Search results for ""Open Field""

Explore the vast beauty of the United States through this journey of spiritual self-discovery. Whether it's the desert in Sedona, Arizona, the Appalachian Mountains in Tennessee, or an open field in Gap, Pennsylvania, each place offers a unique setting for relaxation and reflection. With 207 color images, you'll be meditating your way cross-country. Don't know how to meditate? Techniques are offered in eight different types to help the beginner and seasoned traveler further along in their journey of spiritual healing and growth, including Cellular Sun Meditation and Clear Sky Mind Meditation. This virtual road trip will open your mind and senses to the joy of nature.

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This new edition of a successful, practical book provides a comprehensive and accessible overview of all aspects of the production of the tomato crop, within the context of the global tomato industry. Tomatoes are one of the most important horticultural crops in both temperate and tropical regions and this book explores our current knowledge of the scientific principles underlying their biology and production. Tomatoes 2nd Edition covers genetics and breeding, developmental processes, crop growth and yield, fruit ripening and quality, irrigation and fertilisation, crop protection, production in the open field, greenhouse production, and postharvest biology and handling. It has been updated to: reflect advances in the field, such as developments in molecular plant breeding, crop and product physiology, and production systems. include a new chapter on organic tomato production. present photos in full colour throughout. Authored by an international team of experts, this book is essential for growers, extension workers, industry personnel, and horticulture students and lecturers.

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This true story of a revolt at a Nazi death camp, newly updated, is “a memorable and moving saga, full of anger and anguish, a reminder never to forget” (San Francisco Chronicle). On October 14, 1943, six hundred Jews imprisoned in Sobibor, a secret Nazi death camp in eastern Poland, revolted. They killed a dozen SS officers and guards, trampled the barbed wire fences, and raced across an open field filled with anti-tank mines. Against all odds, more than three hundred made it safely into the woods. Fifty of those men and women managed to survive the rest of the war.In this edition of Escape from Sobibor, fully updated in 2012, Richard Rashke tells their stories, based on his interviews with eighteen of the survivors. It vividly describes the biggest prisoner escape of World War II. A story of unimaginable cruelty. A story of courage and a fierce desire to live and to tell the world what truly went on behind those barbed wire fences.

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W.G. Hoskins was one of the most original and influential British historians of the twentieth century. He realised that landscapes are the richest record we have of the past, and with his masterpiece, The Making of the English Landscape, he changed forever how we experience the places we live and work in.Where we see a picturesque scene of rolling hills, distant spires and wooded valleys, Hoskins shows us the line of a Bronze Age trackway, the ghostly impression of an open-field system, the gridiron pattern of an industrial town, or the footprint of a Roman villa. By revealing these traces of the past, Hoskins enables us to appreciate different landscapes as if they were pieces of music, a series of compositions which enrich our understanding of the symphonic whole.While planning and building our future villages and towns, in both green and urban places, this pioneering account reminds us why we must be sensitive to the land and its past as we leave our own marks in England's historical landscape.

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Architect Peter Eisenman and landscape architect Laurie Olin have been collaborating since 1980 on projects both built and unbuilt. Their key works include the Wexner Center for the Arts and the Holocaust Memorial in Berlin. This first book on their important and unusually egalitarian working relationship offers a revealing look at the development of a 25-year collaboration, beginning with the title work, a recent site-specific environmental installation, and continuing through a survey of their portfolio. Each of the two also maintains an individual practice and teaches: Olin is the Practice Professor of Landscape Architecture and Regional Planning at the University of Pennsylvania and the author of Across the Open Field, Essays Drawn on the English Landscape, and co-author of Vizcaya, An American Villa and its Makers. Peter Eisenman was the first Irwin S. Chanin Distinguished Professor of Architecture at The Cooper Union and is currently the Louis I. Kahn Professor of Architecture at Yale. His books include Diagram Diaries and Chora L Works, co-authored with Jacques Derrida. Fertilizers includes essays by each of them, an interview and many seldom-seen images.

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On the first day of July 1863, Robert E. Lee’s Army of Northern Virginia accidentally crossed swords with George Gordon Meade’s federal Army of the Potomac. They clashed at a tiny Pennsylvania crossroads called Gettysburg. Three days later, at least 22,000 Confederate men and boys were dead, wounded or captured, and the Yankees held the field when the river of bloodshed finally stopped. Gettysburg was General Lee’s worst defeat on an open field of battle. In The Court Martial of Robert E. Lee, a discouraged Confederate Congress summons General Lee to Richmond in December 1863, to face a board of inquiry on the Battle of Gettysburg. Through this speculative board of inquiry, the reader is drawn into the true history of the Army of Northern Virginia and the real political personalities and true political intrigue of Richmond in 1863. Will General Lee be relieved of command? Perhaps sent into retirement borne of catastrophic failure, leaving behind forever his beloved Army of Northern Virginia? The reader feels his pain and the anguish of a defeated general who wrote four months after Gettysburg that, “My heart and thoughts will always be with this army.”

