Search results for ""Paperblanks""

Paperblanks Kirikane Bhava memento box is adorned with a reproduction of the work of Japanese artist Sayoko Eri (1945–2007), a devoted revivalist of the kirikane craft. Created using our unique printing on paper process, this square Bhava memento box features a rich brown exterior and all the attention to detail you’ve come to expect from a Paperblanks product.

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Paperblanks Kirikane Dhyana memento box is adorned with a reproduction of the work of Japanese artist Sayoko Eri (1945–2007), a devoted revivalist of the kirikane craft. Created using our unique printing on paper process, this square Dhyana memento box features a handsome exterior and all the attention to detail you’ve come to expect from a Paperblanks product.

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Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakably imaginative style. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes soft cover notebook is the perfect Flexi journal to match any joyful lifestyle.

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The 20th-century Canadian artist Alistair Macready Bell is revered for his moody, expressionistic woodprints. An Alistair Bell work is instantly recognisable for its angularity, bold tones and innovative use of natural textures. Paperblanks Mooring journal reflects the characteristic attention to line and internal rhythm of this celebrated printmaker.

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The Gutenberg Bible is the greatest celebrity in the history of book arts. In the 15th century Gutenberg invented printing from movable type, enabling the creation of his illustrated 42-line Bible. This Paperblanks Parabole journal cover reproduces an illuminated page by Gisela Maschmann, whose painting is modelled on Gutenberg’s masterwork.

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Our Paperblanks Mystique soft cover notebook is inspired by a cover said to have been designed by Le Gascon, a legendary but little-known 17th-century bookbinder. The original cover that inspired this Flexi journal was made of red Moroccan leather embossed and gilded with rosettes, spirals and dotted lines.

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Our Paperblanks Mystique soft cover notebook is inspired by a cover said to have been designed by Le Gascon, a legendary but little-known 17th-century bookbinder. The original cover that inspired this Flexi journal was made of red Moroccan leather embossed and gilded with rosettes, spirals and dotted lines.

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Paperblanks Safavid journal portrays a leather filigree pattern incorporating handtooled motifs, retaining the elegance and style of the Islamic Golden Age even in our modern context. Symmetry is the hallmark of this binding, which features medallions, a pentagonal envelope flap closure and elaborately decorated “doublures” (interior covers), exquisite creations in cut-out leather and gilding.

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In the “Maki-e” tradition, lacquerware is created by painting tree sap onto treasured objects and sprinkling them with metallic powder, such as gold, silver or copper, to create luxurious designs. Showcasing foliage and a turtle family, this Paperblanks Ougi journal features the image of an antique 19th-century Japanese lacquer box selected from a private collection in Kyoto.

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In the “Maki-e” tradition, lacquerware is created by painting tree sap onto treasured objects and sprinkling them with metallic powder, such as gold, silver or copper, to create luxurious designs. Showcasing foliage and a turtle family, this Paperblanks Ougi journal features the image of an antique 19th-century Japanese lacquer box selected from a private collection in Kyoto.

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Combining the Latin words “filum” (thread) and “granum” (seed), silver “filigree” describes an art form that is achieved by first die cutting a base layer of silver sheets and then meticulously etching elaborate grooves into its surface. The polished binding seen on Paperblanks Silver Filigree Maya Blue journal is inspired by a 1697 French binding of Johann Arndt’s Paradiesgärtlein.

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Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Midnight Steel Address Book pays homage to the craft of delicate gold tooling, originally introduced to Europe via the flourishing trade routes to the East. The timeless beauty of an antique leather binding is brought into the present on the cover of this deep blue book.

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This satin black Nova Stella Nox journal, with its central star shape, exerts an emotional pull like the North Star. The free space around the focal object is as important as the ornamentation, just as deep space is part of what makes stars so inspiring. Let this Paperblanks book design guide your imagination into a universe of possibilities.

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William Shakespeare (1564–1616), long considered the greatest of English writers, left few traces of his handwriting. The banned play Sir Thomas More (1595) was written and revised by five different playwrights, of whom scholars now believe Shakespeare to be one. The handwritten manuscript on this Paperblanks journal cover portrays his passionate defence of refugees and displaced people.

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Combining the Latin words “filum” (thread) and “granum” (seed), silver “filigree” describes an art form that is achieved by first die cutting a base layer of silver sheets and then meticulously etching elaborate grooves into its surface. The binding pattern seen on Paperblanks Silver Filigree Blush Pink journal is inspired by a 1697 French binding of Johann Arndt’s Paradiesgärtlein.

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Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Old Leather Black Moroccan journal pays homage to the craft of delicate gold tooling, originally brought to Europe via the flourishing trade routes to the East. The timeless beauty of an antique leather book is brought into the present on the cover of this intricately embellished, rich brown notebook.

