Search results for ""Red Star""

'A gripping insight into the war's bloodiest campaign.' Military Illustrated This is the extraordinary story of Vasily B. Emelianenko, the veteran pilot of one of the Soviet Union's most contradictory planes of the Second World War - the I1-2. This heavily armoured aircraft was practically unrivalled in terms of fire power, but it was slow to manoeuvre and an easy target for fighters. I1-2 had to attack enemy flak columns at extremely low altitudes, which led to enormous tolls both in equipment and personnel. It is no wonder then that, having flown eighty combat sorties against the Germans, Emelianenko was awarded the highest decoration - the Hero of the Soviet Union. He went on to complete a total of ninety-two sorties. His plane was shot down three times, and on each occasion he managed to pilot the damaged aircraft home, demonstrating remarkable resilience and bravery in the face of terrifying odds. Emelianenko's vivid memoirs provide a rare insight into the reality of fighting over the Eastern Front and the tactics of the Red Army Air Force. With remarkable clarity, he recalls what it was like to come face to face with a skilled, deadly and increasingly desperate enemy.Hair-raising encounters with fighters, forced landings on enemy territory, and the death of friends are all brought dramatically and movingly to life in this rare first-hand account.

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This is a story that has never been told before, pulling back the Iron Curtain to reveal the lives of the jet airliners of the Soviet Union, full of previously unseen stories and previously unpublished information. The Tupolevs, Ilyushins and Yakovlevs, including the supersonic Tu-144, get a chapter each, lavishly illustrated with rare photos from the past and present. An introductory essay details the history of Aeroflot and the Soviet aerospace establishment. Tragedy and triumph, crushing defeats and stratospheric successes in the parallel world of the airline scene during the Cold War. This book tells the story of every jetliner produced by the Soviet Union, including the Tupolev Tu-104 (the world's first successful passenger jet), the Ilyushin Il-62 (Aeroflot's flagship) and the supersonic rival to Concorde, the Tu-144. Other chapters cover the Tu-154 workhorse, the Il-86/-96 jumbo jet and the world's first regional jet, the Yak-40 (and -42). The meltdown of political certainties coincided with the Tu-204, which was able to form a bridge out of the old Soviet era into the current age. The story of commercial aviation and aero engineering behind the Iron Curtain is told in fascinating detail accompanied by beautiful illustrations taken from Russian archives by Charles Kennedy, one of aviation's best-known writers. Not only for aviation fans but also a fascinating look Soviet history, European socialism and the evolution of technology. Additional info Chapter each on the Tu-104/-124, -134, -144, -154 & -204; Il-62 & -86/-96; Yak-40/-42; and an essay on the history of Aeroflot. Bonus feature: SU's epic winter 1985/86 timetable reproduced in full. 158 pages and over 250 classic pics.

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This book tells the story of every jetliner produced by the Soviet Union, including the Tupolev Tu-104 (the world's first successful passenger jet), the Ilyushin Il-62 (Aeroflot's flagship) and the supersonic rival to Concorde, the Tu-144. Other chapters cover the Tu-154 workhorse, the Il-86/-96 jumbo jet and the world's first regional jet, the Yak-40 (and -42). The meltdown of political certainties coincided with the Tu-204, which was able to form a bridge out of the old Soviet era into the current age. The story of commercial aviation and aero engineering behind the Iron Curtain is told in fascinating detail accompanied by beautiful illustrations taken from Russian archives by Charles Kennedy, one of aviation's best-known writers. Not only for aviation fans but also a fascinating look Soviet history, European socialism and the evolution of technology.

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Delegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star’s lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist’s singular vision. Copublished by Aperture and Documentary Arts

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Even as he grew up on the edge of Lewis, the vastness of Russia never felt too distant for Donald S Murray. Its great literary traditions were often discussed in his home village, while the political unrest and religious fervour that marked its past and present were occassionally reflected in his life on the island. Inspired by the Russian canon, the songs, verse and stories contained within these pages draw upon the experiences of his youth, shifting continually between myth and history, the absurd and moving, the satirical and everyday. Its extraordinary and diverse narratives underline the truth of its opening line: 'I can see these islands mirror Russia.'