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Cleley comprises a dozen parishes in the south on either side of Watling Street, and includes the royal estate, the honor of Grafton. This new volume, the first to be published for Northamptonshire since 1937, deals with a group of a dozen parishes in the south of the county, on either side of Watling Street between Towcester and Stony Stratford. Essentially a group of typical Midland open-field parishes, the main interest of the area lies in the creation of a great royal estate, the honor of Grafton, in 1542, which occupied about half the hundred. In 1706 the honor passed to the secondDuke of Grafton under a grant made by his grandfather, Charles II. The dukes remained the principal owners in the district until a series of sales just after the First World War.Researched with the thoroughness for which the Victoria County History has long been well known, and illustrated with numerous maps and plates, this volume will be of great interest to local residents who wish to know about the past history of their community, and also to a widerange of academic readers, especially historians interested in landed estates between the sixteenth and the twenty-first century.

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This volume contains the histories of five ancient parishes in the west of Oxfordshire near the river Thames, comprising the small town of Bampton and some 13 villages and hamlets. Though chiefly looking to markets at Witney and Oxford the area was long dominated by Bampton, the centre of a large Anglo-Saxon estate, site of a late Anglo-Saxon minster, and formerly a market town. A detailed account is given of the town's topography, buildings, and economicdevelopments and the organization of the local landscape from an early date is explored. Most villages were nucleated, and despite some controversial early inclosures, notably at Northmoor, open-field farming prevailed until the 19th century. A few scattered hamlets and farmsteads resulted probably from woodland clearance or late colonization, and several settlements were shrunk or deserted in the late Middle Ages. Standlake had a medieval market and fair,and until the late 17th century there was textile and leather working notably at Standlake and Bampton. Important buildings include the former Bampton castle, the 15th-century timber-framed manor house at Yelford, and CokethorpeHouse. Bampton church is of unusual size and quality, and carvings in Ducklington church may be associated with a late medieval cult of the Virgin. Cote was an important centre of religious noncon-formity from the 17th century.

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The United States has long epitomized capitalism. From its enterprising shopkeepers, wildcat banks, violent slave plantations, and raucous commodities trade to its world-spanning multinationals, its massive factories, and the centripetal power of New York in the world of finance, America has shaped political economy for two centuries and more. But an understanding of "capitalism" is as elusive as it is urgent. What does it mean to make capitalism a subject of historical inquiry? What is its potential across multiple disciplines, alongside different methodologies, and in a range of geographic and chronological settings? And how does a focus on capitalism change our understanding of American history? American Capitalism collects cutting-edge research from prominent scholars, sampling the latest work in the field. Rather than a monolithic perspective, these broad-minded and rigorous essays venture new angles on finance and debt, women's rights, slavery and political economy, labor, and regulation, among other topics. Together, the essays suggest emerging themes in the field: a fascination with capitalism as it is made by public authority, how it is experienced in the detail of daily life, how it spreads across the globe, and how it can be reconceptualized as a discrete and quantified object. A major statement for a wide-open field, this book demonstrates the breadth and scope of the work the history of capitalism can provoke.

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This book provides an in-depth exploration of the rich and persistent use of analogical thinking in the built environment. Since the turn of the 21st century, “design thinking” has permeated many fields outside of the design disciplines. It is expected to succeed whenever disciplinary boundaries need to be transcended in order to think “outside the box.” This book argues that these qualities have long been supported by “analogical thinking”—an agile way of reasoning in which think the unknown through the familiar. The book is organized into four case studies: the first reviews analogical models that have been at the heart of design thinking representations from the 1960s to the present day; the second investigates the staying power of biological analogies; the third explores the paradoxical imaginary of "analogous cities" as a means of integrating contemporary architecture with heritage contexts; while the fourth unpacks the critical and theoretical potential of linguistic metaphors and visual comparisons in architectural discourse. Comparing views on the role of analogies and metaphors by prominent voices in architecture and related disciplines from the 17th century to the present, the book shows how the “analogical world of the project” is revealed as a wide-open field of creative and cognitive interactions. These visual and textual operations are explained through 36 analogical plates which can be read as an inter-text demonstrating how analogy has the power to reconcile design and theories.

