Search results for ""PAVILION""

A fortress in the sky...Japan, 1701. A woman is brutally attacked within a bamboo prison as clouds swirl around her head. Meanwhile, at Edo Castle, samurai detective turned chamberlain Sano Ichiro is suspicious of his old rival, Yanagisawa, who has been oddly cooperative since his return from exile.But just as Yanagisawa's true motives begin to emerge, Sano's estranged uncle comes to him for help: his daughter has disappeared, and he begs Sano and his wife - who once suffered through the kidnapping of their own son - to find her before it is too late.

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A history of the Grand Pavilion Porthcawl.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. The Saloon is one of the oldest surviving parts of the Royal Pavilion and the grandest room in the palace. A formal reception room, it was designed to make an impression. The authentically restored interior is bold and regal, with dramatic colour combinations and rich vivid imagery that appears elsewhere in the Pavilion, including dragons, sunflowers and lotus leaves.The luxurious woven carpet, featured here with details, made by the company that created the original, is just as vibrant. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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Dulwich Picture Gallery in the south of London is the world’s first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters “for the inspection of the public”, it opened its famous building designed by John Soane in 1817. To mark the museum’s bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book’s cover.

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Text in English and Spanish. In 2000 the Autostadt, a show park for the Volkswagen group and its subsidiaries from Seat via Audi to Bentley and Lamborghini, opened in Wolfsburg. Alfredo Arribas designed the Seat Pavilion, and has brought off the brilliant trick of making an essentially reticent building into the focal point of the Autostadt. The structure is like a snail shell, forbidding and closed with the exception of a band of windows that seems to rise directly out of the surface of the lake on the Autostadt site. The irregular curve of the ground plan is reminiscent of a leaf or other forms borrowed from nature. Access is via two elegant ramps floating over the water and the site and thrusting straight into the centre of the pavilion: a homage to the old master, Le Corbusier. And then inside we are confronted with a surprise-packed exhibition landscape: a dazzling synthesis of acoustic and visual impressions that cast their spell over visitors as they walk round. Alfredo Arribas was a provocative newcomer on the architectural scene in Barcelona in the late eighties and is now an international success. He was probably predestined for this job like no other architect. He showed a highly personal flair for presenting spaces and goods from the outset, attracting early attention with his designs for discotheques and bars like the enormous Louie Vega (1988) discotheque, or the Torres de Avila (1990). The expressive tower for the Marugame Hirai Museum (1993) is also part of this creative phase, where forms did not necessarily have to be justified by functional logic. But Arribas' architecture changed into its business suit for the very next commissions. For example, even bankers in their pin-stripe suits feel perfectly at home in the cafeteria he designed for Norman Foster's Commerzbank headquarters in Frankfurt. Arribas is working on two large projects at present: a family entertainment centre in Bari and the Cite des Musiques Vivantes in Montlucon.

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Luca Selva graduated in architecture from ETH Zurich, where he also worked as a research and teaching assistant before establishing his own studio in Basel in 1991. Single family houses have been among Selva's chief interests from the beginning as means for research on questions of space, typology, design, and architectural phenomenology in general. Specific topics and problems are investigated for the first time with this type of building, and solutions found are picked-up again and developed further in other projects of varied kind and dimension. Since 1991 Luca Selva Architects have been realising a range of highly interesting projects, including semi-detached double-family homes, a house for an art collector, a house with artist's studio, or a multi-generation home. The new book presents comprehensively and compares nine of these buildings. They are documented with images, floor and site plans, sections, and elevations. The essays - by Luca Selva and Christoph Wieser - look at the single family home as an architectural task and discuss questions of design in the context of historical and contemporary positions. A conversation - between Daniel Buchner and Luca Selva - is also featured.

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Capturing his inimitable voice—provocative, amusing, understated, and riotous all at once—the poems in Dome of the Hidden Pavilion demonstrate James Tate at his finest. Innovative and fresh, they range in subject from a talking blob to a sobering reminiscence of a war and its aftereffects.

