Search results for ""SAC""

‘Fighter pilots make movies, bomber pilots make history’ – or so the bomber pilots say, anyway. Strategic Air Command held a constant nuclear-armed vigil, ready to launch nuclear war at a moment’s notice, twenty-four hours a day. SAC was responsible for two of the three components of the Nuclear Triad – manned strategic bombers and land-based intercontinental ballistic missiles (ICBMs) – alongside the Navy’s SLBMs. Also responsible for the USAF’s strategic reconnaissance aircraft, SAC maintained a large fleet of tankers to support its bombers and spy planes. After a drawdown of strength in the aftermath of the Vietnam War, SAC rebuilt its strength throughout the 1980s as part of a wider revitalisation of the US armed forces under President Reagan. New advanced bombers, tankers and ICBMs joined the fleet with the promise of new stealth aircraft under development.

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És un món perillós, massa...T'has passejat mai pel barri de la Ribera a les dues de la matinada? Has entrat alguna vegada en un bar heavy ple de fum? Has anat amb moto a tota velocitat pels carrers de la ciutat? T'has enamorat mai d'una noia del teu curs? Si has fet alguna d'aquestes coses, segur que en Ramon et resultarà familiar. Però ell s'ha endinsat en un món molt perillós, massa.

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New site-specific works by Phyllida Barlow fill the Royal Academy's Gabrielle Jungels-Winkler Galleries in early 2019. This accompanying publication provides a lively account of the artist's role in modern British sculpture. The British sculptor Phyllida Barlow CBE RA (b. 1944) studied at Chelsea College of Art (1960-63) and the Slade School of Art (1963-66), where she later taught for much of her career. In recent years, she has been elected a Royal Academician, created new work for Tate and the Royal Academy, had numerous solo shows and represented Britain at the Venice Biennale. Barlow's large-scale sculptures eschew serenity, balance and beauty in favour of instability, obstruction and oddness. They invade the spaces they inhabit, instead of neatly complementing them. Her use of inexpensive, everyday materials - concrete, plywood, cardboard, plaster, fabric and paint - suggests that her works are a double act of recycling: both of the materials she uses and the images she draws from her memory. With installation shots of the artist's new works at the Royal Academy and photography from the studio, this book situates Barlow as a key figure within contemporary sculpture. Published to accompany an exhibition at the Royal Academy of Arts, London, 16 February-23 June 2019. Alastair Sooke is an art critic and broadcaster. Edith Devaney is Head of Summer Exhibition and Curator of Contemporary Projects at the Royal Academy.

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The Cul-de-Sac Kids is a lighthearted chapter-book series for young readers written by the talented Beverly Lewis. Each book centers on the often-humorous escapades of these endearing neighborhood friends as they learn together the value of friendship and faith. An enjoyable read for both parents and kids! Volume Four features Piggy Party, The Granny Game, Mystery Mutt, Big Bad Beans, The Upside-Down Day, and The Midnight Mystery.

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The Cul-de-Sac Kids is a lighthearted chapter-book series for young readers written by the talented Beverly Lewis. Each book centers on the often-humorous escapades of these endearing neighborhood friends as they learn together the value of friendship and faith. An enjoyable read for both parents and kids! Volume Two features The Stinky Sneakers Mystery, Pickle Pizza, Mailbox Mania, The Mudhole Mystery, Fiddlesticks, and The Crabby Cat Caper.

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The Cul-de-Sac Kids is a lighthearted chapter-book series for young readers written by the talented Beverly Lewis. Each book centers on the often-humorous escapades of these endearing neighborhood friends as they learn together the value of friendship and faith. An enjoyable read for both parents and kids! Volume Three includes Tarantula Toes, Green Gravy, Backyard Bandit Mystery, Tree House Trouble, The Creepy Sleep-Over, and The Great TV Turn-Off.

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The Cul-de-Sac Kids is a lighthearted chapter-book series for young readers written by the talented Beverly Lewis. Each book centers on the often-humorous escapades of these endearing neighborhood friends as they learn together the value of friendship and faith. An enjoyable read for both parents and kids! Volume One includes The Double Dabble Surprise, The Chicken Pox Panic, The Crazy Christmas Angel Mystery, No Grown-Ups Allowed, Frog Power, and The Mystery of Case D. Luc.