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The United States has long epitomized capitalism. From its enterprising shopkeepers, wildcat banks, violent slave plantations, huge industrial working class, and raucous commodities trade to its world-spanning multinationals, its massive factories, and the centripetal power of New York in the world of finance, America has come to symbolize capitalism for two centuries and more. But an understanding of the history of American capitalism is as elusive as it is urgent. What does it mean to make capitalism a subject of historical inquiry? What is its potential across multiple disciplines, alongside different methodologies, and in a range of geographic and chronological settings? And how does a focus on capitalism change our understanding of American history?American Capitalism presents a sampling of cutting-edge research from prominent scholars. These broad-minded and rigorous essays venture new angles on finance, debt, and credit; women’s rights; slavery and political economy; the racialization of capitalism; labor beyond industrial wage workers; and the production of knowledge, including the idea of the economy, among other topics. Together, the essays suggest emerging themes in the field: a fascination with capitalism as it is made by political authority, how it is claimed and contested by participants, how it spreads across the globe, and how it can be reconceptualized without being universalized. A major statement for a wide-open field, this book demonstrates the breadth and scope of the work that the history of capitalism can provoke.

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The Anglo-Saxon period was crucial to the development of the English landscape, but is rarely studied. The essays here provide radical new interpretations of its development. Traditional opinion has perceived the Anglo-Saxons as creating an entirely new landscape from scratch in the fifth and sixth centuries AD, cutting down woodland, and bringing with them the practice of open field agriculture, and establishing villages. Whilst recent scholarship has proved this simplistic picture wanting, it has also raised many questions about the nature of landscape development at the time, the changing nature of systems of land management, and strategies for settlement. The papers here seek to shed new light on these complex issues. Taking a variety of different approaches, and with topics ranging from the impact of coppicing to medieval field systems, from the representation of the landscape in manuscripts to cereal production and the type of bread the population preferred, they offer striking new approaches to the central issues of landscape change across the seven centuries of Anglo-Saxon England, a period surely foundational to the rural landscape of today. NICHOLAS J. HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester; MARTIN J. RYAN lectures in Medieval History at the University of Manchester. Contributors: Nicholas J. Higham, Christopher Grocock, Stephen Rippon, Stuart Brookes, Carenza Lewis, Susan Oosthuizen, Tom Williamson, Catherine Karkov, David Hill, Debby Banham, Richard Hoggett, Peter Murphy.

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Master the essentials of horse riding and improve your technique with this practical illustrated handbook. It features expert advice and tips for the absolute beginner, from putting on the bridle and tightening the girth to adjusting the stirrup leathers and holding the reins. How to perfect your posture and improve your seat, and how to mount, walk, trot, canter and gallop, including instructions for the more experienced rider. It features step-by-step photographic sequences and illustrations that show clearly what to do - and also what not to do. It includes a complete guide to the clothing and safety equipment you will need, such as hard hats, riding boots, trousers, chaps, body protectors and neck straps. It offers all riding exercises, techniques and possible pitfalls are shown in over 250 clear photographs and diagrams. The feeling of galloping through an open field in perfect harmony with your horse is hard to beat. To reach this level of unity, a few basic techniques are needed. This book explains these techniques in step-by-step detail so that you can enjoy riding your horse to its full potential. The book places special emphasis on the importance of good posture for achieving expert riding skills. It includes all the basics of good horse riding, from what to wear through to advanced techniques. Possible pitfalls are also shown, with solutions for handling them. A combination of theory and practice, this essential handbook will help you develop your confidence and horse riding skills.

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The volume gives the history of the eleven parishes that form the north-eastern part of Bramber rape, from Upper Beeding in the south to Ifield in the north, together with that of Crawley new town, founded in 1947. The area lies mostly on Wealden sands and clays, where settlement was chiefly scattered. Many settlements originated as outlying holdings of manors centred in the south end of the rape; the parish of Beeding lay in two parts, Upper Beeding astride the scarp of the South Downs, and Lower Beeding eleven miles to the north. St. Leonard's Forest in Lower Beeding was roughly divided in the Middle Ages between woodland and heath; its present appearance is the result of 19th- and 20th -century afforestation and reclamation for agriculture, and settlement was later there than elsewhere. The 19th century saw a great influx of wealthy new residents, some of whom built large houses or laid out parks or gardens like those at Sedgewick Park or Leonardslee. In the mid 20th century the villages or hamlets of Upper Beeding, Hen-field, and Mannings Heath in Nuthurst have been much expanded. Crawley, part of whose built-up area lay in Ifield parish, was already a town by the later 19th century; of other places, only Henfield was larger than the average, offering some urban functions. There is little evidence of open-field agriculture except in the south; St. Leonard's Forest was largely used as rabbit warrens in the 17th and 18th centuries; and market gardening and fruit and flower growing were prominent, for instance around Albourne, in the 20th. Industrial activities before the foundationof Crawley new town included medieval saltworking in the Adur valley, ironworking, quarrying, and fishing, together with varied woodland industries, and cement manufacture at Upper Beeding.