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A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.

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Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures.

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Because of the boyhood trauma of seeing his mother make love to another man in the presence of his dying father, Mizoguchi becomes a hopeless stutterer. Taunted by his schoolmates, he feels utterly alone untill he becomes an acolyte at a famous temple in Kyoto, where he develops an all-consuming obsession with the temple's beauty. This powerful story of dedication and sacrifice brings together Mishima's preoccupations with violence, desire, religion and national history to dazzling effect.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. Queen Victoria visited the Pavilion on a number of occasions between 1837 and 1845. The hand-painted wallpaper in her bedroom was recently returned to the Pavilion from Buckingham Palace and restored. With its jewel colours and exotic plants and birds, it must have transported the young queen to another world, far from the busy streets of Brighton. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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It is 1938 and the final days of the British Empire. In a bungalow high up in the green hills above the plains of Ceylon, under a vast blue sky, live the Ferguson family: Bella, a precocious eight-year-old; her father Henry – owner of Pitlochry, a tea plantation – and her mother Virginia. The story centres around the Pavilion in the Clouds, set in the idyllic grounds carved out of the wilderness. But all is not as serene as it seems. Bella is suspicious of her governess, Miss White’s intentions. Her suspicion sparks off her mother’s imagination and after an unfortunate series of events, a confrontation is had with Miss White and a gunshot rings off around the hills. Years later, Bella, now living back in Scotland at university in St Andrews, is faced, once again with her past. Will she at last find out what happened between her Father and Miss White? And will the guilt she has lived with all these years be reconciled by a long over-due apology?

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The celebrated English translation of this classic work of Chinese literature is now available in an updated paperback edition. Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humor of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1981, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a fully revised text of the translation, Cyril Birch and Catherine Swatek reflect on contemporary performances of the play in light of its history.

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The Complex History of a Building With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986. Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary Many never before published photographs from archives in the US, Germany and Spain

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In 2011, Zurich-based architect Fawad Kazi submitted the winning proposal for the rebuilding and extension of a hospital complex in the Swiss city of St Gallen. Over a period of ten years, a number of existing structures will undergo vast rebuilding and new ones will be added, transforming a park with individual buildings into a single continuous complex. This new, eventually five-part monograph, documents this project in full detail. It highlights the significance of St Gallen's urban design as well as the specific demands on architectural design and construction and on the hospital's operations. Volume I features the project's genesis and the initial new building, a pavilion structure housing a restaurant and, in the basement, an electrical substation. Text in English and German.

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2022 marks the 100th anniversary of the construction of the Spanish Pavilion at the Venice Biennale. The work carried out in these hundred years has contributed to the construction and consolidation of the image of Spain as a cultural power in the international arena, projecting, in one of the best world artistic showcases, the excellence of Spanish contemporary art. In this first century of history, the Spanish Pavilion has seen different styles, evolutions and artistic changes pass through its walls, whose dynamics have been possible thanks to the work of the curators who promoted and continue to promote a “pluralism of voices” that characterises the essence of the Biennale. This book includes extensive graphic documentation that is the result of exhaustive research work. Never before has so much documentation of interest on the history of the building and the exhibitions that took place within its walls over these years been jointly published. Text in English and Spanish.

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Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures. Located on a portion of what was once the extensive property of the Ardrossan Estate, an early 20th-century Georgian Revival mansion by Horace Trumbauer, the new pavilions accompany one of the next generation of houses that can now be seen on the rolling hills of the historic manor. Pavilion Living is a story that encompasses architecture, patronage, and the art of benessere (well-being) with the aim of serving designers and homeowners seeking similar solutions to meaningful outdoor living.