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From Cuba to Vietnam, from China to South Africa, the October Revolution inspired millions of people beyond the territory of Russia. The Revolution proved that the masses could not only overthrow autocratic governments, but also form an opposing government in their own image. The new idea that the working class and the peasantry could be allied, combined with the clear strength and necessity of a vanguard party, guided multiplying revolutions across the globe. This book explains the ideological power of the October Revolution in the Global South. From Ho Chí Minh to Fidel Castro, to reflections on polycentric Communism and collective memories of Communism, it shows how, for a brief moment, another world was possible. It is not a comprehensive study, but a small book with a large hope – that a new generation will come to see the importance of this revolutionary spirit for the working class and peasantry in the parts of the world that suffered under the heel of colonial domination for centuries.

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"[A] surprisingly moving story." —The New Yorker"Bogdanov's novels reveal a great deal about their fascinating author, about his time and, ironically, ours, and about the genre of utopia as well as his contribution to it." —Slavic Review"Bogdanov's imaginative predictions for his utopia are both technological and social . . . Even more farsighted are [his] anxious forebodings about the limits and costs of the utopian future." —Science Fiction Studies"The contemporary reader will marvel at [Bogdanov's] foresight: nuclear fusion and propulsion, atomic weaponry and fallout, computers, blood transfusions, and (almost) unisexuality." —ChoiceA communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (1873–1928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist.

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Let Anne McCaffrey, storyteller extraordinare and New York Times and Sunday Times bestselling author, take you on a journey to a whole new world: Pern. A world of dragons and other worldly forces; a world of mighty power and omnious threat.. If you like David Eddings, Brandon Sanderson and Douglas Adams, you will love this. "Anne McCaffrey, one of the queens of science fiction, knows exactly how to give her public what it wants" - THE TIMES"Do yourself a favour and read ANYTHING by this Author, you won't be sorry" -- ***** Reader review'I couldn't put it down!' -- ***** Reader review'A wondrous, spellbinding story!' -- ***** Reader review'This lady is the most amazing writer, once I start reading one of her books I'm completely drawn into the story and can't bear to put it down till it's finished' -- ***** Reader review*******************************************************************************************************For two hundred years there had been peace on Pern - but now the signs were ominous. Violent weather storms and erupting volcanos heralded the coming of the second Pass of Thread, when the red planet would rain down its horrifying harvest. No human or dragon or animal or plant was safe from the hideous death inflicted by Thread.Weyrs and Holds tried to prepare, but they had serious problems. Over the generations much of the old technology had been lost. AIVAS, the giant information bank, was buried under tons of volcanic ash, and valuable and skilled men and women had succumbed to disease and old age, taking with them the knowledge of a great civilization.They had to prepare as best they could, training the great flights of dragons and ensuring that the Lord Holders did their part by protecting their people in every possible way. Only Lord Chalkin, Holder of Bitra, refused to co-operate, not believing in Threadfall: he would do nothing to protect Bitra or its people.The Lord Holders and Weyrleaders were of one accord. Chalkin must be impeached and removed from his lands if the planet was to be made safe.

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Surprisingly little known, the Polish-Soviet War of 1919-20 was to change the course of twentieth-century history. In White Eagle, Red Star, Norman Davies gives a full account of the War, with its dramatic climax in August 1920 when the Red Army - sure of victory and pledged to carry the Revolution across Europe to 'water our horses on the Rhine' - was crushed by a devastating Polish attack. Since known as the 'miracle on the Vistula', it remains one of the most decisive battles of the Western world. Drawing on both Polish and Russian sources, Norman Davies illustrates the narrative with documentary material which hitherto has not been readily available and shows how the War was far more an 'episode' in East European affairs, but largely determined the course of European history for the next twenty years or more.

