Search results for ""Society of Antiquaries of London""

This fascinating portrait of the Society of Antiquaries of London, founded in 1707, assesses the impact that individual Fellows and the Society as a whole have had in influencing the way we visualise and understand the past. There are, for example, essays on the Society's pioneering role in recording monuments and antiquities for posterity, in establishing the scientific and empirical basis of archaeological studies, in replacing Biblically based timeframes with a clearer understanding of deep time measured in millions of years, in drawing up the first legislation protecting ancient monuments, and in funding and publishing the great excavations of the last one hundred years, from Stonehenge, Maiden Castle, Richborough and Sutton Hoo to Aksum (Ethiopia) and Mons Porphyrites (Egypt). All the papers represent fresh and original scholarship and they tell us much about the Society's achievements (and some of the accompanying conflicts between personalities and ideas) over three hundred years. They are based on diaries, letters, minute books and confidential government papers and on portraits that chart the changing image of the antiquary from a figure of fun to heroic seeker of forgotten people and civilizations. Visions of Antiquity reveals astonishing echoes across time - from the repeated and continuing attempts to record all ancient buildings and monuments to the continuity of the title 'antiquary' to describe scholars who build bridges between different branches of knowledge based on the study of material remains of the past and of a Fellowship whose numbers have included prime ministers, bishops, peers and parliamentarians, as well as radicals and free thinkers, such as William Morris and many of the founders of modern conservation.

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Romantic rock-perched sea-girt Tintagel is a magical place that resonates with Arthurian associations - and the archaeological reality is no less intriguing than the legend. Investigation of the site began in the 1930s, when Dr Ralegh Radford uncovered remains of buildings with significant volumes of eastern Mediterranean and North African pottery of fifth- to seventh-century date, suggesting a western British site of iconic importance in the economy of the late Antique and Byzantine world. The research presented in this book comes from renewed fieldwork carried out at this promontory site over several seasons between April 1990 and July 1999, using modern archaeological techniques, together with previously unpublished work from Radford's private archive, along with that of his architect, J A Wright. This work has demonstrated the complexity and variability of building forms and associated occupation at the site and the wide-ranging connections of Tintagel during the fi

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Sir George Buc (1560-1622), one of the careful antiquarian scholars of the English Renaissance, is famous in literary history as Master of Revels under King James I, a position in which he was responsible for censorship of Shakespeare’s later plays. His own work has never received the attention and assessment it merits. In 1619 Sir George wrote The History of King Richard the Third, a study of Richard’s life and reign and a defence of his historical reputation against the Tudor chroniclers’ slanders. Sane, objective, and carefully documented, this work has taken over 350 years to reach us in the form the author intended.In the late 1960s-early 1970s Arthur Kincaid embarked on creating the first authentic edition of Sir George Buc’s History from the badly fire-damaged manuscript draft, now in the British Library. Thus, he uncovered Sir George Buc’s original scholarly work, which for centuries had suffered the infamy of having been plagiarized and distorted by his great-nephew, whose name was, coincidentally, George Buck.This book presents George Buc’s History, painstakingly reconstructed from the original text. In this edition Kincaid has thoroughly updated and revised his introduction, discussing Sir George’s position in the literary and scholarly world of his day, and tracing the mystery of the text’s transmission. Extensive notes document the facts of Richard’s reign and controversies surrounding them.

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This volume continues the major project of creating a reliable means of identifying British medieval coats of arms, which began in 1940; it will be of interest not only to heralds, but also to aid historians, archaeologists, genealogists, and antiquaries. This book continues the Dictionary of British Medieval Arms, a major work which is designed to enable those with a working knowledge of heraldry to identify medieval British coats of arms. The Dictionary is the result of a bequest to the Society of Antiquaries in 1926 for the production of a new edition of Papworth's Ordinary which has remained, since its publication in 1874, the principal tool for the identification of British coats of arms. An Ordinary, in this context, is a collection of arms arranged alphabetically according to their designs, as opposed to an armory which is arranged alphabetically by surname. The indices of the four volumes act as an armory. The Dictionary covers the period before the beginning of the heraldic visitations in 1530. Its publication will mean that the wide range of people interested in medieval arms - historians, antiquaries, archaeologists, genealogist and those dealing in and collecting medieval objects - will be able to identify accurately the arms that occur in a medieval context. Even those without a knowledge of the subject will be able, by means of the index, todiscover the blazon of arms recorded under particular surnames in the Middle Ages.

