vital period in American art.

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Stella has a feeling that her life in Tacoma is about to turn around-just like her Panda Express fortune cookie promised. She'll finally make friends, and maybe have a little less generalized anxiety about big things, like her absent mom, and small things, like food touching other food on her plate. Her hopes for a friend-filled, anxiety-free future are quickly overshadowed when her Dad offers up an odd souvenir from his Vegas business trip: his new fiancée, Whitney. A few short weeks later, Stella and her brother find themselves staying in Whitney's Las Vegas house. But Stella isn't ready to accept her new life in the desert just yet. It's going to take some help from the stars-and her soon-to-be stepsister-to get this wedding called off once and for all.

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The next installment of Joanna Schaffhausen's critically acclaimed Detective Annalisa Vega series. For Chicago police detective Annalisa Vega, Sam Tran's death presents an ominous puzzle. The ex-cop turned PI is found hanging from a cemetery tree with a message across his chest that suggests someone holds a murderous grudge against the police. Annalisa suspects the real answer lies in one of Tran's open cases. She believes he stumbled on a dark secret during his investigations and someone killed him to keep him quiet. Her own family harbors plenty of secrets, something Annalisa is reminded of when her brother turns out to be one of Sam's last clients. Vinny Vega hired Tran to find a dangerous stalker on his daughter's college campus. Now Sam is dead and the stalker remains at large, with Annalisa's niece Quinn firmly in his sights. To protect Quinn, Annalisa begins tracing Sam's steps back through his open cases, which include not only the campus stalker but also a brutal double homicide from twenty years ago. Did Sam finally find the killer? Did he uncover the stalker's identity? Annalisa must figure out which secret got Sam killed, and fast, or someone else will die. Every move she makes brings her closer to the truth of Sam's death, and closer to a murderer who will stop at nothing to remain free.

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At the end of The Midnight Lie, Nirrim offered up her heart to the God of Thieves in order to restore her people's memories of their city's history. The Half Kith who once lived imprisoned behind the city's wall now realize that many among them are powerful. Meanwhile, the person Nirrim once loved most, Sid, has returned to her home country of Herran, where she must navigate the politics of being a rogue princess who has finally agreed to do her duty. In the Herrani court, rumors begin to grow of a new threat rising in the south sea, of unleashed magic, and of a cruel, black-haired queen who can push false memories into your mind. Sid doesn't know that this queen is Nirrim, who seeks her revenge against a world that has wronged her. Can Sid save Nirrim from herself? Does Nirrim even want to be saved?

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Chicago, 2018: Ole Henryks, a popular restauranteur, is set to be honored by the Danish/American Association for his many civic and charitable contributions. Frequently appearing on local TV, he is well known for his actions in Nazi-occupied Denmark during World War II — most consider him a hero. Britta Stein, however, does not. The ninety-year-old Chicago woman levels public accusations against Henryks by spray-painting “Coward,” “Traitor,” “Collaborator,” and “War Criminal” on the walls of his restaurant. Mrs. Stein is ultimately taken into custody and charged with criminal defacement of property. She also becomes the target of a bitter lawsuit filed by Henryks and his son, accusing her of defamation and intentional infliction of emotional distress. Attorney Catherine Lockhart, though hesitant at first, agrees to take up Mrs. Stein's defense. With the help of her investigator husband, Liam Taggart, Lockhart must reach back into wartime Denmark and locate evidence that proves Mrs. Stein's innocence. Defending Britta Stein is critically-acclaimed author Ronald H. Balson's thrilling take on a modern day courtroom drama, and a masterful rendition of Denmark’s wartime heroics.

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With 100 easy-to-hard puzzles in a smart, striking design, the third volume of The New York Times Classic Crossword Puzzles is the perfect gift for any crossword lover. Its sturdy, journal-style packaging with ribbon marker and removable jacket means you can solve in style wherever you go. Features: - High-quality paper inside allows you to solve with pen or pencil - Cloth ribbon marker helps you keep your place so you can easily return to the puzzle you're working on - Removable cover band leaves a discreet and sophisticated hardcover book with rounded corners and charming crossword grid pattern - All puzzles originally printed in The New York Times and edited by Will Shortz, the top two names in crosswords

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