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The Red Star and the Crescent provides an in-depth and multi-disciplinary analysis of the evolving relationship between China and the Middle East. Despite its increasing importance, very few studies have examined this dynamic, deepening, and multi-faceted nexus. James Reardon-Anderson has sought to fill this critical gap.The volume examines the 'big picture' of international relations, then zooms in on case studies and probes the underlying domestic factors on each side. Reardon-Anderson tackles topics as diverse as China's security strategy in the Middle East, its military relations with the states of the region, its role in the Iran nuclear negotiations, the Uyghur question, and the significance and consequences of the Silk Road strategy. A comprehensive study of the changing forces driving one of the world's most important strategic, economic and cultural relationships.

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The story of a Hungarian Jewish girl, a slave labourer for the Nazis, educated under the Soviet occupation who escaped in 1956 to find work as an Electrical Engineer in the UK where she had a brilliant career.

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Until the present day, Mao Zedong's biography has been the subject of an international mountain of commentary in China and elsewhere. Biographies praising Mao and those slandering him are all based on the American journalist Edgar Snow's (1905–1972) account in Red Star over China for the route Mao traveled from early childhood through his youth.How the "Red Star" Rose introduces the image of Mao and the biographical information made known to the world through the publication of Red Star, and with its publication the circumstances which they fundamentally undermined. There is no reason that Mao Zedong the person himself would completely change by virtue of the publication of Red Star. However, the external image surrounding him did completely change from before.Ishikawa uses Mao Zedong as raw material to examine from whence and how ordinary historical information and images which we habitually use unconsciously come into being. He desires to help readers to reconsider the historicity of the generation of not only Mao's image but of that of "historical materials."This book also examines the situation prevailing after the collection of data and publication of Red Star which played the definitive role in generating Mao's image and will investigate the various editions of Red Star in English, Chinese, Russian, and Japanese.

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Combining a close knowledge of Asia and an ability to tap Chinese-language sources with naval combat experience and expertise in sea-power theory, the authors assess how the rise of Chinese sea power will affect U.S. maritime strategy in Asia. They argue that China has laid the groundwork for a sustained challenge to American primacy in maritime Asia, and to defend this hypothesis they look back to Alfred Thayer Mahan’s sea-power theories, now popular with the Chinese. The book considers how strategic thought about the sea shapes Beijing’s deliberations and compares China’s geostrategic predicament to that of the Kaiser’s Germany a century ago. It examines the Chinese navy’s operational concepts, tactics, and capabilities and appraises China’s missile force. The authors conclude that China now presents a challenge to America’s strategic position of such magnitude that Washington must compete in earnest.

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Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare. But Ronald and Allis Radosh show that the real drama of that era lay in the story of the movie stars, directors and especially screenwriters who joined the Communist Party or traveled in its orbit, and made the Party the focus of their political and social lives. The authors' most controversial discovery is that during the investigations of the House Committee on Un-American Activities, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America, and their own treatment by the Communist Party. Abandoned by their old CP allies, they faced the Blacklist alone.

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The first Westerner to meet Mao Tse-tung and the Chinese Communist leaders in 1936, Edgar Snow came away with the first authorised account of Mao's life, as well as a history of the famous Long March and the men and women who were responsible for the Chinese revolution. Out of that experience came Red Star Over China, a classic work that remains one of the most important books ever written about the birth of the Communist movement in China.This edition includes extensive notes on the military and political developments in China, further interviews with Mao Tse-tung, a chronology covering 125 years of Chinese revolution and nearly a hundred detailed biographies of the men and women who were instrumental in making China what it is today.

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Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare. But Ronald and Allis Radosh show that the real drama of that era lay in the story of the movie stars, directors and especially screenwriters who joined the Communist Party or traveled in its orbit, and made the Party the focus of their political and social lives. The authors' most controversial discovery is that during the investigations of the House Committee on Un-American Activities, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America, and their own treatment by the Communist Party. Abandoned by their old CP allies, they faced the Blacklist alone.