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On March 27, 1351, sixty armed men gathered in a field in Brittany, halfway between the two enemy castles of Josselin and Ploermel. Representing the garrisons of those two strongholds, these two groups of thirty men at arms they had appeared in this field with no strategic or tactical goal, other than to make good on their captains promise: 'We will go to an open field and there we will fight as long as we can endure it.' The battle was fought until all on one side were dead or captured, and no one ran away. This showdown in the fields of Brittany attracted attention in its own time and the story has been retold in many eras since, standing as the subject of romantic inspiration and call to bold action for over six hundred years. But was the Combat of the Thirty an admirable deed? Even in the fourteenth century, opinions were divided: some thought that it was a fight for no sensible reason, 'the product of presumption and rashness,' while others considered it a great demonstration of prowess, a word that designates a heroic combination of skill and courage. Why did sixty men risk themselves in a fight to the finish on that spring day in Brittany six and a half centuries ago? Why did it attract attention and praise in its time? Why does it interest us still? In this volume Steven Muhlberger translates the historical accounts of the Combat and then examines both what contemporaries thought, and how the battle has been remembered through the centuries, giving readers a window into late medieval chivalric culture. As a bonus, renowned 14th century arms and armour scholar Douglas Strong includes an appendix analysing the equipment used by English, Breton and French forces on that bloody day in 1351. Nine colour plates

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Dick Higgins and his Something Else Press epitomized the riotous art of the ‘60s There are few art-world figures as influential—and as little known—as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many—as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others—but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.

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Those tasked with investigating death scenes come from a variety of backgrounds and varying levels of experience. Whether a homicide detective, crime scene investigator, medico-legal death investigator, coroner or medical examiner, Death Scene Investigation: Procedural Guide, Second Edition provides the investigator best-practice techniques and procedures for almost any death scene imaginable, including for deaths occurring even under the most unusual of circumstances.This Second Edition is fully updated to include new coverage on shallow graves, human remains at crime scenes, poisonings, expanded coverage of projectile weapons, videography, touch DNA, death notifications, and a newly added chapter dedicated to sexual deaths. In addition, the book serves as an on-scene ready reference which includes instructions on procedure including the initial notification of a death, processing the scene and body, the investigator's role at autopsy, and analyzing the scene indicators to place evidence into context.Topics discussed include: Initial response and scene evaluation Death scene management including documentation, sketching, photography, videography, observations, and search procedures A special death investigation matrix that walks the investigator though a decision tree to help in ambiguous deaths Contains discussion of all manners of death, including accident, suicide, natural and homicide Coverage of recovery of human remains from open field, aquatic, and buried sites including estimating the time of death. Wound dynamics and mechanisms of injury that covers asphyxiation, sharp and blunt force trauma, chopping injuries; handgun, rifle, and shotgun wounds, electrical injuries, and more The bulleted format and spiral binding allows for easy use and reference in the field with sections that are self-contained and cross-referenced for quick searches. With its thorough and detailed approach, Death Scene Investigation, Second Edition will be a must-have addition to any crime scene and death investigator’s tool kit.

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Felix Gonzalez-Torres’ text reveries on the intersections of the historical and the personal, gathered for the first time in this elegant clothbound volume Felix Gonzalez-Torres (1957-96) is one of the most significant artists to have emerged in the 1980s. An artist whose beautiful, restrained and often mutable works are abundant in compelling contradictions, Gonzalez-Torres was committed to a democratic form of art informed as much by the aesthetic and conceptual as by politics. His work challenges authority and our obeisance to it, dissolves the delineations between public and private, and creates a rich, open field into which the viewer is invited to complete works with her own inferences, imagination, and actions. The photostats are a series of fixed works with white text on black fields framed behind glass to create a reflective surface bringing the viewers' reflection into the work. Made at the height of the AIDS crisis, these profoundly suggestive lists of political, cultural, and historical references disrupt hierarchies of information and linear chronology, asking how we receive and prioritize information, how we remember and forget, and how we continuously create new meaning. The photostats also recall the screens (the television, and now the computer) which furiously deliver information from which we must parse substance from surface and choose what to assimilate and what to reject. This elegant volume is a discrete space in which to closely read the photostats with sustained attention: it opens from both sides, reproducing the framed photostats as objects on one, and from the other, details of the texts can be read as writing. In between the two, original writings by Mónica de la Torre and Ann Lauterbach, explore adjacent territories, signaling the multiple entry points for understanding the works.