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Yoshimasa may have been the worst shogun ever to rule Japan. He was a failure as a soldier, incompetent at dealing with state business, and dominated by his wife. But his influence on the cultural life of Japan was unparalleled. According to Donald Keene, Yoshimasa was the only shogun to leave a lasting heritage for the entire Japanese people. Today Yoshimasa is remembered primarily as the builder of the Temple of the Silver Pavilion and as the ruler at the time of the Onin War (1467-1477), after which the authority of the shogun all but disappeared. Unable to control the daimyos-provincial military governors-he abandoned politics and devoted himself to the quest for beauty. It was then, after Yoshimasa resigned as shogun and made his home in the mountain retreat now known as the Silver Pavilion, that his aesthetic taste came to define that of the Japanese: the no theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukuri architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry. Even the most barbarous warlord came to want the trappings of culture that would enable him to feel like a civilized man. Yoshimasa and the Silver Pavilion gives this long-neglected but critical period in Japanese history the thorough treatment it deserves.

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'A highly entertaining read, deftly melding social history with sporting memoir and travelogue' Mail on SundayA history of Latin America through cricketCricket was the first sport played in almost every country of the Americas - earlier than football, rugby or baseball. In 1877, when England and Australia played the inaugural Test match at the MCG, Uruguay and Argentina were already ten years into their derby played across the River Plate.The visionary cricket historian Rowland Bowen said that, during the highpoint of cricket in South America between the two World Wars, the continent could have provided the next Test nation. In Buenos Aires, where British engineers, merchants and meatpackers flocked to make their fortune, the standard of cricket was high: towering figures like Lord Hawke and Plum Warner took star-studded teams of Test cricketers to South America, only to be beaten by Argentina. A combined Argentine, Brazilian and Chilean team took on the first-class counties in England in 1932. The notion of Brazilians and Mexicans playing T20 at the Maracana or the Azteca today is not as far-fetched as it sounds.But Evita Burned Down Our Pavilion is also a social history of grit, industry and nation-building in the New World. West Indian fruit workers battled yellow fever and brutal management to carve out cricket fields next to the railway lines in Costa Rica. Cricket was the favoured sport of Chile's Nitrate King. Emperors in Brazil and Mexico used the game to curry favour with Europe. The notorious Pablo Escobar even had a shadowy connection to the game. The fate of cricket in South America was symbolised by Eva Peron ordering the burning down of the Buenos Aires Cricket Club pavilion when the club refused to hand over their premises to her welfare scheme.Cricket journalists Timothy Abraham and James Coyne take us on a journey to discover this largely untold story of cricket's fate in the world's most colourful continent. Fascinating and surprising, Evita Burned Down Our Pavilion is a valuable addition to cricketing and social history.

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Beyond The Pavilion spans seventy years of social, regional and cultural history through the eyes of one of cricket’s earliest Test match wayfarers, Barry Knight. As a ten-year-old, Barry saw Don Bradman’s 1948 ‘Invincibles’ at Lord’s. His early days were spent playing street cricket in London’s East End, captaining his school against Eton College, and later captaining England Schoolboys. At the age of fifteen, he was recruited to play for Essex and went on to become one of England’s finest all-round cricketers. In this memoir, Barry reflects on his international playing career and his experiences touring India, Pakistan, Australia and New Zealand in the 1960s. He recounts tours with Fred Trueman, Geoff Boycott, Ted Dexter, and Colin Cowdrey and playing against the era’s best Australian, Indian, Pakistani, and West Indian players. He also shares stories about life in London in the Swinging Sixties and his place in the D’Oliveira affair, and the anti-apartheid protests. After his retirement, Barry moved to Australia in the 1970s and became Australia’s first professional cricket coach mentoring and developing three Test match captains: Allan Border, Mark Taylor and Steve Waugh. He also had a front-row seat in the development of World Series Cricket. The book includes endorsements from leading players, commentators and journalists, including Sir Garfield Sobers, Allan Border, Ian Chappell, Barry Richards, Geoffrey Boycott, Doug Walters and Sir Michael Parkinson. This sporting memoir is richly illustrated with photographs from Andrew Leeming’s and other private collections.