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Be inspired and amused by the collection of distinctive and controversial street art, as made famous by Banksy in this unofficial If Graffiti Changed Anything slim calendar for 2025. Sold in support of the Julian Trust Night Shelter in Bristol. This calendar is free of plastic packaging.

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“Humorously entertaining. . . subtly thought-provoking. . . . Pratchett’s Discworld books are filled with humor and with magic, but they''re rooted in—of all things—real life and cold, hard reason.”—Chicago TribuneBumbling wizard Rincewind and hapless tourist Twoflower have survived a host of misadventures . . . only to face annihilation as a red star hurtles towards the Discworld in this gloriously funny second installment in Sir Terry Pratchett’s Discworld series (also the second book in the Wizards collection)It’s just one of those days when nothing seems to go right—and a most inopportune time for the first tourist ever to set foot in Discworld—accompanied by the carnivorous Luggage—to extend his already eventful vacation, even if it’s not quite by choice. A monstrous red star is on a direct collision course with the Discworld and the future appears un

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The latest omnibus collection of Marv Wolfman s celebrated run includes the climactic stories before The New Teen Titans relaunched as The New Titans! See the final battle between the Titans and the Hybrid, Starfire framed for murder by Wildebeest, Mother Mayhem giving birth to Brother Blood s Blood Child, and Hammer and Sickle targeting Red Star for death! Collects The New Teen Titans #32-49, The New Teen Titans Annual #3-4, Tales of the Teen Titans #91, Secret Origins #13, Secret Origins Annual #3, and Infinity, Inc. #45.

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A multimedia excavation of the many meanings of resistance in art and culture across the globe today Through the perspectives of international artists working across mediums, Stories of Resistance sheds light on the situations from which acts of resistance emerge and identifies themes and motifs that recur across history, cultures and regions. Resistance may be found in the rewriting of history, exposing or filling in the blatant absences of the dominant narrative; resistance emerges from within governmental, corporate or institutional structures and systems of power; resistance takes shape in labor movements and in actions to protect water, land and other natural resources. Artists include: Bani Abidi, Andrea Bowers, Banu Cennetoglu, Torkwase Dyson, Emily Jacir, Glenn Kaino, Bouchra Khalili, Candice Lin, Jen Liu, Guadalupe Maravilla, Tuan Andrew Nguyen, Trevor Paglen, PSA: (Jen Everett, Aida Hasanovic, Simiya Sudduth), Wendy Red Star, Dread Scott, Kemang Wa Lehulere and Wide Awakes (Maryam Parwana, Combo, Otherward).

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With the world turning rightwards and democracy looking at its most precarious since the 1930s, the emergence of a global network of left-wing, anti-fascist and anti-racist football fans has been one of the few shining lights in dark times. Some support clubs that are globally renowned, including the great St Pauli - more famous for the quality of its politics and its merchandise than its football. Others, no less committed, follow virtual minnows, like Red Star Paris and Bohemians Prague. But they still have proud histories, deep convictions and something to say. The left often fails to connect. How can these clubs inform and inspire? How can their example help collectivist, internationalist and inclusive principles defeat the seductive slogans and symbols of the growing nationalist and nativist movements across the planet? The Roaring Red Front explores theses questions while examining the history and current struggles of these special clubs - and why it all matters.

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‘Incredibly funny, compulsively readable’ The Times The Discworld is very much like our own – if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . 'What shall we do?' said Twoflower. 'Panic?' said Rincewind hopefully. He always held that panic was the best means of survival. As it moves towards a seemingly inevitable collision with a malevolent red star, the Discworld could do with a hero. What it doesn’t need is a singularly inept and cowardly wizard, still recovering from the trauma of falling off the edge of the world, or a well-meaning tourist and his luggage which has a mind (and legs) of its own. Which is a shame, because that's all there is . . . ____________________The Discworld novels can be read in any order but The Light Fantastic is the second book in the Wizards series.