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This is the first full-length biography of the Civil War general who saved the Union army from catastrophic defeat at the Battle of Chickamauga, and went on to play major roles in the Chattanooga and Mobile campaigns. Immediately after the war, as commander of U.S. troops in Texas, his actions sparked the "Juneteenth" celebrations of slavery's end, which continue to this day.Granger's first battle was at Wilson’s Creek, Missouri, and he soon thereafter rose through the ranks - cavalry, then infantry - in early 1863 vying with Forrest and Van Dorn for control of central Tennessee. The artillery platform he erected at Franklin, dubbed Fort Granger, would soon overlook the death knell of the main Confederate army in the west.Granger's first fame, however, came at Chickamauga, when the Rebel Army of Tennessee came within a hair’s-breadth of destroying the Union Army of the Cumberland. Without orders - even defying them - Granger marched his Reserve Corps to the scene of the hottest action, where Thomas was just barely holding on with the rump of Rosecrans' army. Bringing fresh ammunition and hurling his men against Longstreet’s oncoming legions, Granger provided just enough breathing space to prevent that Union defeat from becoming the worst open-field battle disgrace of the war.Granger was then given command of a full infantry corps, but just proved too odd a fellow to promote further. At Chattanooga he got on the nerves of U.S. Grant for going off to shoot cannon instead of commanding his troops (he’d actually indulged this impulse also at Chickamauga) and Sherman had no use for him either. So he went down to join Farragut in the conquest of Mobile, Alabama, leading land operations against the Confederate forts.This long-overdue biography sheds fascinating new light on a colourful commander who fought through the war in the West from its first major battles to its last, and even left his impact on the Reconstruction beyond.

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MOLA (formerly Northamptonshire Archaeology) undertook archaeological excavations at Stanground South between September 2007 and November 2009 on behalf of Persimmon Homes (East Midlands) Ltd and in accordance with a programme of works designed and overseen by CgMs Heritage. The site is situated on the south-eastern outskirts of Peterborough, on glacial tills overlooking along the Fen edge. The works comprised five areas of set-piece excavation and a series of strip map and record areas, targeted on areas of archaeological potential identified by previous evaluation works. In total, an area of 70ha was subject to archaeological mitigation. The excavations recorded archaeological remains dating from the Bronze Age to the medieval period. The earliest features comprised four burnt mounds dating to the early Bronze Age, one of which was associated with two superimposed buildings and a small group of up to six cremations. In the middle Bronze Age there was a substantial unenclosed cemetery (urnfield) comprising 78 cremations (as well as a further possible three outlying cremations to the urnfield). In the late Bronze Age/early Iron Age a substantial droveway, up to 65m wide, was constructed leading northwards from the Fen edge to higher ground. A series of post-built roundhouses were later constructed within the confines of the droveway. In the middle Iron Age, the droveway was partitioned to form a series of enclosures, within one of which a settlement was established adjacent to the Fen edge. This included roundhouses and a number of two-post and four-post structures. In the later Iron Age, an enclosed settlement had developed to the north-west. This comprised several roundhouses within a substantial rectangular enclosure, which was open at its southern end. It appears that this began as an unenclosed site, which was later enclosed. Removal of cattle horn for working may have been occurring. In the Roman period (2nd and late 4th centuries AD) a series of small enclosures were constructed on the eastern side of the later Iron Age enclosed settlement. These contained structures and features apparently associated with rural industry, which may have also exported surplus to market. Industries including the processing of hide, late Roman cheese making (with seven presses recovered), late Roman pottery production and some metalworking. The economy of the site from the later Bronze Age onwards was focussed on pastoralism, with limited evidence for grain cultivation. During the Roman period, this seems to have specialised further towards dairy farming. The environment of the site seems to have undergone little change from the later Bronze Age, being largely open with areas of woodland and wetter areas. Peat growth during the Iron Age resulted in the covering of some of the Bronze Age features. During the medieval period, large portions of the site were given over to open field cultivation, evidenced by the remains of ridge and furrow cultivation. The area was partitioned in the post-medieval period by the construction of a series of drainage ditches, which form the basis of the current field pattern.

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