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Over and Out is the remarkable story of a neglected cricket hero. Albert Trott was good enough to play for Australia and England, but at the height of his powers no Test team would pick him. He brought an Ashes series to life by taking 8-43 on debut and his batting average for Australia was 102.5. This was the man who cleared the Lord's pavilion with the biggest of hits. Over and Out celebrates his exploits on the field, which for far too long have been hidden by the taboo of suicide. It also addresses the mystery of Albert Trott, how he responded to the external forces that fashioned his life and ultimately why he did what he did. From fame to broke and broken, from Melbourne to Middlesex his story is compelling. While lesser men have found their place within the cricketing pantheon, it has been the fate of 'Dear Trotty' to be excluded, the permanent outsider. There is no portrait of Albert Trott in the Long Room in the Lord's pavilion. It is time for him to take up his rightful place in the history of the game.

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Artisan Art Notebooks, the new Journals from Flame Tree in a range of hues to suit the moment and featuring magnificent art. They’re hand crafted with decorated edges overflowing with petals, teasing vines and patterns. A unique blend of the practical and beautiful, with two ribbons and lined pages, the Artisan Art Notebooks are perfect for notes, creative writing, poetry, doodles and lists. And, with robust flexi covers, they’re easy to slip into your bag and a pleasure to use. Simply, they feel good! The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. The King’s apartments were moved to the ground floor during John Nash’s transformation of the residence, designed with comfort in mind. There are familiar international influences – Indian, Chinese, French – and some wonderful pieces of Regency furniture. The walls are covered with a hand-painted copy of decorator Robert Jones’ original printed wallpaper. This was one of the King’s favourite designs, featuring dragons, birds and flowers in an intricate pattern.

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Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures. Located on a portion of what was once the extensive property of the Ardrossan Estate, an early 20th-century Georgian Revival mansion by Horace Trumbauer, the new pavilions accompany one of the next generation of houses that can now be seen on the rolling hills of the historic manor. Pavilion Living is a story that encompasses architecture, patronage, and the art of benessere (well-being) with the aim of serving designers and homeowners seeking similar solutions to meaningful outdoor living.

Read more less

A delightful selection of the exquisite interior designs of The Royal Pavilion at Brighton. A fine new art calendar from Flame Tree.The Royal Pavilion at Brighton is the sumptuous seaside pleasure palace of King George IV. Designed by architect John Nash, and completed in 1823, it was constructed as a spreading tent in the Indian style. It includes lavish ‘Chinoiserie’ embellishments of dragons, birds, flowers and mystical creatures with decorative elements of bamboo and artificial illumination. The decorations were executed to a high standard by Frederick Crace and Robert Jones. The King confessed that he ‘cried for joy’ when he contemplated the Pavilion’s splendours. Visitors today may well have a similar experience. This calendar showcases 12 images of the exquisite interior design and decoration to be found in the Pavilion''s rooms, from the opulence of the Music Room to the delightful wallpaper in Queen Victoria’s Bedroom.

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Yoshimasa may have been the worst shogun ever to rule Japan. He was a failure as a soldier, incompetent at dealing with state business, and dominated by his wife. But his influence on the cultural life of Japan was unparalleled. According to Donald Keene, Yoshimasa was the only shogun to leave a lasting heritage for the entire Japanese people. Today Yoshimasa is remembered primarily as the builder of the Temple of the Silver Pavilion and as the ruler at the time of the Onin War (1467-1477), after which the authority of the shogun all but disappeared. Unable to control the daimyos-provincial military governors-he abandoned politics and devoted himself to the quest for beauty. It was then, after Yoshimasa resigned as shogun and made his home in the mountain retreat now known as the Silver Pavilion, that his aesthetic taste came to define that of the Japanese: the no theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukuri architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry. Even the most barbarous warlord came to want the trappings of culture that would enable him to feel like a civilized man. Yoshimasa and the Silver Pavilion gives this long-neglected but critical period in Japanese history the thorough treatment it deserves.

