Search results for ""Simon Brown""

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s Carrie, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.

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Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.Simon Brown first examines the reasons for King’s literary success and then, starting with Brian De Palma’s Carrie, explores how King’s themes and style have been adapted for the big and small screens. He looks at mainstream multiplex horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre in film and TV.

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This book offers an industrial, economic and aesthetic history of the early years of the British film industry from 1899–1911, through a case study of one of the most celebrated pioneer film makers, Cecil Hepworth. Presenting a picture of daily life in his film studio, an analysis of Hepworth’s films is offered including the development of their content, production methods and marketing in this formative period. The early twentieth century saw British film production develop from a cottage industry of artisans to a multi-modal complex economic system with a global reach. Changes in the nature of exhibition and distribution caused a major crisis in the years 1908–1911, whereby Britain lost its status as a world leader in film making. Existing histories of this period lay this crisis at the feet of pioneers like Hepworth, whose perceived inability to improve the quality of film production led to stagnation. Brown attempts to challenge this assumption by analysing Hepworth’s development of production methods as well as his strategies towards sales in the market to demonstrate the impact on the modernisation of the film industry.

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SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 190055 (2012). SARAH STREET is Professor of Film at the University of Bristol. She is the author of a number of books on British cinema, including Colour Films in Britain: The Negotiation of Innovation 190055 (2012), and is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Simon Brown and Liz Watkins), publications which, in addition to this volume, resulted from a research project funded by the AHRC. Sarah Street is co-editor of Screen and the Journal of Briti

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Diving the Thistlegorm is a unique in-depth look at one of the world's best-loved shipwrecks, the World War II British Merchant Navy steamship, featuring award-winning underwater photography. In this highly visual guide, cutting edge photographic methods enable views of the famous wreck and its fascinating cargo which were previously impossible. Diving the Thistlegorm is the culmination of decades of experience, archaeological and photographic expertise, many hours underwater, months of computer processing time, and days spent researching and verifying the history of the ship and its cargo. For the first time, this book brings the rich and complex contents of the wreck together, identifying individual items and illustrating where they can be found. As the expert team behind the underwater photography, reconstructions and explanations take you through the Thistlegorm in incredible detail, you will discover not only what has been learned but also what mysteries are still to be solved.

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SARAH STREET is Professor of Film at the University of Bristol. Her publications include Cinema and State: The Film Industry and the British Government, 192784 (co-authored with Margaret Dickinson, 1985); British National Cinema (1997, 2nd edition 2009); British Cinema in Documents (2000); Transatlantic Crossings: British Feature Films in the USA (2002); Black Narcissus (2005), and Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (coauthored with Tim Bergfelder and Sue Harris, 2007). She is a member of the editorial boards of the Journal of British Cinema and Television and of Screen. Technical appendix by Simon Brown: SIMON BROWN is Director of Studies for Film and Television at Kingston University, UK. A historian and former film archivist, he has published widely on early and British cinema, including pieces on British colour films in the 1920s and in the 1930s, with a particular focus on Dufaycolor. Alongside Sarah Street and Liz Watkins,

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The 7 Secrets of Money exposes the hidden truths around money that the financial establishment has for too long kept to itself. Written by four well-respected finance professionals, it gives you a clear path to build your investments and meet your life goals. The approach is simple: focus your energies on things you can control – such as saving, spending, costs, taxes and sound financial planning, only taking risks that you know will be rewarded. This places you, the investor, firmly in control of your financial future. The 7 Secrets of Money is the inside track for personal investment success.

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Diving the Thistlegorm is a unique in-depth look at one of the world's best-loved shipwrecks, the World War II British Merchant Navy steamship, featuring award-winning underwater photography. In this highly visual guide, cutting edge photographic methods enable views of the famous wreck and its fascinating cargo which were previously impossible. Sitting upright in 30m of clear, inviting Red Sea waters, the ship is packed with the materials of war. Largely complete lorries, trucks, motorbikes, aircraft spares and airfield equipment are crammed into the forward holds and the remains of other vehicles lie amongst boxes of ammunition in the exploded aft holds. Often referred to as an underwater museum, the wreck fascinates visitors for dive after dive. The book is the culmination of decades of experience, archaeological and photographic expertise, many hours underwater, months of computer processing time, and days spent researching and verifying the history of the ship and its cargo. For the first time, Diving the Thistlegorm brings the rich and complex contents of the wreck together, identifying individual items and illustrating where they can be found. As the expert team behind the underwater photography, reconstructions and explanations take you through the wreck in incredible detail, you will discover not only what has been learned but also what mysteries are still to be solved. Limited run of hardbacks.

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Pocket Sci-Fi is part of Pocket Reads, a superb collection of quality books that really capture children's imaginations! Pocket Reads have fantastic breadth and variety of genre, with Pocket Facts, Pocket Tales and Pocket Chillers making up the rest of the collection of independent readers. The fiction books are beautifully illustrated and are guaranteed to appeal to even the most reluctant of readers. The non-fiction readers are equally as stunning and will captivate and excite children with fascinating facts. The 105 pocket-sized fiction and non-fiction readers have each been carefully levelled to the National Curriculum and Book-Banded to ensure children make progression. You can therefore be assured that every reading experience is one that counts.

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In "Atlas", Teddy recounts his incredible life, from juvenile delinquent, to his induction into the legendary Cus D'Amato's Boxing Camp and his first major challenge - training 14-year-old Mike Tyson. An amateur boxer trained by D'Amato, Atlas captured the Adirondack Golden Gloves title at 139 pounds in 1976. Forced out of competition because of injury, Teddy turned his talents to training fighters, including Mike Tyson, Barry McGuigan, Tracy Patterson, Joey Gamache, Simon Brown and Donny Lalonde. In 1994, in a memorable performance as trainer and corner man, Teddy inspired Michael Moorer to beat Evander Holyfield for the world heavyweight championship. Teddy has also employed his talents outside of the ring appearing in 2 films and choreographing fight scenes for the television series "Against the Law". "Atlas" is the remarkable story of all of these achievements, told in Atlas' completely inimitable voice. As you'd expect from a boxing memoir, it pulls no punches.

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