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Crow’s Shadow Institute of the Arts at 25 explores the first twenty-five years of a remarkable nonprofit printmaking and traditional arts studio based on the Confederated Tribes of the Umatilla Indian Reservation in eastern Oregon, the only such center located on a reservation community in the United States. Art historian Prudence Roberts, drawing from conversations with CSIA founder, the artist James Lavadour, narrates the institute’s history from its beginnings through the establishment of a professional quality printmaking program and an international reputation. Native American art scholar heather ahtone and curator Rebecca Dobkins trace the development of indigenous printmaking in North America, further contextualizing this story. Over sixty color plates will illustrate selected work from the dozens of artists, indigenous and non-indigenous, who have completed residencies at CSIA since its founding, including luminaries of contemporary Native American art Rick Bartow, Joe Feddersen, Jeffrey Gibson, Edgar Heap of Birds, James Lavadour, Lillian Pitt, Wendy Red Star, and Marie Watt.

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'Darkness isn't the opposite of light, it is simply its absence . . . what was radiating from the book was the light that lies on the far side of darkness, the light fantastic.'The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast.What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.Which is a shame, because that's all there is . . .'His spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on Sunday 'Incredibly funny, compulsively readable' The TimesThe Light Fantastic is the second book in the Wizards series, but you can read the Discworld novels in any order.

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They were misfits, the outcasts, the murderers without Hold or Crafthall. Some were resentful, some sought vengeance, but it was not until Thella, Lady Holder of Telgar, began to weld them together into a terrifying and brilliantly evil clan that they became the Renegades of Pern. it was a time of great turmoil on the planet. The pass of the Red Star had brought a new terrible reign of Threadfall, and in the southern Hold, Toric was carving out an enormous empire for himself from lands as yet uncharted. And as the times of trouble grew, so did the ravages of Thella and her band, turning from theft to murder to vicious and insane revenge.Jayge Lilcamp, the young and roving trader, was one of the first to fall foul of the renegades, and as he saw what Thella had done to his family and his wagon train he began to seek his own revenge, a revenge which grew into a determination to destroy the most evil woman on Pern.

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FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today’s most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu

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FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today’s most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu

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Winner of the 2011 Marilyn Baillie Picture Book Award, the 2010 Boston Globe-Horn Book Award, the 2011 Ezra Jack Keats and New York Public Library New Writer Award, and a finalist for the Governor General's Award for Children's Illustration The little girl in this story lives with her family in a trailer in northeastern Saskatchewan, where her father is building a dam. She knows everything about the place she lives -- her road, her school, the forest where she plays hide-and-seek and where the wolf howls at night, the hill where she goes tobogganing in winter . . . But the dam is nearly finished and when summer comes the family is moving to Toronto -- a place marked by a big red star on the map at school. Have people in Toronto seen what I've seen? the little girl asks. And with her teacher's help she finds a way to keep everything she loves about home. This simple, beautifully written story, complemented by Matt James's vibrant, imaginative illustrations, will resonate deeply with anyone who has had to leave their home for a new place.Correlates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RL.1.7Use illustrations and details in a story to describe its characters, setting, or events.

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In As We See It, Suzanne Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by "As We See It," an exhibition of these artists' work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer's career as well as examples of the artist's work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.

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During the 1970s, London-based photographers joined together to form collectives which engaged with local and international political protest in cities across the UK. This book is a survey of the radical community photography that these collectives produced. The photographers derived inspiration from counterculture while finding new ways to produce, publish and exhibit their work. They wanted to do things in their own way, to create their own magazines and exhibition networks, and to take their politicised photographic and textual commentary on the re-imagination of British cities in the post-war period into community centres, laundrettes, Working Men's Clubs, polytechnics, nurseries - anywhere that would have them. The laminated panel exhibitions were sufficiently robust, when packed into a laundry box, to withstand circulation round the country on British Rail's Red Star parcel network. Through archival research, interviews and newly discovered photographic and ephemeral material, this tells the story of the Hackney Flashers Collective, Exit Photography Group, Half Moon Photography Workshop, producers of Camerawork magazine, and the community darkrooms, North Paddington Community Darkroom and Blackfriars Photography Project. It reveals how they created a 'history from below', positioning themselves outside of established mainstream media, and aiming to make the invisible visible by bringing the disenfranchised and marginalised into the political debate.