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This Paperblanks Silver Filigree Aubergine journal cover was originally designed in Germany in the early 1800s. To achieve the gilded motif, a base layer of silver sheets was first die cut, and elaborate grooves were then etched into its surface. Our silver and deep purple notebook celebrates the technique of filigree, an art form that is a testament to the human drive to ornament.

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The Lindau Gospels’ bindings were designed to inspire awe when the book was carried in processions or displayed on an altar. Paperblanks Lindau journal depicts the back cover of this bookmaking masterwork, created near Salzburg between 750 and 800 AD. It was tooled in gilt, silver and enamel and adorned with jewels, making for a powerful manifestation of art as a vehicle for belief.

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Published in 1969, Maya Angelou’s coming-of-age memoir, I Know Why the Caged Bird Sings, was an immediate national bestseller and a critical success. The book, the first in a series that chronicled her early life through the 1960s, helped to establish Angelou (1928–2014) as a major figure in American letters.On this manuscript page from the book, Angelou captures the moment when she and her brother, Bailey, arrived in Arkansas to be raised by their paternal grandmother and presages the personalities that she and Bailey would later develop. We are honoured to partner with The New York Public Library to bring this important document to our Paperblanks collection.

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Harmonious flowers, balanced colours and highly precise details create the eye-catching, high-impact effect of this Japanese kimono design.Originally designed as a costume for the theatrical style known as Noh, our Kara-ori pattern leaves little doubt why Noh is derived from the words for “skill” and “talent.” With silk and gold lacquered stripes, this is one of the best examples of Japanese textile design we have found. It comes from the Edo period (1615–1868) when Noh theatre, known for the sumptuousness of its costumes, was at its height.Noh theatre is one of the world’s oldest performing arts and has been handed down through generations of Japanese composers and performers. The plots draw from legend, history and contemporary events and are structured around song and dance. Though the thematic tone is often poetic yet monotonous, the costumes are anything but. In fact, Noh is often referred to as “mask drama” due to the importance placed on masks and costumes within the form.The term karaori, for which this design is named, refers specifically to the exquisitely embroidered traditional woman’s kimono like the one reproduced here. Karaori are regarded as some of the most beautiful theatrical costumes in the world, thanks in part to the Japanese aristocracy’s embrace of the theatre style – as both viewers and performers.Though Noh is a Japanese art, karaori means “Chinese weave,” as the fabric has its roots in China. And like the costume reproduced in our Peking Opera Embroidery series, this too would have been crafted for a male performer playing a female role. Both the material itself and the pattern shown would have helped tell the story of the character. In this case, the stiff brocade technique created a thick, glossed fabric that would not drape easily – this was used to create an angular effect evoking the spirit of a noblewoman. The flowering grasses depicted served to emphasize the woman’s femininity.By the Meiji period (1868–1912) Noh had reached such heights that it was introduced overseas, influencing artists far and wide. William Butler Yeats, for example, wrote an essay on Noh in 1916 that he titled “Certain Noble Plays of Japan.” And even more contemporarily, David Byrne of the Talking Heads discovered Noh while touring Japan and, according to American music critic Josh Kun, was inspired by the highly stylized, stiff costumes to “design the oversize business suit that became a visual staple of Talking Heads live shows.”Today there are more than 70 Noh theatres throughout Japan and it has been deigned an Intangible Cultural Heritage by UNESCO. This beautiful example of karaori costuming can be found at the Art Institute of Chicago as part of the Otto C. Deering gift. It is our great pleasure to work with such a gorgeous and culturally important piece of history to craft this Paperblanks design.

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This glorious design comes from Sangorski & Sutcliffe, a world-renowned British bindery best known for their bejewelled cover of Omar Khayyam's Rubaiyat. Established in London in 1901, Sangorski & Sutcliffe quickly rose to become one of the 20th century's most important bookbinders. They were celebrated for their jewelled bindings, like the one reproduced here. Crafted in 1922 to house Rudyard Kipling's 1897 Recessional poem, written for Queen Victoria's Diamond Jubilee, the original binding incorporated real turquoise, aquamarine and ruby gemstones, alongside medieval-style illumination by Alberto Sangorski and gold tooling by George Sutcliffe. In the late 1980s, Sangorski & Sutcliffe was acquired by Asprey, joining forces with Zaehnsdorf under the SSZ umbrella. But the family name was restored in 1998 when Shepherds Bookbinders bought the company.

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French artist Claude Monet (1840–1926) was one of the founders of the Impressionist movement. Monet was particularly fascinated with portraying the beauty of nature as the light, shadows and colours changed with each passing moment, day or season. The 1897 painting reproduced on our cover portrays a vibrant bed of colourful chrysanthemums captured in Monet’s distinctive heavy brushstrokes, which beautifully highlight the magnificence of nature.

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