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The third in a series of four volumes designed to aid historians, archaeologists, genealogists, heraldists and antiquaries in the identification of medieval British coats of arms. Listed in this volume are entries from Chief to Fess. This book is the third in a series of volumes designed to enable those with a working knowledge of heraldry to identify medieval British coats of arms. Listed in this volume are entries from Chief to Fess. The project is the result of a bequest to the Society of Antiquaries in 1926 for the production of a new edition of Papworth's Ordinary which has remained, since its publication in 1874, the principal tool for the identification of British coatsof arms. An Ordinary, in this context, is a collection of arms arranged alphabetically according to their designs, as opposed to an armory which is arranged alphabetically by surname. The present work is the third in a fourvolume Ordinary covering the period before the beginning of the heraldic visitations in 1530. Its publication will mean that the wide range of people interested in medieval arms - historians, antiquaries, archaeologists, genealogist and those dealing in and collecting medieval objects - will be able to identify accurately the arms that occur in a medieval context. Even those without a knowledge of the subject will be able, by means of the index, to discover the blazon of arms recorded under particular surnames in the Middle Ages.

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This is the fourth in a series of volumes repporting on the material recovered from the excavation of the prehistoric site of Khok Phanom Di. The author worked throughout on the recovery of botanical remains. Most came from the flotation of soil samples taken from all cultural contexts, but such were the conditions for preservation, that wood, charcoal. rice and possible fabric remains were also found. The interpretation is enhanced through a consideration of traditional harvesting and crop processing techniques creating a picture of a dynamic and changing environment in which the cultivation of domestic rice was undertaken.

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An overview of research and finds of Roman mosaics in Britain, updating the earlier corpus volumes from 2010 to the present time. The volume incorporates all new discoveries and re-excavations since 2010 including the important figured mosaics from Boxford and Ketton.

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Taking a thematic approach to the landscape of the Vale of York and the human activity that helped to shape it, this volume examines the largest exposure of prehistoric and Roman activity investigated archaeologically in the immediate hinterland of the city of York, illustrating the complex development of landscape in the area from the Neolithic period and, most intensively, in Iron Age, Roman and modern periods.

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The prehistoric site of Khok Phanom Di in central Thailand, occupied c.2000-1500 BC, was particularly rich in material culture. This volume focuses on the non-ceramic objects, all of which are discussed, catalogued and illustrated. The finds include objects made from bone, antler and turtle shell, worked stone, burnishing stones, shell, ivory and bone ornaments, shell knives and other shell items.

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Modern-day Aldborough, in North Yorkshire, lies on the site of Isurium Brigantum, the former administrative capital of the Brigantes, one of the largest indigenous tribes of Roman Britain. Strategically located on Dere Street, by the second century AD it had become a key Roman town engaged with the supply of the northern frontier, with buildings and mosaics that reveal a thriving economy through to the fourth century. In the eighteenth and nineteenth centuries, the site of Isurium Brigantum was the subject of important antiquarian investigations. However, unlike some southern counterparts - for example, Calleva Atrebatum or Verulamium - in the twentieth century it attracted less archaeological attention. Then, in 2009 a team of archaeologists led by Dr Rose Ferraby and Professor Martin Millett began a major re-examination of the site. This included large-scale geophysical surveys using both gradiometry and high-resolution ground-penetrating radar. Most of the town and its surroundings were revealed, allowing its development from the second century AD to the medieval period to be mapped with great accuracy. Brought together in this volume for the first time are the results of those surveys, together with a re-evaluation of the earlier antiquarian work and more recent archaeological fieldwork and excavations - some never before published. The resulting volume provides historians and archaeologists with exciting new information about the topography and development of the Roman town and later landscape, together with a thorough review of the town in the broader context of Roman Britain and the western Empire. The volume is complemented by an interactive digital archive, which is free to access.