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In the eighteenth century, the Cul de Sac plain in Saint-Domingue, now Haiti, was a vast open-air workhouse of sugar plantations. This microhistory of one plantation owned by the Ferron de la Ferronnayses, a family of Breton nobles, draws on remarkable archival finds to show that despite the wealth such plantations produced, they operated in a context of social, political, and environmental fragility that left them weak and crisis prone. Focusing on correspondence between the Ferronnayses and their plantation managers, Cul de Sac proposes that the Caribbean plantation system, with its reliance on factory-like production processes and highly integrated markets, was a particularly modern expression of eighteenth-century capitalism. But it rested on a foundation of economic and political traditionalism that stymied growth and adaptation. The result was a system heading toward collapse as planters, facing a series of larger crises in the French empire, vainly attempted to rein in the inherent violence and instability of the slave society they had built. In recovering the lost world of the French Antillean plantation, Cul de Sac ultimately reveals how the capitalism of the plantation complex persisted not as a dynamic source of progress, but from the inertia of a degenerate system headed down an economic and ideological dead end.

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'A dazzling, heartbreaking debut collection' Guardian 'Kennedy's voice, and her unforgiving gaze, are electric' Sunday Times 'These stories sing, haunt and inspire laughter ... One of the best collections I've read in years' Sinead Gleeson A SUNDAY TIMES BOOK OF THE YEAR WINNER OF THE JOHN MCGAHERN PRIZE SHORTLISTED FOR THE KATE O'BRIEN AWARD 2022 The secrets people kept, the lies they told. In these visceral, stunningly crafted stories, people are effortlessly cruel to one another, and the natural world is a primitive salve. Here, women are domestically trapped by predatorial men, Ireland’s folklore and politics loom large, and poverty – material, emotional, sexual – seeps through every crack. A wife is abandoned by her new husband in a ghost estate, with blood on her hands; a young woman is tormented by visions of the man murdered by her brother during the Troubles; a pregnant mother fears the worst as her husband grows illegal cannabis with the help of a vulnerable teenage girl; a woman struggles to forgive herself after an abortion threatens to destroy her marriage. Announcing a major new voice in literary fiction for the twenty-first century, these sharp shocks of stories offer flashes of beauty, and even humour, amidst the harshest of truths.

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In the eighteenth century, the Cul de Sac plain in Saint-Domingue, now Haiti, was a vast open-air workhouse of sugar plantations. This microhistory of one plantation owned by the Ferron de la Ferronnayses, a family of Breton nobles, draws on remarkable archival finds to show that despite the wealth such plantations produced, they operated in a context of social, political, and environmental fragility that left them weak and crisis prone. Focusing on correspondence between the Ferronnayses and their plantation managers, Cul de Sac proposes that the Caribbean plantation system, with its reliance on factory-like production processes and highly integrated markets, was a particularly modern expression of eighteenth-century capitalism. But it rested on a foundation of economic and political traditionalism that stymied growth and adaptation. The result was a system heading toward collapse as planters, facing a series of larger crises in the French empire, vainly attempted to rein in the inherent violence and instability of the slave society they had built. In recovering the lost world of the French Antillean plantation, Cul de Sac ultimately reveals how the capitalism of the plantation complex persisted not as a dynamic source of progress, but from the inertia of a degenerate system headed down an economic and ideological dead end.