Read more less

While Mies van der Rohe’s pavilion at the International Exposition in Barcelona in 1929 went unnoticed by most of the visitors to the fairgrounds, contemporary critics enthusiastically hailed it as the most convincing statement of the Modern Age. This book presents 100 selected texts about this much discussed building, written then and now: from the opening speech by the Spanish king, to newspaper articles and private letters, voices of contemporary architects, architecture critics and historians, and even a text by artist Ai Weiwei, who created an installation in the outdoor area of the pavilion in 2010. Thus the history of this building’s reception depicts a dazzling picture and inconceivable breadth, including statements by such eminent authors as Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman.

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A gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring popular artwork, making it the perfect gift for all art and book lovers!Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring vibrant wallpaper from the Royal Pavilion Brighton. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. Queen Victoria visited the Pavilion on a number of occasions between 1837 and 1845. The hand-painted wallpaper in her bedroom was recently returned to the Pavilion from Buckingham Palace and restored. With its jewel colours and exotic plants and birds, it must have transported the young queen to another world, far from the busy streets of Brighton.

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This volume examines the relationship between modern sculpture and architecture in the mid-twentieth century, an interplay that has laid the ground for the semisculptural or semiarchitectural works by architects such as Frank Gehry and artists such as Dan Graham. The first half of the book explores how the addition of sculpture enhanced several architectural projects, including Mies van der Rohe's Barcelona Pavilion (1929) and Eliel Saarinen's Cranbrook Campus (1934). The second half of the book uses several additional case studies, including Philip Johnson's sculpture court for New York's Museum of Modern Art (1953), to explore what architectural spaces can add to the sculpture they are designed to contain. The author argues that it was in the middle of the twentieth century – before sculptural and architectural forms began to converge – that the complementary nature of the two practices began clearly to emerge: figurative sculpture highlighting the modernist architectural experience, and the abstract qualities of that architecture imparting to sculpture a heightened role.

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'A highly entertaining read, deftly melding social history with sporting memoir and travelogue' Mail on SundayA history of Latin America through cricketCricket was the first sport played in almost every country of the Americas - earlier than football, rugby or baseball. In 1877, when England and Australia played the inaugural Test match at the MCG, Uruguay and Argentina were already ten years into their derby played across the River Plate.The visionary cricket historian Rowland Bowen said that, during the highpoint of cricket in South America between the two World Wars, the continent could have provided the next Test nation. In Buenos Aires, where British engineers, merchants and meatpackers flocked to make their fortune, the standard of cricket was high: towering figures like Lord Hawke and Plum Warner took star-studded teams of Test cricketers to South America, only to be beaten by Argentina. A combined Argentine, Brazilian and Chilean team took on the first-class counties in England in 1932. The notion of Brazilians and Mexicans playing T20 at the Maracana or the Azteca today is not as far-fetched as it sounds.But Evita Burned Down Our Pavilion is also a social history of grit, industry and nation-building in the New World. West Indian fruit workers battled yellow fever and brutal management to carve out cricket fields next to the railway lines in Costa Rica. Cricket was the favoured sport of Chile's Nitrate King. Emperors in Brazil and Mexico used the game to curry favour with Europe. The notorious Pablo Escobar even had a shadowy connection to the game. The fate of cricket in South America was symbolised by Eva Peron ordering the burning down of the Buenos Aires Cricket Club pavilion when the club refused to hand over their premises to her welfare scheme.Cricket journalists Timothy Abraham and James Coyne take us on a journey to discover this largely untold story of cricket's fate in the world's most colourful continent. Fascinating and surprising, Evita Burned Down Our Pavilion is a valuable addition to cricketing and social history.

Read more less