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New English translation of Llull's classic and significant text, restoring the nuances of the original. Ramon Llull (1232-1316) composed The Book of the Order of Chivalry between 1274 and 1276 as both an instrument of reform and an agent for change. His aim was to create and codify the rules for a unilateral Order of Chivalry. Loyalty to the Order, coupled with common sense, religious faith, education, and martial prowess, were in his view the keys to victory in the Holy Land and the Reconquista. The book was an immediate success and widely disseminated across Europe, eventually reaching a medieval English audience, though through a fanciful translation of a translation by William Caxton, in which most of the stylistic nuances of the Catalan original were lost. This new translation is directly from the original Catalan, so capturing for the first time in English the concise, austere style that characterises Llull's prose; it is presented with introduction and notes. It will be essential reading for all scholars and enthusiasts of medieval chivalric culture. Noel Fallows is Associate Dean and Professor of Spanish at the University of Georgia, and a Fellow of the Society of Antiquaries of London.

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Professor Marks has been a curator at the British Museum, Keeper of the Burrell Collection, Glasgow, and Director of the Royal Pavilion and Museums in Brighton. Subsequently he held a Personal Chair in the History of Art Department at the University of York, and is now Emeritus Professor; he also currently has an Honorary Professorship in the History of Art at Cambridge University. He has held honorary posts as Vice-President of The Society of Antiquaries of London and International President of the Corpus Vitrearum Medii Aevi project. He has worked on a number of major exhibitions, including Gothic. Art for England 1400–1547 (Victoria & Albert Museum, 2003–4), which he curated. Professor Marks’main interest is the religious imagery of medieval Europe, in all the visual arts. Much of his research has been on English stained glass, and, more recently, on the function and reception of devotional images. His works here include Stained Glass in England during the Middle Ages (1993), The Medieval Stained Glass of Northamptonshire (1998), The Golden Age of English Manuscript Painting 1200–1500 (1981) and Image and Devotion in Late Medieval England (2004). This volume brings together thirty-one of Professor Marks’ studies, encompassing historiography, stained glass, manuscript illumination, screen and wall painting, sculpture and funerary monuments.

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Alison Stones has taught History of Art and Architecture in the USA since 1969 and has enjoyed Visiting Fellowships at the Universities of Oxford, Cambridge and Paris. She is a specialist in illuminated manuscripts, co-authoring Les Manuscrits de Chrétien de Troyes (1993), The Pilgrim's Guide to Santiago de Compostela, A Critical Edition (1998), and writing Le Livre d'images de Madame Marie (Paris, BNF n.a.fr. 16251) (1997), and Gautier de Coinci, Miracles, Music and Manuscripts (2006). Her four-volume study, Manuscripts Illuminated in France, Gothic Manuscripts 1260-1320 was published in 2013 and 2014. Her research has been supported by the American Council of Learned Societies, the American Philosophical Society, the Fulbright Foundation, and the National Endowment for the Humanities. She is a Fellow of the Society of Antiquaries of London, a Correspondant étranger honoraire of the Société nationale des Antiquaires de France and a Chevalier de l'Ordre des Arts et des Lettres. These two volumes collect and update Professor Stones's papers on Arthurian manuscript illustration, one of her continuing passions. These essays explore aspects of the iconography of the romances of Chrétien de Troyes in French verse, the lengthy Lancelot-Grail romance in French prose, and other versions of the chivalrous exploits of King Arthur's knights - the best-sellers of the Middle Ages. Illustrated copies of these romances survive in huge numbers from the early thirteenth century through the beginnings of print, and were read for their text and their pictures throughout the French-speaking world. Of special interest is the cultural context in which these popular works were made and disseminated, by scribes and artists whose work encompassed all kinds of books, for patrons whose collecting was wide-ranging, including secular books alongside works of liturgical and devotional interest.

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