Search results for ""Princeton University Library""

Long before he published Alice's Adventures in Wonderland, Charles Lutwidge Dodgson ("Lewis Carroll" to the world) took up photography as a hobby. Unlike most of the other amateurs in his circle, he persevered to become a dedicated, prolific, and remarkably gifted photographer, creating approximately 3,000 images during his twenty-five years of photographic activity. This handsomely designed volume makes clear the remarkable extent and complexity of Carroll's photographic art. It publishes for the first time the world's finest and most extensive collection of Carroll photographs, many of which have never been reproduced before and are unknown even to committed Carroll enthusiasts. Roger Taylor's thorough and sophisticated discussion of Carroll as a photographic artist and as a prominent member of Victorian society reveals the man as never before, illuminating his relationships with the children he photographed in light of the idealism and social conventions of the day. This text, illustrated with exquisite tritone plates, is followed by Edward Wakeling's fully illustrated and thoroughly annotated catalogue of the entire Princeton University Library collection. It features, in addition to a trove of loose prints, four rare albums made by Carroll himself to showcase his work to friends, family, and potential sitters. Reproduced in album order, these images offer new insight into how Carroll thought about his work--and how he wanted it to be seen. Compelling portraits of Alice Liddell and other children are presented alongside those of eminent Victorians such as Alfred Tennyson and William Holman Hunt, as well as evocative landscapes, narrative tableaux, and wonderfully strange studies of anatomical skeletons. The catalogue is followed by a chronological register of every known Carroll photograph--a remarkable resource for anyone studying his career as a photographer. This sumptuous volume is the definitive work on Carroll's photography. All who admire Carroll and his writing, as well as everyone interested in Victorian England or the history of photography, will find it both essential and irresistible.

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This catalogue describes over 2,000 Arabic manuscripts acquired by the Princeton University Library since the 1950s, providing information on an important collection of Arabic works, many of which were previously unknown or unrecorded. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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A richly illustrated account of the life and work of the twentieth-century Mexican artist and writer who reimagined what the book could look like, mean, and doUlises Carrión (1941–1989) was one of the most remarkable artists and writers of the second half of the twentieth century. Part of a generation of artists that challenged the boundaries separating visual arts, literature, music, and performance, Carrión worked in a wide range of media: artists’ books, sound poetry, performance art, mail art, video art, theoretical writing, and exhibitions. Today, Carrión’s work is inspiring a new generation of artists, art historians, and cultural practitioners around the world. Ulises Carrión: Bookworks and Beyond presents a richly illustrated, panoramic account of his life and work and highlights how he transformed conventional understandings of the book by reimagining it as a material, semiotic, and social platform capable of redefining the artist’s role in society.A promising young writer, Carrión left his native Mexico in the late 1960s to study literature in Europe. In 1972, he settled in Amsterdam, a progressive city where he could live as an openly gay man, and joined a community of like-minded artists. In 1975, he founded the legendary Other Books & So, a trailblazing bookstore-gallery that became a hub for exhibiting and promoting artistic experiments taking place in Amsterdam and internationally.Ulises Carrión includes an evocative and representative selection of the artist’s books, artworks, and ephemera, most of them from Princeton University Library, which has one of the largest collections of his work in North America. Featuring original scholarly and literary essays, the book mirrors and engages with Carrión’s own mixture of scholarly and creative work. With its key primary material, interdisciplinary critical perspectives, and new interpretations, the book sheds much new light on an important multimedia artist.Exhibition SchedulePrinceton University Library, Princeton, New JerseyFebruary 21–June 16, 2024

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Superb Yokai images from the world's leading museums and private collections!Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians—mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including: Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night And many more! The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings—sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.Prints and Paintings sourced from the following list of museums, libraries and private collections:Art Institute of ChicagoChristie's, London & New YorkThe Cleveland Museum of ArtHarold B. Lee Library, Brigham Young UniversityKyoto University, Main LibraryLibrary of CongressLos Angeles County Museum of ArtThe Metropolitan Museum of ArtMinneapolis Institute of ArtNational Museum of Japanese HistoryPrinceton University LibraryRijksmuseum, AmsterdamSmithsonian Libraries

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