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Reframing American Landscape: Women, Land, + Art illuminates the accomplishments of Susie Barstow and her circle, who painted the landscape in the nineteenth century and places them in conversation with women-identifying artists working today who expand and challenge how we think about “land” and “landscape” in our contemporary moment. Engaging diverse multigenerational perspectives and creative practices, this publication launches an expanded narrative around land and art that strongly positions women in the canon of American landscape art. It includes a deep look at the nineteenth-century landscape painter conversation with artists working today. For the first time, the nineteenth-century landscape painter Susie Barstow is given a solo exhibition and an in-depth publication. Well known during her lifetime, Barstow was written out of art history, but this book, which accompanies an exhibition of the same name, illuminates the significant accomplishments of the artist, and in doing so redefines the history of the Hudson River School. This book further explores how artists working today continue to engage landscape using multi-disciplinary artistic practices and diverse critical perspectives, that at times challenge art and historical narratives. Artists such as Ebony G. Patterson, Mary Mattingly, Tanya Marcuse, Anna Plesset, Wendy Red Star, Jaune Quick-to-See Smith, Kay WalkingStick, Saya Woolfalk, Cecilia Vicuña, and others, complicate and redefine how we now understand land through art.

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Mysterious ghost stations forgotten beneath the cities of Paris and London; desolate grand rail hubs in the Pyrenean mountains; metro stations in China that terminate in a wasteland; Abandoned Train Stations looks at some of the thousands of disused station buildings, platforms, lines, tunnels, and rail yards left behind by modernity. Organised by continent, this book takes the reader to every corner of the globe. Explore Canfranc International Railway Station, once a busy mountain hub of international travel between France and Spain; see the eerily empty platform at Kings Cross Thameslink, London, today a service tunnel following the station’s closure in the early 2000s; examine the grandiose Michigan Central Train Station in Detroit, an historic Amtrak rail depot, and once the tallest rail station in the world; marvel at the dusty, overgrown shell of Abkhazia’s once beautiful railway station in Psyrtskha, a physical legacy of the former Soviet era in the Caucasus; see the disused Tiwanaku train station, situated almost 4,000 metres above sea level in the Bolivian Andes; or learn about the fascinating Istvántelek Train Yard, in the Hungarian capital of Budapest, better known as the ‘Red Star train graveyard’ because of its many Soviet-era engine wrecks. Illustrated with more than 200 photographs, Abandoned Train Stations provides a fascinating pictorial journey through the little-known remnants of rail transport infrastructure from every part of the world.

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A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories. Artists include: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

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While blood quantum laws have been used to determine an individual’s inclusion in a Native group, Eiteljorg fellowship artists have instead come to view themselves as belonging to the “Art Tribe,” through the universal process of art creation and collaboration. Art Quantum presents a selection of the extraordinary work created by the five artists selected for the 2009 Eiteljorg Fellowship. In his essay on the long career of Edward Poitras (Gordon First Nation), Alfred Young Man (Cree) places Poitras’s installations in the context of Métis and Indian identity as well as the White art establishment in Canada. Gail Tremblay (Onondaga / Micmac) illuminates the work of Jim Denomie (Ojibwa), reading his narrative paintings and intimately scaled portraits through their complex and humorous references to history, art history, and current events. Jimmie Durham (Cherokee) uses the analogy of music to explore the language of abstraction in sculptural and two-dimensional works by Jeffrey Gibson (Mississippi Band of Choctaw / Cherokee), while the subtle and often monochromatic sculptural installations of Faye HeavyShield (Kainai-Blood) are sensitively interpreted by Lee-Ann Martin (Mohawk). The volume closes with Polly Nordstrand’s (Hopi / Norwegian) reflection on the themes of longing/not belonging and placement/displacement that Wendy Red Star (Crow) documents in her photographs and appliquéd dance shawls. It is the goal of the Eiteljorg Fellowship to be a starting point and a platform for exploration of Native identity and artistic expression beyond the concepts of blood quantum laws. Essays by James Nottage, Jennifer Complo McNutt, Ashley Holland (Cherokee), and Paul Chaat Smith (Comanche) help to situate the larger issue of Native identity in the contemporary art world.