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The right to privacy is a pivotal concept in the culture wars that have galvanized American politics for the past several decades. It has become a rallying point for political issues ranging from abortion to gay liberation to sex education. Yet this notion of privacy originated not only from legal arguments, nor solely from political movements on the left or the right, but instead from ambivalent moderates who valued both personal freedom and the preservation of social norms. In The Closet and the Cul-de-Sac, Clayton Howard chronicles the rise of sexual privacy as a fulcrum of American cultural politics. Beginning in the 1940s, public officials pursued an agenda that both promoted heterosexuality and made sexual privacy one of the state's key promises to its citizens. The 1944 G.I. Bill, for example, excluded gay veterans and enfranchised married ones in its dispersal of housing benefits. At the same time, officials required secluded bedrooms in new suburban homes and created educational campaigns designed to teach children respect for parents' privacy. In the following decades, measures such as these helped to concentrate middle-class families in the suburbs and gay men and lesbians in cities. In the 1960s and 1970s, the gay rights movement invoked privacy to attack repressive antigay laws, while social conservatives criticized tolerance for LGBTQ+ people as an assault on their own privacy. Many self-identified moderates, however, used identical rhetoric to distance themselves from both the discriminatory language of the religious right and the perceived excesses of the gay freedom struggle. Using the Bay Area as a case study, Howard places these moderates at the center of postwar American politics and shows how the region's burgeoning suburbs reacted to increasing gay activism in San Francisco. The Closet and the Cul-de-Sac offers specific examples of the ways in which government policies shaped many Americans' attitudes about sexuality and privacy and the ways in which citizens mobilized to reshape them.

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Esta colección de ensayos del erudito y crítico Thomas McEvilley se ocupa primordialmente de tres temas. En primer lugar, varios ensayos presentan su crítica filosófica del enfoque formalista/estético del arte. La deconstrucción de la teoría kantiano/greenbergiana y de su función social por parte de McEvilley domina el discurso sobre ese tema desde hace veinte años. Tras despejar el campo de la herencia casi teológica, McEvilley lo abrió a una amplia perspectiva multicultural. La famosa crítica de la ?Exposición ?Primitivismo?? en el Museo de Arte Moderno en 1984 inauguró el discurso del multiculturalismo en las artes visuales. McEvilley ha escrito sobre el arte contemporáneo en Asia. África y Latinoamérica, así como en los Estados Unidos y Europa occidental, y ha abogado repetidamente por un enfoque polifacético de la cultura a escala global. En el último ensayo de esta sección, McEvilley expresa sus recelos con respecto al momento actual: se burla la globalización económica del sueño

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Exam Board: AQA & EdexcelLevel: AS/A-levelSubject: Modern LanguagesFirst Teaching: September 2016First Exam: June 2017Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology.Breaking down each scene, character and theme in Un Sac de Billes (A Bag of Marbles), this accessible guide will enable your students to understand the historical and social context of the novel and give them the critical and language skills needed to write a successful essay.- Strengthen language skills with relevant grammar, vocab and writing exercises throughout- Aim for top marks by building a bank of textual examples and quotes to enhance exam response- Build confidence with knowledge-check questions at the end of every chapter- Revise effectively with pages of essential vocabulary and key mind maps throughout- Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary

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This work begins in August 1900 during the war in South Africa, when mounted Boer commandos ranging across the veldt superseded pitched battles of massed armies and heavy weaponry. Thanks to his flair for organisation, Baden-Powell is asked to create a mounted force with a combined military and police role, and will be answerable to the Commander-in-Chief and the civil High Commissioner. Rejecting Army models of command, Baden-Powell creates the South African Constabulary (SAC) with a small number of officers, dividing it into Troops of 100 men, then sub-dividing again into sections and the key working unit - the squad of six men under a corporal. To get the calibre of recruit he wants, the SAC will be better paid than the Army and he expects the men to be motivated by a code of honour, to be self-reliant and handy men' able to tackle any kind of work. Most recruits come from the UK, but in Canada, however, the Governor General intervenes and botches selection. The SAC's effectiveness comes to light in this book - the first that deals with its creation and development; its wartime achievements and its peace-time transition into a community support helping local people returning to their homes. This work also highlights what Baden-Powell brought from the SAC and gave anew to the Scouts. Based on research using archive material in the UK, South Africa and Canada, it also includes images that have not previously appeared before in the public domain.

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Get to grips with set texts and be fully prepared for the AS/A Level exam with the Modern Languages Oxford Literature Companions. The Companions are written by experienced lecturers, teachers and examiners and provide comprehensive coverage of characters, themes, plot, language and context with activities in French to consolidate your knowledge of the text. There are also extensive sections on exam preparation and response planning, with a bank of annotated sample answers and practice questions. This guide covers Un sac de billes by Joseph Joffo. Modern Languages Oxford Literature Companions are also available for selected Spanish and German set texts.

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