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The eye-wateringly funny fantasy romp across the Discworld, featuring the most incompetent wizard you'll ever find . . .'The Discworld novels have always been among the most serious of comedies, the most relevant and real of fantasies' IndependentIt is known as the Discworld. It is a flat planet, supported on the backs of four elephants, who in turn stand on the back of the great turtle A'Tuin as it swims majestically through space. And it is quite possibly the funniest place in all of creation...As it moves towards a seemingly inevitable collision with a malevolent red star, the Discworld has only one possible saviour. Unfortunately, this happens to be the singularly inept and cowardly wizard called Rincewind, who was last seen falling off the edge of the world.Readers love The Light Fantastic:'Five zany stars for this fantastic romp through the twisted imagination of Sir Terry Pratchett that made me smirk, giggle, snicker, and right larf out loud from Page 1 to "The End!"' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Death made a great appearance in this story. Small, but spot on. This is absurdism at its best . . . Pieces, like the retail shop that materializes here and there, remind me of the Hitchhiker's guide . . . This is stellar storytelling' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Pratchett managed to keep the whole thing comical, while at the time satirical. Not once did I not grin or snort out loud' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'It's the first inklings of the strong character work, social commentary and razor sharp humor that have made Pratchett a household name' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'So good it's unfair - there's a joke every three words and it's still thrilling, and occasionally heartbreaking' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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Let Anne McCaffrey, storyteller extraordinare and New York Times and Sunday Times bestselling author, introduce you to a whole new world: Pern. A world of dragons and other worldly forces; a world of mighty power and ominous threat. If you like David Eddings, David Gemmell and Douglas Adams, you will love this."Anne McCaffrey, one of the queens of science fiction, knows exactly how to give her public what it wants" - THE TIMES"Read Dragonflight and you're confronted with McCaffrey the storyteller in her prime..." - SFX"Wonderful descriptive writing, the dragons are totally believable and their riders are very human." -- ***** Reader review"Pure genius." -- ***** Reader review"One of the all time classics of science fiction." -- ***** Reader review"Well written, extraordinary world building whose influence can be seen even today." ***** Reader review********************************************************HOW CAN ONE GIRL SAVE AN ENTIRE WORLD?To the nobles who live in Benden Weyr, Lessa is nothing but a ragged kitchen girl. For most of her life she has survived by serving those who betrayed her father and took over his lands. Now the time has come for Lessa to shed her disguise-and take back her stolen birthright.But everything changes when she meets a Queen dragon. The bond they share will be deep and last forever. It will protect them when, for the first time in centuries, Lessa's world is threatened by Thread, an evil substance that falls like rain and destroys everything it touches. Dragons and their Riders once protected the planet from Thread and the blood-red star, but there are very few of them left these days. Only the gigantic, golden Queen can breed new dragons. And the Queen is fading . . . dying . . .Now brave Lessa must risk her life, and the life of her beloved dragon, to save her beautiful world. . . .The Dragonriders of Pern series continues in Dragonquest.

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'A remarkable collection of wonders...Lavishly produced, cleverly curated and elegantly scripted, it takes us to some of the strangest places on Earth, and offers us a peep through the keyhole.' The Spectator The globe is littered with forgotten monuments, their beauty matched only by the secrets of their past.A glorious palace lies abandoned by a fallen dictator. A grand monument to communism sits forgotten atop a mountain. Two never-launched space shuttles slowly crumble, left to rot in the middle of the desert. Explore these and many more of the world's lost wonders in this atlas like no other.With remarkable stories, bespoke maps and stunning photography of fifty forsaken sites, The Atlas of Abandoned Places travels the world beneath the surface; the sites with stories to tell, the ones you won't find in any guidebook.Award-winning travel writer Oliver Smith is your guide on a long-lost path, shining a light on the places that the world forgot.Locations featured in the book include:Europe: Maunsell Forts, Aldwych Station, Paris Catacombs, La Petite Ceinture, Craco, Teufelsberg, Beelitz-Heilstätten, Red Star Train Graveyard, Pyramiden, Salpa Line, Buzludzha Monument, Pripyat, Wolf's Lair, Project Riese, Sarajevo Bobsleigh Track, Albanian Bunkers, Rummu QuarryThe Americas & the Carribean: New Bedford Orpheum Theatre, City Hall Station, Bodie, The Boneyards of Western USA, Bannerman Castle, Palace of Sans Souci, Montserrat Exclusion Zone, Ciudad Perdida, Humberstone and Santa Laura, Uyuni Train Cemetery, FordlândiaThe Middle East & the Caucasus: Kayaköy, Burj Al Babas, Varosha, Tskaltubo, Palaces of SaddamAsia: Ryugyong Hotel, Buran at Baikonur, Mo'ynoq Ship Graveyard, Aniva Lighthouse, Hô' Thuy Tiên Waterpark, Fukushima Red Zone, HashimaOceania: Wittenoom, Wrecks of Homebush Bay, Port Arthur, MS World Discoverer, Second World Remains of Papua New GuineaAfrica: Shipwrecks of the Skeleton Coast, Kolmanskop, Mobutu's Gbadolite, Mos Espa, São Martinho dos Tigres

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Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.

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Lavishly illustrated with over 80 full-color images, this book includes original art and artifacts from the distant past as well as modern work by Native American artists from a vast array of tribes — including Cherokee, Delaware, Iroquois, Mohawk, Cheyenne, Lakota, Zuni, Pueblo, Yup’ik, Huron, Ojibwa, Arapaho, and Nez Perce. Works included are clothing (such as robes, shoes, and hats), everyday items (such as blankets, pots, jugs, and baskets) and artwork (such as paintings on animal hide and colorful figurines). This publication, the first ever to document the Newark Museum’s important Native American holdings in a significant way, is the result of more than one hundred years of collecting and an ambitious amount of new research and interpretation. John Cotton Dana, the museum’s founding director, refused established museum hierarchies of art, believing that such stratification was used to privilege painting and sculpture over other media and to marginalize artistic traditions that were not necessarily old or European. Dana’s drive to collect art globally and across media, underscoring the role art plays in the daily lives of real people, was all part of the same refrain: art is everything; art is everywhere; art is for everyone. The works here highlight the vitality and persistence of Indigenous people over time and across experiences, and the tenacity with which cultural knowledge and the mastery of skill are passed on from one generation to the next. They also reflect how Native American artists and communities have been and continue to be engaged in broader historical, artistic, and economic exchanges with outsiders. They demonstrate the originality, vision, and care with which artists from different tribal nations across the continent, each with their own history and artistic traditions, express both individual ideas and shared cultural principles.Native Artists of North America draws on the expertise of an outstanding group of internationally recognized scholars and artists. Expert commentary from Ulysses Grant Dietz, Adriana Greci Green, Tricia Laughlin Bloom, Adriana Greci Green, Susan Sekaquaptewa, Emil Her Many Horses, Wendy Red Star, Nadia Jackinsky-Sethi, D. Y. Begay, Mique’l Dangeli, and Sherrie Smith-Ferri provides important insights to help readers understand the nature and significance of the objects and artwork.Published by Newark Museum. Distributed worldwide by Rutgers University Press.

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